Dosha, Character and Setting

Amber in tree finalIt feels strange to say that I create characters. They show up, complete with names and complex personal histories, and it’s my job to get to know them and understand how they tick. One of the tools I use for this is the concept of the three doshas—patterns of body type, personality and preferences—from Ayurveda, the traditional medicine of India. I had some introductory education in Ayurveda in both of my yoga teacher trainings, with the Temple of Kriya Yoga and with Integrative Yoga Therapy.

The three doshasvata, pitta and kapha—are associated with combinations of the five elements. Vata is space and air. Pitta is fire and water. Kapha is earth and water. In each person, these manifest in both healthy and unhealthy ways. An individual might be a pure type or a blend of types. Sometimes intuitively and sometimes intentionally, I use the doshas in analyzing my characters and how they interact with each other and the world around them.

An idea that intrigued me in one of my classes on Ayurveda was that not only people but places and seasons have doshas. There is nothing more vata than spring in New Mexico, with the desert wind blowing, and it reaches its hottest and driest in June. I used that season in Soul Loss, which takes place from March through June, primarily in Santa Fe, a vata setting. Even its river is inclined to be dry and is irregular in its flow. Vata is changeable, creative, humorous, erratic, and sometimes spacey. No wonder Santa Fe is home to so many creative people, and also spiritual healers and psychics. That’s who the primary characters in Soul Loss are, and even the crime takes place at the spirit-world level.

I think people feel most at home in a place that complements their dosha. Athletic, competitive, and focused, my protagonist Mae Martin is a pitta type, mind and body. Even her red hair is a classic pitta trait. She loves Truth or Consequences and its hot springs, and thrives on the energy of New Mexico’s July-August “monsoon” season. In the first book in the series, The Calling, she’s living in Tylerton North Carolina, which has a wet and heavy climate, and it doesn’t suit her. It’s too kapha in every way, culture and land and weather. When she first gets to Santa Fe in Shaman’s Blues, the altitude makes her feel spacey, and this bothers her, while vata-kapha Jamie Ellerbee is truly at home there.

Hurricane_Isabel_14_sept_2003_1445ZThe oppressive East Coast weather in Snake Face is vata-kapha, windy yet wet and heavy, and it takes place in winter, a kapha season disrupted by an abnormal vata event, a December hurricane. The windstorm is something out of balance. Jamie gets caught up in both the hurricane and a storm in his inner life. His creativity and humor are healthy vata, and his music—voice and woodwinds—is based on air, vata at its most beautiful. His mood swings, short attention span and anxiety are the other side of vata. His unshakeable loyalty in love and friendship is kapha, but his tendency to depression and weight problems are the kapha shadow. I used the hurricane as background music that builds up along with the troubles that are chasing him.snakeebooknew

Even when I haven’t consciously chosen to use the doshas of character and place and season, when I look back on their interactions, I can see that I did it intuitively. When two characters are in a lot of conflict, it’s often in the way they manifest their dosha. Mae and her mother are both strong pitta types, destined to butt heads, and one of the antagonist characters in the upcoming Ghost Sickness is also a pure pitta type who turns everything into a competition. Mae is attracted to men who manifest healthy kapha , a solidity and stability that she finds appealing, but their earth-water qualities can also make her feel that they are stuck in the mud.

Here’s my simplified short list of the dosha traits and seasons.

Vata: space and air. Thin, asymmetrical, distractible, creative, changeable. Default stress reaction: anxiety. Spring and fall.

Pitta: fire and water. Medium build, strong, competitive and driven, capable of prolonged intellectual focus. Default stress reaction: irritability or anger. Summer.

Kapha: earth and water. Can be big and muscular, womanly and curvy, or overweight. Steady, enduring. Can have calm, peaceful energy or a tendency to lethargy. Default stress reaction: procrastination or depression. Winter.

Do you see the doshas at work in your stories?

Moving Forward

It was time to start a new Rocky Bluff P.D. mystery, but no fresh ideas seemed to pop into my mind.

Most of my time the last month has been spent on promoting the latest in this series through a long blog tour. As it came to an end, I knew I had two winners who wanted to have a character in the next book named for them. But I was beginning to wonder if there would be a next book.

One of my critique group members suggested something. Then another, a sweet pediatrician, told me he had the perfect way for me to murder someone. And he was right, most unusual.

A Facebook friend and fellow sister in crime suggested a title and how to work it in.

I may not use any of these ideas or fit them in the way they were suggested, but guess what? The ideas have “primed the pump” as the old saying goes. For those of you youngsters who have no idea what that means, I’m writing the book because of the ideas I’ve been given.

A lot has gone on since last I posted here–I sent in my next Deputy Tempe Crabtree mystery to the publisher, received the edits and accepted some, rejected a few, and sent it back. Should appear in August sometime.

On the personal side, my granddaughter, her husband and two little girls moved in with us. They are buying our house with the contingent that we get to remain here. It’s a big house–and we already have a great-grandson and his wife living upstairs. They’re staying too.

And here’s the big plus–we get to see these cuties every day.

One happy great-grandma and mystery writer.

Marilyn aka F. M. Meredith

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HOW DO YOU KNOW WHAT TO WRITE ABOUT?

DSC_0194-finalI used to think I’d never run out of things to say, but faced with the need to write a blog, I find that I go blank. What shall I write about? How can I write about writing? Everybody writes about writing. How do people who write daily columns in the newspaper do it? How do they come up with an idea every day? It’s impossible.

I only have to do this monthly, I think. Just do one blog a month. Just one. How hard can that be? But I don’t have anything to say. What have I been doing lately? Not much. I made a mistake on the size of my new book, so the interior has to be redone. Unfortunately, that means a delay in the finished product. I’m going to be on a book panel in San Diego in June, and I’m afraid my book won’t be ready. Worry wakes me at 3 a.m.

I took a break from my third Florida mystery novel to write a short story for a bi-annual anthology from Sisters in Crime/LA. I worked hard on this one. I didn’t enter last time, but two previous stories didn’t make it. Sigh! I hope this one does better.

It’s a good thing I don’t try to make a living from writing. I never had time to write when I was working. Long days, long commute, make dinner, and clean up. The only thing to do then was go to bed.

I know that lots of people write and work, but I never had the time or the energy. I remember author Robert Olin Butler telling a group that he wrote his first novel every morning and evening on his daily commute on the Long Island Railroad. That’s dedication, as is getting up at five a.m. every morning to write before work. I tried that, but my mind doesn’t function well at that hour.

Now that I’m retired, I do have the time, but not always the inclination. Nor the energy. I read with awe Paty Jager’s post saying she planned to cut down from her 2015 output of four mystery novels, two western romance novels and one novella to ONLY two novels and a novella in the mystery series and two historical western romance novels in 2016. That boggles my mind. Paty’s a real pro.

I’m an amateur. It takes me two years to write one novel. It’s a good thing I don’t have to make a living at writing. I’d starve to death. Now I’m back to my third Florida novels after the break to write the short story. But I don’t know where it’s going. Why did I want to be a writer?

I reread the posts that my fellow ladies of mystery wrote and thought, “Why didn’t I think of that?” and “Why didn’t I write that?” Too late now. So I’m stuck with nothing to write. It’s a good thing don’t have to write a daily column. I’d be fired.

 

 

Finding Your Voice

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Beginning writers face the challenge of finding their voice. Finding that way of writing, that way of expressing, that is uniquely theirs.

I spent many years studying and practicing to find my voice (and I’m still working on it!).

IMG_2575Voice is important. There’s a reason writers are encouraged to focus on it early on, as they learn their craft, hone their skills.

There’s another, completely different kind of voice for which authors don’t get much training: the dreaded social media voice.

We all use social media one way or another in our daily lives. I love using Facebook to stay in touch with out of town friends and family. I find Twitter valuable for staying on top of breaking news or tracking trends in the publishing business (and yes, wine).

IMG_2573But using social media to build an audience for a mystery book? That’s been a new adventure for me. One I’ve thrown myself into whole heartedly, though perhaps with less skill than I would have liked.

Until a few months ago.

My husband and I love to travel. I use these trips to gather ideas about people, places and histories that I can use in my books. My husband takes pictures.

His passion, his creative outlet, is photography. As we travel, he captures images of people, places and things that evoke emotions, that draw you in to a foreign place… images that tell a story.

Thanks to the wonders of digital photography, we return from trips with 4,000, 5,000 even 6,000 photos. Phew! Remember the days when the cost of film and the cost of developing meant taking fewer pictures but making each one count?

So there we were, me writing up notes and ideas from our travels, my husband organizing thousands upon thousands of photos. And both of us thinking of ways to use social media to reach a new audience for my books.

Which is when we discovered Instagram.

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Instagram has been a great tool for us. My husband has a blast going through all his photos and pulling out the best shots to share. I write up a little description, occasionally throw in a book cover or a quote.

We’re having fun, using our particular interests and skills.

I’m no social media expert. I’ve definitely struggled with it. But perhaps that’s because I simply hadn’t found my social media voice.

Learn more about me and my books at JaneGorman.com or find me on Twitter, Facebook and Instagram.

 

 

Why Do We Write?

by Janis Patterson

It’s just about the greatest mystery of all – why do we write? Oh, let’s be honest – we all have great dreams of becoming rich and famous, hitting every list made, having screaming fans lined up around the block just to buy a book with our autograph in it… all lovely dreams, but I think that most of us are savvy enough to realize that such things happen to only a very few. (I mean, it could be me, but most likely not…)

These days the vast majority of professional writers are not getting rich. Some make a decent living, some make money on the hobby level. Only a few are truly prospering. Almost all – save for the fortunate few – could make much more money in some other field of endeavor. A great number do have to work at another job to survive.

Of course, there is the indefinable cachet of being ‘an author,’ of having written a book.

Perhaps that accounts for some of the people writing today. They aren’t that interested in writing a book, but they positively salivate at the thought of being known as having written one.

And therein lies one of the main problems of self-publishing. Don’t get me wrong – self-publishing is one of the greatest things to happen to both readers and writers. It expands the market, gives power (and money!) to the authors and gives the readers a much wider choice of reading materials. On the downside, it also allows people who should never be allowed near a word processor to publish a ‘book’ and become a ‘published author.’

Stringing a requisite number of words together does make a book – sort of – just not necessarily a good one. There is no magic pill to turn an idea into a good book. Writing a good book is not easy, but just about anyone can do it, if they put enough work into it. Talent can make it easier, but mainly it’s learning what makes a good book and how to create one… and I repeat, that is a lot of work.

Usually the ‘I am now a published writer’ crowd stops with one or two books. Even good writers sometimes stop with one or two books after they learn how much work it takes to get their ideas decently on to paper – or how little remuneration most of them can expect. If the writer is holding out for traditional publishing, the wait can go on for years before the bland negativity of a rejection letter appears. Even if one is lucky enough to be picked up by a trad house, the money usually isn’t all that good and there’s even more waiting until release.

So why do we write? It’s pleasant to create a world and a population out of nothing but imagination and caffeine (and on occasion chocolate). It’s pleasant to talk about ‘my publisher’ and ‘my new release.’ It’s pleasant to see one’s name on a book, and – should you have a book signing – enjoyable to talk to people who like to read and then to write your name into the copy of your book they just bought. And to receive the checks, however small, is nice too.

Still such minor triumphs can’t justify why people continue to write and submit and self-publish for years with minimal returns. It is made even harder when their books are of decent to very good quality – but the lightning of good luck strikes a badly written story, dousing its author with fame and fortune.

So why do we do it? The answer is simple. There’s no choice to it. Anyone can write, given enough time and study and dedication. Writers cannot help but write.