Understanding Your Characters

Part of what makes a great story is great characters. Any reader can tell you that. Writers talk about developing characters, fleshing them out, giving them back story, making them flawed and relatable. These are all vital steps in creating great a character.

But once the character is created, I find I have yet one more hurdle that I have to jump: I have to understand my characters.

A young couple in Galway contemplate the evening

But you created them, you might say with surprise. You wrote their background, you devised their likes and dislikes, fears and dreams. What’s left to understand?

Lots.

Characters run the show. They get away from you, the writer, taking their own story in directions you hadn’t anticipated. Yes, I know that sounds ridiculous. Yet it happens to all writers.

In my current work in progress, I realized after finishing the second draft that I had the wrong killer. A different character was standing in the wings looking guiltily around, trying not to make eye contact with me. Ah-hah, I thought. That’s the real killer!

Trying to pull a fast one on me, I might add.

In several of my books I have another problem of understanding with some of my characters: I write characters who are not native English speakers.

My mother and grandmother in Warsaw

As we all know, language affects not just the way we talk but even the way we think. Writing a foreign character (foreign to me, that is) means not only understanding their native tongue enough to be able to replicate their thoughts, but also understanding the way they frame their thoughts in the first place.

A Pole, an American and an Irishman walk into a bar…. They’re all thinking a little differently and it’s my job to understand those differences.

A woman examines a grave in Warsaw. What might she be thinking?

I’m not complaining. I love that job! I spend time improving my language skills. (By the way, for anyone interested in learning French, I recommend the lessons by Paul Noble. They’re very good!). Extra bonus, it helps when I travel the world and meet new people. So it’s a good problem to have. And one that I hope I have succeeded in overcoming.

But you tell me. If you’ve read any of my books, I’d love to hear your thoughts on my foreign characters and how well I’ve captured their differences.

Learn more about Jane Gorman and the Adam Kaminski mystery series at janegorman.com.

Brainstorming another Series by Paty Jager

Besides loving thinking up ways to kill people and how to fool readers about who did it, I love coming up with a new series and characters.

That’s where I’m at now. I have three more Shandra Higheagle Mystery books to write and I’ll introduce the two main characters of my next mystery series in that third book.  I’ll keep writing the Shandra books, but plan to bring out another series in 2019 that will be written this coming year.

 

The main character of the next series will be a male Nez Perce Fish and Game warden.

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Wallowa Lake

He’ll be working the area his ancestors once roamed during the summer and winter months. He’ll be a proficient tracker, asked to come help find people, and to train others. This will take him not only around the state but also to seminars, giving him an expanded area to help solve the murders.

To make this even more unique, he will spend time at a remote hunting lodge in the mountains where he works that is owned by a woman who he respects and is in love with but who he feels doesn’t deserve someone the likes of him.

She will be an independent woman who runs the hunting lodge and flies an airplane, which is one of the two ways to get to the lodge. The other is by horseback.

So far these are the only two characters I know and am still fleshing them out. There will be a superior of Hunter, that’s my name for the character right now but that could change. Still working on it. And there will be employees for the lodge.

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photo from depositphoto

I also need to come up with a name for Hunter’s horse. A sturdy Appaloosa/Quarter horse cross gelding. I’m also thinking about him having a dog. Perhaps part wolf or husky. Still working out these details.

I’ve been reading books by Craig Lesley. He has a male Nez Perce main character in his books. It is giving me the “feel” for how a man such as my character would think and talk.  I’m enjoying the books and the getting to know my character through his characters.

As I start working on this series, I’ll keep you updated on how it’s coming along and when you can find the books.

SH Mug Art

photo of Wallowa Lake by Paty Jager

 

 

 

What is “Real”?

by Janis Patterson

Writing is a time consuming occupation. Not only do we have to spend time plotting, thinking, and constructing our stories, we spend time putting them into a concrete form and then making them as polished a form as we possibly can. Then – if we want respectable sales – we must spend egregious amounts of time doing publicity and interacting with our readers.

Sounds easy, doesn’t it? Well, it ain’t.

It wouldn’t be easy even if life didn’t intrude. Writers have families and jobs and lives, to say nothing of accidents and incidents and attacks of the unexpected. There are writing gurus who say you must write every day for a certain amount of time. That’s great, if your life allows and that works for you. I’m certain that somewhere there is someone who does this, but I don’t know any.

So what do we do? My answer is, the best we can. It’s not only a matter of time management, it’s a matter of priorities. When your granddaughter is in a life-threatening accident your focus should not be on writing. When the laundry reaches Matterhorn proportions or your living room needs dusting, that is no excuse not to write. (Of course, The Husband says I take that last dictum much too much to heart, and lately he has started muttering about finding a sharecropper for the parlor.)

The question devolves down to : Are you a writer or a hobbyist? Assuming that there is nothing life-altering going on (dust does not count) you have to decide just how important writing is to you.

In my case, it’s very important. I am a professional novelist, and a few days ago finished my fifth book this year. Because of this job, I miss shopping expeditions and luncheons with girlfriends, theatre trips and even some family gatherings – as tempting as such frivols sound – and have to plan my books around the trips The Husband and I make. (And I have never journeyed anywhere in the last decade that a laptop or tablet did not go with me!)

I also have a life. While I am blessed not to have to have a regular-in-an-office job, there are still lots of things that must be done. Groceries must be bought and eventually cooked. Pets must go to the vet. The car must be attended to. Extended family needs attention. The minutiae of living must go on, whether you work outside the home or not. My family is very important to me, as is my activism for animal welfare and conservative causes. The Husband’s happiness is always paramount in my priorities, and there is no way either he or I will ever give up our interest in and studies of Ancient Egypt and the Civil War. Health issues also raise their ugly heads from time to time.

But I am a writer, and after the really important things – family, beliefs, home – writing comes first, before nearly all social events, before frivols, before self-indulgences. Most self-indulgences. Some of my friends become insulted when I cannot go to lunch or take the afternoon off to go shopping, though they would never have such a reaction if I worked a 9-to-5 in an office. It’s disheartening to think that after all this time so many people still think that if you work from home you don’t have a ‘real’ job… Or that if you’re a self-employed writer, you still don’t have a ‘real’ job… Or that if you’re self-publishing and don’t have a big contract with a major publisher you really don’t have a ‘real’ job. After all, aren’t all self-published writers just wanna-bes or hobbyists who couldn’t get a ‘real’ publisher?

Yes, I have heard almost those exact words from people who are otherwise intelligent and sophisticated. Some of them I have given up trying to convince that I do have a ‘real’ job. Some truly do equate writing with lounging around, tossing off X number of words in a string, having them published immediately and then sitting back while unbelievable riches roll in.

Don’t we all wish!

In the Dark: About Titles, Writing and Eclipses

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I usually develop the titles to my books somewhere in the early stages of writing. I know the theme, I know the murder weapon and motive, and I know the red herrings that will be swimming through the story. The title usually comes from one of those. This time around, I find myself in the dark.

Simple three books

My current work in progress takes place on a cruise ship traveling from New York to Bermuda. Our hero, Philadelphia detective Adam Kaminski, must figure out who poisoned the Claypoole family patriarch—and how—before the ship docks and all the witnesses (and suspects) hit the open seas. But first he has to convince himself that he still has what it takes to catch a murderer.

I really want to title the book, Through a Glass Darkly. It’s part of a verse from the bible, 1 Corinthians 13:12, “For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.” I love the poetry of the words and also the theme it implies—being in the dark but eventually finding your way to the light. After all, isn’t that what happens in most mysteries?

It didn’t take much polling of friends and readers to realize my working title wasn’t a hit. Too many people didn’t get the reference. And my books are not religious in any way, shape or form, so I really don’t want to give the wrong impression.

That led me to working title number two, Voices Carry. It fits with one of the elements of the story. It’s short, kind of catchy. It would work as a title. But I just kept thinking about the darkness.

Eclipse

Today is an appropriate day to think about darkness, obviously. I’m not on the path of the total eclipse, sadly, but I was able to see a partial eclipse. I loved watching not only the eclipse itself, but also its effect on the shadows on the ground around me. They became visibly crisper, cleaner. I’m a huge fan of shadows, so for me that was one of the highlights.

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Light and dark, shadows and sun. I need a title that captures it all. Being in the dark, then seeing clearly.

Right now, I’m on working title number three, A Pale Reflection. I’m toying with changing that to A Dark Reflection.

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At some point soon, I need to make a decision! I’m still hoping the right title with come to me, focused like an eclipse-sharpened shadow. Or perhaps a sign from above, like the blotting out of the sun.

If any of you have any suggestions, I’m open to ideas! Let me know what you think!

For more information about Jane Gorman’s books, visit janegorman.com or follow her on Facebook or Twitter.

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What Makes a Book Great?

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I just finished the seventh book in a seven book mystery series. I picked up the first because I loved the cover. Also because it had a good blurb and some good reviews and it was set in a little town in France that appealed to me, but mostly because it had a beautiful, tantalizing cover.

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I like to think this cover is just as captivating!

I bought the second book as soon as I’d finished the first, and kept going that way straight through book seven. As an author, I have to ask myself, why did I find this series so compelling?

There were several ways in which the writer didn’t follow the “rules” that writers are so often warned about.

She bounced around between points-of-view. For every book you read, there is one— or two or three or more—point-of-view characters. That’s the character through whose eyes you get the story. In a cozy, which this series was, that’s typically the amateur sleuth—the little old lady or librarian or divorcee or pet shop owner or knitting club president who can’t help but get involved and who solves the crime in the end.

Writer are always warned not to bounce around between points-of-view, and if you must have more than one point-of-view character, then change points of view between scenes, not within a scene. That’s how I do it when I write. Each of my stories is told partly from the point of view of Adam Kaminski, the hero, and also partly through the eyes of another important character. And sometimes through the eyes of the killer.

But this series jumped from one person to another to another to another all within the same scene. The writer used a striking combination of the omniscient point of view (when the reader hears all the thoughts of all the characters) and a second person point of view.

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It broke the rules and it was wonderful!

Other aspects of these stories could have irritated other readers. There were some editing errors. Not little typos, but pretty major issues such as a character not speaking French in one scene then speaking French in another (I actually thought that was a clue and it proved the character was lying about himself, but it turned out just to be an error!).

So why did I love these books so much?

The characters. The juicy, crazy, emotional, fascinating, sometimes twisted, sometimes bizarre characters that populate the little town in which the stories take place.

Though I should clarify, the town itself was one of those characters. A beautifully crafted and gorgeously described town in the south of France.

Focus groups and marketing studies are clearly important, but not something I can do within my budget. Instead, I base a lot of my decisions about my books on what I like or don’t like. And this series proved a few things I kind of already knew.

I will choose a book by its cover. And I will keep reading a book because of its characters.

What do you look for in the books that keep you reading?

Learn more about the Adam Kaminski mystery series by Jane Gorman at janegorman.com or follow her on Facebook, Twitter and Instagram.

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