My Mentor

Reading Susan Oleksiw’s post about writing mentors made me know I had to write about mine–Willma Gore.

I met Willma when I moved to Springville and joined a Porterville writing group. (I’ve belonged to this same group since 1981 though the members have changed through the years.) Willma had many articles published in West Ways magazine, Guideposts, farm journals and many other publications.

During our critique group meetings , she pointed out many ways for each of us not so well-published writers to make what we were working on better. New people joined the group, others dropped out, but Willma and I remained. I learned so much from her such as how to better handle point-of-view, making the setting real, creating believable characters, dialogue that moved the plot along and revealed character, using sounds, smells, taste, touch as well as what things and people looked like, and so much more.

We became good friends and traveling companions as we attended various writing conferences. She eventually moved to the coast where I visited her when I attended various conferences there. Time passed, we both grew older, and she once again moved, this time to be near a son in Sedona Arizona. I was able to visit her several times and sat in on a couple of her regular writing classes where she was continuing to teach writing skills to other aspiring authors.

Willma is now in her late nineties and living in an assisted living facility, where she still holds weekly writing classes. We still keep in touch via email and she’s one of my biggest fans, always reading my latest book.

I owe so much to Willma, not only for what she taught me, but also for a wonderful and long friendship.

Marilyn

Writers and Our Mentors

Over the last few weeks I’ve come across more than one article on writers and their influences. Every writer has one person we consider a mentor whether we acknowledge them as such or not. We usually think about mentors as the person who stands over us, and guides us in negotiating the world as it appears to a beginner. But in writing, the influence is both more subtle and more complicated.

James Crumley, like many others, thinks of Raymond Chandler as his lamp on the highway of narration, and William Zinsser thinks of E. B. White and his light tone before he begins work. R. V. Raman grew up reading Agatha Christie, Sherlock Holmes, and other writers of the Golden Age, which spurred his longing to write a traditional mystery set in India. Dorothea Brande talks about influences in more specific terms.

After warning the writer against imitating others in Becoming a Writer, she suggests the beginner analyze her work for its weaknesses and then seek out those who have the skills she lacks. If your dialogue is wooden or uninteresting, pick up a book by a writer known for riveting, revealing dialogue, and discover that no two people speak exactly alike. The distinction is more than the occasional vocabulary item, and a good dialogue will challenge the reader. I thought about her advice when I began working on Below the Tree Line: A Pioneer Mystery, which is set in a rural area quite different from where I live though I know it fairly well. My love of the traditional mystery, by writers such as Christie, Ngaio Marsh, and others, should be obvious. But others also played a role.

Although many writers spend time setting a scene in the mountains or along the ocean, few use it as a character as well as a now-forgotten English writer, P.M. Hubbard. Published in the 1960s and 1970s, he often set his stories in a natural world of both beauty and danger. His final scenes of The Quiet River have stayed with me over the years, a reminder of how powerful nature can be not only in shaping a story by challenging characters but also by undermining their civilized veneer, and washing away illusions of control and safety.

No story or novel is written today without influence from other fiction even if the story line is based on a true story. When I think of The Scarlet Letter, I wonder if Hawthorne was thinking of Edgar Allan Poe, whose crime tales and other work he admired. This classic novel reads to me as an early crime novel, with Chillingworth, the outraged husband, appearing as a secret sleuth out for revenge. He investigates, zeroes in on a suspicious situation, and moves closer to a suspect, driving this man further into despair. I’m not the first one to have entertained this idea. I just like the sense of writers working in conversation with others, learning from each other and engaging in a dialogue with our predecessors in our narratives.

The Art of Watching and Listening

Early on, two things shaped me and, I suspect, destined me to write. One was my birth, and the second the mumps.

Where I learned to watch!

Watching and remembering. So—birth. It was a dark, stormy day from all accounts—lightning everywhere on the Illinois plain. I was breach and blue. The doctors told my parents to watch my early development, concerned about brain damage. For sixteen months, I proceeded to scare my parents witless. Until one day, bored and thirsty, I stood up, walked into the kitchen, and asked for a drink of water, as in spoke in a sentence—all firsts. My mother dropped the glass in her hand. I watched it fall and shatter.

I had sixteen whole months to loll around and observe. Sixteen months to make sure when I stood, I was ready to speak up for myself. Yes, I sat wherever I was set. But I had fun, kept my own counsel, didn’t look stupid crawling around on the floor making silly slurpy, meaningless sounds. As a result, my memories begin well before my first birthday. When I was six months old, I watched my sister run away from home, her belongings strapped to the back of her tricycle. Frankly, I was glad to see her go. She teased me—a lot.

Since then, I have never stopped studying people, animals, trees, the sky, and….

Listening and hearing. The mumps. I lost the hearing in one ear. It never bothered me. I think because I was so young. It’s a U-shaped loss, so I can hear dog-whistles and stealthy sounds in that ear, just not anything anyone says. It’s handy when you’re in a house full of snorers. Trust me.

Hearing in a crowded room is easy for other people because they don’t have to sift a voice from the background jabber. They can look around the room, check to see if any other conversations are as lively. But they may miss the raised eyebrows, pursed lips, quick smiles, or rolled eyes that are the reveal. To hear, I cock my good ear towards the speaker and lean into a conversation. I listen to cadence, tone, emotion, hesitations. Sound is precious to me.

Employing them. So, the ability to sit quietly, listen, and watch undistracted has to be an asset for a writer. At least, I keep telling myself that. For instance, I’m sure we’ve all imagined something sinister afloat while relaxing at a favorite place. If not, I highly recommend it.

You’re at the beach. A man scrunching through the squeaky sand catches your eye. He is rushing toward a flight of stairs, his pant legs flapping against his shins, his hair ruffling in the onshore breeze. Overhead, clouds bunch, dark in their bellies, readying to rain. Water thunders against rocks, spuming into the air. A kestrel screeches as it rides the thermals. Its beady-eyes locked on the rocks below. Floating in kelp, an otter wonders—just wonders, like they do, and watches a body rocking, cradled in a tidal pool.

You’re in the mountains.My book Saving Calypso takes place in the High Sierra, a place I adore:

A redwood, a hundred and fifty feet of emotion, tossed its head. A hawk flew. A rabbit beat-feet across the pasture toward the newly turned dirt for this year’s vegetable garden. A shadow cruised at the edge of the timber then cut across the open field. Rafe Bolt slapped a brace of rabbits on the porch boards at Jessie’s feet. She put her hands behind her head and sighed at life’s perfection.

Words as motion, sound, feeling, life

Next time something unusual catches your eye, stop, watch, and listen as though you’re half-deaf and were a bit slow to stand, walk, and talk. It will be time well spent.

October by Karen Shughart

The leaves have turned, some fallen, and walking through the village our feet trample upon a carpet of brilliant colors. Stacks of pumpkins: pale green, yellow, orange, and white, are artfully arranged on steps leading up to front porches or peek out among decaying flowers. Wreaths rimmed with leaves of every shape and color, small green and white gourds, slender wheat stalks and delicate twigs adorn doorways, some homemade; others purchased at local craft shows.    Artfully placed wicker or galvanized metal baskets filled with pinecones are redolent with cinnamon and cloves.

On a cool morning, just after the rising of the sun, small herds of deer congregate in yards, nibbling away at their morning libations, white-tipped tails pointed straight up, in case of danger. But in our village there’s no need to fret;  instead early walkers pull out cell-phone cameras to capture the moment and the deer, with their soulful eyes alert, continue their task once they realize they are safe.

A block away our neighbors turn their yard into a ghoulish graveyard with tombstones covered in spidery cobwebs indicating those who are buried there:  Barry DaLive; Emma Goner; Ima Rotten, Ben Better, Anita Moore-Tishan, Berry D. Hatchet. Here and there, skeletons sway from the ghoulish branches of trees, some with limbs now barren, and you’ll see hay bales made to look like Minions, courtesy of the Neighborhood Association.

The screech owls, quiet during most of the summer and through September, now make their presence known. Their eerie sounds, terrifying at best, can be heard after most have of us have gone to bed, reminding us that something, soon, will be afoot. It’s called Halloween.

Halloween, here in our village on the south shore of Lake Ontario, when the nights are cold and an occasional early snowfall adds to the mood, is really a season. You can feel and see its presence starting not too long after Labor Day. Everyone is excited about Halloween: the children, most of all, and their parents who help them with their costumes, but also adults whose children have grown. There used to be house parties, and parties at restaurants and pubs, a time to let loose, enjoy the season, some folks in costume; others, not. This year will be different.

Here the celebration of Halloween is a throwback to earlier and safer times. Parents accompany the younger ones, who knock on our door yelling “trick or treat”, then reach out with their plastic pumpkins, open at the top, for the treats. It’s safe enough for the older ones to travel by themselves in groups. In our village, we all look after them. Well-trained in niceties, they remember to say “thank-you”, tiny ones urged on by their elders lest they forget. People in this village understand the concept of gratitude.

October is a time of transition. With its deep brilliancy it reminds us that slowly creeping stealthily in behind it is winter, a time of white silence and shadows.

Guest Author – Jacqueline Seewald

I’ve been asked how I came up with the main character in my mystery series.  I originally got my inspiration to write a mystery novel with an academic librarian as amateur sleuth during the time of my library studies at Rutgers University. Completing my MLS degree, I was required to attend symposiums. One speaker was a Princeton University librarian who spoke on the subject of inferno collections. His lecture was so fascinating and vivid that I was inspired to do further research. I became convinced the concept of inferno collections would be an excellent frame for a mystery novel and that no one else had written anything similar. (Briefly, inferno collections are banned books considered inappropriate for general public display and reading. Often these were books deemed salacious and kept separate or hidden in libraries under lock and key).

My novel THE INFERNO COLLECTION was the first in the Kim Reynolds series.

It was published in hardcover by Five Star/Gale, who published two more of the novels in the days when they did mystery fiction. All three of the books received fine reviews. They were also picked up by Harlequin Worldwide Mystery for paperback editions and distribution.

Kim Reynolds isn’t me. She’s a creation of my imagination, as are the other characters in the series. There are now five mystery novels with Kim as the main protagonist. The fifth novel, BLOOD FAMILY, was recently released by Encircle and has also garnered excellent reviews.

Blood Family

A Kim Reynolds Mystery

Blood Family is Jacqueline Seewald’s fifth Kim Reynolds Mystery. Kim, an academic  librarian, is intent on finding her biological father. Unfortunately after locating him, James Shaw dies unexpectedly. It is up to Kim to connect with the family she has never known. In doing so, she discovers a half-sister who is in need of her emotional support. Kim is concerned that Claire Shaw is being exploited and wants to help her. Kim also learns that Claire’s stepmother died under mysterious circumstances and her stepbrother disappeared. When Kim becomes involved, her life is placed in danger. Kim’s fiancé, Lieutenant Mike Gardner, Wilson Township homicide detective, investigates along with Sergeant Bert St. Croix.

Amzon but link: https://www.amazon.com/dp/1645990435

Encircled buy link: http://encirclepub.com/product/bloodfamily/

Multiple award-winning author, Jacqueline Seewald, has taught creative, expository and technical writing at Rutgers University as well as high school English. She also worked as both an academic librarian and an educational media specialist. Twenty of her books of fiction have been published to critical praise including books for adults, teens and children. Her most recent mystery novels are DEATH PROMISE and BLOOD FAMILY. Her short stories, poems, essays, reviews and articles have appeared in hundreds of diverse publications and numerous anthologies such as: THE WRITER, L.A. TIMES, READER’S DIGEST, PEDESTAL, SHERLOCK HOLMES MYSTERY MAGAZINE, OVER MY DEAD BODY!, GUMSHOE REVIEW, LIBRARY JOURNAL, PUBLISHERS WEEKLY and THE CHRISTIAN SCIENCE MONITOR. She enjoys painting landscapes and singing along to all kinds of music. Her writer’s blog can be found at: http://jacquelineseewald.blogspot.com