Guest Blogger – Sally Carpenter

New Books For Strange Times

I’d like to thank Paty Jager and the ladies of mystery for allowing me a guest post. It’s been a while since I was a regular contributor on this blog, and much has happened in the meantime.

 The pandemic has not affect me as much as others. Fortunately I work an essential job (newspaper), so I’m still commuting to my day job. Many of my fellow employees are working from home, so those of us who are still in the office have plenty of space to move around safely.

As a writer, I’m at home much of the time anyway, and I’ve put the time to good use. I reorganized files and did some rearranging to make my home more comfortable. Little changes, but effective.

And I’ve gone gun ho on the writing.

I hadn’t written a Sandy Fairfax mystery in several years, so I reread the older books to get up to speed on the character. I found grammatical and continuity errors as well as more cuss words than necessary. Ouch! How embarrassing. With permission of my publisher, I took the opportunity to edit the older books. I’m fixing the mistakes, cleaning up the language, and reworking awkward passages for a better read. With Print On Demand technology, all new print and ebooks purchased going forward will have the changes. So far “The Sinister Sitcom Caper” is finalized. “The Cunning Cruise Ship Caper” and “The Quirky Quiz Show Caper” should both be ready in a month or two.

Once all the old books are corrected, I can focus on the next Sandy book. The working title is “The Cryptic Christmas Caper.” Sandy is the emcee of the Miss North Pole Pageant, where the contestants are dropping like snowflakes.

I launched a new book in June, the second in my Psychedelic Spy retro-cozy series set in 1967. “Hippie Haven Homicide” follows the further adventures of actress Noelle McNabb as she works with a super secret spy organization, SIAMESE (Special Intelligence Apparatus for Midwest Enemy Surveillance and Espionage). This time her cat, Ceebee, is part of the action.

In the 1960s, the CIA had a project called Acoustic Kitty. The plan was to implant a cat with a microphone, using its tail to hold a wire for transmission. The cat would wander around parks and embassies where spies met to talk. Nobody would notice a stray cat. The real-life project went nowhere, but the idea was too good to pass up.

So I made Ceebee the acoustic cat. The microphone is inside a metal collar around the cat’s neck. Noelle and agent Destiny King are inside a nearby van, listening in. As you might imagine, felines are a bit unpredictable, even spy cats.

While SIAMESE is chasing an enemy agent, a busload of counterculture hippies invade Noelle’s staid town of Yuletide, Indiana. This plot point was inspired by the International Society of Krishna Consciousness, better known as the Hare Krishnas, the orange-robed devotees who were hung out around airports and large cities to chant and pass out brochures on their beliefs. The 1960s saw an explosion of new spiritual ideas: Vatican II, the Jesus People, contemporary Christian music, Transcendental Meditation, communes and ISCKON.

My sect is SPARK: Spiritually Pure And Radiant Kin. Their guru is the Wise One, an elderly leader who rarely appears in public. First Sage handles the day-to-day operations of the sect. He also rigorously guards the members from “contamination of the material world.” The cult members clash with the police chief and residents of Yuletide. The situation worsens when one of the SPARK members is found dead. The police chief calls it a drug overdose. Noelle has her suspicions and investigates on her own with the help of a newspaper reporter, Trevor Spellman.

Noelle uses her acting skills to go undercover to both find a spy and solve a murder. Meanwhile, she babysits her siblings, works with an anxious bride-to-be who’s buying clothes for the bridal party, and digs out secrets in the McNabb family tree. All in a day’s work for a cozy sleuth.

So happy reads to all. If you want to stay abreast of my writing projects, follow me at facebook.com.Sally.Carpenter.54, or my website at sandyfairfax.com, or email scwriter@earthlink.net.

Sally Carpenter is native Hoosier living in southern California. She has a master’s degree in theater and a creative writing award from Indiana State University.

She also has a Master of Divinity and a black belt in tae kwon do.

She’s written six books for Cozy Cat Press: four in the Sandy Fairfax Teen Idol series (including 2012 Eureka! Award nominee The Baffled Beatlemaniac Caper) and two books in the Psychedelic Spy retro-series.

She’s contributed short stories to three anthologies and penned chapter three of the CCP group mystery Chasing the Codex.

To atone for killing characters on paper, she writes the Roots of Faith column for the Acorn Newspapers (theacornonline.com).

Guest Blogger – Lorrie Holmgren

When I start to plan an Emily Swift Travel Mystery, I go where my amateur sleuth will go and jot down descriptions, observations, and plot ideas in my journal.  Because Emily is a travel writer, I want to capture her enthusiasm for new places and describe them as well as I can. Useful as my journal is, however, I often turn to the Internet to develop my ideas in more detail when I’m actually writing. I find the combination of real-life observation and research works for me.

Sometimes I have an idea for a scene that means I must head off to a place I’ve never been.   In Murder on Madeline Island, the first book in the Emily Swift Travel Mystery series, Emily is helping an elderly woman search for her long-lost Ojibwa brother.   I thought her search might lead her to a Powwow.  So, I drove to Bayfield, Wisconsin to see a powwow firsthand. As I always do, I jotted down detailed descriptions in my journal.  But when I started to write the scene, I realized I needed more.  I went on UTube to watch the Shawl Dance and Grass Dance and found out their significance.  Then it was easy to imagine the scene.  In the final version a snippy young girl who has been resisting Emily’s entreaties to meet with the old woman, dances beautifully, transforming herself from a girl into a crow.  The character’s love of tradition gave her greater depth and made her more likeable.  That was my intention anyway. If you read it, let me know if you agree.

Sometimes I see something on a trip that gives me a plot idea and then I go online to find out more.  While I was in Hawaii, my husband and I visited a mountain top that had been the site of an ancient temple. Fresh fruits and flowers were placed there as if at a shrine or gravesite.  It seemed to me this would be the perfect place for a body to be discovered.  So, in Homicide in Hawaii, that’s where the victim’s body is found.  I went online to do research and discovered there had been a resurgence of interest in the old Hawaiian religion and worship of the god Lono.  Here was another lead to help me develop the story.  One character – a young girl who has been adopted and is now seeking information about her Polynesian heritage becomes fascinated by the old religion.

Now, when we are all kept inside by the Pandemic, it was a particular joy to relive my last trip to England where I did the research for A Killing in the Cotswolds, the third book in the series, which has just been published by Cozy Cat Press.  In the novel, Emily is writing articles about daytrips not far from London when she is drawn into a murder investigation.  Like Emily, I travelled from London to charming Cotswold villages to Stratford upon Avon and Avebury and enjoyed delicious teas and visits to historic sites.  But it was Internet research that gave me the idea for the long-buried secret that led to murder. I didn’t use the actual event, but it spurred my imagination.

For now, I highly recommend armchair travel.  Emily Swift Travel mysteries are available in print and Kindle on Amazon.

A Killing in the Cotswolds, An Emily Swift Travel Mystery

It’s springtime in England and travel writer Emily Swift is writing about charming Cotswold villages. But when a politician is found dead in a country inn, she and her boyfriend Jack are drawn into a murder investigation. Who killed him? An actor with a talent for deception?  A schoolmaster fired after a mysterious death? A tour guide at Warwick Castle bent on revenge?  Over tea and crumpets, Emily’s childhood friend begs her to find out and save an innocent woman from being charged with murder. Emily can’t say no. Clues lead through the British countryside and danger lurks where Emily least expects it.

The books are available in print and Kindle on Amazon

Lorrie Holmgren is the author of three Emily Swift Travel Mysteries: Murder on Madeline Island, Homicide in Hawaii and A Killing in the Cotswolds. She lives in Minneapolis, Minnesota, with her husband, busily penning mysteries and hoping it will soon be safe to travel.  She enjoys Zumba, Salsa, Bachata, aqua aerobics, gardening, knitting, and book group discussions.

Website www.lorrieholmgren.com

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And I wrote . . .

This is my first outing for Ladies of Mystery, and it is an honor. I should introduce myself. First and foremost, I consider myself a Mid-Westerner, though I’ve lived in most parts of the country and in Barbados. I come from a long line of Illinois farmers who produced my wanderlust father. When my family moved from the Mid-West to Colorado, my classmates were worried that I wouldn’t be able to keep in contact. I assured them that phones and mailboxes existed out there, too. But what a change! I went from a large multi-racial high school to a wee one with one Hispanic and one Asian in my class. Holy smokes!

I became an officer in the U.S. Navy right out of college, a B.S. in Journalism from the University of Colorado clutched in my fist. When I mustered out, I used my GI Bill to help fund an M.S. from Northwestern University. I clearly have an affinity for working in male-dominated environments. First, the Navy, then years in advertising, think Mad Men.

Along the way, I met this guy. After the yes, I worked in educational assessment for a Fortune 500 company, trained readers to score student writing, worked as a consultant to State Departments of Education, and as Director of the Proposal Development Center responsible for obtaining multi-million dollar contracts.

And I wrote. You’ll find my two standalone thrillers, Perfidia and Saving Calypso, and the first two books of my series, the Cooper Vietnam Era Quartet, on Amazon.

The Cooper Quartet is dear to my heart. I served in the Navy at the bitter, and I mean bitter, end of the Vietnam War. I worked alongside Navy pilots at my command. I had many carrier pilot and rescue pilot friends at Naval Air Station Lemoore. And befriended one special SEAL. And they talked about the War.

For years, I carried around their stories and hurt, enhanced by my travails as a young woman in the Navy. Frankly, the stories gnawed until I started writing Dead Legend, the first book in the Cooper Quartet. I thought Dead Legend would be a standalone, then Head First challenged me to spit it out. Are the stories true? I assure you that in all matters Navy, Ensign Robin Haas speaks for me.

The third book in the series, Pay Back, is available on September 1. It propels the Cooper saga through the Fall of Saigon (April 1975) and the changing world back home. According to BookLife: “This wartime thrill ride turns the waning days of the U.S.’s involvement in Vietnam into a pulse-pounding, smart tale of suspense.”  Pay Back is available at : https://www.amazon.com/Pay-Back-Cooper-Vietnam-Quartet-ebook/dp/B08CJDHP92

Over the four books, the Cooper Quartet covers the arc of the War’s impact on Americans, the Vietnamese, the French colonialists, as well as the women who served. It would be wonderful if the Quartet enhanced readers’ understanding of how the Vietnam Era changed our society, and, ultimately, our country. To celebrate the publication of Pay Back, Dead Legend is free on Amazon September 1 – 5 for anyone wanting to begin where the saga began.

For more about my books or me, check out https://dzchurch.com. Leave me a note if you’d like me to blog about a specific topic. I can hardly wait for the next fourth Thursday of the month.  See you then!

Today is My Birthday!

I never thought I’d live this long–but it’s been great. I’ve had many blessings and achieved a lot.

The celebration will be limited to birthday cake and ice cream with my family, which is perfect.

Even with the pandemic, my life has been much the same as usual except for the cancellation of all the mystery and writers’ conferences and conventions and book fairs. (And yes, I really do miss them.)

This month began with a trip to see our youngest daughter and her family: husband, two sons and their wives and children. It had been a long while since my husband and I had seen any of them. We had a great time! We ate wonderful meals prepared by our daughter and a special treat prepared by one of the grandsons.

We had wonderful conversations, played UNO and Mexican train. We spent time with four great grandkids. I learned a lot about Rumbas from a 6 year-old great-grandson who has 9 of them, and takes them apart and puts them back together. Got to chat a lot with a 5 year-old great granddaughter, and had fun with a 2 plus-year-old great granddaughter with the most amazing copper-colored curls, and met the newest great granddaughter who has just turned one.

I learned a lot about Covid 19 from a granddaughter-in-law who is a nurse at a busy hospital and sanctioned our visit. Her husband, my grandson, is a police officer and he  told me what is going on in his town. The other granddaughter-in-law is busy working from home as is her husband, my other grandson.

We couldn’t have done any of it if it hadn’t been for my middle daughter and husband who drove and accompanied us. (Neither my husband or I drive out of town any longer.)

The rest of the month has been filled with the usual: grocery shopping, a couple of doc visits (one over the phone), some work from home stuff for me and of course my writing and some online promotion.

My eldest daughter (and Facebook) has kept me up on the news about a great-granddaughter who has moved to Pennsylvania and is busy doing make-up and hair for brides and others, as well as another great-granddaughter who has started college at St. Mary’s (Notre Dame).

Because a grandaughter, her husband and three girls live with us, a lot of other interesting things happen, such as one of the great grands had a drive through birthday party which, though different, was lots of fun.

I am more fortunate than most because I do have an enormous family, and many of them live so close.

And that’s what’s going on with me this month.

Marilyn who also writes as F. M. Meredith

 

From First to Third

Since publishing my first mystery in 1993, my preferred point of view has always been third person. In the Mellingham/Chief Joe Silva series I used multiple points of view, and in the Anita Ray series and later the Felicity O’Brien series I used only one. All were third person. But a few years ago I wanted to try first person, and started a stand-alone. After numerous rewrites I had something my agent liked, and out it went to editors, where it has died a pandemic death of neglect.

While I’ve been waiting for responses I’ve had time to think about all the parts of the story I couldn’t tell because I’d committed myself to first person and one main character. I had no interest in adding other points of view in either first or third, but the initially quiet moments of dissatisfaction at what I’d left out grew and I wondered what it would have been like to write the story in third person. Immediately I was reminded of why I liked that particular voice—for the intimacy and also the flexibility it allowed me as the narrator. And that did it. I decided to rewrite the mystery in third person.

Over the years I’ve heard plenty of writers groan about an editor’s or agent’s suggestion that they rewrite the entire book from first to third (or third to first), always with the reminder drumming in their brain that this means more than changing “I” to “she” (or “she” to “I”), along with all the other pronouns as well as correcting the verbs. But the thought of what I could also do prodded me forward and I began. The first discovery was the opening. I needed a different opening, and once I began that I could feel the difference in how the story would unfold.

One of the reasons I’ve avoided first person for so many years comes down to the voice. Too many of the voices in crime fiction seem flip, sarcastic, chip-on-the-shoulder tough, the teenage swagger, a voice that doesn’t sound authentic to me and one I didn’t want to imitate. The strongest people I know are also the gentlest, and that was something I couldn’t seem to capture in first person, at least to my satisfaction. Now that I’ve moved back to third person I feel the other characters opening up, and exploring them more has given the story new dimensions that I’m eager to learn and write about.

In some parts of the novel I’m rewriting an entire chapter—the same plot steps but rewritten line by line. I’ve added new scenes and chapters, but in other instances all I’m doing is changing pronouns and verbs or crossing out entire paragraphs or scenes.

When I began the rewrite I thought about how much work it would be, but still I was curious. I wondered if I’d get bored or frustrated reworking a story whose characters and details I already knew too well. But once I got into a new perspective on the main character, much of the story began to feel new to me (and much of it is new to me). I’m energized every morning as I sit down to work. The characters and plot are the same, but this mystery unfolds like an entirely new experience. For once I’m not cursing the pandemic; it has given me the time to rethink and rewrite a story I care deeply about and want to see succeed. And when this is rewrite is done, I want the pandemic to be over so my new novel can go out into the world and be read by others.