Down to One Last Charge

Eight days! Stuck behind a mountain of snow. Our prize oak tree split and embedded in our car, stranding us. We were down to one charge on one power pack for one phone (our only lifeline) when power was restored.

Imagine no power for eight days. In the mountains that means no heat, water, lights, or flushing toilets. Oh, we had enough food. I went shopping two days before the storm as did everyone else in the area. I was standing, resting my elbow on my shopping cart’s handle, when a woman in another endless checkout line yelled, “It better snow!” 

It did. Feet of it. It was enjoyable, big fluffy flakes softly piling up on our deck, until a tree demolished our car, and the power went out. After that, we had no way out, nor did our neighbors. We have an excellent wood-burning iron stove and dry wood. We could light our gas stove with matches, but not the oven. We had headlamps, and lanterns of all sorts. Batteries for the ages. Puzzles. And a massive goose-down comforter in the unheated bedroom. We believe the ambient temperature of sheetrock to be forty-four degrees.

Now, if you’ve been paying attention, you know my most recent book Unbecoming a Lady takes place in 1876. That’s where we lived for those eight days. It’s tough. But what I learned is this, it can be done. It takes some reorientation, for sure. On the first day, you figure out what is essential, and how to operate all while praying that the power comes back on. You overuse your phone because it is your only point of contact with the outside world. And, in our case, the only way to file the insurance claim on our destroyed car. Oh, for a horse and sleigh like those used in Cora’s little prairie town of Wanee.

Then you get the endless emails from PG&E telling you they are on site and the power will be up Monday … no Wednesday … no Friday.

As time went on, we ate the food from the freezer in the order it thawed. We ate pretty darn good. One night we dined on coconut shrimp and dim sum. Way better than Cora’s winter mainstays of storage vegetables and salted meat.

We lived Cora Countryman’s life for over a week minus the three-story house to clean and the boarders to feed that define her days. Hard, all-consuming work. All your attention turns to staying warm, clean, and fed. You get up in the morning and light the fire, boil water to make pour-over coffee, scramble eggs, and fry bacon. Forget the toast. Then you gather fresh snow for your coolers and dump water in the toilet tanks until they flush. You melt snow and boil it to wash yourself and the dishes. Put fresh batteries in where needed. Shovel a path through the snow to the wood pile. Then shovel it again. Pull out the old laundry drying rack and set it by the fireplace, so everything is dry for the next day’s shoveling. You get the idea. And when it gets dark huddle around the fire with your puzzle. Then repeat.

My husband and I finished the puzzle, headlamps on our heads. It is striking how well we adapted to life without television, streaming, phones, lights, toilets, running water, and a microwave. Perhaps because games were played outside when we were kids, the telephone was tethered to the wall, and the television was a small square box with three channels. This isn’t to say that we didn’t delight when the microwave went diddle-diddle-dee, happily letting us know the power was back on.

Now, like Cora, I wonder how her mother found time to play Whist three days a week. And I have a deeper understanding of her day-to-day life. Now to write a wintertime mystery!

The Characters Keep Expanding by Karen Shughart

It’s fascinating to me how, with each successive book in my Edmund DeCleryk mystery series, the number of characters keeps expanding. With the first book there were a handful as I introduced the investigators and their families and friends, but the number grew as I included  the murder victim, witnesses and those involved as suspects or  who helped with the investigation.  While each book can be read as a standalone, because this is a series there are not only recurring characters- the support cast, so to speak- but new ones added as part of each new plot.  

For the first three books I was able to keep track of those characters without having to write their names on a chart, although occasionally I browsed through previous manuscripts when I couldn’t remember a minor character’s name. Now I’m in the process of writing book four, Murder at Chimney Bluffs, and keeping track of all the names has become much more challenging. So, to make things easier, I’ve created a list that includes old and new that I keep by the side of my computer to refer to when necessary. The list is so long that I now have two columns, divided into main and supportive characters, their friends and family, those involved in the historical backstory, or who are suspects or otherwise related to the crime or the killer.

Photo by Helena Lopes on Pexels.com

I’m asked if I construct an outline for my books and stick to a plot I create at the outset, but I don’t.  Instead I typically go where the story takes me. Like a train picking up cargo along the way, I add characters, or discard those who appeared in previous books if they’re not relevant to the current one. If appropriate, I’ll bring them back as the series continues.

 A former board member of the historical society and museum who retired and moved to Canada; his son; Annie’s predecessor who moved to England with her husband; a CIA agent who worked with Ed when both were Navy SEALS;  Ed’s close group of male friends from childhood ; Annie’s chums who comprise her support group; most have had at least cameo roles in all the books.

A new and influential member of Annie’s board of directors will appear for the first time in book four, and I expect he will also be a recurring character. Astonishing how the number has grown from book one to book four. At last count, I’m close to 50, some major and many minor.  As I think about it, what’s happened is that I’ve been building a community, and in the end, that’s what cozies do.

Karen Shughart is the author of the Edmund DeCleryk cozy mystery series, published by Cozy Cat Press. Her books are available in multiple formats at retail outlets and online. Read a recent interview about her writing with AllAuthor: https://allauthor.com/interview/karenshughart/

Guest Blogger ~ Marcia Rosen

LOCATION, LOCATION, LOCATION

Mysteries Have Their Place!

After landing on the moon…that could have been a fun location for a murder.

The Egyptian Pyramids, Eiffel Tower, or White House? They would be great locations for a good murder. In fact, they have been.

Major cities, small towns, and many made up villages have become the location for a murder mystery and, especially, several very successful mystery series.

There were plenty of murders in cities along Rt. 66. John Steinbeck named it the Mother Road. I think of it as the Murder Road.

Location was once considered everything in business…before technology. Location is still essential in a good mystery. Location is place, and place is as much a character in mysteries as the people.

Murder on the Orient Express—what a great location for a murder, moving and stopped.  As was the apartment in Rear Window, and another apartment in the haunting film, Laura. In and around London there were many murders with Sherlock Holmes and Dr. Watson and a fascinating one on an English Country Estate in Godsford Park.

We lovers of mysteries know that murders and other crimes have occurred on all sorts of moving vehicles, in different rooms in small homes and large estates, and possibly even in our own back yards?  Well, hopefully not! 

The lover of mystery books enjoys envisioning the place where a story takes them, and in movies and on television the place often becomes central to the appeal and importance of the story. It helps the viewer to become caught up in it, perhaps even feel a part of it.  Some plots are dark and frightening and provide an extra sense of anticipation for lovers of thrillers like the type written by Stephen King, and his locations add to the suspense.

The art of a murder mystery and investigation includes a private detective or the police or, in a cozy mystery, an amateur sleuth. The dialogue needs to create suspense with some foreshadowing and fake clues are followed and soon ignored. Finally, the arc of the murder mystery starts having the story lead to the chase of the real villains, who are caught—dead or alive—of course.

But, what about a location, where murder and mayhem terrorize the residents. Doors are locked and there are whispers and secrets behind those closed doors. Questions remain.  Who killed their neighbor’s wife in the alley next to the post office? Who stabbed the old man as he walked across the bridge late at night? Who pushed the young man off his apartment balcony? Why did the murderer run his or her car over the victim on a country road, the moon hidden behind the trees? Were there witnesses to any of these murders? Ah, where are they possibly located?

As a mystery writer, I believe location plays a huge part in the plot and ultimately when and where the murder is solved.  To escape murderers hide in a location fitting the plot, one designed to build up a sense of suspense and anticipation.

We as readers and viewers also enjoy explosive endings. There are gunfights and car chases up and down city streets. There are threats and demands until the final moments of capture. The movie Witness ended in an Amish barn. In the book The Name of the Rose, written by one of my favorite authors, Umberto Eco, the murders and the ending take place in an Abbey in the 1300s. In Hitchcock’s North by Northwest, the finale is on Mt. Rushmore. Another favorite of mine is Sue Grafton’s Alphabet Series taking place somewhere along the California coast. And, in historical fiction, the landscape fits the century and the plot.

Location, location, location. The book ends. The film is finished. Surely calm prevails, the dark sky is lighter, and all is right again. Or is it?

Send me your favorite mystery location. Author, MarciagRosen@gmail.com. We’ll add it to my site or possibly one of my social media posts. 
Thank you.

Marcia

An Agatha, Raymond, Sherlock, and Me Mystery: “Murder at the Zoo”

A body is tossed into the lion’s habitat at the zoo where Miranda Scott is the senior vet. She and Detective Bryan Anderson join forces to unravel that mystery and several more murders. A fan since childhood of Agatha Christie, Raymond Chandler, and Sherlock Holmes they seem to live in her head, frequently telling her what to do…and not do. Murders, family, deceit, revenge, and a gangster father and godfather often get in the way of a fine romance between Miranda and the Detective.

Marcia Rosen (aka M. Glenda Rosen), award winning author of eleven books including The Senior Sleuths and Dying To Be Beautiful Mystery Series and The Gourmet Gangster: Mysteries and Menus (With son Jory Rosen). She is also author of The Woman’s Business Therapist and award winning My Memoir Workbook.       

Marcia is a member of numerous writing organizations and frequent guest speaker.

www.MarciaRosen.com 

www.apbooks.net

Just Do It! The Journeys of Writing and Traveling

I am a nature gal, and so the mysteries I write often take place in the great outdoors, where I spend as much time as I can. But getting started is often difficult for me.

Often, before I go hiking, snowshoeing, kayaking, or scuba diving, I ask myself whether the activity will be worth the effort of preparing. The weather might be windy, snowing or raining. I might need to get started on my journey before dawn. I try to be careful and plan for the unexpected, taking a first aid kit, all the appropriate gear for the environment, food and water, a light. And duct tape, an essential for every outdoor expedition. Every year the preparation seems more difficult than the last. Despite all this, I always find that the effort expended is worth it.

Nature has an indescribable majesty and beauty. Even the same place can be experienced differently at different times: a hike might take me through a flower meadow one time and a frosty autumn scene the next, the creeks might be rushing streams or mere trickles. The snow might be mush that will soak my clothes or sparkling icy crystals that will scour my skin if I slide over it.

Watching the sun rise or set over water or mountain peaks, seeing a mountain goat or a weasel or an octopus in its natural habitat is always a deeply moving experience. Underwater, I often meet creatures I can only identify later from a reference book or website.

In the North Cascades, I’ve witnessed avalanches that I used in my most recent novel, Cascade. The slot canyons and natural bridges and rocky trails I explored in Utah became the setting for Endangered. At Mount Rainier, I nearly collided with a bear cub on an overgrown trail. That ended up in my novel, Bear Bait. The underwater antics of sea lions in the Galapagos were featured in several scenes in Undercurrents. Physical challenges and encountering unexpected difficulties, well, those are character development, for both myself and my characters. All good stories have conflict. Ultimately, nature brings us closer to ourselves in ways we sometimes don’t expect it to. So when I’m thinking it might be nice to just stay home and drink my coffee and pet my cats, I tell myself “Get a grip, Pam. Start packing, load that kayak, find all your scuba gear. You don’t know what might happen.”

I have similar feelings about writing the next book. It too will be a journey. So, just as I prepare for my outdoor adventures, I do the research, I prepare, and then I sit down at my computer and expect the unexpected. In both instances, I tell myself, “Just do it; you’ll be glad you did.”

And so far, I’ve always been proud that I made the effort.

Why I Love Writing Mysteries

I’m feeling pretty good right now. I had set goals to publish four books this year. Granted the one that was published in February was mostly written last year, but I have another one coming out April 5th. 

It feels good after several years of always feeling behind to be ahead of schedule this year. The Squeeze, book 4 in the Spotted Pony Casino Mystery series was easy to write because I had been thinking about it for a while. I think that is what made it easier for me to finish the book so quickly. 

When I have time to think about a story or premise for a while before I actually write the story, my mind has already figured out the intricate details of the story. All I have to do is add in the red herrings and misdirections. 

That and this series has an ongoing subplot that started in the first book with my main character and her best friend/boyfriend having something in their past in common. His past, finding out who and where his father lived, has been dealt with. Now my main character is dealing with: is her father really dead as her mother said and was he really Cisco Alvaro? 

This subplot has added more emotion, backstory, and interesting curves to this series. I’m not sure how long I’ll keep this mystery going but I like that it gives me a little more filler in the books between their searching for the murder victim.

I also like that it gives more depth and shows why my character, Dela, is unwilling to take the next step in her relationship with her boyfriend. He is ready to marry and settle down. She can’t until she knows who her father really was and why he was a secret. Add to that she just found out her mom has been seeing a man since Dela went into the Army and now they are planning to get married. She always thought her father ruined her mom for any other man. And why had she never met her mom’s fiancé before if they had been seeing one another for that long?

Soooo many mysteries besides the murder. Oh, I love writing this genre! I wish I had found the courage to continue with it back when I wrote my first mystery, instead of being sidelined from it for twenty years. But I’m writing it now and loving every gruesome, gut-wrenching, and inspiring word I write.

Ready to pre-order, releasing on April 5th. My hubby’s birthday!

The Squeeze

Book 4 in the Spotted Pony Casino Mystery series

Lies, deceit, blackmail.

Murder ends it all.

Or does it?

When an employee at the Spotted Pony Casino is caught leaving early, Dela Alvaro, head of security confronts the woman. The lies the woman tells only piques Dela’s curiosity. After witnessing the employee threatening a man, she is found murdered in her car parked in the driveway of her home.

Upon learning the woman used her job at the casino to blackmail men, Dela feels compelled to solve the woman’s murder and teams up with Tribal Officer Heath Seaver. Not only does the duo have a death to solve, but there is also a mystery behind Dela’s dead father. Not to mention, her mom just announced she’s marrying a man Dela has never met.

UBL: https://books2read.com/u/4X0WY9