The Joys of Having a Tribe

by Janis Patterson

Let’s face it – writing is a lonely business. Whether you’re a full-time writer or just part-time, whether you have a large family or a job or whatever, whether you’re like Jane Austen and can pen immortal prose sitting in a room full of chattering people, writing still basically comes down to you and the characters in your head.

Creating world and populations out of little but imagination and caffeine is hard and lonely work. What’s worse is that even if you have loving and supporting friends and family (and I know many don’t) unless they are writers themselves they don’t understand what a writer must go through to create.

That’s why I am so grateful for writers’ conferences. There we can gather with others like us, others who understand the hard work writing takes, the agony of finding out you made a mistake in chapter two that necessitates pretty much a total rewrite of the nearly-finished book, the frustration of having characters who suddenly decide to go their own way without your direction. (And woe betide, in my house at least, those who are so unwary as to say “But you made them up – they have to do what you say.” Yeah, sure.)

My husband, who since his retirement has been dragooned into being my Business Manager, and I just got back from the Novelists, Inc. conference in Florida. Besides being set on one of the loveliest beaches you can imagine in a beautiful resort where they treat us like kings, it is one of the smaller conferences (a 400 attendee cap, as opposed to some others where the people number in the thousands) and restricted to professional writers who have not only published a number of books but have also reached a certain floor of income. Although there is always a varied program of interest to professionals, in my opinion it is this interaction between writers that makes this conference special, especially for those who live in a writerly-things vacuum.

The first thing you notice about a writers’ conference is the noise level. Often attendees will skip the workshops that are of little interest to them in order to sit in the lobby or in the courtyard or on the beach and talk to other writers. With them they can share things they experience with the knowledge that there is a level of understanding there that even the most supportive and sympathetic non-writer can give. At mealtimes, especially those held indoors because of untrustworthy or even inclement weather, the noise level is unbelievable, enough to make the biggest bird house in the world sound like a cone of silence.

I said the NINC conference was capped at 400; it has been for many years. In January of 2020 the conference was almost sold out, but with the plague hysteria by the time the last week of September rolled around only 46 or 48 (tallies vary) of us actually showed up. We rattled around the huge resort like dried peas in a can, most of us quoting the St. Crispin’s Day speech from Henry V far too often. This year it was better; there were 230-odd attendees. Both years there were only two workshop tracks, as opposed to the four that have always been standard, but this year all were in-person, as opposed to the half-in-person, half-virtual of 2020. (I intensely dislike virtual!) Some vendors did do some non-workshop virtual appearances, mainly on an individual by-appointment-only basis, and that was good.

So what is so important, so fulfilling about four days spent in the comforting embrace of your tribe? It’s not just the information in the workshops (valuable as that may be) or even the mini-vacation so many writers stretch the conference into. (The resort is very generous about giving us ‘shoulder days’ on either side of the conference at the deeply discounted conference rate.) The world is full of beautiful vacation spots, and in this day of the internet, websites and special interest email loops almost all the information from the workshops can eventually be found from the writer’s own computer. So…?

I believe it is the validation that we get from being with other writers. We writers are not different-from-normal creatures who live so much in our head. We also get to see and interact with friends made on the internet or separated by an inconvenient number of miles. It is human contact with those of our own kind. It is where you can talk openly about the benefits of strychnine versus arsenic as a killing method, or the sex life of a human-reptile shapeshifter, or if a woman raping a man is an acceptable opening to a passionate romance without worrying that the people at the next table will call the police… or the men in the little white coats. It is where you can discuss the business of writing and learn specifics of various businesses without fear of being sued or arrested. It is sharing experiences with those who have had the same experience.

It is, for too short a time, enjoying our tribe.

I think your character is getting old and senile.

That is what my oldest daughter, one of my beta readers, said to me while reading my latest draft of the next Gabriel Hawke book. I laughed and asked why. She mentioned two things that were not my character’s fault. They were mine. So it is the writer and creator of Gabriel Hawke who is getting senile! LOL

Actually, this last manuscript, I found myself having to reread the last two or three chapters every time I sat down to write because I would have days in between being able to write. I lost the flow of the story and the events. Even though I also write about three or four chapters and then go back and on a notepad write down all the significant events that have to do with the murder or investigation they are doing.

I also have a calendar white board that I put small sticky notes on each day with the significant information that is discovered that day. It helps me keep track of the length of time the book plays out over and what forensics information could be coming in.

With all of these “cover my backside” in place, I still repeated things and had my character saying things that he’d already said. Yikes!

Now I know why I didn’t pursue my writing career until my kids were older. Right now we have our oldest granddaughter living with us. We have been attending her volleyball games and I’ve been taking days to go trail riding with other grandkids. I’m spending time with family and my writing is suffering. But I would rather have that than my family suffering.

While the Hawke book is off with my beta readers, I started fleshing out the next Spotted Pony Casino Mystery book. I did something I have never done. I made a 5 page outline of sorts. I wrote five or less sentences for each chapter pushing the plot of the story along. I didn’t add in any emotional or sub plots, but I’m hoping those will come naturally as I write and the outline will keep my story flowing without repeating and backtracking. Because until this granddaughter graduates in May, I will be busy with her and her school functions as well as having fun with the grandkids down the road.

If you are a writer, do you plot or do an outline before you start a book? Have you ever discovered at the end that you had repeated information?

Readers, have you ever read a book that repeated information or made the main character seem lost?

The Joy Of It All by Heather Haven

Let’s face it, joy seems to be in short supply these days. The world is in trouble. Between global warming, hurricanes, floods,  fires, and the pandemic, if you want joy, you have to seek it out. It no longer springs up and dances in front of you.

For me, joy often comes in small ways. I feel joy watching birds bathe in the birdbath. They splash about with such utter abandon, I grin from ear to ear. I get joy from playing with my cat, Ellie, and in hearing her purr. Or in seeing yet another gardenia bloom in my small but yielding garden. It’s finding the perfect word for a wanting sentence. That brings me joy and gobs of relief, of course. And I take joy in spending time with my life partner, a man I truly admire.

Speaking of which, my husband is a performer — mainly a singer — but also plays the guitar, drums, and piano. He often performs alone, singing jazz standards while accompanying himself on the piano. He’s also been a member of a rock and roll band for over 13 years. The group has a pretty solid following, although they haven’t played many venues recently with the pandemic. However, whenever I go along with him to one of his gigs, whether he’s solo or part of the band, I am struck by the sense of joy the audience experiences while they listen. Pure joy is written all over their faces. Live, good music can do that.

That got me wondering. Do I, as a writer, give any joy to my readers the way my hubby does to his listeners? I sure hope so. Every now and then I do receive the random note or email from a reader who tells me she/he is reading my book to a hospitalized or sick loved one, relative, or friend. They write a certain story or novel has taken them away from their current problems or worries. I am so grateful they let me know. Because I’m not there, the way a performer is, I can’t see any of this for myself. This could be one of the bigger drawbacks to being a writer, the solitude of what we do.

It is my hope my stories offer my readers a certain amount of joy, especially the lighter, more humorous books. That would be mission accomplished. As far as I’m concerned joy — no matter how fleeting or how it comes to us — is always a welcomed addition to our lives.

Decluttering

My condominium is small. When I first looked at the place nearly 30 years ago, it seemed quite large. Well, it was empty when my real estate agent and I unlocked the door. I remember thinking, wow, all that closet space!

Of course, all the rooms, and the closets, are now full. As my cousin says, stuff expands to fit the space available, plus two boxes.

So, stuff. Too much stuff.

I’ve been cleaning my office as long as I’ve lived here. At least that’s what it feels like. I have a lifetime accumulation of books, paper, and assorted dustcatchers. Some of these have sentimental value, such as books that have been signed and personalized to me. As for the knick-knacks, they too have sentimental value. Then there are those files of newspaper clippings, saved because they that might possibly find their way into a book. They sometimes do. I once clipped a small article from the San Francisco Chronicle and kept it for several years, vowing that I would use it, some day. And I did. It wound up as an important plot point in Bit Player.

I’m such a paper magnet. Through the years I’ve written down story ideas and notes for plots. I still have all those pieces of paper. If I ever get writer’s block, I’ll know which file folders to mine for material.

These days, of course, I can copy the URL of a pertinent article and paste it into the work in progress.

I’ve rid myself of old bank statements and old contracts for books that are no longer in print. Making an effort not to keep anything past a year, unless it’s tax stuff.

Letters, remember those? Missives written before the advent of email? I save letters. The ones from my grandmother are tucked away in a folder, and they are important to me.

What do I save? And what do I throw away? That’s a question Jeri Howard asks in Bit Player, as she sorts through old letters written by her grandmother to solve a decades-old mystery.

Clothes? Since I retired from my day job some years ago, my wardrobe is decidedly casual. I start a donation box and when it gets full, I take it somewhere. Most recently, a local thrift shop. Books go to the Friends of the Library for their book sale.

However, getting rid of stuff is not a matter of opening a large garbage bag and sweeping the offending stuff into the bag. Clearing away clutter is a very personal thing. It involves decisions about what to keep and what to throw away. Sometimes the answer to that conundrum varies, depending on the mood I’m in at the time. Lately, the refrain of, “Maybe I’ll need this something,” is giving way to, “Why am I keeping this?” And that’s a good thing.

I’m not at the “Hoarder” stage yet but sometimes I wonder. At least I got a short story out of the subject. It’s a cautionary tale, called “Pack Rat.”

Guest Blogger~ Debbie Burke

Hi, Ladies of Mystery, I’m crime novelist Debbie Burke. Thank you to Paty Jager for her gracious invitation to chat with you today. Here’s a little about my main character.

Montana widow Tawny Lindholm is swept up into a terrorist plot when she trusts the wrong man.

After Tawny receives a new smartphone as a gift, she’s baffled. This instrument of the devil behaves as if possessed and she dubs it Lucifer. Enter a dashing widower who offers to help her untangle its mysteries. Lonely and vulnerable after her husband’s death, Tawny falls prey to his charm. She doesn’t realize he is a terrorist who sent her the device as part of his plot to destroy the electrical grid. His target: Hungry Horse Dam where Tawny is a longtime seasonal employee. He sets her up as the scapegoat to take the fall for his crime.

Soon she’s being followed. When she can’t explain large cash deposits, the bank and suspicious feds freeze her money. She’s broke, her family is threatened, and she’s on the run.

Can she turn the devil back on himself to save her own life and prevent a blackout affecting millions?

Are there autobiographical elements?

Tawny’s struggles mirror my own experiences with a frustrating new smartphone.

Fortunately, though, I haven’t met any charming terrorists!

When I was writing the book, news stories about the vulnerability of the power grid kept surfacing. Documentaries exposed how easily a smartphone could trigger a cyberattack that would disrupt electricity to vast swaths of the U.S.

I was onto something timely…and scary.

Tawny may seem like an unlikely thriller hero—an everywoman like your neighbor or coworker—but, with technology intruding into all aspects of today’s life, this scenario could happen to anyone…even you.

Instrument of the Devil is the first book in the Tawny Lindholm Thrillers with Passion series. Toward the end of the book, a larger-than-life lawyer named Tillman Rosenbaum comes on scene to defend her. He’s brilliant, arrogant, and sexy. Their gasoline-and-match chemistry leads into the second book, Stalking Midas, where Tawny goes to work for Tillman as an investigator.

Each book is written as a standalone and can be read in any order but there is an ongoing arc of their stormy relationship.  

The series is meant to be entertaining, with fast-moving action, surprise-twist plots, and quirky characters. But it also examines timely issues like terrorism, racism, elder fraud, teen suicide, and a justice system that rarely gives justice. 

Please stop by my website: debbieburkewriter.com

Twitter: @burke_writer

Try Instrument of the Devil for FREE then come back for the other Tawny Lindholm Thrillers with Passion

Click on covers below for Amazon links.

Links to other online booksellers:

Instrument of the Devil

Stalking Midas

Eyes in the Sky

Dead Man’s Bluff

Crowded Hearts – A Novella

Flight to Forever