Amber Foxx on Image and Brand

I hate having my picture taken. Head shot, that is. I’m happy to pose for yoga pics. I feel normal in a yoga pose. Especially if I don’t have to look at the photographer. I feel really unnatural smiling at a camera, and it shows. I get such strange facial expressions, I hope I never actually look like that. I told my hairdresser about this while I was getting a haircut after the head shot session (I read that one should never get a new haircut before a picture session), and she said, “I know. Whenever I have my picture taken, I look like a drunken chipmunk. People ask me, what does a drunken chipmunk look like? I tell them: my picture.”

Now that I think of it, that’s what most of my pictures look like too. Torn between hiding from the camera and trying to convince my face to smile, I end up with one eye closed and the other wide open, and my smile half-cocked. I like the hiding-in-a-cherry tree picture I’ve use on this blog for years. Half my face is in the flowers. We started out using mysterious pictures, but gradually new bloggers joined and the remaining founding members updated their pics. Much as I like Kwanzan double-blossom cherry trees, that picture—though it expresses my personality—may not fit my image and brand.  But what does? If I’m posing for a yoga shot, I should look like someone you’d want to take a yoga class with. How do I look like someone whose book you want to read?

My series covers are designed to appeal to both visionary fiction and mystery readers, and their image and brand is closer to the visionary fiction genre. That’s intentional. The cover has to convey the mystical aspect of the mystery and the characters’ inner journeys. If my covers looked like cozies or like traditional murder mysteries, I’d be off target. Does hiding in a cherry tree make me look as if I write cozies? Many of my readers also enjoy cozies, but that’s not my genre.

I’ll spare you all the noise that ran through my head while planning for the head shot and keep to two main decisions. One: Maturity is a desirable characteristic in a writer, so I didn’t try to look younger. Two: I dressed the role of myself, if that makes sense, by wearing a turquoise necklace with citrine points made by a local artist. Because that’s my brand. New Mexico. Mystical. Crystals and healing and psychic visions. Is anyone going to analyze all that? I doubt it. But it’s like the right yoga pose for the yoga poster. Readers don’t expect authors to look like fashion models, but they may infer a lot from a picture without consciously thinking about it.

And I hope it’s not “That chipmunk had a few too many!”

*****

Book One in the Mae Martin Psychic Mystery Series, The Calling,  is free on all e-book retailers through Sept.23.

 

6 Deadly Sins of Writing a Mystery by Paty Jager

Every mystery writer wants to write the best who-dun-it. The one who kept the reader guessing to the end and then has the reader saying, “Wow, I didn’t see that coming.”  But the writer has to beware of the 6 things that can make them lose readers.

  1. Fair play – All clues discovered by the detective must be made known to the reader.
  2. The murderer must be introduced in the story before he is announced as the killer. Someone can’t appear in the last chapter and then is announced as the murderer.
  3. The crime being solved must be significant. Murder, kidnapping, blackmail, theft something that has a significant impact on the story.
  4. The solution can’t be stumbled on. There must be detection done by the protagonist(s). A web of clues that not only misdirects the sleuth but the reader.
  5. The suspects should be known and the murderer among them.
  6. Keep the story to the solving the crime, don’t toss in unnecessary things to throw the reader off.

If a writer keeps these in mind and takes the reader on a journey of discovering one clue after the other, you can still keep the reader guessing as each suspect is slowly dropped from the list.

I like to bring the murderer into the story not as a character on the page but as a character that is alluded to. I used this method in my latest Shandra Higheagle Mystery, Killer Descent.

Some may say that having my amateur sleuth’s grandmother come to her in dreams would be a no-no as stated in number 4. But the dreams don’t give her the clues, they direct her to seeking out the clues. She still has to decipher the dreams and then find the clue. I have a post about it here.

I’m currently writing the next Shandra Higheagle Mystery, Reservation Revenge. Setting it on an actual reservation has been giving me some logistical challenges, but I’m excited to see where the clues lead me. 😉

About Me:

Paty Jager is an award-winning author of 25+ novels and over a dozen novellas and short stories of murder mystery, western historical romance, and action adventure. She has a RomCon Reader’s Choice Award for her Action Adventure and received the EPPIE Award for Best Contemporary Romance. Her first mystery was a finalist in the Chanticleer Mayhem and Mystery Award and is a finalist in the RONE Award Mystery category.  This is what Mysteries Etc says about her Shandra Higheagle mystery series: “Mystery, romance, small town, and Native American heritage combine to make a compelling read.”

All her work has Western or Native American elements in them along with hints of humor and engaging characters. Paty and her husband raise alfalfa hay in rural eastern Oregon. Riding horses and battling rattlesnakes, she not only writes the western lifestyle, she lives it.

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Where to Begin by Paty Jager

paty shadow (1)I’ve started researching and writing the sixth book in the Shandra Higheagle Mystery series, Reservation Revenge. I visited the Colville Reservation where Shandra’s family lives and wrote about the visit and the woman who lives on the reservation and helps me with my research here.

Bookmark FrontDuring that trip I knew I would set a murder at the reservation and one of Shandra’s relatives would be involved. This is that book. While I’ve had a tour of the reservation and while on that tour acquired a wonderful topographical map of the reservation, I still have questions about the lake where the murder takes place and the area where Shandra’s cousin is hiding.  For these answers I’ve once again gone to my friend and fellow author who lives on the reservation.

The best part about having an author help with digging up the research is they understand the need for some of the tiniest mundane things. Like what are the plants in this area, how many police officers are on the reservation, who would be working the crime scene?

These are all questions I have to have answered before I can start writing the book. While I’m not a plotter, I need to know information about the place and who would be people my character would come across while trying to prove her cousin’s innocence.

And because this series is written from the amateur sleuth, Shandra, and the County Detective , Ryan’s, points of view, I have to have the murder scene figured out. Who was there, who wasn’t? Who was killed? What was the cause?  My main sleuths aren’t on the scene in this book. The murder happens four hours from Shandra, and she has to rely on talking to people and her grandmothers cryptic dreams.

So where did I begin this book? With a dream. A short to the point dream that unsettles Shandra and reveals there is trouble to come.

“Ella what do you want?” Shandra Higheagle pleaded as she stood looking up into the clouds that formed her deceased grandmother’s face. The droplets of rain falling on Shandra’s face were warm and salty. Tears.

What better way to start a book where the amateur sleuth uncovers the real murderer through dreams then with a dream.

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Paty Jager is an award-winning author of 25+ novels and over a dozen novellas and short stories of murder mystery, western historical romance, and action adventure. All her work has Western or Native American elements in them along with hints of humor and engaging characters.