Walk the Walk by Paty Jager

paty shadow (1)The whole reason I picked an amateur sleuth was to avoid having to be too technical with cop speak and legalese.

I’m working on Book 8, Fatal Fall, in the Shandra Higheagle Mystery series. Shandra has the flu and her boyfriend, Weippe County Detective Ryan Greer, has had more time in this book than in previous ones. I didn’t think this would be a problem. Usually Shandra is sleuthing, and Ryan is backing her up with his credentials. This book, he’s doing the investigating, and I find myself having to look up cop jargon and legal words.

My poor son-in-law who is in law enforcement has had more emails than he probably likes from his mother-in-law lately. 😉 I’ve also googled, and I remembered seeing a couple of blot posts on the crimescene yahoo group about cop speak.

I had a suspect who had been arrested before. I wasn’t sure if I wanted to say on felonies or misdemeanors. I googled and found a wonderful dictionary of legal terms that helped me out.

Misdemeanor

A lesser crime punishable by a fine and/or county jail time for up to one year. Misdemeanors are distinguished from felonies which can be punished by a state prison term. They are tried in the lowest local court such as municipal, police or justice courts. Typical misdemeanors include: petty theft, disturbing the peace, simple assault and battery, drunk driving without injury to others, drunkenness in public, various traffic violations, public nuisances, and some crimes which can be charged either as a felony or misdemeanor depending on the circumstances and the discretion of the District Attorney. “High crimes and misdemeanors” referred to in the U. S. Constitution are felonies.

Felony

A serious crime, characterized under federal law and many state statutes as any offense punishable by death or imprisonment in excess of one year. Under the early Common Law, felonies were crimes involving moral turpitude, those which violated the moral standards of a community. Later, however, crimes that did not involve moral turpitude became included in the definition of a felony. Presently many state statutes list various classes of felonies with penalties commensurate with the gravity of the offense. Crimes classified as felonies include, among others, Treason, Arson, murder, rape, Robbery, Burglary, Manslaughter, and Kidnapping.

I needed to know about warrants- I asked my son-in-law and Wikipedia.

Search warrant is a court order that a magistrate, judge or Supreme Court official issues to authorize law enforcement officers to conduct a search of a person, location, or vehicle for evidence of a crime and to confiscate any evidence they find.  Typically, a search warrant is required for searches police conduct in the course of a criminal investigation.

Since I am in the cop’s point of view so much, I needed to use words that I wouldn’t use for Shandra. This is where I remembered seeing, and I had thought I’d bookmarked, blogs that Lee Lofland had posted on the Crimescene and Sisters in Crime yahoo loops. I posted to the crimescene loop, and he sent me the URLs to the blog posts. Here they are for your viewing and perhaps writing pleasure.

http://www.leelofland.com/wordpress/cop-speak-wtf-did-he-say/

http://www.leelofland.com/wordpress/?s=cop+slang

All of this information will help to make my character, Detective Ryan Greer, sound as if he and I know what we’re talking about.

Have you ever come across a book where the character said or did something that didn’t jive with what you knew of their profession?

Paty

SH Mug Art

 

Staying Small Town by Paty Jager

20170311_100646 (400x225)

As I was contemplating the next Shandra Higheagle Mystery, I thought I needed to take her out of Huckleberry and away from the reservation to not have critics saying there are too many murders in the ski resort or on the reservation.

Then there was a timely blog post at Mystery Readers.org about small town cops, which had me thinking about my small town amateur sleuth.

While we all know small towns have a lower rate of murders, the small town atmosphere is what makes placing a mystery there so enticing. My character, Shandra Higheagle knows many of the local people. Her conversations are much like that of Miss Marple in the Agatha Christie books. She doesn’t wander about in an apparent aimless way asking questions like Miss Marple, but she does use the knowledge of the people in Huckleberry or the Reservation to learn the information that helps her, along with her dreams, unravel the murders.

From the blog post on small town murders, it seemed readers are willing to put up with an unusual amount of people being knocked off in a small area if you give proper reasons for the murders and give them a good test to their detective skills.

After reading the post, I moved the next book back to Huckleberry and the crime and suspects came to me like a barrage of hungry dogs. (No offense, Sheba). Putting my story back in the town I knew, with people I knew, and using one of the scenarios I’d already set up in previous books, I couldn’t wait to get started on this book.

The only thing eluding me now is the title. All the other books in the series, I had the title before I started writing. But this one is still waiting to come to me. I’m thinking Fatal Fall, because the body is found at the bottom of the stairs, and the word fall could work into the premise of the story. But I could also use Fatal Tale, as the dead person is telling her memoirs to a ghost writer.  So who knows. It may end up something completely different. 😉

SH Mug Art

blog / websiteFacebook / Paty’s Posse / Goodreads / Twitter / Pinterest

 

Guest – Marian Allen

A DEAD GUY AT THE SUMMMERHOUSE

How the DEAD GUY was born

When I began college in 1 968, I had read enough Gothic Romances to be contemptuous of the formula: Orphan girl in her late teens is hired by a brooding older man to work at a spooky, reclusive mansion; is drawn to two men, one of whom seems charming and one of whom seems threatening; pries into the secrets of the house, in spite of being warned not to; is plunged into seemingly occult danger and learns that the real threat is the supposedly charming man and that her savior and true love is the supposedly threatening man.

As an amusement, I began writing a sort of Anti-Gothic Romance: An orphan boy in his late teens is hired by an elderly ex-flapper to work at a mansion where nearly everyone is active in the community; is only drawn to one woman and stops being drawn to her when she turns out to be weird; tries his hardest to get people to STOP telling him the secrets of the house; is plunged into seemingly occult danger and learns that things just may be a little on the spooky side, after all.

After I wrote it, I decided I liked it too much to let it be just silly. As I matured in years and writing experience, I dragged it out occasionally and reworked it, adding characterization and (I hope) depth. At last, I decided it was as full as I could make it and submitted it to an agent. She loved it, and got back some very encouraging letters from publishers, but no sale.

I put it away again for a few years, decided I could improve it at this stage of experience, and reworked it again. By this time, small press publishing had blossomed, and I sold the book to Hydra Publications. During a business transition, Hydra offered me my rights back and, not knowing where that press was headed (it turned out to be getting even stronger and better) I retrieved my rights, went in with two friends and fellow writers to found Three Fates Press (which died and was transformed, under the amazing Amanda Rotatch Lambkin, into Line by Lion Press) and then Per Bastet Publications, and A DEAD GUY AT THE SUMMERHOUSE was finally born.

The cover delights me. The cover art is one of the first works done by my #4 daughter, Sara Marian, who is also one of our partners and one of our authors. Our other partner, T. Lee Harris, a fine arts graduate who does our formatting and cover design and is also one of our authors, found the perfect font for the time period.

A DEAD GUY AT THE SUMMERHOUSE is available in print, eBook, and audio.

deadguy180

 

Mitch Franklin thinks he’s got it made when the town’s wealthiest eccentric hires him to look after her two lapdogs. Then he meets her family. Five years ago, the last guy she hired played head games the family and servants are still trying to recover from. He also wound up dead. Now, some people think Mitch might be just like him. Some people think Mitch might BE him, back from the grave. Will Mitch survive the anniversary of his predecessor’s death, or will he be another DEAD GUY AT THE SUMMERHOUSE?

Indiebound http://www.indiebound.org/book/9781942166085

Amazon http://bookshow.me/1942166087

Audible http://www.audible.com/pd/Fiction/A-Dead-Guy-at-the-Summerhouse-Audiobook/B01B1Y5K4Y/

Marian Allen bio:

ma2015Marian Allen writes science fiction, fantasy, mystery, humor, horror, mainstream, and anything else she can wrestle into fixed form.

Allen has had stories in on-line and print publications, including multiple appearances in Marion Zimmer Bradley’s SWORD AND SORCERESS anthologies. Her latest books are her YA/NA paranormal suspense, A DEAD GUY AT THE SUMMERHOUSE, her collection of science fiction stories, OTHER EARTH, OTHER STARS, and SHIFTY, her collection of fantasy stories set in the world of her fantasy trilogy, SAGE, all from Per Bastet Publications. She blogs every day at Marian Allen, Author Lady.

Blog and Social Media:

Blog: Facebook: Facebook page: Twitter: Google+: Google+ page: LinkedIN:

Amazon author page: Pinterest: Goodreads:

Guest: Lori Robinett

Why do I write thrillers?

I write thrillers for the same reason I read them – I’m a chicken. I’ve toyed with the idea of getting my PI license or going to the police academy, but . . .

During a police ride-along, the line between imaginary and real was highlighted for me. Downtown beat. Night shift. Before I went, I researched protocol, questions to ask, how to act. I felt REAL as I climbed into the powerful SUV, with rifle behind my head and a Toughbook in my lap.

Our first call was a gang of 20+ people, shots fired. We raced to the scene.  Gary (not his real name) angled the vehicle across the street, told me to stay put, jumped out and locked the vehicle with a beep. People ran, angry shouts could be heard. Others approached the SUV, one guy sneering at me through the passenger window, teeth bared. After things were sorted out, we were off, hurrying from call to call. To the ER for a rape. To a high rise apartment for a man who wondered if his TV was too loud (yeah, seriously). To a robbery. To a threatened suicide. To runaways.

About the time my ridealong was scheduled to be over, we responded to a low-income apartment building I recognized from frequent appearances on the local news. Another officer met us there and warned Gary to leave me in the SUV because the subject was known to “get hairy.” Gary assured me I’d be able to hear everything he said and, again, locked me in the vehicle.

As I sat in the dark, I listened. The officers knocked, announced themselves. A man’s voice answered, loudly. A crash. Yelling, more crashes, more yelling. Something slammed into a wall. Someone grunted.  More yelling. Then . . . a loud bang.

 Someone’s been shot. I took a deep breath, looked in the side mirror and thought, what  am I doing here?

The radio crackled. “Need a bus!”

Lights strobe in the darkness as more patrol cars and an ambulance converged on the scene.  My heart pounded. People began to wander past and looked into the SUV, probably wondering who the middle-aged white lady was.

More yelling, more thumps and grunts, then “Officer 443 en route to hospital.”

Oh, that’s not good. Officer 443 is my guy.

There I sat, alone. In a bad part of town. Late at night. But, I reasoned, I was sitting in a police vehicle. Surely, somebody’d come back for it, right? They probably didn’t care about a writer, but the SUV, that was different. So, I settled in and watched. And scribbled notes.

And Gary did return. An hour later. The perp had attempted suicide by overdose, but he’d failed. Instead, he went nuts and attacked one of the paramedics. Gary had restrained the guy while the paramedics worked on him as they raced to the hospital.

Yup, I’ll stick to writing about crime. It’s easier, and much less dangerous.

llrobinett-72dpi-1500x20002

Fatal Obsession is the most recent Widow’s Web novel – an exciting series where women face challenges that threaten to destroy them, just as they begin to find the strengths within them.

Sophie grew up in the foster care system, an orphan separated from her brother after their parents are killed. After she marries Blake Kendrick and gets pregnant, she’s thrilled that she’s finally part of a real family. When she learns that her husband, a brilliant cancer researcher, has experimented on their unborn child, her world shatters. The powerful man her husband works for is determined to get that child, to use the research within Sophie’s body to save his dying mother. Sophie is forced to go on the run, terrified of what might be growing within her, worried that her baby might need treatment by the very man who is hunting them. The skills she learned in foster care serve her well as she must discriminate between who she can trust and who she can’t, who is a real friend and who is a threat. All the while, an experiment grows within her . . . will they survive?

All ebook buy links are available here:

https://books.pronoun.com/fatal-obsession/

img_0028-002Lori Robinett is the author of the Widow’s Web series. She lives in central Missouri with her husband of 20+ years on a small hobby farm, which is maintained exclusively for the comfort and enjoyment of their miniature schnauzer and beagle. She enjoys reading, writing, and scrapbooking. If you can’t find her, check out the backroads, where she may be bouncing along dirt roads in her lifted Jeep.

Social Media links:

Facebook: https://www.facebook.com/LoriLRobinettauthor/

Twitter: @LoriRobinett https://twitter.com/LoriRobinett

Pinterest: https://www.pinterest.com/LoriLRobinett/

Instagram: https://www.instagram.com/llrobinett/

Website: http://lorilrobinett.com

Print or Audio? by Paty Jager

availableI’m happy to say my first mystery audio book is now available! This has been a dream of mine since my first book in the Shandra Higheagle mystery series was available to purchase in ebook and print.

From the very conception of this series, I could hear the voices and couldn’t wait to hear them “for real.” I have the seventh book released in ebook and print and now I can say I have one in audio. And the second book is already in production.

After attending a workshop at the In’Dscribe conference last summer by Ann M. Richardson also a narrator. One who is so wanted, I couldn’t afford her prices, but she had some wonderful insights into how to get a newer narrator and cultivate them into the narrator you want.  She said to get a better quality narrator and not someone just starting out, you had to pay some per finished hour and do the royalty share.

My goal by doing it this way and getting a more professional narrator, I will have more sales and can keep building the audio editions to this series.

The fist thing I had to do was listen to the audition files. I only had two, because I couldn’t afford more than $100 per finished hour. However, one of the two did a wonderful job, had only produced half a dozen book,s and her words were, “I’m coachable.” Those were the words I needed to hear, because, as I said up above, I had these characters’ voices in my head.  I also have some Nez Perce words in the books and they need to be said correctly.

Working on the first book with Ann Thompson, a Cincinnati radio news anchor, has been fun.  She doesn’t mind changing one word in a chapter or changing up voices when they don’t sound/feel right for the character.

I’ve listened to several audio books over the years. Some have been duds and some have been very good. I’m happy to say, that Ann is doing a great job with Double Duplicity.

Do you prefer audio or print/ebook books?

Leave a comment and I’ll pick one person on Saturday, 2/18 who will win a code to download the audio of Double Duplicity for FREE.

Book one of the Shandra Higheagle Native American Mystery Series
Dreams…Visions…Murder
On the eve of the biggest art event at Huckleberry Mountain Resort, potter Shandra Higheagle finds herself in the middle of a murder investigation. She’s ruled out as a suspect, but now it’s up to her to prove the friend she witnessed fleeing the scene was just as innocent. With help from her recently deceased Nez Perce grandmother, Shandra becomes more confused than ever but just as determined to discover the truth. While Shandra is hesitant to trust her dreams, Detective Ryan Greer believes in them and believes in her.

Can the pair uncover enough clues for Ryan to make an arrest before one of them becomes the next victim?

SH Mug Art