My Desk is a Mess by Karen Shughart

This is the stage when I’m writing a mystery that if you visited my office, you’d gasp in horror. I’m usually very organized, but at this stage, my desk is a mess.

On the right are the first two books in my Edmund DeCleryk Cozy series, Murder in the Museum and Murder in the Cemetery. I use them as a reference for book three, Murder at Freedom Hill, because there are recurring characters: a newborn baby in the last book can’t be in elementary school two years later.

A thesaurus, usually on a shelf, claims space on my left. I’m forever scrambling to find synonyms for words I tend to overuse. It’s a weighty tome but a necessary tool, although the good news is that I recently had an aha! moment when I realized that with a couple of keystrokes and the click of the mouse, hello Google, goodbye Roget’s.  How easy is that?

That thesaurus, by the way, was published in 1962. My Webster’s dictionary in 1982. If you think that dates me, it does, think about how many words there are now that none of us who were alive 50 years ago could have imagined: truthiness; snowflake (not the one that falls from the sky); bestie; twerk. Not that I’d ever include those words in my books, none of my main characters is young enough to use them. Wait a minute, did I say 50 years? Has it really taken me that long to follow my bliss?

Photo by Pixabay on Pexels.com

But I digress.  Piles of paper surround me: bills I’ve received from vendors who still, after all these years, won’t send them electronically but that I, a modern woman, have  paid online; recipes I printed from The New York Times when I could have simply opened my phone or computer when preparing them; print-outs of outdated passwords; a receipt for our dog’s latest checkup; a flyer from the local carwash announcing its wash and wax specials.

I don’t like wasting paper. “Waste not, want not” –phrase origin 1576 or 1772 — depending on your source, is my motto. I write notes to myself on the blank sides to advance the story line, a timeline I never follow, names of new characters to remember, thoughts and ideas that come to me at 3 a.m., questions I have about historical details that are always part of the backstory and the reason for the murder.

There’s a system here, a method to my madness, and it works for me. Once I make sure my historical facts are mostly correct, change the timeline yet again, check for inconsistencies, discard ideas I had at 3 a.m. — what was I thinking — I cross the items off the list, rip the paper into shreds, and toss it into the recycling bin. Then the cycle begins again. Until I reach the point when the manuscript is sent off to my publisher, my desk will remain a mess.

Guest Blogger ~ C L Bee

THE GHOSTLY AND PARADISE TAXI – Book 1 in the 3 book series The Ghostly And Paradise Taxi is a mystery with no predictability, essentially a book for our time when no one knows whether they will survive another day.

From the first chapter with the heading “Remembrances of time past and present” the mystery of this cross genre Kindle eBook begins.  The unnamed  “he and she” are having a conversation, but I drop a few clues the reader can pick up when “she” indicates that finally, she’s written the first paragraph of the book she has always wanted to write.  And “he” asks whether she will use her pseudonym. Another clue for the reader to pick up comes when she asks him to read the first paragraph.  And the title of “her” book is the same as the title of this book.

The process of writing an intriguing mystery involves knowing how to plot a step by step  to parts of the puzzle.  For my book to have its twists and turns, early on in the writing, I keep a time line file in my head until I get the sense of how to move the plot and characters toward the denouement.  Sometimes I use a time line that is part of the chapter heading.  I want flawed characters to write about, because I am offering the reader a view of humanity, and as we know, no one is perfect.  In writing the book I’d like to read, I have to plot a way to move my characters toward a life changing experience, in other words, their epiphany, but some of us never learn, and those are the characters I want to receive a punishment apropos to their malicious intent. 

I know readers will enjoy solving my mystery along with me when I also wonder what happens next.  For me, writing is like tending the grapes in a vineyard.  To make certain my words are conveying the story, it’s like making fine wine, I know my story ends when all the pieces complete the puzzle, then I’m ready to send my manuscript to my publisher.   For years I wrote for editors who edited writers to “put a coat of polish” on the contents of their magazine or newspaper.  I wrote a popular monthly column entitled “Travel Agent Spotlight” for a travel industry magazine, but for the two years I had written the column, I couldn’t find one word that I wrote.  I finally told the Editor that I would send her a summary.  She told me to keep handing in my copy as usual, but I had an idea for a book, and I quit. 

Now, I’d like you to read my book, here is the Amazon Kindle url: https://www.amazon.com/dp/B09PYL8NDT?asin=B09PYL8NDT&revisionId=d39fd049&format=1&depth=1

As a bonus for the readers of Ladies of Mystery’s blog, you can read this book for free. 

My publisher is Kindle exclusive, and  Daccord Press plans to offer a free Kindle ebook promotion, the website is: 

https://www.daccordpress.com/

Use the link on the right of the Daccord Press website for the email contact, but if you are reading this blog, here it is:  mailto:daccordpress@yahoo.com  Ask to be on the email list and leave your email contact.  Daccord Press will send out an email to you with the “day” or “days” you can take advantage of this offer, all you have to do is put the url of the book:  

Claim your free Kindle ebook, if you don’t have a Kindle, download to your computer.

CL Bee is a former freelance writer who worked overseas and was based in Paris, France. Now she’s back in the USA and writing the fiction she didn’t publish during those years when she was freelancing.  CL Bee is currently at work on her first eBook, The Ghostly and Paradise Taxi Book 1, in the series The Ghostly and Paradise Taxi, published by Daccord Press, an indie small press.

To ISBN or Not To ISBN – That Is the Question

by Janis Patterson

There is an evergreen discussion that flowers repeatedly on most writers’ loops, especially on those that have more non-professional writers. Do you need an ISBN? Should you buy your own ISBN? Why should you want an ISBN?

The answer to all the questions above is … it depends.

ISBN stands for International Standard Book Number, a number of either 10 or 13 digits that is unique to a certain book/edition/format. Almost every book has one.

I say almost, because there are mitigating factors. You can release a book without an ISBN, but then especially with paper it would be difficult to downright impossible for anyone to order or stock it. Neither would you be able to track any sales you might have.

If you are publishing an ebook with Amazon, or some other online retailers only, you do not have to have an ISBN because almost every retailer has their own internal identifying numbers. Amazon’s (the biggest ebook retailer) numbers are called ASIN.

Let’s be honest – ISBNs are expensive. Prices for one – just one! – start at $125. While much more economical, a hundred still go for close to $600. That’s big money in almost anyone’s wallet, but especially for self-publishing writers, many of whom are just starting out.

There are several ways to get ISBNs. First, and the one I like best, is to buy your own directly from Bowker/MyIdentifiers. Bowker is the only company licensed to sell ISBNs in the United States. (If you are from another country, you will have to check on where and what ISBN prices and availabilities are. I don’t know. I do know that the citizens of Canada get theirs free – if they meet certain criteria – lucky stiffs!) If you buy your own ISBNs you are shown as the publisher.

Second, there are those who will be happy to sell you a couple of single ISBNs for a lot less than Bowker. I advise you not to do that, even though it saves you a couple of bucks. These people are called re-sellers, because they buy large amounts of ISBNs from Bowker, where they are much cheaper per number, and then sell one or two or three to you for a profit.

Now I am a big believer in profit, but this particular ploy comes at a price – namely that you are not listed as the official publisher. When someone buys an ISBN from Bowker, they automatically become the publisher of record. If you buy (or get a free) an ISBN from JoeBlow, Inc., since JoeBlow, Inc. bought the ISBN from Bowker, he/it is now the publisher of record.

At the moment this particular little quirk doesn’t mean much, just a bit of legalese – but my concern is that we don’t know what the publishing laws will be down the road. I wrote the book, so I want to be on record as the publisher of record and be able to control my book throughout its life. More simply, my book is my book.

This same principle applies when some company and/or retailer offers to give you a ‘free’ ISBN if you publish with them. No adult today should believe that anything is ever truly ‘free’ – someone somewhere somehow sometime has to pay for it, and in this circumstance it might be you by losing control of your book. The entity giving you the ‘free’ ISBN is on record as the publisher of record – not you.

So should you pay for ISBNs? If you are writing short little books that you intend to sell as ebooks on Amazon (for example) and on Amazon only – you certainly don’t have to. If, though, you decide to take those ebooks to print or start your publishing career in print, yes, most definitely you need an ISBN.

You should have an ISBN for every version of your book – one for ebook (which should cover all ebook retailers, no matter what Bowker says – remember, they sell ISBNs!), one for print, one for large print, one for audio. Remember, one of the main purposes of ISBNs is to track sales and you don’t want the data on your sales tracks muddied. (And a little hint – if you are doing a paper copy Bowker will try to sell you bar codes for a fair chunk of change. You don’t need to. The publisher – Amazon, Draft2Digital, Ingram, whoever – will put one on for you without charge – just be sure to leave a space for it in your cover design.)

As there are brick-and-mortar stores who refuse to do business with Amazon (a complicated set of affairs I’m not going to go deeper into now) many authors give their print editions two ISBNs. These authors do one print edition through Amazon print and give it a discrete ISBN with limited distribution, which means that book is sold only on Amazon only. Then they go through another publishing venue such as Ingram’s or Draft2Digital for another print version and give it another separate ISBN. Whatever you think of the practice, remember more brick-and-mortar stores will order from Ingram’s (which has the all-encompassing industry standard catalogue) and Draft2Digital and all the others where they will not from Amazon.

Now I am going to talk about pure personal opinion. When you self-publish in any format, you are a publisher. Everyone admits – or they should! – that editing, covers and publicity are legitimate business expenses; you should regard ISBNs as the same thing. If you are going to compete against the biggest traditional publishers you need to play by the same rules. You are a publisher; act like one.

Gathering my Thoughts

When a new year comes around and I’m starting a new book, it just feels right. My desk is clean. Something I do the end of every year is make sure my desk is tidy and ready for the coming year. (I also do it between each book/project) It wipes away what I had been working on and makes a clean slate for the next project.

This first project of the year is book 9 in the Gabriel Hawke series. I enjoy writing these books. They are set, mostly, where I grew up and have a unique character who I feel I can tap into better than my female protagonists. I don’t know why, but Hawke flows from me without doubts or self recriminations that the character isn’t this or that.

This book will push me and my character. He and his significant other are going to be pushed to their limits trying to help a wounded person and survive a blizzard in the Wallowa Mountains. I have my research books stacked up and have started reading them. I have even ran some tests in our snow to see what blood looks like when it first drips onto the snow. I took photos and studied the spot for about four days, until our snow melted. I know what my character will see or be on the look out for when they follow the sparse drops of blood from the bleeding person who left a dead body behind.

Blood experiment

Several of the scenes have played over in my mind since I came up with the premise of this book. I have sat down and discovered who the person they are following is and who the dead person was. I wrote out the chain of ideas for scenes. Once I do some more research on snow conditions and animals that would be accessible for food or to follow to stay warm, I’ll start writing the book this week.

While some people don’t like to have a “road map” or outline to follow when they write, I’ve found, after the last Spotted Pony Casino Mystery that I “mapped out” that it helped me to know my story better when I started and while I didn’t stick to the road or route I’d mapped, I felt I had a stronger book throughout because I knew a bit more about my characters and who I wanted to highlight as possible suspects.

As yet, I don’t have a title for book #9 in the Hawke books. I’m waiting to see what animal makes sense that is out in the winter and would work for the premise of the book. I’m a writer that either has the titles before I start the book or I come across it as I’m writing. It looks like it will be the latter this time.

If you have any thoughts on a winter animal put it in the comments and I’ll look up its habits to see if it might work.

At the moment I have Churlish Badger being made into an audiobook as well as the Shandra Higheagle Mystery book, Homicide Hideaway. But what you really need to know is through the month of January, if you like audiobooks, Book 1 in the Shandra Higheagle Mystery series, Double Duplicity is $1.99 at Authors Direct.

If you don’t have the app it’s easy to download and free. This audiobook resource gives me and the other authors using it more royalties than the other audiobook vendors. (and my books are priced lower here.)

To Seek an Award or Not by Heather Haven

Most writers are pretty opinionated on the subject of soliciting awards. Some believe that entering a contest, often paying a fee, is buying the award. I personally, don’t believe that is true. Hundreds of books are often entered into a contest. Sometimes larger contests have thousands of entrants. Many from all over the world. If your book can win out over those odds, I say good for you.

For some authors, being nominated by their peers is the only way to go. Sometimes that happens, sometimes it doesn’t. The nomination of a book by members of an organization or those attending a conference is lovely. It doesn’t happen often, but when it does it is, as I say, lovely. Sometimes the public nominates a particular book. In a way, it’s a popularity contest, but so what? If you have fans, if you have a following, and they want to acknowledge your book, that’s wonderful.

I have garnered a few awards over the years and I think they all add to the mix. For me, it’s a form of publicity and advertising.. Between good reviews and awards, I believe it helps a reader who may not be familiar with my work, to be willing to take a chance on buying one of my books. That’s all in all. Buy my book and read it.

If i am going to enter a contest, I try to be very circumspect. I like to know, first off, that it has merit. I take a little time, look through the credentials and past winners. Often awards are not a money making proposition for those running the contest. They have to hire readers and/or judges to read all the entries. They have to have some kind of technical or data driven system in place to handle the entries. It all takes time and money.

I recently won another award. I am deeply honored. The Drop-Dead Temple of Doom was the 2021 BIBA® Mystery/Cozy Mystery Winner! I get lots of publicity, stickers to put on my books, and received a beautiful crystal award. They even spelled my name right. I just love it.