Hobbies and Homicide

by Janis Patterson

Hobbies (and crafts, though for brevity’s sake I will use ‘hobbies’ to cover both) serve several but very disparate purposes in cozy fiction, all in a kind of situational shorthand.

Although a surface read of the cozy genre seems to indicate that the protagonist/sleuth’s hobby is solving murders, there is more to the inclusion of a sleuth’s avocation. Often having a hobby gives the sleuth a sort of ‘leg-up’ on the modus operandi and eventual solution of the crime that the police do not necessarily have.

For example, a hobbyist needleworker might notice that the knots tying the victim are unique to a certain form of embroidery… or the same could be said of a model ship builder who sees the esoteric knots as being nautical.

A baker or cook or even a nurse or pharmacist might notice certain ingredients laid out that have no place in the recipe the decedent was baking at the time of death… or notice the distinctive scent of an obscure ingredient in a finished product that, combined with another ingredient, could cause an allergic reaction in some people, which of course the victim is one.

A hobbyist jeweler might notice that the garotte was made of a rare form of tiger tail (a coated wire often used in stringing heavy necklaces) instead of the common guitar string the police mistakenly believe it to be.

The use of this special, hobby-related know-how is a quick and believable way of giving the amateur sleuth a depth and breadth of knowledge that would be cumbersome and difficult to explain otherwise. However, this is a trope which can be easily overused. I mean, wouldn’t you quickly tire of mysteries where the same sleuth is always an expert regarding the widely varying ways and means of the way a murder was committed? Or that multiple murders by multiple murderers are serendipitously committed using the same unusual means?

To continue the above examples, it is unacceptable that bakers/cooks can solve only baking/cooking related mysteries or needleworkers needlework mysteries or… you get the idea. To say the least such narrow specialization would be pretty much unbelievable for an amateur sleuth cozy mystery, as well as totally destroying the idea of a series featuring the same sleuth. How many people can you believably expect to be murdered using needlework techniques? Excepting, of course, an obsessed serial killer, which is a totally different genre and therefore is another topic of discussion altogether.

Back to specialization. If there is a series where the sleuth has a useful and universal-ish hobby, as the more general the hobby the more believable multiple solutions become. For example, if the sleuth is an expert in 15th century Swabian poetry, how many mysteries can logically (or even semi-logically) be created to fit in such a narrow framework? On the other hand, a sleuth whose hobby is making ship’s models, the world of potentially solvable crimes expands. There can be mysteries about full size ships, doll house miniatures, history of both (and more)… all of which are basically related and could be easily lumped into one general hobby-related knowledge base.

Aside from the story uses of hobbies, avocational pastimes are wonderful as character revealers. When creating a character writers have to be careful to make each one an individual, a person you should be able to recognize if you met them on the street. Nothing can kill a book (no pun intended) faster than a cast of characters with all the depth and believability of paper dolls.

Real people are not so easy to pigeonhole. That sweet gentle man down the street whose garden is a dream was also a bad-ass Army Ranger in his youth. The doting mama who makes glorious ceramics in her garage kiln used to sing grand opera in Europe. That cherubic young man who builds model airplanes and helps elderly neighbors carry their groceries inside also sets fires for amusement. Humans are not single-note creatures, and neither should our characters be. Hobbies – even those which do not help solve the mystery – are a useful tool in creating believable characters.

And not just sleuths/protagonists/sympathetic characters. Remember, villains need to be well-rounded people too, perhaps even more than heroes. The mustache-twirling villain who does evil for the pure sake of doing evil belongs in bad cartoons, not in cozy mystery fiction. Sleuth, victim or villain, everyone is the hero of their own story. Although it might make no sense to us that the villain cultivates a lovely garden of poisonous plants so he can wipe out those who want to make a parking lot where a field of wildflowers bloom, we have to be able to see why he believes his actions are necessary. Even though we don’t believe in what he is doing we have to be able to see why he is doing it in order for our sleuth to obtain enough proof to solve the case.

Just remember that the hobby-related clues – like all clues – should not be obvious from the first. If a victim is killed by a salad containing some of the nightshade grown by the grumpy old woman down the street and she is the actual poisoner, that is not much of a mystery. On the other hand, if the killer is the sweet grandmotherly lady at the other end of the block who is always baking treats for her neighbors is using the grumpy one’s nightshade to get rid of those whom she doesn’t think are worthy of living in her neighborhood while trying to cast suspicion on her grumpy arch-enemy, that is a mystery. Or perhaps there is a third player, the man who amuses himself by drawing pictures of plants and hopes to get rid of both old ladies so he can buy their houses and….

You see? The possibilities are endless. Just make sure that when you create your characters – both sleuths and villains – that their reasons are valid to them even if not to us, that they are believable and (this is important!) accurate. If your character has a hobby, it doesn’t have to be yours – you just have to know enough about it to get it right. Otherwise those who do know about it will descend on you with righteous criticism and both your book and your sales will suffer for it.

(P.S. – for those of you who are following my republishing blitz, I am happy to report that it is going perfectly according to schedule – a book, freshly edited, freshly edited and as often as not with a new cover – released every other Wednesday since the middle of January! TIMELESS INNOCENTS (#14) released the 5th of July, and THE EARL AND THE BLUESTOCKING (#15) will go live on 19 July. Plus – drum roll here – my second audio book A KILLING AT EL KAB and my third CURSE OF THE EXILE are now available at Amazon and Audible!)

Missing deadlines makes me nauseous.

I have a write on wipe-off board that I use to keep track of my “deadlines.” These are self-imposed deadlines, because I am a self-published or Indie author. But I take keeping to my deadlines a big thing. I HATE when I miss deadlines. I, being boss and employee, beat myself up over missing them and I have a hard time when a deadline passes and see it will be at least another month before a project will be finished.

That is what has been happening with Damning Firefly. Each month, I add another month to get it written and move the rest of the projects I set as goals for the year forward.

I’ve discovered that while I believe I have lots of time to write, I find I spend a lot of time researching and promoting. The book also had to go through a tweak which added more time to the finished project. But I am on the downhill side, which means I am wrapping up the clues, tightening the handcuffs on the suspect, and hoping the twist at the end leaves the reader going, “Wow, I didn’t see that coming” or “That was a good twist.”

I want to put this book up for pre-order but with as many times as I’ve extended the writing of the book, I’m afraid I’ll miss the date. But then, I am also anxious to see what readers think of the cover and the premise. It is darker and more controversial than my usual Gabriel Hawke book. But it was an idea that came from things my parents, who have now passed, said to me at different times. And I think it is something that people in small communities will sometimes hide.

Sales and reviews will tell me if the book was a hit or a miss. There are just times when I feel like there is a story that needs to be told. It’s something that burns in my gut and comes out through my fingertips. LOL that makes me think I should write paranormal. The visual is kind of funny!

I have tried to pair humor with a darker tale in Damning Firefly and tried to show the side of the victim’s and the woman who tried to help them.

Hopefully, by my next post I’ll have a pre-order and the book will have come back from my editor and soon to be released.

Guest Blogger ~ Patricia Crandall

RABBITS, BUNNIES, WHISKERS AND HOP!

Why do I write? The answer lies in the fact I enjoy reading. It all began with Uncle Wiggley Longears, the rabbit gentleman stories by Howard Garis. At bedtime at our house in the nineteen forties, my father would entertain me and my siblings with his own version of an ‘Uncle Wiggley Adventure.’ After an ending, “And if the turnips do not fall into the cabbage patch traps and get eaten by the turtle tribe, tomorrow I will tell you about Uncle Wiggley’s narrow escape from the falling tree near ‘Henry’, the covered bridge.” (In Vermont, covered bridges are named). With an eager readiness at the next bedtime, three children sat in anticipation as my father struggled to fabricate a new Uncle Wiggley adventure.

            I learned early that children’s authors captivate a child’s and an adult’s imagination in a magical, mind-stretching manner that no other writer can do. The children/young adult authors who are repeatedly read in our home and are impressive masters to follow are: Howard Garis, Beatrix Potter, Dr. Seuss, Laura

Inglis Wilder, J.K. Rowlings, Carolyn Keene, Franklin Dixon, E.B. White and Lewis Carroll.

            Children’s authors often pen a story for a particular child as Clement Moore did when he wrote the renowned poem, ‘The Night Before Christmas,’ to satisfy his children’s need for a Christmas story. A child has an imagination filled with wonder and welcomes all types of zany and horrific tales. Put it all together and zap – Alice in Wonderland by Lewis Carroll.

            I have written a story entitled, ‘The Polka Dot Mystery,’ with my three grandchildren. It began on a rainy day when the children complained there was nothing to do. I pulled out pencils and paper. We sat around the kitchen table and began with the oldest child creating a sentence first. Then the second child added her sentence, followed by a grandson’s wacky sentence. My sentence came next and balanced his morbid one. We continued to do this until we had completed a story, ‘The Polka Dot Mystery.’ To our surprise, it was published in a children’s magazine.

            The next time you browse through a bookstore, check out the children’s section. And watch out for rabbits – they have multiplied in the story market. Hop to it!

Ten-year-old Wyatt and eleven-year-old Hannah uncover the dark world of illegal dog fights when they trespass at a Vermont farm and peep through a barn window. And when crotchety old Lester Cranshaw’s dog, Paddy, turns up missing, there is no holding him back from investigating the situation and the kids join in. In the dead of night, after the trio are captured and held hostage at the Inglis farm, Wyatt will need all of his wits and courage to escape in order to save the lives of his friends. The Dog Men draws the reader into a tempest of animal abuse, lawlessness, and kidnapping within the confines of small-town happenings. A chilling plot and a peerless relationship between kids, adults and pets.

Buy links:

https://shoptbmbooks.com/The_Dog_Men.html

https://www.amazon.com/dp/1614684669

Patricia Crandall has published nine books as well as numerous articles and short stories in various magazines and newspapers.  Books to date include: Melrose, Then and Now, a historical volume, I Passed This Way, a poetry collection, The Dog Men, a thriller, Tales of an Upstate New York Bottle Miner, non-fiction, Pat’s Collectibles, a collection of short stories, Living to One Hundred Plus, a collection of interviews of women living past one hundred and a y/a thriller about child sex trafficking titled The Red Gondola and the Cova. A Reunion of Death is a Christmas mystery in the method of Agatha Christie. Patricia is also working on a unique book of short story mysteries to be published in 2023. A member of Sisters in Crime (Mavens) and National Association of Independent Writer & Editors she lives with her husband, Art, and a rescue cat, Bette, at Babcock Lake in the Grafton Mountains near Petersburgh, New York. She has two children and three grandchildren who live nearby.

Patricia’s blog

Patricia’s website

What’s in a Title? by Heather Haven

A lot of times the story itself comes fairly easily to me, but the title often doesn’t. What to call my novel? How do I catch the reader’s eye and have them want to buy my book, just by reading that stellar title? How, how, how? Hmmmm.

And to make things worse, book titles seem to go through fads or phases. For instance, the word “girl” has been used in just about every best-selling book’s title in the last few years. While using that word may not have catapulted them to becoming a best-seller, the following books were best sellers: Girl Gone; The Girl on a Train; Girl, Interrupted; Girl with the Pearl Earring; The Other Boleyn Girl; and of course, Stieg Larsson’s trilogy, The Girl with the Dragon Tattoo; The Girl Who Played with Fire; and The Girl Who Kicked the Hornet’s Nest.  

Hence, I decided to use the word “girl” in the title of a book and see what happens. I came up with Girl, Girl, Girl (see book cover). Amazingly, it didn’t sell. Maybe my heart wasn’t in it? Besides, I don’t think of human females as girls unless they’re under the age of 17. I’m not sure why that’s my cut-off age, but it is. I think once you’ve graduated from high school, you’re a young woman. Girl-kid, Woman-adult.

Often the title lets the reader know what kind of book they will be reading. I hope I’ve done that with my books. Whoops. The exception to this was the title of the very first book of the Alvarez Family Murder Mysteries, Murder is a Family Business. Looking back on it, I believe the title conveys a weightier book than mine. I had forgotten a famous crime syndicate called, Murder, Inc. was still in a lot of people’s minds. Guilt by association was my problem. Some readers, especially men, bought my book thinking it was going to be yet another exposé of the mob. Or possibly a written spin-off of the movie Murder, Inc, the film that launched Peter Falk’s career in his first major role as a contract killer.

Yikes. None of the above is anything like my book, a light-hearted romp through California’s Bay Area where not only is the murderer brought to justice but the shoes and handbags match. If I could, I would change the title, but the book has been hanging around for a certain amount of time, has had some small measure of success, and, besides, I can’t think of anything better. So, Murder is a Family Business it remains.

But since that goof with the first title, I tried to be careful in naming the rest. My latest book, a work in progress, has the working title, Bewitched, Bothered, and Beheaded. Hopefully, it conveys magic and murder. And if someone thinks of a guillotine, so much the better.

In closing, I should probably mention the title of an Elvis Presley movie, Girls, Girls, Girls. It has nothing to do with any of this, but I am a huge Elvis fan.

We the Jury

I have a jury duty summons for July. In California, I’ll check my county’s website a few days before that date to find out if I must report in person at the Alameda County Courthouse in downtown Oakland. In the past, I’ve reported several times, only to be told later that morning to go home. A few times I’ve made it into the jury pool, which means a trip to the courtroom to find out more. In a couple of instances, it’s been a civil matter.

I always figured if I was going to be on a jury, at least make it something interesting. More than a decade ago, it was.

On that morning, the jury pool was large, with people crowding the first-floor jury reporting room. To me, that said this was a serious case. We were summoned to the courtroom in groups and informed that this was a murder trial, with two defendants.

Back in the jury room, we filled out long questionnaires. Those who felt they had a good reason for not serving on the jury were told they would have the opportunity that afternoon to discuss their situations with the Superior Court judge presiding over the trial. The jury pool of 150 people, we were told, would be cut down to 75 people. Then a series of interviews to be held the following week would winnow down the pool, leaving twelve jurors and three alternates.

I have no objection to serving on a jury. It’s my duty as a citizen. At that time, I’d never had the opportunity before. But I thought my status as a writer of crime fiction would disqualify me. In fact, a few years later, when I was summoned to the courtroom for another murder trial, the defense attorney in that case dismissed me from the pool in record time.

But this earlier case was different. I made the first cut and was called back the following week for jury interviews.

The judge informed us that this was not a case where the jury would determine who killed the victim. One defendant had already confessed. The jury’s job was to determine whether this killing was murder in the first or second degree, or whether it was manslaughter, voluntary or involuntary. The jury would also determine whether the second defendant was an accessory. There were various other charges as well.

The jury interviews were revealing. Some people felt that anyone charged with murder must surely be guilty and that was that. Others revealed prejudices and biases that led to their disqualification. Many felt that they could be open and unbiased, making their decision based on the evidence presented during the trial, despite the fact that many of the witnesses, as we were warned, had various misdemeanor and felony convictions.

During my interview, the judge remarked on my status as a mystery writer. He asked questions about my ability to sift fact from fiction and used this as a springboard for comments about how this wasn’t an episode of a TV show. The defense attorney asked if this case would wind up in one of my books. My answer was frank and truthful. I told the court that everything that occurs in my life is grist for the mill, and I might very well use my juror experiences in fiction.

At that point, I was sure I’d wind up on the jury. I was right. For five weeks, I was in that courtroom, listening to witnesses, or in the jury room upstairs with my fellow jurors, where we were under strict orders not to discuss the case.

The experience made a lasting impression. At the start, I thought the case was going to be straightforward, another senseless killing in a rough neighborhood. But it wasn’t that simple.

I listened to the testimony of witnesses who contradicted each other, making an effort to determine who was telling the truth. I got a sobering picture of the aimless lives of many of the people involved in this case.

Then there were the crime scene photos. Those images will stay with me. They showed the damage done to a human body by a semi-automatic weapon fired a close range.

We the jury – we took our job very seriously. We were aware that we held in our hands the fate of these two defendants.

We spent days deliberating and discussing the evidence. The jury instructions given to us by the judge became our Bible. All the information we needed was there, if only we could parse it out. None of this was easy, or cut-and-dried.

The verdicts? In the case of the first defendant, guilty of voluntary manslaughter and several other charges. Later that year, he was sentenced to thirty years in prison. The second defendant: not guilty of the accessory to murder charge, guilty of several other charges.