Summer flowers bring?

We have a gorgeous flow of Mule Ears (Wyethia) and Queen Anne’s Lace (Daucus carota) that swirls down the hillside behind our cabin, forming a river of color. While Mule Ears happily look like their sunflower cousins, Queen Anne’s Lace bears a striking resemblance to plants far less friendly. It brought to mind a 700-word mystery I wrote, featuring Cora Countryman (The Wanee Mysteries) and her brother Jess, on another summer day, 149 years ago on the Illinois prairie. I hope you enjoy it!

Queen Anne’s Lace

Photo by Vika Glitter on Pexels.com

Cora Countryman sat on a rock in a fast-running stream that bisected her brother Jess’s farm, watching a stand of delicately flowering Queen Anne’s Lace bobbing white in the breeze. Cows grazed nearby, a fat catfish swam in the shadows of the hazelnut bushes, and bugs glistened on a summer breeze that wafted the perfume of carrot, parsnips, and timothy grass warmed by the sun.

Across the stream, a white fence boxed in three graves. One was fresh; two were not. Cora waded across the knee-deep water, the hem of her plain calico smock held high, her feet bare, and leaned on a fence post. The new grave was marked by a plank, two question marks and a date scratched into the wood.

Jess had found a man and a woman right here, their bodies near tied in knots, their heads in the flowing stream, the girl clutching flowers in one hand. He buried them, no postmortem by the town’s doctor, no undertaker, nothing but a few words muttered over their open grave.

Not that Cora was a romantic, far from it. As soon as she was able, she intended to leave her hometown, her brother, her mother (wherever she was), and her suitors to see the world. She spun in her bare feet at the possibilities – London in the fog, Boston in the rain, Egypt in the sun, dark men with dark ways. She would be fearless but carry a derringer for insurance.

She spun again and tripped. Checking her feet, she discovered a fire ring, its rocks jumbled. The fire had been doused by water, leaving a sheen on the charcoal. In the same rush that knocked rocks aside, a tin cup had tumbled under a neighboring bush.

“Cora,” Jess called from upstream, wiping his hands clean on a thick stand of grass. “Louisa has supper on the table.”

Cora held up the tin cup. Jess joined her, fingering the cup as she had, then shrugged.

“How old were they?” Cora asked, eyeing the fire ring for more clues.

“Young. He was in trousers over a red union suit, which served as his shirt. He’d pushed up his sleeves in the heat. The girl was young, maybe sixteen, in a plain blue calico dress, short like yours. They looked to be out on a picnic by the hamper I found.”

“When you found them side-by-side, their heads underwater, weren’t you curious?”

Jess handed her the cup, wiping his hands on his trousers. “Just wanted to get them in the ground. The boy had welts on his arms, and they had thrashed about before they died. I didn’t want what they had. No mystery there.”

“They might have been murdered or committed a lover’s suicide to be together forever. What about their families?”

“They were diseased, Cora. The best thing to do was get them buried.” Jess began picking Queen Anne’s Lace, gathering the tall stems in his left hand, the delicate white heads of the flowers forming a lacy umbrella. “There was a name in the basket. When I gave it to the Constable, he said he’d track down their folks.

“What flowers was she holding?” Cora asked, toeing the ground around the fire ring. When a tuber emerged from the coals, she lifted it from the ground with her toes. One end was cut. She let it fall, wiggling her toes in the charcoal.

“These.” As he shook the lacy flower heads, several ladybugs took flight.

“Not those?” Cora pointed to a stand of white lacy-headed flowers downstream.

Jess grinned. “Do you find mystery everywhere?”

“You missed it, but I’m right, right?”

“The girl dug a tuber to make tea for their picnic.”

“Believing it was parsnip by the smell,” Jess said, holding the cup to Cora’s nose.

“Purple spots will kill you lots.”

“As our thieving mother used to say,” Jess said, turning for the farmhouse and supper.

Find me at: https://dzchurch.com, where you can sign up for my newsletter and discover more about my books. To follow Cora Countryman, find the series at: https://www.amazon.com/dp/B0CPW5H3LM

CHALLENGING SISTER

Happy Summer, Ladies ~ I wanted to start by thanking all of you who reached out during my sister Lori’s illness, and to let you know she passed away on June 2nd.

My sister, fourteen months younger than me, always challenged me to be a good big sister.

Lori loved tossing her baby bottle from her crib and squealing until someone would retrieve it. Our single mom, Rita, would be busy cooking, cleaning, or getting ready for one of her three jobs, so I would toddle over and hand my baby sister her bottle. Lori would enjoy it until she wanted attention again and then toss it overboard again.

Lori challenged me to be my sister’s keeper when we were little girls. My job was to hold her hand, ensuring she stayed out of trouble when Mom took us shopping or to visit our grandparents’ small mom-and-pop store. On one exciting trip to Sears to shop for new summer sandals, I let go of Lori’s hand, and she wandered off.

“Where’s your sister?” Mom asked, frantically looking around the store. I shrugged and looked around, too.

My mother shrieked and raced toward a display of bathroom toilets, where my little sister sat perched on an avocado green throne.

“I go big girl potty, Mommy.” Lori beamed despite Mom snatching her from the toilet. She pulled up my sister’s panties and smoothed her sundress. Before leading her away from the display, my mother made the mistake of looking in the bowl where Lori had left a tiny brown deposit.

Needless to say, we didn’t go back to Sears for a few years.

As teenagers, Lori challenged me to be a less stuffy older sister. I was prone to wearing turtlenecks and loose-fitting Levi’s, while Lori preferred a hipper wardrobe of scoop-neck T-shirts and tight bellbottoms. One day, she and I went to the Medford Center to do a little shopping. Even though enough time had passed and we could have shopped at Sears, we decided on JC Penny’s. Lori stuck me in a dressing room and brought me clothes to try on.

I wore one of my new outfits to school the next day: a yellow blouse with cap sleeves and dark blue denim bellbottoms. I finally got my first compliment from a boy I liked when he said, “Nice jeans.”

As adults, Lori became an unwavering source of support when my son, Derrick, was diagnosed with autism, and I found myself a divorced mother of two. She watched my boys. She encouraged me to date. She taught me how to dance.

Despite her helpfulness, my relationship with my sister was also difficult. Sometimes I wanted to walk away from her instead of trying to mend whatever bridge she’d burned. So, as I said at the beginning, my sister Lori was challenging, and I share this story because I believe our relationship taught me how to shape characters for my books.

Whether I’m writing a Hero, a Heroine, or a Villain, I know I infuse my characters with some of Lori’s personality traits.

Clara in “Peril in Paradise” has Lori’s indomitable determination to find revenge for her daughter. In “Redneck Ranch,” Harley and Busy’s best friend relationship is a take-off of mine and Lori’s sisterhood. In “Vanished in Vallarta,” Jade is on a mission to find her missing little sister.

My female or male villains reflect some of her flaws, too, such as her unreasonable jealousy or sense of entitlement. Though Lori wasn’t necessarily evil, she did have a mean streak that, at times, she directed at me.

Over the last seven months, Lori challenged me to be a better writer. A better storyteller. A better editor.

She wanted to help me edit my current novel, “Chaos in Cabo.” I set her up with chapters, blue and red pens, and the nine things I look for in each chapter. The senses: Sight, Smell, Sound, Taste, Touch. And the nuances, I think, bring realism to my story: Accessories, Clothing, Eyes, Hair.

Lori valiantly tried to read each chapter and mark these items off the list, but she had a hard time focusing on the story. However, she did ask good questions, so the end result for me was that I was able to explain my editing process to another writer who asked if I would edit her novel.

My sister Lori was a challenge to the end. She died on June 2nd, my son Derrick’s birthday.

We had a lovely family day on June 1st, her son’s birthday. We played games, ate pizza, and enjoyed an ice cream cake. I spent the night at her house, and we stayed up late talking and laughing.

The next morning, Lori seemed a little tired but otherwise fine. She commented about not being able to get into heaven if you weren’t always a good person. I told her that if she wanted forgiveness, all she had to do was ask God. She got quiet for a few minutes and closed her eyes. Then she said, “I feel bad that I get to see Derrick before you.”

My phone pinged because someone liked my Facebook birthday post for Derrick, and I showed Lori his picture.

She grabbed my hand, and my sister, who never asked me to pray with her before, said, “Can we say a prayer for Derrick’s birthday?”

I nodded and said, “Happy Birthday, Derrick. We hope you’re having a great day in heaven. Aunt Lori and I are laughing about Grandma Rita and Grandma Betty arguing over who gets to bake you a cake. I love and miss you, big guy! Aunt Lori wants to say something.”

Eyes closed, she squeezed my hand and said, “Happy birthday, Derrick. I miss you so much. And I want you to know I’m coming to see you soon.”

Lori drifted off to sleep and seemed fine throughout the morning. Then, just after noon, her breathing became labored, and she appeared to be in a coma. Her husband called the Hospice nurse, who was running late, and she said she would be there as soon as possible.

Keith and I took turns holding Lori’s hand and making her comfortable. Neither of us was in denial that her time was near, but neither of us was ready for her to go.

My challenging little sister went to heaven at 1:50 pm on Monday, June 2, 2025.

Several people said to me after Lori passed away that they were sorry she died on Derrick’s birthday, to which I replied:

“I’m not because I believe my loving son reached his strong hand down from the heavens and said, ‘Come on, Aunt Lori … it’s time.’”

Over the rainbow and from heaven, my little sister challenged me to lean into my faith and share her peaceful passing with others.

Hug your family members, Sisters!

Guest Blogger ~ Melissa Westemeier

The story behind Old Habits Die Hard begins in 2004 when I attended the University of Iowa’s Summer Writing Festival where I met four women who would become my writing partners. One of those women shares the author credit on Old Habits Die Hard, Mariana Damon came up with the idea of a murder taking place at a retirement community set in a renovated church. When I met Mariana in 2004, the spunky woman from Nebraska with a low voice, wild red curls and long flowing skirts was writing a murder mystery set in a fictional reservation in the southwest, featuring a Native American police officer solving a crime involving a murder and ancient artifacts. Mariana’s writing journey took her next to France, then to Cambridge, England, and finally to Kuwait before her dementia made further work as a writer impossible to pursue.

Mariana and I shared many trips together over the years we worked together and often bunked up together, too. We’d share our secrets, dreams, wishes, and histories deep into the night. Wickedly funny and brave, Mariana’s generous spirit meant I could trust her with anything, she’d be honest and loyal in every circumstance. It’s funny how our lives mirrored each other’s—we both taught English in public schools, both lived in the Midwest, both mothered only sons, and both set aside our own ambitions for our spouses’. She was truly a sister from another mister.

In 2021 another partner, Marni Graff, and I visited Mariana in her new home at a memory care facility. During our time together Mariana shared her desire to write one more murder mystery, so Marni and I gamely took notes and helped her flesh out ideas for a setting, murderer, victim, motive, and cast of characters. “Death at the Abbey” was set in the assisted living facility where she lived before her condition worsened, and she had a terrific concept for an opening scene.

Marni, Mel, Mariana 2021

Marni and I felt tremendous sadness at our friend’s struggle with her disease and helplessness as dementia stripped away her capacity to focus, let alone write. “We should write it for her,” I suggested to Marni over breakfast before we boarded our flights home. It seemed like a fitting tribute to our friend if we could flesh out her final idea and put her name on it. We’d left the character worksheets and plot outline with Mariana, so I jotted down what we could remember in a tiny notebook.

A year later I was between projects and dug that little notebook out of my purse. I’ll just flip through it and see what I might be able to do—maybe turn these ideas into a short story. I’d never successfully written a murder mystery before, but Marni has written eight of them, so I figured I could get things started and Marni could clean up my mess and we’d take it from there. The joke was on me because when I came up for air, I’d written 30,000 words, almost half a book! I sent the pages to Marni and our other writing partner, Lauren Small, to get their feedback. Their response was overwhelmingly positive and encouraging so I kept writing. Four months later I had a complete, polished draft of this book, retitled Old Habits Die Hard.  

I preserved Mariana’s original ideas. Sister Bernadette, a retired nun, solves the murder of Toni Travi at The Abbey with the help of her former student, Detective AJ Lewis. All six of Mariana’s original characters are in the story, and the opening scene is all Mariana’s. She’d determined who committed the murder and why, so it was up to me to fill in the rest. AJ’s less heartbroken and much younger than she’d planned him to be, but I hope she’ll recognize him and be happy with how he turned out.

Mariana Damon sparked this series and it’s exciting to take her ideas further than she imagined they’d go. Neither of us expected that visit in 2021 to result in a book and we certainly didn’t predict a series would happen. It’s pretty cool how our friendship that twenty years ago wound up with both of us on the cover page. Old Habits Die Hard and I’m honored to be Mariana’s ride or die until the end.

PHOTO: Lauren, Mariana, Melissa & Marni Summer 2014

OLD HABITS DIE HARD:

When retired nun and teacher Sister Bernadette returns with her fellow residents to The Abbey: Senior Living, she is the first to discover the body sprawled in the hallway of the converted school where she once taught English and now lives.  Instead of freezing with horror, Sister Bernie has questions. Lots of them. Why does Toni Travi, the bedazzled and bejeweled resident from apartment 218, have so much chest hair? Did anyone at The Abbey know Toni was a man? Was Toni’s death related to allegations that she cheated at cards? Where’s the murder weapon? Who had motive? And did someone kill Toni, or the man hiding beneath the Revlon foundation and blonde wig? 

Detective AJ Lewis is charge of the investigation though Sister Bernie acts as if he is still her student. With unholy stubbornness, she dogs his every step, eavesdrops, sneaks beyond the police tape and offers conjecture and clues. He wants to keep her safe, but she’s determined to lend a helping hand—it’s her habit, after all!

BUY LINKS

Google Play https://play.google.com/store/books/details/Melissa_Westemeier_Old_Habits_Die_Hard?id=4oorEQAAQBAJ&hl=en_US&gl=US&pli=1

Amazon https://a.co/d/exKs6zn

Kobo https://www.kobo.com/us/en/ebook/old-habits-die-hard-6

Barnes & Noble https://www.barnesandnoble.com/w/old-habits-die-hard-melissa-westemeier/1146452143?

Melissa Westemeier is a Sister in Crime and teacher from Wisconsin. She uses humor to explore serious subjects, and her published books include murder mysteries, rom-coms, and a trilogy loosely based on her years tending bar on the Wolf River. She likes her coffee and protagonists strong and prefers to work barefoot with natural lighting.

MEL’S Website: https://www.melwestemeier.com/

Facebook https://www.facebook.com/profile.php?id=100027992959383

Instagram  https://www.instagram.com/mwestemeier/

Bluesky  https://bsky.app/profile/mwestemeier.bsky.social

No Time Like the Present

                                           

Several years ago, as I was struggling to find my place in the writing world, my neighbor found out I was writing. She told me, “I’ve always wanted to write a children’s book.”

“There’s no time like the present. Start writing,” I said.

She had all the same excuses I had. Her kids were still home and taking up a lot of her time. She helped out in their orchard and did the books for the farm. I encouraged her to start writing a little every day.

The next time I saw her she said, “I’m writing a book.” She was so pleased, and I was happy for her. She did everything right. She joined a critique group, and worked hard on her books, writing and rewriting them. She was patient and when someone would suggest a change in her manuscript, she would painstakingly go through it. Because she didn’t like to drive, I drove her to Eugene so she could use the college library for research. (This was before Google!)

Even though I wrote mysteries and she wrote children’s adventure books, we loved talking about writing together. I read some of her early work and encouraged her to keep writing. She was such a good writer. I knew she’d make it someday and her books would be out in the world for children to enjoy and learn from.

I don’t know how many manuscripts she finished, but she worked hard on one and when it was done, she asked me to read it. Her critique group had read it and liked it, but she wanted another set of eyes on it before she started shopping it around.  I was happy to and blown away by how professional it was. It was polished, and I couldn’t wait to tell her how much I enjoyed it and that I felt it was ready to be sent out to agents or publishers.

I remember going to her house that day. She sat in her recliner looking like she always did. I had no premonition of what she was about to tell me. After we talked a bit, I told her I thought her book was great. There were a couple of little things I thought she could change, but I knew it was ready for publication.

She smiled at me. “Lana, I just found out I have cancer.”

My heart sank. “Oh no, I’m so sorry. But you can beat it. And while you’re recovering, you can work on getting this book to agents. I’ll help you all I can.”

“No,” she said, still smiling at me, “You don’t understand. They gave me six weeks.”

I’m sure in that instant my heart stopped beating for a moment. I couldn’t accept it. I had no words to say to her. I just kept repeating, “I’m so sorry,” over and over. Then she said, “I really thought I’d have twenty more years to write.” She had just turned sixty.

I hugged her and asked what I could do for her, and she shook her head. “There’s nothing anyone can do.” I told her I’d be back to see her and if she needed anything to let me know. I said all the things you say during times like that. Things that make you feel better when you know there really isn’t anything you can do.

Then I went home and cried.

A few days later, I went back to check on her. Her husband and daughter were outside, and I asked if I could see her. Her husband got tears in his eyes and her daughter said, “Mom passed this morning.”

I couldn’t believe it. This bright, beautiful woman who had so much potential, who’d worked so hard to put her work out there for others to enjoy had passed before she had time to get her book out to the world. I know if she had lived, she would’ve had many books out by now.

My own journey has taken several more years. I didn’t take my own advice very well until I reached a certain age and thought, “I’ve got to get these books out there!”  If I could leave you with anything, it’s that there is no time like the present. If you want to write, you have to start. You have to make it a priority. Because no one knows how long they may have.

And one of the great things about writing is that there is no mandatory retirement age. You can write as long as you want. You can write one very long book—think War and Peace or Gone with the Wind—or many shorter books. But you won’t have any written if you don’t start writing now.

Go! Why are you still here reading this? Go work on your book!

The Anthology Advantage

            As a freelance journalist, writing to deadline is as natural as breathing. When editors assign a story, they provide three essential pieces of information: topic, word count, and delivery date. Miss your deadline and kiss the possibility of a second assignment goodbye.

            This is not about editors flexing their weight. It’s about the reality of publishing. In the days before online everything, a story that didn’t arrive on time meant publications had a gaping hole in their magazine or newspaper. Gaping holes are filled when editors rush around like mad, cursing the name of the writer who missed their deadline.

            When I started to do more fiction writing than reporting, I found deadlines are often self-imposed. I will finish my first chapter by the end of the week. I will write a thousand words of my short story every day for four days. I will edit the story by Monday. I also found self-imposed deadlines are often more wishful thinking than etched in stone.

I missed the rigor of deadlines I didn’t dream up. Then I discovered anthologies. Genre writing is rife with anthologies – and anthologies have deadlines. They also often have themes, the journalistic equivalent of topic. The path ahead is paved for you. Here’s what we’d like you to write about. Here’s when you have to get it to us.

I wrote my first mystery short story, “Swan Song,” in 2021 in response to a call from the Crime Writers of Canada. To celebrate its fortieth anniversary, the national association planned to publish an anthology, Cold Canadian Crime. There was a theme (“cold” in the broadest sense of the word). There was a deadline. Count me in.

Since then, I have written fourteen more short stories. Most of them have been published, mostly in anthologies. A few have been reprinted in anthologies. At least one has been reprinted in several anthologies.

One of my recent anthology short stories is called “Maladaptive Anonymous.” In the story, the main character calls this group, somewhat disparagingly, Daydreamers Anonymous. The anthology, which will be out June 18th, is entitled: Midnight Schemers & Daydream Believers. Just as editors expect you to meet your deadline (or miss out on the opportunity), they also expect you to stick to the topic. You have lots of room to play, but the boundaries are there.

While every anthology editor has their own process, the process is usually rigorous. And appreciated. Judy Penz Sheluk, who edited Midnight Schemers, had three rounds of readers and after the first and third round we were provided with feedback – and helpful suggestions for improvements. There were also at least three rounds of proofreading. At some point, you think this is overkill until in the final proof you discover your main character has titled their head. In the published version, their head is now tilted.

 As a short story writer, anthologies bring me back to familiar ground. I am given three essential pieces of information: topic, word count, and delivery date. This helps me to focus on a theme – and to go to wonderful and wacky places with plots I might otherwise not uncover and characters I might otherwise not create. And I go there by deadline.