Guest Blogger – Lorrie Holmgren

When I start to plan an Emily Swift Travel Mystery, I go where my amateur sleuth will go and jot down descriptions, observations, and plot ideas in my journal.  Because Emily is a travel writer, I want to capture her enthusiasm for new places and describe them as well as I can. Useful as my journal is, however, I often turn to the Internet to develop my ideas in more detail when I’m actually writing. I find the combination of real-life observation and research works for me.

Sometimes I have an idea for a scene that means I must head off to a place I’ve never been.   In Murder on Madeline Island, the first book in the Emily Swift Travel Mystery series, Emily is helping an elderly woman search for her long-lost Ojibwa brother.   I thought her search might lead her to a Powwow.  So, I drove to Bayfield, Wisconsin to see a powwow firsthand. As I always do, I jotted down detailed descriptions in my journal.  But when I started to write the scene, I realized I needed more.  I went on UTube to watch the Shawl Dance and Grass Dance and found out their significance.  Then it was easy to imagine the scene.  In the final version a snippy young girl who has been resisting Emily’s entreaties to meet with the old woman, dances beautifully, transforming herself from a girl into a crow.  The character’s love of tradition gave her greater depth and made her more likeable.  That was my intention anyway. If you read it, let me know if you agree.

Sometimes I see something on a trip that gives me a plot idea and then I go online to find out more.  While I was in Hawaii, my husband and I visited a mountain top that had been the site of an ancient temple. Fresh fruits and flowers were placed there as if at a shrine or gravesite.  It seemed to me this would be the perfect place for a body to be discovered.  So, in Homicide in Hawaii, that’s where the victim’s body is found.  I went online to do research and discovered there had been a resurgence of interest in the old Hawaiian religion and worship of the god Lono.  Here was another lead to help me develop the story.  One character – a young girl who has been adopted and is now seeking information about her Polynesian heritage becomes fascinated by the old religion.

Now, when we are all kept inside by the Pandemic, it was a particular joy to relive my last trip to England where I did the research for A Killing in the Cotswolds, the third book in the series, which has just been published by Cozy Cat Press.  In the novel, Emily is writing articles about daytrips not far from London when she is drawn into a murder investigation.  Like Emily, I travelled from London to charming Cotswold villages to Stratford upon Avon and Avebury and enjoyed delicious teas and visits to historic sites.  But it was Internet research that gave me the idea for the long-buried secret that led to murder. I didn’t use the actual event, but it spurred my imagination.

For now, I highly recommend armchair travel.  Emily Swift Travel mysteries are available in print and Kindle on Amazon.

A Killing in the Cotswolds, An Emily Swift Travel Mystery

It’s springtime in England and travel writer Emily Swift is writing about charming Cotswold villages. But when a politician is found dead in a country inn, she and her boyfriend Jack are drawn into a murder investigation. Who killed him? An actor with a talent for deception?  A schoolmaster fired after a mysterious death? A tour guide at Warwick Castle bent on revenge?  Over tea and crumpets, Emily’s childhood friend begs her to find out and save an innocent woman from being charged with murder. Emily can’t say no. Clues lead through the British countryside and danger lurks where Emily least expects it.

The books are available in print and Kindle on Amazon

Lorrie Holmgren is the author of three Emily Swift Travel Mysteries: Murder on Madeline Island, Homicide in Hawaii and A Killing in the Cotswolds. She lives in Minneapolis, Minnesota, with her husband, busily penning mysteries and hoping it will soon be safe to travel.  She enjoys Zumba, Salsa, Bachata, aqua aerobics, gardening, knitting, and book group discussions.

Website www.lorrieholmgren.com

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Trying to Combine Two Stories Into One by Heather Haven

When I began writing Casting Call for a Corpse, my latest cozy mystery revolving around the Alvarez Family, I wanted to combine the ongoing characters from the series with a few characters from a play I penned some time ago. I also wanted to add a Scottish character in honor of my heart sister, who was adopted at birth and recently found her Scottish birth family. An homage, doncha know.

Frankly, I wasn’t sure if I could make it work. Some nights I lost sleep over whether or not I could pull this into anything readable. However, I really loved the characters from the play, in particular the internationally acclaimed actress, her loyal assistant, the Hispanic housekeeper, and a has-been writer who burned bright in his youth but had done little since. Putting Lee Alvarez, the protagonist of the Alvarez Family Murder Mysteries, and the actress together was easy. Close in age, I found making them friends from way-back-when in New York City added reality and depth to my tale. Also lots of humor! The other characters were a little tougher to place but ultimately, I managed to do it.

As for the storyline, itself, that was different. I was never too sure if ‘this’ was too much or ‘that’ was enough. So I took the throw-all-the-spaghetti-on-the-wall-and-see-what-sticks approach. Not quite my style. I usually know the first chapter, where I want to go, and how I want the story to end. This time I had no idea of any of it. I was a panster to the nth degree.

Surprisingly, while writing the novel this method was freeing. If I had a thought, it was in. I’d deal with the validity of it later. I wound up with some not-so-nice Russian businessmen, a trendy restaurant, threatening letters, jewel thieves, secret tunnels, and even a Christmas tree farm. I mean, why not? Then I added an inside take on life backstage in the theater, which was a large part of my existence in my salad days. I still had sleepless nights, but at least I had written pages to show for them.

Months later, when I finished the final draft, I went back in and took out extraneous plots, substories, and innuendos that didn’t work or were confusing. By that time, I actually had a story with a beginning, middle, and end. Hallelujah! When I handed the book off to my editors and Beta readers, I waited with the proverbial bated breath to see if the novel worked. It did. In fact, my content editor, one tough cookie, said it was the tightest of all the Alvarez books. Did that mean if I knew a storyline may not work from the very first word on the page to the very last, it made me a better novelist?

I’m thinking no. Each story is unique and different. When I start a new novel it’s almost like writing the first one. So far I’ve written thirteen novels, numerous novellas, and dozens of short stories. Not one of them has been easy or formulaic. True, I’ve developed a few tricks along the way. I believe I know what doesn’t work. But what definitively works? You got me.

In a way, I love that part. It never gets boring, this writing stuff.

Back in the Saddle Again

As we enter quarter 3 of 2020, I’m finally getting back into the groove and picking things up where I left off before this year took a massive left turn into the scary land of Pandemicia. Before COVID-19, I was on track to launch the first three books of my debut cozy mystery series this fall and about to start launching a series of social media courses for authors.

*whistles and puts hands in pockets* Yeah, that’s not quite how quarter 2 went. On the bright side, I was able to focus on finishing my thesis (and master’s) so now I can re-focus on other goals without that on my shoulders.

Anyone else returning to some normalcy in your writing or life after the initial onslaught of the pandemic?

It feels so good to be thinking about writing and publishing again, and be able to share that with you all! I recently finished working with an amazing cover artist on my debut cover. I’ll be sure to share the cover in a future blog post and talk about the elements of cozy mystery covers.

Another good thing about the unexpected break from writing (can you tell I’m an optimist always looking for the bright side?) is that I have SUPER fresh eyes to read the current draft of my cozy. I’m sure that’s going to come in handy.

To be honest, I can’t really recall where I left off with it. It’s like life pre-COVID is still a blur. I know I was revising and working on a revision plan, but I don’t recall quite where I was going with everything. I’m going to take that as a blessing that I can now look at it with a new perspective and not be bogged down by old ideas. Hopefully the strongest ideas from before will return or I’ll get some new ones.

This week, I’ll be reading what I currently have and tackling a new revision plan. By the time my blog date rolls around for August, I’m sure I’ll have lots of exciting things to update you on with my indie publishing journey. Possibly new release dates picked out for early 2021 (because fall 2020 definitely won’t be happening at this point, haha), tales from Revision Land, maybe even talking about the process of working with a hired editor. So much goodness to come!

I’d love to hear what’s going on with you. Do you have any summer goals? Anything you’re happy to be returning to after some time away?

Guest Author – Camille Minichino

Puzzled by Crime

Since we’ve been sheltered in place, sales of jigsaw puzzles have soared. As trusted a source as NPR recently reported an increase of more than 300% over last year’s sales.

It’s not hard to figure out why people have turned to puzzling in a time of great confusion and uncertainty. If you’re focused on finding that piece of blue sky over Tuolumne Meadows in the Sierras, or the jacket of the woman ice skating in Rockefeller Center, you can hardly give in to fear or anxiety at the same time.

Other puzzles, too, are having their moment. Newspapers offer extra crosswords, acrostics, and entire supplemental sections with Sudoku, logic puzzles, and picture puzzles for kids.

Some say humans are designed to solve problems, and puzzles fill that need, especially ones that come with a clear set of rules and an unambiguous solution.

Am I ever going to talk about cozies?

Yes, here it comes.

Cozies are primarily puzzles. That’s not to say that the other elements of fiction are unimportant. Cozy readers expect all the basics of a good story: engaging characters, sparkling dialogue, appealing descriptions, riveting suspense, and a satisfying conclusion.

What cozy readers don’t expect are graphic details that take away from the essential puzzle. Does that mean that cozies make light of murder, for example? A case can be made that the touch of humor often found in cozy mysteries takes away from the seriousness of the matter. But the theory behind cozies, to my mind, is that readers already know that murder is horrible, that it’s brutal, violent, no matter the weapon, and that it takes an enormous toll on everyone around it. We don’t need to dwell on those aspects. We choose to dwell on the puzzle that connects the motive, the victim, the killer, and the clues.

The amateur sleuth featured in cozies is making a red velvet cake with her hands, while her mind is figuring out the clues. Instead of forensic details and images of internal organs being weighed in the pan of a laboratory scale, we’re treated to her aha moment—the oven timer goes off and she realizes that Mr. Victim in the Library could not have been killed before two o’clock in the afternoon. Puzzle solved!

The cozy sleuth usually has a threat to her life when the killer realizes how smart she is, how she’s been able to put all the pieces of the puzzle together. But the cozy reader knows the danger is there only to provide another opportunity for a clever move, as if the whole story were being played out on a chess board. Quite satisfying.

Murder is brutal in real life, and there are subgenres in crime fiction that deal with that—noir and horror, for example, and what are called thrillers.

At the moment, we seem to be living in a medical thriller. Maybe we’d rather leave that behind as we read. If so, cozies are there for us.

MOUSSE AND MURDER

A young chef bites off more than she can chew when she returns to her Alaskan hometown to take over her parents’ diner.

When Chef Charlotte “Charlie” Cooke was offered the chance to leave San Francisco and return home to Elkview, Alaska, and take over her mother’s diner, she didn’t even consider saying no. For the past year, she’s built a comfortable existence, spending her days making sure the restaurant runs smoothly and that her cat, Eggs Benedict, is appropriately pampered. But soon life at the diner starts feeling a little one-note.

Determined to bring fresh life and flavors to the Bear Claw Diner, Charlie starts planning changes to the menu, which has grown stale over the years. But her plans are fried when her head chef Oliver turns up dead after a bitter and public fight over Charlie’s ideas—leaving Charlie as the prime suspect.

With her career, freedom, and life all on thin ice, Charlie must find out who the real killer is, before it’s too late.

Buy links are at https://www.penguinrandomhouse.com/books/622413/mousse-and-murder-by-elizabeth-logan/

Camille Minichino is a retired physicist. She’s the author of 28 mystery novels, plus many short stories and articles. Her 5 series feature a physicist, a miniaturist, a college math professor, a postmistress, and a chef in a fictional town in Alaska. She teaches science at Golden Gate University in San Francisco and writing workshops around the SF Bay Area. Her latest series, the Alaskan Diner Mysteries, written as Elizabeth Logan, debuts with “Mousse and Murder.” All her names and numbers can be found at www.minichino.com, and at https://www.facebook.com/camille.minichino

On Being a Writer by Heather Haven

Heather cartoon-smallest copyThere are a lot of bonuses to being a writer. Take today. Without leaving my office, I got to go on an early morning car chase on Highway 92, a scenic route over the coastal mountains of California. Highway 92 leads to a lot of nifty places, such as the Pacific Ocean and a darling little town called Half Moon Bay. True, the car chase may have only been in my mind, but it was pretty exciting. And a total relief, especially with what’s going on in the world now.

Following my protagonist and her hubby, I wound up at a Christmas tree farm. There I got to watch among other things, these two charmers sabotage the getaway helicopter of the villains. They were outnumbered and it was a close call, of course, but things were set right in the end.  As I tagged along with them, the sun came up on a glorious day in a glorious part of the world. I said to myself, I said, “Self, this is the joy of writing a cozy. You know what’s going to happen, when it’s going to happen, and there’s going to be a happy ending, because it’s all up to you.” Self was happy.

On top of that, I got to do research. I love doing research. I learned things, such as different fuels for a helicopter (there are two kinds, depending on the engine), if the windshield can be penetrated by a bullet (yes), and how the rotating blades taking the copter up, up, and away actually do it (too detailed to go into). Today my life was in the building, maintenance, and aerodynamics of a helicopter on a Christmas tree farm near Half Moon Bay and little else.

Of course, I would have to come back to reality now and then to feed the cat, hubby, make the bed, disinfect anything that came into the house, go for a brief walk, and make dinner. But still, parts of my day were absolutely marvelous. I may be a crazy writer, but I LOVE what I do for a living. Even when I don’t make much of a living at it. Money comes and goes. Sometimes I sail along, sometimes I’m dashed to the rocks.

But then, I never became a writer because of the moola. It’s the lure of things like car chases over Highway 92, foiling the bad guy, and winning the day at a Christmas tree farm. You just can’t get jobs like that every day, no matter what the pay.