Getting into the Rhythm

My second book in the Spotted Pony Casino Mysteries is up on pre-order, publishing on February 18th. I have been fascinated with my main character, Dela Alvaro, ever since I conjured her up for a short story I entered in a contest. She kept knocking around in my head until I decided to make her a main character in her own series.

Even before starting her series, I introduced her to my readers in a Stolen Butterfly, book 7 in the Gabriel Hawke novels. Readers liked her and the secondary characters who are in her life. I was excited to start her series. I had gathered gambling terms to use for book titles because she is head of security at a casino on a reservation. The first book was Poker Face. It delved deeper into what makes Dela tick as the reader is in her point of view, not someone seeing her on the outside.

She has been medically discharged from the Army due to losing a lower limb from an IED. Her plans had been twenty years in the army, which was cut five years short due to the explosion. In book one she has returned to the reservation where she grew up and is trying to piece her life back together. She’d planned on a job in law enforcement but being an amputee put a stop to that plan. Through Grandfather Thunder, the man who lives next door so her mother, Dela gets a job working security at the casino.

During book one, while Dela and FBI Special Agent Quinn Pierce work together to find out who killed and stuffed a casino employee in a laundry chute, Dela, myself, and readers discover more about her and how determined she is to not let her disability be who she is. One of my beta readers thought I’d talked too much about her disability in the first book. But I wanted readers to feel how she felt. She has only been an amputee for less than two years, a year of that was spent in surgery and rehab in an army hospital.

Fast forward to House Edge, book 2, the same beta reader said she loved how I handled the disability, how she’s coming into her own, and the expanded men in her life. That made me feel good. Because I thought after the short story and Dela having a large role in Stolen Butterfly that book 1 wouldn’t feel like an author exploring what she could do with a character.

As I wrote book 2, the premise I had planned for book 3 took root and I planted a hint of what will happen in book 3 in book 2 and I wrote the opening scene for Double Down while I was writing House Edge. It felt right to get the information accurate while the start of the conflict was fresh in my mind.

It isn’t new for me to come up with ideas for future books while I’m writing the current book. I do it all the time. I generally just jot down the idea and then when I’m not writing, swirl it around in my head figuring out how to make the idea work and where in the line of books it will fall.

I have several ideas for what will happen down the line in various books. Some deal with her friends in trouble and some will deal with the father she was told died before she was born.

There will be more mystery in Dela’s life as she continues to solve murders that happen at the casino and on the reservation. It’s a good feeling when a character becomes real in my mind and writing the book is like walking in their footsteps. That’s when I know I have found the rhythm of the character.

Book 2 in the Spotted Pony Casino Mysteries has Dela Alvaro not only trying to keep her job by discovering the killer before word spreads about the murder, but she also has to deal with FBI Special Agent Quinn Peirce butting heads with her high school sweetheart who has returned to the reservation as a tribal police officer

Zealous Environmentalists

Greedy Power Companies

…and a body

A bitter dispute over the breaching of dams in Idaho sparks emotions at a summit held at the Spotted Pony Casino. When the keynote speaker is murdered, Dela Alvaro, head of security, teams up again with FBI Special Agent Quinn Pierce.

The suspects are many since it appears the victim was playing both sides of the controversial environmental issue. Did someone take advantage of a marital dispute… witnessed by a crowd of casino spectators? Or did an angry wife murder her husband? 

Pre-order link:

https://books2read.com/u/bWQ8X0

What’s Old is New Again – Explorations in the Serial Format


by Janis Patterson

If you’ve been reading my various posts and blogs over time, you are probably aware that I bore very easily. That’s why I write in so many different genres and so many variations of my name. However, sometimes even variety become stale and boring, so lately other occupations had been sending their seductive lures my way.

Then came Vella. (Sounds sort of like the title of a rom-com, doesn’t it?)

For those of you who don’t know, Vella is a new platform by Amazon Kindle that is sold serial-format, i.e., chapter by chapter. (Shades of Charles Dickens, not that I am comparing myself to Charles Dickens…) Sort of like the old Saturday morning movie serials we old people remember.

Being very bored one afternoon I thought I’d give it a try… and stepped into a new world. Before going to bed – happily exhausted, I remember – I had written three episodes. Within just a short time I had finished all thirty-six episodes of what I called GHOSTS OF BELLE FLEUR and had them loaded on the Vella platform.

I had already started another story, too, a crime-and-chase fem-jep tale called THE SWABIAN AFFAIR, set in Stuttgart during the time of the Christmas market. At just nineteen episodes it’s roughly half the length of GHOSTS. Both are now available on Kindle Vella.

Quite honestly, this serial format is so much fun I started yet another story, this one set in South Carolina called THE HOUSE WITH THE RED DOOR and have fourteen episodes finished. The first couple of episodes should go live next week. (One neat thing is that the first three episodes of every Vella story are always free!)

So far all my stories have been written by my Janis Susan May persona, but I’m planning to do a murder story under my mystery name of Janis Patterson. This, of course, will require more forethought, but it will be an interesting process.

As I come to the end of each episode I have to think, “What can I do to these poor people now?” Although there does have to be a cohesive story arc from the beginning to the end, I find there is so much more latitude in this unabashedly ‘hook-ish’ serial format. I can pull all kinds of circumstances from my little bag of tricks. Usually I decide on something that is either so intriguing the reader can’t wait to get to the next installment, or something so off-the-wall and unexpected that they’re startled and can’t wait to get to the next installment.

I know that writing and reading tastes are cyclical (just look at the rebirth of the serial format!) and that what is fresh and new and fun now will eventually become tomorrow’s tired and old hat drag, but I’m going to enjoy it while I’m here. The best thing is that so far I have not been desperate enough to have a T-Rex rise from the lake and eat all the characters, as happened with a regular book not too long ago! But it’s a nice twist to have up my sleeve if needed…

Serial novels… wonder what will come back next?

Tools of the Trade

Back in the ancient times when I was first published, a question I frequently got at author events was whether I did my writing on a computer. Something about that query hinted that the person asking the question hoped that, if one somehow picked the right gizmo, it would function as the magic wand and one would be a successful writer.

I was always quick to disabuse aspiring writers of that notion. My answer was usually along these lines:

Hey, it doesn’t matter what tools you use. What matters is that you write. Get those ideas out of your head and onto paper, computer screen, whatever.

An aside – best advice I ever heard came from Edgar-award-winning author Julie Smith: Don’t get it right, get it written.

Still, it’s great to have the tools of the trade. Updated tools, if that’s what you want.

I’ve always used pen, pencil, and paper. Still do. Though more about that later. I am old enough that for me, graduating from a manual typewriter to a correcting electric typewriter was a big honking deal. And when I finally got a computer, well! Dual disk drive and those big five-inch floppy disks. That was an even bigger deal. No more retyping pages over and over and over again when I made changes to the manuscript.

Then there was that dot matrix printer, the one that had strips and sprockets on both sides of the page. The pages had to be separated and the strips torn off. Those were the days!

At the time, I had a rotund gray cat named Gus. He thought it was great fun to raid the wastebasket and festoon the apartment with all those strips. I mean, the whole apartment. Out of the office, down the hall, and all over the living room.

Getting the laser printer was a step up, even if it did take up a lot of space and I could barely lift the damn thing.

How things changed over the years. The huge desktop and monitor gave way to the smaller desktop and the flatscreen monitor. Eventually came the leap to the laptop. Which certainly freed up more space on my desk.

When the laser printer died of old age, I replaced it with an inkjet. Much smaller, and I could lift it without straining my back. Even the inkjet that I replaced a couple of years back was much heavier than the one I have now.

Those big floppies became smaller disks. Then came the hard drive, with lots of space. Flash drives! Nowadays, there’s the cloud – iCloud, Dropbox, Microsoft OneDrive.

Back in July 2019, I was walking down a sidewalk in front of the Oakland Main Library. Uneven sidewalk, and next thing I knew, I was face down on the pavement. I drove myself to Kaiser, more concerned about the skin scraped off the palms of both hands than I was about the increasing pain in my left arm. Sure enough, I’d fractured my wrist. Six weeks in a cast and two of those in a sling. I had a book due in September.

I’d never learned the Dragon software, where one speaks into a mike and the voice translates into words on the computer. Microsoft Word has a similar function but it needs training and I don’t have the patience for that, particularly when I’m on deadline. I wound up dictating lots of notes into my iPhone, finding the voice recognition to be much better. Hello, Siri! But I found out that dictating a work of fiction doesn’t work very well for me. I am definitely a fingers-on-keyboard writer.

These days, I’m writing away from home, more than I used to. Even at home, I frequently get away from my desk in the office to camp out on the sofa, with my laptop, lap desk, and my black cat Clio, who doesn’t understand why she can’t get on my lap.

I also have two terrific tools that work at home or away. The Microsoft Surface Go is my baby computer. It’s a small tablet with a cover that’s also a keyboard. The only problem is that I use a separate ergonomic keyboard at home and on my Go, I’m forever hitting that Caps Lock key.

My other favorite tool is a ReMarkable 2. It’s a tablet with a stylus. I can write in longhand on the screen and can even erase what I’ve written. I can send something from the big computer to the ReM2 and edit in longhand. I can sketch out the street map of my fictional town and draw a chart or diagram to show how characters, plot points, and settings are linked.

It’s a 21st-century update of my trusty lined notebook and pen. I love it and find it quite useful, using it at home and when traveling.

It’s always about the writing, of course. But the tools of the trade can really make it so much better.


The rights to the four most recent Jeri Howard books (Bit Player, Cold Trail, Water Signs and The Devil Close Behind) reverted to me when Perseverance Press closed its doors in the summer of 2021. As a tool of the trade to increase sales, I’ve have just republished those four ebooks with new covers that mesh with the nine previous books. Plus a box set, The Jeri Howard Anthology, Books 10-13.

Now if I can just get cracking and finish Jeri Howard #14, The Things We Keep!

Guest Blogger ~ J.R. Camelback

Although I’m a lady who loves writing international mystery thrillers, I write my international mystery thrillers using a male pseudonym, and I’ve built an “identity” for my writer, J. R. Camelback.  His photo is in shadow and I’ve made him a “Marlboro” kind of man, which is apparent when you read his bio.  Perhaps because I am a “lady” who writes international mystery thrillers, an unusual romance unfolds when the plot reveals love for the same person can take many forms, but this Kindle eBook Taking the Queen – a Caper Book 1 in the Prometheus Foster series has a plot leaving no doubt this is an international mystery thriller.

As readers discover in Book 1 of the Prometheus Foster series,  Taking The Queen – a Caper,Prometheus Foster is a flawed truth seeker who often creates confusion when he asks too many questions.  He and his partner Smarty Jason use their own special methods to solve puzzles involving a plethora of possibilities.  At times there is a certain rivalry between these two, former Washington Post reporters,  however, they join forces to unravel the curiously worded tip by a whistle blower who comes forward some fifteen years after the whistle blowing event takes place.  They need to seek the secrets hidden within the Freedom of Information Act (FOIA) documents, in files the FBI has only partially declassified.   The FBI’s awry sting scheme takes place right in the nation’s political cauldron Washington D. C. and in the nation of Singapore where political intrigues are a “winner take all game.” 

My multifaceted international mystery thriller has glowing Editorial reviews from the industry leading publications: “Kirkus Review”  “Publisher’s Weekly Booklife” and “Writers Digest,” citing a “…intriguing plot with many twists and turns…”  A reader who bought my Kindle book and left a 5-star review said: “This book convincingly melds international crime with a tale of determination to uncover an ugly truth. The plot moves fairly quickly thanks to the tight and focused writing. While many characters get mentioned, a journalistic duo propel the narrative. Prometheus Foster and Smarty Jason prove to be as interesting and memorable as their names, and their backstories would no doubt be a great subject for additional books. The author also adeptly connects this fictional story to real-life FBI headlines, further adding to the book’s realism. Taking the Queen is an unusually intriguing and satisfying read.” 

Taking The Queen – a Caper” Book 1 Prometheus Foster series has been produced as an Audible book, the Amazon Kindle website lists both the Kindle eBook and the Audible book is located at the link: https://www.amazon.com/dp/B08C79RJLP .

Taking the Queen: A Caper Book 1 in the Prometheus Foster series, features investigative reporter Prometheus Foster and Smarty Jason, former collogues at The Washington Post in this international crime thriller tale within opposing lenses of time, Foster and Jason join forces to pursue a whistle blower’s tip about a botched FBI counterintelligence operation hidden within the maze of investigative government agency files under the Freedom of Information Act.

J. R. Camelback

I do my outlines In-between IT security assignments, I conceive the plot with all the twists and turns as I ride the Arizona sacred hills trails. And I am a familiar figure known to all who live in a place sacred to Apache and Comanche Indians for their hunt on ground sacred to ancestors. I do seek to blend into the landscape of wherever I need to be to research the details that I am meticulous about.  In my photo, you will see me in my study where I have a bookshelf of books, and of course, my computer for the online sources I need to offer my readers an insight into the environment where the action takes place.  I am now at work on the draft manuscript of Book 2 in the Prometheus Foster series, THE WUHAN PUZZLE , this book straddles 2 mystery genres:  International Mystery & Crime:  Thrillers: Espionage, and I am placing Prometheus Foster in a plot that is swimming the boundaries of integrity to make him question his life’s purpose, and then I test his moral purpose amidst the rivers of circumstances when the life of his beloved wife, Marcy is at stake, she defines his humanity, THE WUHAN PUZZLE tests him in ways that brings him to his knees and in ways he’s never thought emotions sway.

PLEASE NOTE:  I am testing Book Covers for THE WUHAN PUZZLE and hope the Ladies of Mystery blog readers can tell me what they think of this one:

OR

The word “puzzle” in another font similar cover

Learning from Streaming by Heather Haven

With Covid looming everywhere, many are staying closer to home than usual. But maybe, as this is year 3 of Covid, that’s the norm. For most of us streaming is the new pastime, whether it be music, movies, documentaries, television specials or series. These days nearly everything can be streamed.

With streaming, as with anything else, you have the good, the bad, and the noteworthy. One of the things I discovered early on with the good and noteworthy is the ability to move things along. The writers or editors know how to insert necessary information without weighing the final product down. Seasoned screenwriters, in particular, have this knack. As a writer, I have found streaming to be a learning situation.

Regarding fiction, I love pilots. The promise of what’s to come unfolds before us in 30, 60, or 90 minutes. Characterizations, backstories, wants, goals, and conflicts are thrown out to the viewer in an orderly manner. Successful screenwriters usually know what to spill right up front and when to hold it back. I try to learn from that. But as I pound at my keyboard, there’s no producer reminding me of the production costs for each scene. I often have the luxury of forgetting. I don’t think the reader does, though. I think they approach each book wanting the same economy of delivery. And I have to say, when I do write in a similar way, the novel does turn out a little better. So hats of to screenwriters.

Except I have a bone to pick with some of these guys, especially the ones writing a continuing series. Take the The Glades, my latest binge-watched series. The Glades aired from 2010 to 2013, but only recently came to my attention (I am often a day late and a dollar short). Putting aside it is a tongue-in-cheek crime drama, it takes place in southern Florida, my home turf. Frankly, I miss the sunshine state, the humidity, palm trees, even the alligators. I can live without Palmetto bugs, but then, nobody’s perfect. The locale (Ft. Lauderdale) and the mystery sucked me in hour after hour. And it didn’t hurt to have a cute Australian actor playing a smartass American cop with no social skills, whatever, who recently moves from a northern big city to a small Florida town. This cutie instantly antagonizes every person he runs into but gets the job done like nobody else can. The lone wolf. Of course, he becomes less of a loner as time goes by. I became very fond of him, the surrounding characters, and even the fake town of Palm Glade, itself. There were 4 seasons, each season ending with a cliffhanger. From the writers’ point of view, it’s a guarantee the viewer will be back to see what happens at the start of the new season.

This is nothing new. It’s done all the time. It was done in 1933 with a 12-part serial called The Perils of Pauline. However, the screenwriters knew when it was going to be over, and tied the final episode up with a happy, pert little bow. Not so with The Glades. And here, if someone plans on watching the series, is where you should STOP READING.

Imagine my surprise when the last episode of the last season ended with my cute Australian actor getting shot and killed on his way to his own wedding. He makes a pitstop to throw rose petals around the new home he’s bought as a surprise for his new bride. And there he is shot dead, mid-throw. And here I am, devoted to my finally-got-his-act-together-starting-a-new-life hero and he’s shot in the back and chest with a bride and his family waiting for him at the church. I was shocked, devastated, almost dropped my bowl of popcorn. This is not how I wanted the series to end. It wasn’t very tongue-in-cheek, it came out of nowhere, and just hung there, seriously wanting.

Now maybe the writers had thought season 5 was coming up. Cliffhanger, donchaknow. Or maybe the actor wanted out of his contract and this was his punishment. You can never come back no matter what, dude, because you be dead. But I felt like I was the one being punished. Then I remembered a home truth for most of us writing lighter-weight mysteries and suspense, no matter what the media. You want to surprise your reader/viewer, not shock them. You want to have them say, ‘aha!’ not ‘what the hey?’ At the end of it all, the reader/view should feel satisfied. So here was another good reminder for me of what not to do.

But I will move on to another story, other characters, and other conflicts because I love streaming.