Guest Blogger ~ Heather Ames

THE BOOK THAT DIDN’T WRITE ITSELF

Some books almost write themselves. The plot sails along, the characters all interact as they should. Even the backdrop feels like it’s an impressionist painting that only needs a few brushstrokes to make it shine.

Book 3 of the Ghost Shop series wasn’t that book.

I had trouble finding a title, even though the theme was a haunted vineyard that wasn’t producing anything except anger and bad vibes. Compounding the problem, I wanted all books in the series to have titles starting with the letter T. After mentioning my dilemma to several people, two came up with the same suggestion: Tainted Legacy.

Still not completely sold, I used it as a working title I liked more as the plot struggled along, characters tripping over themselves and refusing to fall in line when I tried to take them in a certain direction, creating strange sidebars that, when I researched them, were grounded in reality.

I’d had a similar problem with book 2 of my Miami-based Swift/Roberts series. A group of friends became suspects of one kind or another in a cold case murder and kept squabbling like an unruly flock of geese, twittering songbirds or more likely, buzzards. I had a great deal of trouble reining them in. After opening one chapter in particular, I’d stare at it, then close it again without changing a word. Finally, with 4 drafts completed, the squabbling stopped and everything fell into place.

Tainted Legacy felt like a rerun with different players. Since I don’t outline my books, surprises are lifeblood for me. They fuel my imagination and reveal things about my characters I could never envision with the rational side of my brain. But when one of those characters presented me with a pivotal scene during what should have been the final 4th draft, I balked. That draft is supposed to be a read-through. An opportunity to catch those last few errors that typically occur, regardless how many times a manuscript is polished. I remained stuck, unable to work on the file for 2 weeks. My version of writer’s block. Something I had never experienced before.

Finally, I wrote The End, but was it? I hadn’t made any significant changes to that scene. It flowed too well. Now, I had to go back and read through the entire manuscript for a 5th time. If I changed my mind about that chapter, the entire storyline would have to be revised. The manuscript wouldn’t be ready for publication in time for a shipment of books to arrive before the Portland Holiday Market, the biggest show of the year for NIWA (Northwest Independent Writers Association,) and my unofficial book launch for Tainted Legacy.

I took a few deep breaths, got back in my office, and swiftly completed that 5th draft/read through. The plot worked. The character who had thrown that pivotal scene at me stood back and smirked. It had to be there. It complicates the relationships between the main protagonists when they should have cleared a major hurdle. It forebodes trouble of a possibly monumental degree in the books that follow.

This year, I’m planning to work on the 4th books in both my series. I have titles and rudimentary plots, big steps toward meeting that goal. Without encountering angry wine or squabbling teenagers, Maine Issues and Trick or Truth will both be available before the end of 2024.

Tainted Legacy

A barren vineyard in Dallas, Oregon. Two deaths. An unexpected heir who wants a quick sale. Is it a bargain, or an invitation to become entangled with the misfortunes of the Taricani family?

Sinister winery owner Vincente Valderos calls in psychic Sunny Weston and her partner, retired detective Ash Haines, to solve the mystery and save their souls…until the next time he summons them.

https://www.amazon.com/TAINTED-LEGACY-Ghost-Shop-Book/dp/B0CMCDCYP1

Heather Ames writes two mystery/suspense series, one with a paranormal twist, standalone suspense, romantic suspense, and short contemporary romances. When she’s not writing, she’s either thinking up new plots, traveling the world, or dreaming up new adventures.

Website:

https://heatherames.weebly.com

Amazon Author Page:

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Social Media links:

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https://www.goodreads.com/author/show/5367400.Heather_Ames

Merging Fact With Fiction by Karen Shughart

I’ve been a contributing blogger for Ladies of Mystery for roughly five years, and initially, at the beginning of each year, I made a list of the topics I wanted to write about for each month. But a year or two ago I decided to be a bit more flexible and instead of sticking to the script, so to speak, to write about what motivated me at the time.

When I began to think about what to write for this month’s blog, at first I came up with a blank–some months are easier than others–and after that I considered writing something about Valentine’s Day or Presidents’ Day. Somehow neither felt right, and I couldn’t think of anything original to say about the topics. Then I decided that because February is also Black History Month I’d write about the third book in my Edmund DeCleryk cozy mystery series, Murder at Freedom Hill, which is about the murder of the beloved, biracial mayor of the fictional village of Lighthouse Cove, NY, whose body is found on the path leading to the beach at a historical site called Freedom Hill on the south shore of Lake Ontario

Freedom Hill is a real historic site a short drive from our house where before and during the Civil War, through an intricate, dynamic and well-developed Underground Railroad system, escaping slaves fled down a path to boats that would transport them across the lake to freedom in Canada. At that same time Maxwell Settlement, upon which the fictional Macyville in the book is loosely based, was a thriving community of freed people of color who worked along side abolitionists to help those slaves escape.

In the book, when criminal consultant, Ed, is hired to investigate the mayor’s murder he wonders if the crime might be racially motivated and related to an exhibit the mayor had been working on with Ed’s wife, Annie, head of the local historical society and museum. The exhibit’s focus is on Macyville and the mayor’s ancestors, both Black and White, who lived there, but a critical piece of information the mayor had promised to provide is missing.

The historical society, with help from the mayor, has also obtained a grant from the National Trust for Historic Preservation to restore Macyville, which had fallen into disrepair after its residents left for better opportunities after the Civil War, and a fire destroyed it in the 1920s (the real settlement remains in ruins, but there’s a historic marker designating the site). Annie is working with contractors to assure the project will be completed in time for July 4th weekend festivities, but she suspects that someone is trying to stop it from moving forward. Is the mayor’s death related, or is something else afoot?

I enjoyed doing the research for this book and merging fact with fiction- as I do with all the books in my series- but for some reason this particular period of history has always fascinated me. It was gratifying to learn how so many of our residents played a critical role in helping to shelter fleeing slaves from capture before transporting them to freedom.

Karen Shughart is the author of the Edmund DeCleryk cozy mystery series, published by Cozy Cat Press, including the award-winning book three, Murder at Freedom Hill.  All books are available in Kindle, Kindle Unlimited, paperback, and Audible. She is a member of CWA ( Crime Writers Association of the UK-North America Chapter) and F.L.A.R.E ( Finger Lakes Authors and Readers Experience).

The Peace That Follows Chaos by Karen Shughart

December is chaotic here on the south shore of Lake Ontario in New York state, but in a good way. It’s busy and a lot of fun, but by New Year’s Day we’re exhausted and ready for some quiet time. The season starts the weekend after Thanksgiving, but then the entire month is filled with parties, shopping flings, festivals, gift exchanges, impromptu gatherings, and food – lots, and lots of food – both the cooking and eating of it.

Decorating is big up here, and although we don’t do much of that, just a little festive touch or two both in-and-outside our house, many friends and neighbors go full bore, hoping to win or place in a contest sponsored by our Neighborhood Association for the best outdoor decorating. And many of them do.  Frankly, it’s quite impressive, and more than a little magical.

Now it’s January. The decorations have been stored away for another year, the snowbirds who flew north for the holiday have migrated south again to spend the rest of the winter in warmer, sunnier climes. The days are a bit longer, and while that’s certainly good news, they’re a bit grayer, too, and there’s more chance of snow. While we loved the hustle and bustle of the previous month, we breathe a sigh of relief.

We greet our like-minded neighbors when we walk each morning, but other than the roar of the waves crashing on the beach or the sound of the wind, it’s quiet. A couple restaurants and almost all the shops have closed until spring, and there’s not much traffic, hardly a vehicle to be seen traversing through our streets.

Now our gatherings are small ones: intimate dinners with friends at the restaurants that remain open; a pot of soup or chili with a small group at our house on a Sunday evening; a ladies’ night out; or for my husband, the regathering of his summer golf group for lunch and playtime at a virtual, indoor facility.  I happily resume my yoga classes. We venture to the city to take advantage of the cultural offerings there: a symphony; a Broadway show presented by a traveling touring company; or special exhibits at museums and galleries.

I’d been making good progress with the fourth book of my cozy series, but during December that project was mostly put on hold. This is the month when I commit to moving forward with my writing, and have been spending at least part of each day expanding the story as I continue with the first draft. Then, later in the afternoon, I read, fire burning in the fireplace, a cup of tea in hand.

Some friends and family who don’t live where we do wonder how we manage during this time of quiet and isolation, with weather that’s fickle and can change in a minute or two. For us it’s a time of centering and peacefulness, and it’s very beautiful with white caps on the water, grey skies intermittently clearing for brilliant blue and bright sun, starry nights, and a landscape dotted with wheat, rust, faded green and brown. Because many of the trees are barren of leaves, I can see the lake and bay and the tops of the two lighthouses that flank each end of our village beach from several rooms in our house.

By March, we’ll be ready for a change and begin to search for signs of spring: daffodils peaking above the thawing ground; buds starting to swell on trees and bushes; a greening of the grass. But for now, we’re enjoying the peace that follows chaos.

A member of Crime Writers’ Association of the UK ( CWA), North America chapter, Karen Shughart is the author of the Edmund DeCleryk cozy mystery series, published by Cozy Cat Press, including the award-winning Murder at Freedom Hill.  All books have historical backstories that provide clues to why the crime was committed, and recipes at the end. They are available in Kindle, Kindle Unlimited, paperback, and Audible.

Let There Be Light by Karen Shughart

My husband and I live in a charming maritime village on the south shore of Lake Ontario in New York, the prototype for Lighthouse Cove, the village where my Edmund DeCleryk cozies are set. This time of year in our village activities surrounding the holidays abound, and there truly is something to do for people of all ages: festivals; tree lightings; parades; caroling; shopping and dining opportunities, and a judged competition for the best outside holiday decorations.

 I especially like writing about the seasons in my books. In my third, Murder at Freedom Hill, the crime occurs just before Thanksgiving with the investigation continuing through the entire holiday season. I enjoy describing how the folks living in Lighthouse Cove celebrate, with light-filled activities that juxtapose the dark, horrific murder that has occurred.

Ed, a retired Navy SEAL and former police chief, now works as a criminal consultant who is hired by the current police chief to solve the crime. His wife, Annie, head of the local historical society and museum, curates exhibits, organizes special events, and because of the historical backstories that frame each crime, often becomes involved in the investigation.

One of these special events occurs early in December, when the days are short and darkness prevails. A Festival of Lights, held on the grounds of the museum, provides diverse groups with an opportunity to showcase the ways in which light plays an important role in their cultures during this time of year:

Photo courtesy of Lyle Shughart

“The Holiday Festival of Lights was held in the park next to the museum the following Saturday evening and started at dusk. Tall stadium field lights provided illumination, and the museum staff and volunteers had strung multi-colored holiday lights on bushes and around tree trunks. Several portable fire pits had been placed at strategic spots near park benches to provide warmth.

The Neighborhood Association maintained a booth that offered free hot chocolate and cookies. Other booths, with representatives from local Christian, Jewish, Muslim, and Hindu congregations, offered information about their holiday customs including the significance of light, and samples of traditional holiday food.

Santa ambled through the crowd passing out wrapped red and white candy. A group from near Tug Hill brought live reindeer, tame enough to pet. Children hopped on the back of a fire truck, a huge wreath on its hood, for a ride around the block, speakers blaring seasonal winter songs.

A large evergreen tree located in the middle of the park was festooned with multi-colored lights; a Chanukah menorah, Kwanzaa kinara, and clay diyas—oil lamps representing the Hindu holiday of Diwali—flanked the tree on large tables on either side.

Towards the end of the evening, the high school student chorus handed out sheets for a sing-along and led the community in a diverse selection of melodies representing all the groups at the festival.”

A definition of the symbolism of light from the National Gallery of the UK states: “Across cultures, light is an ancient symbol of understanding and intellectual thought: it is the opposite of ignorance, or darkness. Almost universally, the dark is …frightening and sinister, associated with things we cannot understand. Light is said to conquer darkness and to bring order out of chaos.”

We all need a little light in our lives this time of year, so, let there be light!

Setting the Scene by Karen Shughart

All the books in my Edmund DeCleryk cozy mystery series are set in Lighthouse Cove, NY, a fictional village on the south shore of Lake Ontario, with the crimes occurring in the present but are related to something that happened in the past. In book one, Murder in the Museum, a map dated 1785 discovered in the historical society museum – led by sleuth Ed’s wife, Annie – and a journal dated 1845 found at an archaeological dig in Toronto, Canada, provide clues to why the victim was killed.

In book two, Murder in the Cemetery, a relic at the cemetery where casualties of the War of 1812 are buried; long-lost letters written by the wife of a patriot transported to England as a prisoner of war during that time;  a missing artifact at an exhibit at the Victoria and Albert Museum in London, England; and a diary discovered at an abandoned farmhouse help Ed and Annie solve the case.

In book three, Murder at Freedom Hill, the crime is thought to be related to the victim’s ancestry, his forebears lived in a settlement where free people of color lived harmoniously with abolitionists who helped transport escaping slaves to Canada across the lake before the Civil War. Another heinous deed, related to that settlement, is revealed during the investigation of the murder.

But what the books also have in common is that I weave into the plot the seasonal setting.  After book one, instead of just one prologue I decided to write two, the first with the historical backstory and the second describing the season.

I continue descriptions of the weather throughout each book, it helps to construct the mood. For example, Murder at Freedom Hill begins in November, before Thanksgiving. In one of the early chapters, Ed discovers that the village mayor has been murdered. A beloved member of the community, the mayor also served on Annie’s board of directors and the two had become close friends. After conferring with Detective Brad Washington at the crime scene, Ed gets into his SUV and drives to the museum to tell Annie about his death. Lots of sunshine and a clear sky start the day, but then the weather changes:

“The brilliant sky at sunrise had made way for clouds the color of brushed pewter that hovered over the roiling silver lake. The day looked like an antique photograph: sepia; gunmetal grey; milky white and black; faded like withered grass. The direction of the wind had changed, picking up speed from the northwest, with fallen leaves swirling around the museum parking lot as Ed pulled into a spot. The temperature had plummeted- winter silently creeping in like a cat about to pounce upon its prey.”

What I enjoy about writing cozy mysteries is the ability to expand description if it fits into the plot, and the weather can either give readers a sense of doom and gloom or provide an interesting juxtaposition to an odious deed.

Karen Shughart’s cozy mysteries are published by Cozy Cat Press. She’s currently working on book four of the series, Murder at Chimney Bluffs.