Just Checking – Grammar Checkers

I am a famous comma masher. Once I’m in the groove, I tend to put commas where my head stops and let my gerunds run wild like mustangs on the plains, resulting in images like one my mother once blurted out: I saw an eagle driving down the road. I teased her mercilessly for years, not anymore. My challenge is ensuring commas are where they need to be and not where they’re not. So, I use Microsoft Editor and/or Grammarly to keep me on the straight and narrow (or arrow, as a friend believed, an image unto itself).

For fun, I ran two draft paragraphs through Grammarly and Microsoft Editor. One thing is clear; they rely on different stylebooks with commas and semi-colons coming and going between them.

ME vs. GRAMMAR CHECKERS – The apps’ suggestions are in parenthesis after my text; Grammarly (G), Editor(E),both(GE).

“You,” Cora called, “Despite the signs set out earlier, our water is for the boarders (borders GE) here. It is not public. And we have sick in this house (, G) so I cannot attest to the water’s cleanliness.”

One man backed; the others stood their ground. “Can’t be both, (; G) either its good water for your boarders (borders G) or it’s bad,” one of the two said.

And another . . .

A skinny body in faded tweed pants ran up the street (, G) calling her name. Cora waited until Tommy Newsom reached her, flushed from his run, his plain face sweating under a ragged straw hat, dust (, E) and dirt billowing behind him.

“Miss Countryman, please,” he pulled on the sleeve of her dress. “Please, I just come from the undertaker’s, ma’am. Two men brung (brought GE) Mr. Kanady in there, (; G) now he’s layin’ all white like the rest of them (the GE) dead bodies. He don’t (doesn’t GE) belong in (delete in, G) there, not with them. He’d rise if he could. No matter if’n he was dead or not.”

COMMENTS and OBSERVATIONS

My observation is that in its drive to be the go-to grammar app for business, Grammarly has become a swampy bog for storytellers. I miss the early versions of Grammarly when you could check grammar, spelling, or punctuation one at a time. Not anymore, now it gloms onto your file and drills through your text relentlessly totaling up the error count while reconstructing sentences, seeking improvements such as the house’s door instead of the door to the house. There is, in my head, a place for both. But then, it is my head, which may or may not be a safe or sane place.

It used to be easy to add a word to Grammarly’s dictionary. It isn’t now or I just can’t figure it out.. So, Grammarly endlessly corrects perfectly correct words (boarders) and colloquialisms every blooming time they appear. Unlike Microsoft Editor which learns boarders is a word after the first correction, much appreciated since one of my main characters runs a boarding house with boarders.

And, charmingly, Grammarly offers irrelevant word options such as president, chairperson, or head as an alternative for a chair (he sat on the president) to freshen up your text. Or, as it did two paragraphs above, suggests the text read: the house’s door instead of the entrance to the house. Microsoft Editor does no such thing. But is Editor as good as Grammarly at catching what needs caught? Know this — Editor is not as intrusive or overwhelming. Grammarly will happily inform you that you have 2,400 errors in 80,000-words when most are repetitive or irrelevant, as above. My immediate response is the desire to slit my wrists followed by the resolve to drill down through the text — days— to find the nuggets which, in all fairness, are there.

GRAMMARLY or EDITOR

I leave it up to you to decide which is best or whether you even want to bother with either. As for me, I reckon until the next best thing comes along, a quick run through Editor or a slog through Grammarly is better than ending up with an eagle driving down the road.

Switching Horses Mid-Stream by Karen Shughart

The process of writing a novel takes a long time. First, there’s coming up with the idea for the plot, but from creation to completion there are lots of other steps along the way. Some authors set strict parameters, develop an outline, keep a set of note cards and pretty much stick to the plan. When I write, my mind never shuts off while I envision multiple possibilities. At times it drives me and my loved ones crazy, but as a result, I am able to shape what I hope will be a better story.  

I thought I’d be finished by now with writing book three in the Edmund DeCleryk Cozy mysteries series, Murder at Freedom Hill. It’s taking longer than expected because I’ve switched horses mid-stream. There’s a murder, for sure, but I’ve added a subplot that’s loosely related to that crime.

Photo by Karen Shughart

As with the other two books in the series, I created a backstory based on the history in the village where I live. For book one it was post-Revolutionary War; book two, The War of 1812; and for book three, it’s the abolitionist movement and Underground Railroad. Thus, the reason for the title of this blog – the phrase was conceived by Abraham Lincoln in a speech he gave in 1864 to members of the National Union League.  It fit.

But I digress. As the result of adding a subplot, I made other changes, too. In book one, a manuscript dated 1745 provides clues to why the victim was killed, in book two it was a series of letters written between 1814 and 1817 by the wife of a soldier. In this book I had first planned to insert newspaper clippings from the mid-1850s that were discovered at the local library. Just this past week I turned those into excerpts from a research project the victim was working on. As I thought about it, it just made more sense to do it that way because I changed the secondary plot from one that was probably a bit too political for a Cozy mystery to one that’s not.

Politics in Cozies, while permitted, aren’t necessarily encouraged, and I understand why.  When people read the genre, they want to be entertained, and they want to escape. Characters in Cozies are part of a tightly knit community, and the evil that lurks is usually not something you’d read about in the news today.  We get enough of that  every time we turn on our TVs, computers and our phones, and read newspapers and magazines.

For weeks I was losing sleep over this book trying to figure out what it was about it caused discomfort. Once I figured it out, I started rewriting, and I’m sleeping better now.  Yes, the process of writing takes a long time, but to paraphrase another sentence from a speech Abe Lincoln gave, this time on July 4, 1861, “Let us renew our trust… and go forward without fear.” Just so you know, July 4 is also part of the plot.

Guest Blogger ~ Nancy Raven Smith

Which Comes First – The Protagonist or The Situation?

Every author arrives at the protagonists for their books from a different direction.

When I decided to write my Land Sharks series I knew I wanted to write cozy mysteries about fraud, scams, and white collar crime A land shark is a nickname for a scammer, con man, or fraudster targeting people to steal money and other valuables.

The hardest part of planning the series became choosing the employment of the protagonist. They had to deal with frauds regularly or I wouldn’t have a series. That meant it couldn’t be a normal person because, even though the numbers are high for the victims of those crimes, a series couldn’t be based on one person being constantly the victim without them appearing unintelligent. I already knew my protagonist needed to be fairly smart.

Naturally, I thought of the police. A policeman/woman might sound logical, but it actually isn’t. I found that out the hard way when my checking account was crashed with bogus checks. I had to insist to get my local police department to file a report. The same is true for victims of identity theft and credit card fraud. It turns out that police departments rightfully give priority to ‘crimes against persons,’ not ‘crimes against property.’ They simply don’t have the time or budget to do anything else. So a protagonist who was a policeman/woman was out.

The next stop to get my checking account straightened out was the bank. I met with the manager. I brought the right proof to get the stolen money returned to my account. As I left the bank, the manager made a comment that “I might be contacted by their fraud department.” I didn’t think anything of it at the time.

I continued to consider and discard several other possible employments for my protagonist such as stock broker and Interpol. But then the bank manager’s words came back to me. The bank had a fraud department. Who deals with more financial fraud on a daily basis than a bank? An employee in an international bank’s fraud department was perfect for my new protagonist.

With my protagonist’s employment settled, I moved on to other character choices. This is always a fun part for me. Here are some of my final decisions. I wanted a woman. Although my first choice was to make her black, I had to discard that because, as a white woman, I didn’t have the personal experience to write from another race’s POV. So my character became white from necessity. I named her Alexis ‘Lexi’ Winslow. She became a diplomat’s daughter, which allowed a natural affinity for travel, languages, and unusual situations. I put her in her mid thirties, so physicality wouldn’t be a problem.

 I also decided she’d be a rising star in international banking fraud, until one con man left her with a broken heart and a destroyed reputation. As book one, A Swindle in Sumatra, opens, she’s been fired from the big New York bank she’s been with because of the situation with the con man, and is employed at a small, privately owned bank in Beverly Hills where the other employees are suspicious of her.

As a reader/writer, I’d love to hear how other writers have developed their protagonists. And which came first – their protagonist or the situation.

BUSHWHACKED IN THE OUTBACK 

“If you can’t follow the money, follow the body.”

Lexi loves her job as a Beverly Hills bank fraud investigator. It lets her pursue scam artists and con men – known in the business as land sharks.

Sadly, one crook left her with a broken heart and a destroyed reputation. And the bank’s president is looking for any excuse to fire her.

Yet she risks everything when she follows a dead embezzler’s casket to Coober Pedy in the Australian outback. She knows it’s a gamble, but it’s her last hope to recover the bank’s stolen money. Unfortunately, she’s persona non grata in that country. She needs to get in, find the money, and get out before the Australian police discover her presence. But will the unexpected appearance of an ex-lover make her linger too long?

If you like cozy mysteries in exotic locations with deadly secrets and touches of humor, then you’ll enjoy the multi award winning Land Sharks Cozy Mystery series.

Available on Amazon.com at https://www.amazon.com/dp/B0794M2Q3M/

Nancy Raven Smith grew up in Virginia, where she ran and participated in horse sport events. On their farm, she rescued horses, dogs, and cats and is an advocate for animal rescue. Later in California, she traded her event experience for film work. Her screenplays and novels have won numerous major awards. Her first mystery, A Swindle in Sumatra was chosen as an Amazon Kindle Scout Program Selection. She is a member of Sisters in Crime, Women in Film, and Mystery Writers of America.

When not writing, Raven Smith enjoys her family and friends, reading, travel, art, movies, and white water rafting.

Visit her at:

Http://NancyRavenSmith.com

Http://Facebook.com/NancyRavenSmith.com

Http://TheReluctantFarmerOfWhimseyHill.com

Unplanned Adventures

Most of my favorite experiences in life have been unplanned adventures. There’s nothing I appreciate more than a good surprise, and they make great fodder for writing, too. Here’s one of my favorite unplanned adventures that I will never forget.

When I was a teenager in Oklahoma, I had a horse, and so did many of my friends. I’d worked hard and saved all my money for years and carefully planned on how I would buy and board my horse in a nearby pasture, and as a teenager, I finally accomplished my dream to have a horse. My mother always thought riding was a reckless activity, and she told me that if I hurt myself, I couldn’t complain to her.

One day I was a guest at another girl’s horse farm, and we decided to go on a trail ride. I was given a big white gelding to ride, and we set off, with me in third place behind my two friends. Near the beginning of the trail, our horses needed to jump a log that lay across the path. It wasn’t more than a foot thick, so no problem. But after my horse leapt over it, he started acting wild, wanting to get off the trail, and as I held him back, he reared. “Hey,” I yelped at the owner, “What’s wrong with this horse?”

When she glanced back, she said in a casual tone, “Oh. I forgot. That’s the beginning of the jump course, and he’s trained to finish every time he starts. So please, just let him go and ride him around the course.”

This is definitely NOT me

Uh. Two problems with that. 1) I’d never ridden a jumper, and 2) I was riding in a western saddle, which is definitely not designed for leaning forward against the horse’s neck, which is needed on jumps, especially high ones. But I figured, what the heck, this horse clearly knows what to do.

And he definitely did. He cantered into an arena that was close by, and we soared over the first few relatively small jumps. I was only hanging on; the horse was the expert. Then we approached the final pole jump, which was about five feet tall, my own height. Yikes. I will always remember thinking that it would be a miracle if I ended up in the saddle on the other side. The horse rose up beneath me, launching himself in a nearly vertical position, and I did my best to lean forward over the saddle horn. Then he came down on the other side in just as vertical a position, but forelegs first, of course, and I tried to sit back.

When we first touched down, I whacked my little finger on the saddle horn, and I’m pretty sure I broke it. But I remained in my saddle, and the pain was nothing compared to the thrill of riding that horse. After the ride, the owner showed me a whole gallery of photos of that horse in action; he was a champion jumper. I splinted my little finger at home and said nothing to my mom. But I smiled for days.

Now, when the weather is damp, my little finger is often very stiff, but that reminds me of the day I accidentally rode a champion jumping horse.

My “Little Gray Cells” Are Getting Full

As Hercule Poirot, one of Agatha Christie’s prominent characters, was often to say, his “little grey cells” were working. I have been feeling of late that my “little gray cells” or brain is getting too full to handle much more. LOL

Between the research I’ve been doing for the latest Gabriel Hawke book I’m writing, which is set in the winter in the mountains, to the research for Dela Alvaro, a lower limb amputee, I feel like I finish one book on a subject, only to pick up another book and read about something else I need to know for the book I’m writing or plotting.

While I sound like I’m complaining, it is the research I love the most about writing a book. Well… maybe that’s a second to coming up with an interesting or unique way to kill someone. They are close in what I enjoy most about writing a murder mystery.

I have been using Tom Brown’s Field Guide to Nature Observation and Tracking, The Outdoor Survival Book, Hiking Oregon’s Eagle Cap Wilderness, Field Guide to Tracking Animals in Snow, and the Oregon Gazetteer, not to mention Google Maps and numerous sites I’ve pulled up on the internet to answer questions. These are all for Owl’s Silent Strike, book 9 in the Gabriel Hawke series.

My character has to take care of a broken leg on his significant other in three feet of snow. Care for another person’s frostbite on their feet and keep all three of them away from men with AR rifles that Hawke believes are after the man he found wandering on the mountain. So you can imagine I had to also research caring for a compound fracture and frostbite.

I also was lucky enough when I started this series to make friends with an aviator who is always willing to help me with aircraft questions as Hawke’s significant other is a pilot. He helped me figure out why she wouldn’t be able to fly the helicopter, they came after, off the mountain.

There are some books, like this one, that I feel like I put in twice as much time with the research as I do actually writing the book. I hope all of this effort pays off in the incidents sounding plausible and realistic.

I have also been filling my head with as much information as I can about a lower limb amputee for my character, Dela Alvaro, in my Spotted Pony Casino Mysteries. I found a book the other day titled AMPossible. It’s written by a lower limb amputee who also counsels other amputees. It has all the nuts-and-bolts information about how a person feels after the amputation, from emotions to physical and what to expect. It has been very helpful for knowing how to portray my character.

All of this and the research I will continue to do for each book as it comes along is why my “little gray cells” are getting full. It’s no wonder I forget the little things. Where’s my phone? What did I do with that letter? What was I supposed to do when I finished writing?