Back in the Saddle Again

As we enter quarter 3 of 2020, I’m finally getting back into the groove and picking things up where I left off before this year took a massive left turn into the scary land of Pandemicia. Before COVID-19, I was on track to launch the first three books of my debut cozy mystery series this fall and about to start launching a series of social media courses for authors.

*whistles and puts hands in pockets* Yeah, that’s not quite how quarter 2 went. On the bright side, I was able to focus on finishing my thesis (and master’s) so now I can re-focus on other goals without that on my shoulders.

Anyone else returning to some normalcy in your writing or life after the initial onslaught of the pandemic?

It feels so good to be thinking about writing and publishing again, and be able to share that with you all! I recently finished working with an amazing cover artist on my debut cover. I’ll be sure to share the cover in a future blog post and talk about the elements of cozy mystery covers.

Another good thing about the unexpected break from writing (can you tell I’m an optimist always looking for the bright side?) is that I have SUPER fresh eyes to read the current draft of my cozy. I’m sure that’s going to come in handy.

To be honest, I can’t really recall where I left off with it. It’s like life pre-COVID is still a blur. I know I was revising and working on a revision plan, but I don’t recall quite where I was going with everything. I’m going to take that as a blessing that I can now look at it with a new perspective and not be bogged down by old ideas. Hopefully the strongest ideas from before will return or I’ll get some new ones.

This week, I’ll be reading what I currently have and tackling a new revision plan. By the time my blog date rolls around for August, I’m sure I’ll have lots of exciting things to update you on with my indie publishing journey. Possibly new release dates picked out for early 2021 (because fall 2020 definitely won’t be happening at this point, haha), tales from Revision Land, maybe even talking about the process of working with a hired editor. So much goodness to come!

I’d love to hear what’s going on with you. Do you have any summer goals? Anything you’re happy to be returning to after some time away?

Guest Author – Camille Minichino

Puzzled by Crime

Since we’ve been sheltered in place, sales of jigsaw puzzles have soared. As trusted a source as NPR recently reported an increase of more than 300% over last year’s sales.

It’s not hard to figure out why people have turned to puzzling in a time of great confusion and uncertainty. If you’re focused on finding that piece of blue sky over Tuolumne Meadows in the Sierras, or the jacket of the woman ice skating in Rockefeller Center, you can hardly give in to fear or anxiety at the same time.

Other puzzles, too, are having their moment. Newspapers offer extra crosswords, acrostics, and entire supplemental sections with Sudoku, logic puzzles, and picture puzzles for kids.

Some say humans are designed to solve problems, and puzzles fill that need, especially ones that come with a clear set of rules and an unambiguous solution.

Am I ever going to talk about cozies?

Yes, here it comes.

Cozies are primarily puzzles. That’s not to say that the other elements of fiction are unimportant. Cozy readers expect all the basics of a good story: engaging characters, sparkling dialogue, appealing descriptions, riveting suspense, and a satisfying conclusion.

What cozy readers don’t expect are graphic details that take away from the essential puzzle. Does that mean that cozies make light of murder, for example? A case can be made that the touch of humor often found in cozy mysteries takes away from the seriousness of the matter. But the theory behind cozies, to my mind, is that readers already know that murder is horrible, that it’s brutal, violent, no matter the weapon, and that it takes an enormous toll on everyone around it. We don’t need to dwell on those aspects. We choose to dwell on the puzzle that connects the motive, the victim, the killer, and the clues.

The amateur sleuth featured in cozies is making a red velvet cake with her hands, while her mind is figuring out the clues. Instead of forensic details and images of internal organs being weighed in the pan of a laboratory scale, we’re treated to her aha moment—the oven timer goes off and she realizes that Mr. Victim in the Library could not have been killed before two o’clock in the afternoon. Puzzle solved!

The cozy sleuth usually has a threat to her life when the killer realizes how smart she is, how she’s been able to put all the pieces of the puzzle together. But the cozy reader knows the danger is there only to provide another opportunity for a clever move, as if the whole story were being played out on a chess board. Quite satisfying.

Murder is brutal in real life, and there are subgenres in crime fiction that deal with that—noir and horror, for example, and what are called thrillers.

At the moment, we seem to be living in a medical thriller. Maybe we’d rather leave that behind as we read. If so, cozies are there for us.

MOUSSE AND MURDER

A young chef bites off more than she can chew when she returns to her Alaskan hometown to take over her parents’ diner.

When Chef Charlotte “Charlie” Cooke was offered the chance to leave San Francisco and return home to Elkview, Alaska, and take over her mother’s diner, she didn’t even consider saying no. For the past year, she’s built a comfortable existence, spending her days making sure the restaurant runs smoothly and that her cat, Eggs Benedict, is appropriately pampered. But soon life at the diner starts feeling a little one-note.

Determined to bring fresh life and flavors to the Bear Claw Diner, Charlie starts planning changes to the menu, which has grown stale over the years. But her plans are fried when her head chef Oliver turns up dead after a bitter and public fight over Charlie’s ideas—leaving Charlie as the prime suspect.

With her career, freedom, and life all on thin ice, Charlie must find out who the real killer is, before it’s too late.

Buy links are at https://www.penguinrandomhouse.com/books/622413/mousse-and-murder-by-elizabeth-logan/

Camille Minichino is a retired physicist. She’s the author of 28 mystery novels, plus many short stories and articles. Her 5 series feature a physicist, a miniaturist, a college math professor, a postmistress, and a chef in a fictional town in Alaska. She teaches science at Golden Gate University in San Francisco and writing workshops around the SF Bay Area. Her latest series, the Alaskan Diner Mysteries, written as Elizabeth Logan, debuts with “Mousse and Murder.” All her names and numbers can be found at www.minichino.com, and at https://www.facebook.com/camille.minichino

On Being a Writer by Heather Haven

Heather cartoon-smallest copyThere are a lot of bonuses to being a writer. Take today. Without leaving my office, I got to go on an early morning car chase on Highway 92, a scenic route over the coastal mountains of California. Highway 92 leads to a lot of nifty places, such as the Pacific Ocean and a darling little town called Half Moon Bay. True, the car chase may have only been in my mind, but it was pretty exciting. And a total relief, especially with what’s going on in the world now.

Following my protagonist and her hubby, I wound up at a Christmas tree farm. There I got to watch among other things, these two charmers sabotage the getaway helicopter of the villains. They were outnumbered and it was a close call, of course, but things were set right in the end.  As I tagged along with them, the sun came up on a glorious day in a glorious part of the world. I said to myself, I said, “Self, this is the joy of writing a cozy. You know what’s going to happen, when it’s going to happen, and there’s going to be a happy ending, because it’s all up to you.” Self was happy.

On top of that, I got to do research. I love doing research. I learned things, such as different fuels for a helicopter (there are two kinds, depending on the engine), if the windshield can be penetrated by a bullet (yes), and how the rotating blades taking the copter up, up, and away actually do it (too detailed to go into). Today my life was in the building, maintenance, and aerodynamics of a helicopter on a Christmas tree farm near Half Moon Bay and little else.

Of course, I would have to come back to reality now and then to feed the cat, hubby, make the bed, disinfect anything that came into the house, go for a brief walk, and make dinner. But still, parts of my day were absolutely marvelous. I may be a crazy writer, but I LOVE what I do for a living. Even when I don’t make much of a living at it. Money comes and goes. Sometimes I sail along, sometimes I’m dashed to the rocks.

But then, I never became a writer because of the moola. It’s the lure of things like car chases over Highway 92, foiling the bad guy, and winning the day at a Christmas tree farm. You just can’t get jobs like that every day, no matter what the pay.

 

The Angst That Doesn’t Go On The Page by Paty Jager

Many literary prose are filled with angst and trepidation. I wonder if literary writers feel the same angst and trepidation that genre writers do?

This is a confession of sorts. Before I started writing mystery, I just researched either history, settings, occupations or whatever I needed to make the story real and conjured up characters that I liked and hoped readers liked. Those were my romance books.

Then I wrote an action adventure trilogy. I researched and read and studied. I came up with a high IQ character and hoped I could pull her off. I set books in areas I had never been, but I found people who had or lived there. I dug deep to make sure I had all the knowledge I felt I needed to write those books. When the first one released, I knew it was going to flop. How could I write about an anthropologist with a genius level IQ and make people believe her?

But I did! Readers loved Isabella Mumphrey. The first book won an award!

After all the angst and worry, I decided to try my hand at the genre I really wanted to write– mystery. And what did I do? I made my character half Native American. Mainly because I feel it is a culture that gets shoved under the rug and partly because I love research and learning new things. I thought why not learn about the culture along with my character.

But I worried I couldn’t pull her off. That someone would tell me I didn’t have the right to write such a character or I wasn’t portraying her correctly. However at book 14 in my Shandra Higheagle Mystery series, I have people who love the information on the culture that I include in the books. This makes me happy that I am informing my readers about a culture they may not know about in an entertaining way.

Then I start writing another book and I worry this one won’t be as good as the last. Or I feel it’s lagging, not enough twists, or not enough culture… There is always something I feel I didn’t flush out enough.

This goes on daily as I write. My books go through critique partners, beta readers, a line editor, a sensitivity reader, a proof reader and my final arc readers before it gets to the public. And I still worry that something was missed.

It isn’t until my ARC readers send me the links to their reviews that I know if my book was mediocre or they enjoyed it. I”m happy to say the newest release has been a joy to get reviews and emails about. The subject lines have been: I loved it! You did it again!

These are worth all the worrying, angst, and beating myself up over the characters and plot.

Here is Abstract Casualty

Book 14 in the Shandra Higheagle Mystery series

Hawaiian adventure, Deceit, Murder

Shandra Higheagle is asked to juror an art exhibition on the island of Kauai, Hawaii.

After an altercation at the exhibition, the chairwoman of the event, Shandra’s friend, arrives home with torn clothes, scratches, and stating she tried to save an angry artist who fell over a cliff. Shandra and Ryan begin piecing together information to figure out if the friend did try to save the artist or helped him over the edge.

During the investigation, Shandra comes across a person who reminds her of an unhealthy time in her past. Knowing this man and the one from her past, she is determined to find his connection to the dead artist.  When her grandmother doesn’t come to her in dreams, Shandra wonders if her past is blinding her from the truth.

https://books2read.com/u/4XXLke

Wrapping Up a Murder by Paty Jager

I just finished the 14th Shandra Higheagle Mystery book. This book is set in Kauai, Hawaii. Yes, I had to write off the trip I took to Kauai last October. LOL Actually, it took me 40 years to get my husband to go to Hawaii with me and I happened to like the idea of setting a book there.

I enjoyed revisiting the places we went to add spice and authenticity to the book. My photos, some I took with the intention of using for the cover, and others so I could remember what I’d seen, helped me bring the island to life in the book.

While the writing, bringing in the island flavor, and discovering an actual event that brought my amateur sleuth potter to the island in a real way, it was the intricacy of the plot that kept me spellbound as I wrote the book.

Artwork from the exhibition in my book.

As usual, I started out with my suspect chart, all part of the art world on Kauai. But as I researched and discovered more about the island, the art world became more dark and convoluted. This on an island that boasts very low crime rates. But I couldn’t help myself. The island is warm, inviting, and overpopulated with tourists.

Because of the tourists, I have my characters catering to the masses. I’m not saying what I wrote about isn’t happening on the island, but it isn’t in the statistics that I read. However, I did read about the influx of drugs back about 5 years and taking creative license, I used that information to sway the direction of the story.

I take pride in so many readers saying they didn’t know who the murderer was until it was unveiled in most of my mysteries. And so, I go at each book with the intent to drop clues but keep the reader wondering until the end. I hope I’ve done that with this book as well. We’ll see when I get my critique partners’ notes on it.

Here is the cover for Abstract Casualty, set on Kauai, Hawaii.