Who Saw That?

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Julia Kaminski, sister to the hero of the Adam Kaminski mystery series, is a photographer. A good one. She’s still figuring out how to make a living in her chosen profession. In an ideal world, she’d earn her money by showing and selling her photographs at galleries. But until that happens, she’s getting by by taking on gigs as a photographer at wedding or parties. And still holding out for her big break.

Julia’s photographs take on new meaning in book 5 in the series, A Pale Reflection. Julia finally gets a leading role, after appearing as a side character in the first four books, and jumps into the chance to use her photographic skills to help her brother Adam figure out whodunnit.

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The thing about photographs is they capture more than you might realize. You, the tourist, for example, sees a beautiful scene and snap a shot. It may only be later, as you go back to look through the photographs, that you notice someone or something in the picture you hadn’t previously realized was there. Or someone watching when you thought you were alone.

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In my family, my husband is the photographer. We just had the amazing opportunity to spend a glorious week in Rome. (Will Adam Kaminski be solving a murder in Rome in the near future? Stay tuned!).

Chuck, my husband, takes spectacular photographs of traditional scenes — statues, artwork, natural beauty and urban beauty. But he also finds joy in surprising details. For example, catching an unexpected eye.

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For us, it’s fun. We use these photographs to share our experiences with friends and family and to refresh our own memories of the time we spent there. And if we were trying to catch a killer, the “mouth of truth” pictured here would be a huge help!

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Of course, we’re not trying to solve a murder. For Julia and Adam, a photograph can mean so much more. Even the difference between life and death.

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Learn more about Jane Gorman and the Adam Kaminski mystery series at janegorman.com or follow her on Facebook. For some great photographs of Rome and her other travels, check out her Instagram page!

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Understanding Your Characters

Part of what makes a great story is great characters. Any reader can tell you that. Writers talk about developing characters, fleshing them out, giving them back story, making them flawed and relatable. These are all vital steps in creating great a character.

But once the character is created, I find I have yet one more hurdle that I have to jump: I have to understand my characters.

A young couple in Galway contemplate the evening

But you created them, you might say with surprise. You wrote their background, you devised their likes and dislikes, fears and dreams. What’s left to understand?

Lots.

Characters run the show. They get away from you, the writer, taking their own story in directions you hadn’t anticipated. Yes, I know that sounds ridiculous. Yet it happens to all writers.

In my current work in progress, I realized after finishing the second draft that I had the wrong killer. A different character was standing in the wings looking guiltily around, trying not to make eye contact with me. Ah-hah, I thought. That’s the real killer!

Trying to pull a fast one on me, I might add.

In several of my books I have another problem of understanding with some of my characters: I write characters who are not native English speakers.

My mother and grandmother in Warsaw

As we all know, language affects not just the way we talk but even the way we think. Writing a foreign character (foreign to me, that is) means not only understanding their native tongue enough to be able to replicate their thoughts, but also understanding the way they frame their thoughts in the first place.

A Pole, an American and an Irishman walk into a bar…. They’re all thinking a little differently and it’s my job to understand those differences.

A woman examines a grave in Warsaw. What might she be thinking?

I’m not complaining. I love that job! I spend time improving my language skills. (By the way, for anyone interested in learning French, I recommend the lessons by Paul Noble. They’re very good!). Extra bonus, it helps when I travel the world and meet new people. So it’s a good problem to have. And one that I hope I have succeeded in overcoming.

But you tell me. If you’ve read any of my books, I’d love to hear your thoughts on my foreign characters and how well I’ve captured their differences.

Learn more about Jane Gorman and the Adam Kaminski mystery series at janegorman.com.

In the Dark: About Titles, Writing and Eclipses

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I usually develop the titles to my books somewhere in the early stages of writing. I know the theme, I know the murder weapon and motive, and I know the red herrings that will be swimming through the story. The title usually comes from one of those. This time around, I find myself in the dark.

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My current work in progress takes place on a cruise ship traveling from New York to Bermuda. Our hero, Philadelphia detective Adam Kaminski, must figure out who poisoned the Claypoole family patriarch—and how—before the ship docks and all the witnesses (and suspects) hit the open seas. But first he has to convince himself that he still has what it takes to catch a murderer.

I really want to title the book, Through a Glass Darkly. It’s part of a verse from the bible, 1 Corinthians 13:12, “For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.” I love the poetry of the words and also the theme it implies—being in the dark but eventually finding your way to the light. After all, isn’t that what happens in most mysteries?

It didn’t take much polling of friends and readers to realize my working title wasn’t a hit. Too many people didn’t get the reference. And my books are not religious in any way, shape or form, so I really don’t want to give the wrong impression.

That led me to working title number two, Voices Carry. It fits with one of the elements of the story. It’s short, kind of catchy. It would work as a title. But I just kept thinking about the darkness.

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Today is an appropriate day to think about darkness, obviously. I’m not on the path of the total eclipse, sadly, but I was able to see a partial eclipse. I loved watching not only the eclipse itself, but also its effect on the shadows on the ground around me. They became visibly crisper, cleaner. I’m a huge fan of shadows, so for me that was one of the highlights.

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Light and dark, shadows and sun. I need a title that captures it all. Being in the dark, then seeing clearly.

Right now, I’m on working title number three, A Pale Reflection. I’m toying with changing that to A Dark Reflection.

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At some point soon, I need to make a decision! I’m still hoping the right title with come to me, focused like an eclipse-sharpened shadow. Or perhaps a sign from above, like the blotting out of the sun.

If any of you have any suggestions, I’m open to ideas! Let me know what you think!

For more information about Jane Gorman’s books, visit janegorman.com or follow her on Facebook or Twitter.

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Guest Blogger -JL Greger

Mystery Writers Are Like Scientists

No way you say.

Wait! I think I can convince you that writing a mystery novel is similar to conducting a science experiment.

  1. Writers and scientists both do a lot of sleuthing. Granted, scientists try to quantitate their observations more than writers. And writers’ descriptions of their observations are hopefully more colorful than journal articles.
  1. They both organize their observations into a whole, which writers call plots and scientists call hypotheses.
  1. They both test and refine their “whole.” Writers edit their prose; scientists run additional experiments.
  1. Both require a lot of hard work to gain occasional flashes of insights. To paraphrase Thomas Edison, they’re “one percent inspiration and ninety-nine percent perspiration.”

Why did I drag you through this discussion? I’m trying to explain why so many scientists and physicians became writers of mysteries and thrillers. Consider Michael Crichton (a physician by training), Kathy Reichs (a forensic anthropologist), Robin Cook (a physician). I’m also explaining how as a retired biology professor I came to write mystery/suspense novels with tidbits of science. My latest thriller is I Saw You in Beirut.

Through this discussion, I hope you learn how bits of science add realism to a mystery.

Did you know? In the early 1960s, scientists identified zinc deficiency in peasants in Iran. At that time, two to three percent of the villagers in some regions of Iran didn’t pass the physical for the army because of stunted growth. Dr. James Halstead, Sr. who was married to President’s Roosevelt’s daughter, Anna, headed the research team at Shiraz. Surprised?

I created Doc Steinhaus, a fictional character in I Saw You in Beirut, who worked on the project in Shiraz as a grad student. He was a logical way to “show not tell” readers about Iran and advance the plot. Let’s face it most foreign agents don’t look or act like James Bond, but they can be a lot more nuanced.

What’s thrilling in I Saw You in Beirut? A mysterious source of leaks on the Iranian nuclear industry, known only as F, sends an email from Tabriz: Help. Contact Almquist. Intelligence sources determine the message refers to Sara Almquist, a globetrotting epidemiologist, and seek her help to extract F from Iran. As Sara tries to identify F by dredging up memories about her student days with Doc Steinhaus at the University of Wisconsin-Madison and her work in Lebanon and the Emirates, groups ostensibly wanting to prevent F’s escape, attack her repeatedly. She begins to suspect her current friendship with Sanders, a secretive State Department official, is the real reason she’s being attacked.

Maybe, John Addegio’s comments will convince you that smart scientists make this mystery a real thriller. “Greger writes about international agencies and scientific exigencies with authority, and I SAW YOU IN BEIRUT is a thrilling spy tale with compelling female actors asserting their intelligence in both exotic and domestic, male-dominated, high-stakes political environments.”

Where can I get I Saw You in Beirut?CF I Saw You in Beruit 300 copy

The paperback at Amazon: http://www.amazon.com/dp/1610092201 and the eBook from Nook: http://www.barnesandnoble.com/w/i-saw-you-in-beirut-jl-greger/1123184446?ean=2940158046957

Bio: JL Greger’s thrillers/mysteries include: Malignancy (winner of 2015 Public Safety Writers’ annual contest), Ignore the Pain, Murder: A New Way to Lose Weight, Coming Flu, and I Saw you in Beirut. The Albuquerque area is the home base for her stories, but Sara (like the author) travels to Cuba and Bolivia in Malignancy and Ignore the Pain, respectively. Her website is: http://www.jlgreger.com

 

Catching Up

 

by Janis Patterson

This is going to be short, because – quite frankly – I’m tired. I was away from home more than half of September. A wedding in Boston; a wedding in Alabama; a family reunion in East Texas; the Novelists, Inc. conference in Florida. Whew! My luggage has never been fully unpacked this entire month and our beloved furbabies – two neurotic cats, one prissy little dog – probably thought we had abandoned them to the boarding kennel. They’re home now, and hopefully they’ll forgive us before long.

We got in late last night and this morning I went to pick up the furbabies. Had to do two trips – three carry cages in the car is just too much; besides, I don’t really like the odds of being outnumbered three to one. Got them all home, plugged in the cat pheromone tranquilizer (wonderful stuff!) and let them run. Big cat Chloe has taken over my lap, which makes typing difficult, prissy little dog Mindy Moo is lying right where my feet need to go, and oldest cat Squeaky Boots – a tiny thing of 6 lbs who rules the house with an iron paw and a single deadly little fang – has taken over our king-sized bed by sprawling in the exact center. Yes, life is back to what we laughingly call normal.

My work isn’t, though. Sigh. Wonderful month, saw lots of people and places and learned lots of things, but my writing this month has totally gone south. Barely ten pages all month. Lots of ideas, lots of plotting, even a nifty idea for a mystery series – which has garnered some interest, believe it or not – but two books that desperately need finishing and two more ready to be self-published, all  ignored.

Well, that will change tomorrow, just as soon as I hit the grocery store and lay in enough supplies to make sure that The Husband and I don’t starve to death. Though with all the wonderful meals out we’ve had in this month that eventuality is far from being a worry. I still say that whoever invented elastic waistbands deserves instant canonization.

If there is anything that I have learned in the last couple of decades of being a writer, it’s that you can’t plan. You can make all the business models you want, set up all the spreadsheets and project charts you like, but life can and will get in the way. I guess that’s true in any other field as well, but it seems to affect writers and artists more.

Like the NINC conference – without doubt the best conference for professional working writers on the planet. In three and a half very full and very long days I learned so much that my head is about to explode. Unfortunately, there was so much that I learned – stuff that really should be done NOW for the advancement of my business – that somehow the writing of new stuff gets shoved even further back. I did take my tablet and computer to Florida just so I could work in my down time, except there wasn’t any down time. When I wasn’t in workshops or exchanging information with other writers, I was trying to enjoy a little time with my adored Husband in a tropical paradise. Work? What’s that? Sleep? Who needs it?

Anyway, I have already made and paid for our reservations to next year’s conference, and will contact the hotel about rooms tomorrow or the next day. I’m already excited.

And tired. So – please forgive if this is a less than coherent post. My mind is going off in twenty different directions, and my body is going to bed. Night!