Los Angeles Times Festival of Books

 

copy                                        The Los Angeles Times Festival of Books was held on                                             April 9th and 10th on the campus of the University of Southern California. It’s a yearly event, the largest book festival in the country. Sisters in Crime/Los Angeles, the local chapter of Sisters in Crime, has a booth at the festival, and I’m a member.

The Sisters in Crime/LA booth is in the mystery section, next to the booths of Mystery Ink bookstore, Mystery Writers of America and Mysterious Galaxy bookstore. It’s in a great location close to the main walkway, and we get a lot of visitors stopping by.

This year I was part of a team scheduling slots for our members to sign their books. Requesting a signing time was a complicated process involving a form provided on the website of Sisters in Crime National. We allocated signing times based on when applications were received, and there were lots of applications. Invariable, people signed up and then changed their minds, and people forgot to sign up and then asked for the most desirable slots. But there was less confusion than I had imagined.

Signing slots were two hours each, except for the slots between noon and two p.m. which we broke into one-hour segments because these seemed to be the most desirable signing times. All the slots were taken except for Sunday from 4 p.m. to 5 p.m., the end of the festival.

Friday, when we were scheduled to set up the booth, rain was predicted. Not a usual occurrence in April in Southern California, but this is the year of el nino and climate change, so who knows what’s going to happen? Anyway, there was a firm prediction of rain for Friday night, so we were reluctant to put books out in case a wind and rain storm blew all the coverings off. So we arrived at 7 a.m. on Saturday to unpack books, sort them out and place them in the various book racks and stands. Our six feet by eight feet space was pretty full with two tables and five chairs for signers, three tables for books, a table for merchandise and one for those selling the books.

Saturday morning was quiet with some drizzle. I was surprised at the number of people who had come out for the Festival despite the weather. At about noon, the rain began to come down in torrents. We moved the tables further into the booth, making the already Carole at Festival of Bookssmall space incredibly cramped with no possibility that two people could pass one another inside the small area. However, we managed, and the heavy rain finally ceased. In the afternoon we had lots of visitors.

Sunday was beautiful, the rain gone, and a great many people visiting the Festival of Books. All in all, it was estimated that 160,000 people came to the Festival over the weekend, and we sold nearly two hundred books, quite a remarkable number. Not surprisingly, people came in bunches to buy books with nothing happening for twenty minutes or half an hour, then four or five people arriving and wanting to purchase books at at once. Why is that? It seems to me it happens whenever I sign people up or sell anything. Do you find that that’s true for you?

Anyway, it was a fun and exhausting weekend, we sold a lot of books and made a lot of mystery writers and readers happy. It was a confirmation for me that people still read and still read books, not just electronic devices like Kindle. And that makes me very happy. And, I got to have my favorite sandwich, which I only allow myself once a year: a bacon, lettuce, tomato, and avocado sandwich with aioli, a BLTA. Delicious!

 

 

 

 

Not So True Crime

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Vivid. Believable. Atmospheric.

I see words like this — words used by readers to describe my books — and I’m blown away. I can’t express how grateful I am for these reviews. I hope that I can keep producing books that meet these standards. It’s for this reason that much of the time I spend “writing” each book in the Adam Kaminski mystery series is actually time spent researching.

IMG_2356I spent many years studying Polish history and the Polish political system. I use knowledge I gained in my years at the State Department and National Park Service. I talk with friends and colleagues who are archaeologists, to make sure my recollection of archaeology from my graduate school days is accurate. And I read. A lot.

All of this is to ensure that my stories, while completely fictional, are also realistic and believable.

Yet I hit those points occasionally where I have to stop writing and say wait, what? (I try to say this silently in my head, but I don’t always succeed). That point where I’ve written myself into a corner and I need to come up with a realistic reason why a Philadelphia cop would be sent to Poland. Or how a religious leader could help investigate a murder. Or why a statistician, archaeologist and mathematician might be collaborating. Just for example.

Sometimes there is no way. As Lisa Cron points out in this insightful article at Writers Unboxed, it’s rarely a good idea to try to create an internal logic to your story when one doesn’t exist.

On the other hand, sometimes it just clicks. Like when I open the New York Times to find a fascinating article about how statisticians, mathematicians and archaeologists collaborated to determine literacy rates in ancient Judah. Eureka!

puzzle dogI love it when all the puzzle pieces somehow fit together perfectly. (And, yes, hate it when I have to delete an entire plot thread because, in the end, it just doesn’t work.)

I actually enjoy research. Learning about other people, other places, other skills. It’s part of the joy of writing for me.

But in some ways, the fun part is when I get to make stuff up. Come up with creative and unexpected motives for murder, or alibis that seem strong but have an almost invisible loop-hole. For while the scholars studying ancient Judah may have been working together on a history-changing exercise, I’m fairly certain none of them is plotting murder.

That’s all on me.

How about you – when you read or when you write, how important is it that the storyline be believable?

Find out more about me and the Adam Kaminski mystery series at janegorman.com

Simple three books

A Gun in the Hands of a Woman by Paty Jager

revolverI’ve had to research what type of revolver would be best for a woman to use for my murder mystery series. While Shandra knows how to handle a rifle from growing up on a large ranch, she’s never felt the need for a handgun for protection.

My male protagonist believes Shandra needs a weapon for protection and gives her one of his hand guns and lessons. When the need to arm Shandra came up I went to law enforcement professionals and asked them what would be a good revolver for a woman. These are their answers.

The main thing they all said was she would have to train often with the weapon. It was wholeheartedly stated that if a person doesn’t train with a weapon, especially a handgun, they won’t be ready to use it if necessary. Also by practicing and using the gun often, they can tell by the weight if the weapon is loaded or not and know how to take it off safety without thinking about it. I agree with this. By the end of the summer when I’ve been shooting the sage rats on our property, I can take the .22 off the safety without thinking about it. But each spring when I start shooting, I fumble with the button trying to remember which is safe and which isn’t. I agree with the shoot often to get comfortable with the weapon.

Another common comment was if the person is untrained in loading and shooting there is more chance of accidents happening.

By using the weapon often the shooter also develops habits. These habits will let the person know if they left the revolver loaded or if it’s empty.

By looking at a revolver you can’t tell if it is loaded or not. Because they don’t eject the empty shells automatically. And only an experienced shooter knows to open the cylinder and inspect for dimples on the ends of the shells.

Another thing to think about when putting a revolver in the hands of a woman is how large are her hands. Some weapons have stock grips that can change out for smaller or larger grips to fit the hands better.  Some don’t. It’s not just the size of the grip that needs to be checked. Can her fingers reach the trigger while holding the pistol/revolver correctly. The index finger must be able to bend  and pull the trigger.  It is essential that a person handles several guns and finds the one that is most comfortable for their hands.

These are models that were suggested if the woman has small hands:

Smith & Wesson (S&W) J-Frames (Model-36 Chief’s Special and Model-36 LadySmith, 442, 638, 642, 60LS, 640LS, etc.)

Taurus models 650, 850, 651, 605, 85

Charter Arms Undercover, Undercoverette

Ruger SP-101, LCR

If she has larger hands, she could use something like:

S&W model 10, 64, 66, 67, 686

Taurus model 65, 66, 82

Charter Arms Bulldog, Pug

Ruger GP-100
In the end after doing all my research, I didn’t name what type of revolver Ryan gave Shandra to protect herself.

I’ve only shot a pistol before and rely on that experience when writing scenes involving my character shooting. That and gleaning all the information I can from people who know more about weapons.

The fifth book of the Shandra Higheagle Mystery Series is available in ebook and print.

Killer DescentKiller Descent

Book five in the Shandra Higheagle Mysteries

Abuse…Power…Murder

Once again Shandra Higheagle finds herself a suspect in a murder investigation when an ex-lover is found murdered on a Huckleberry ski run. A past she’d planned to never divulge now must be shared with the first man she’s trusted, Detective Ryan Greer.

Ryan puts his job in jeopardy when he’s booted from the case and uses all resources plus a few extra to prove Shandra is innocent. The information leads them down a road of blackmail and betrayal of the ugliest kind.

http://www.patyjager.net/mystery.html

paty shadow (1)Award-winning author Paty Jager and her husband raise alfalfa hay in rural eastern Oregon.All Paty’s work has Western or Native American elements in them along with hints of humor and engaging characters. Her Shandra Higheagle Mystery series, set in a fictional ski resort in Idaho, is full of quirky characters, twists, turns, and a bit of mysticism.

You can learn more about Paty at:

blog / website /  Facebook / Paty’s Posse / Goodreads / Twitter

 

It’s Been a Bit Stressful Around Here

I’m writing about my own stress. It began with my husband getting sick–it seemed sudden, but looking back it really wasn’t. After a visit to the ER he ended up with a pacemaker, then a blood clot in his arm. The pacemaker is working great and medicine is taking care of his arm.

Blurb for A Crushing Death:

A pile of rocks is found on a dead body beneath the condemned pier, a teacher is accused of molesting a student, the new police chief is threatened by someone she once arrested for violent attacks on women, and Detective Milligan’s teenage daughter has a problem.

Buy link:

http://www.amazon.com/Crushing-Death-Rocky-Bluff-P-D/dp/1610092260/ref=sr_1_1?ie=UTF8&qid=1457618775&sr=8-1&keywords=A+Crushing+Death+by+F.M.+Meredith

Because I have a new book out, I’ve been busily promoting and setting up some in-person events. The first happens this Saturday, the 27th at 10 a.m. at the Nipomo Library with the Central Coast Sisters in Crime. Because there was a glitch with the cover, the books didn’t get printed when they were supposed to and a rush order is supposed to be delivered on Wednesday. Fingers crossed, because I’m headed to the cost on Friday.

Of course the cover issue was a biggie, I had to send the corrected cover to the 30 hosts of my blog tour beginning April 15 and going on through May 11.

Beginning April 1st an earlier book in the Rocky Bluff P.D. series, Murder in the Worst Degree, will be free on Kindle until April 5th. http://www.amazon.com/Murder-Worst-Degree-Rocky-Bluff-ebook/dp/B00JFKAH9A/ref=sr_1_1_twi_kin_2?ie=UTF8&qid=1458566324&sr=8-1&keywords=Murder+in+the+Worst+Degree

That took some coordinating with my publisher and setting up some advertising sites. Of course the whole point of doing this is to  interest readers in the rest of the series.

April 12, I’ll be speaking to two high school classes, always fun.

On the 14rh, at 10 a.m., I’m giving a talk at the Porterville Library about where I get my ideas.

Also this is late because I didn’t realize it was the 4th Monday, which is my day.

Please forgive me for being late and venting about my stress.

Marilyn Meredith aka F. M. Meredith

Murder Without Violence

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I had the great pleasure this past weekend to attend a meeting of my local chapter of the Sisters in Crime (the Delaware Valley Chapter). The guest speaker for the meeting is a Conservator at the University of Pennsylvania Museum of Archaeology and Anthropology (which is, coincidentally, where I earned my PhD in Anthropology). Because it is a museum of archaeology rather than fine arts, Molly Gleeson conserves artifacts and other specimens. That includes human remains.

It was a fascinating talk — as they always are at these meetings. Ms. Gleeson prefaced her talk by warning us that she was going to show us images of human remains, then admitted that for this particular audience that might not be a problem. We all write and read about murder. We’re used to human remains, right?

IMG_2463Well…maybe. A murder mystery can be many, many things. It can be light hearted and funny. It can be chic lit. It can be dark, gritty. And it can be gory, a story of violence and evil. When choosing a new book to read, a mystery reader has to know what she’s getting into — or she reads at her own peril.

Personally, I prefer not to read gruesome stories. I particularly avoid books that include rape scenes, but I generally skim through (or avoid altogether) stories with too much gory detail, too much vividly painted violence. I write the books I like to read. Relatively dark mysteries, gritty even, but with the violence taking place almost entirely off the page.

As an aside, one of the most beautiful death scenes I’ve ever read was written by the late, great Ruth Rendell (who, incidentally, did not shy away from violence when she felt it was called for). I always picture that pretty corpse floating peacefully and elegantly down the river, surrounded by wildflowers, whenever I’m trying to write my own murder scenes. I have not yet achieved Rendell’s level of artistic description of death, but I’ll keep trying.

Screen Shot 2016-03-20 at 2.05.07 PMWhich brings me back to the Delaware Valley Chapter of the Sisters in Crime. Each month, a technical speaker is invited to come to our group, to share his or her knowledge of biology, ways to kill a person, how crime scenes are handled, even about ancient methods of human preservation (mummies). To an outsider, we probably seem like a pretty gory bunch.

Quite the contrary. In our group, you’ll find cozy writers, young adult writers, and many, like me, who write traditional mysteries that are high on mystery but low on sex and violence. But one thing we have in common: we’re all well-informed on those gory topics that inform the background of our stories, but don’t make an appearance on the page.

How about you? How much violence do you want to see in the mysteries you read?

janegorman.com