A DEAD GUY AT THE SUMMMERHOUSE
How the DEAD GUY was born
When I began college in 1 968, I had read enough Gothic Romances to be contemptuous of the formula: Orphan girl in her late teens is hired by a brooding older man to work at a spooky, reclusive mansion; is drawn to two men, one of whom seems charming and one of whom seems threatening; pries into the secrets of the house, in spite of being warned not to; is plunged into seemingly occult danger and learns that the real threat is the supposedly charming man and that her savior and true love is the supposedly threatening man.
As an amusement, I began writing a sort of Anti-Gothic Romance: An orphan boy in his late teens is hired by an elderly ex-flapper to work at a mansion where nearly everyone is active in the community; is only drawn to one woman and stops being drawn to her when she turns out to be weird; tries his hardest to get people to STOP telling him the secrets of the house; is plunged into seemingly occult danger and learns that things just may be a little on the spooky side, after all.
After I wrote it, I decided I liked it too much to let it be just silly. As I matured in years and writing experience, I dragged it out occasionally and reworked it, adding characterization and (I hope) depth. At last, I decided it was as full as I could make it and submitted it to an agent. She loved it, and got back some very encouraging letters from publishers, but no sale.
I put it away again for a few years, decided I could improve it at this stage of experience, and reworked it again. By this time, small press publishing had blossomed, and I sold the book to Hydra Publications. During a business transition, Hydra offered me my rights back and, not knowing where that press was headed (it turned out to be getting even stronger and better) I retrieved my rights, went in with two friends and fellow writers to found Three Fates Press (which died and was transformed, under the amazing Amanda Rotatch Lambkin, into Line by Lion Press) and then Per Bastet Publications, and A DEAD GUY AT THE SUMMERHOUSE was finally born.
The cover delights me. The cover art is one of the first works done by my #4 daughter, Sara Marian, who is also one of our partners and one of our authors. Our other partner, T. Lee Harris, a fine arts graduate who does our formatting and cover design and is also one of our authors, found the perfect font for the time period.
A DEAD GUY AT THE SUMMERHOUSE is available in print, eBook, and audio.
Mitch Franklin thinks he’s got it made when the town’s wealthiest eccentric hires him to look after her two lapdogs. Then he meets her family. Five years ago, the last guy she hired played head games the family and servants are still trying to recover from. He also wound up dead. Now, some people think Mitch might be just like him. Some people think Mitch might BE him, back from the grave. Will Mitch survive the anniversary of his predecessor’s death, or will he be another DEAD GUY AT THE SUMMERHOUSE?
Marian Allen bio:
Marian Allen writes science fiction, fantasy, mystery, humor, horror, mainstream, and anything else she can wrestle into fixed form.
Allen has had stories in on-line and print publications, including multiple appearances in Marion Zimmer Bradley’s SWORD AND SORCERESS anthologies. Her latest books are her YA/NA paranormal suspense, A DEAD GUY AT THE SUMMERHOUSE, her collection of science fiction stories, OTHER EARTH, OTHER STARS, and SHIFTY, her collection of fantasy stories set in the world of her fantasy trilogy, SAGE, all from Per Bastet Publications. She blogs every day at Marian Allen, Author Lady.
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