Guest Blogger ~ Charlene Bell Dietz

~ patyjag ~ 5 Comments

WHY MYSTERIES CAPTIVATE

by

Charlene Bell Dietz

We’re all drawn to what we don’t understand. It must be a primeval survival instinct. We have our daily world, which mostly consists of routine habits and familiar surroundings. But when something quirky intrudes, we find ourselves on high-alert mode. Like at night, when our usual surroundings fade into shadow, and we hear a strange noise, we stop to listen. The appeal of experiencing what’s unknown in the safety of our own cozy world creates our great demand and interest for the mystery novel.

Many authors preach “write what you know” to wanna-be writers. To me this doesn’t make sense. What motivates us to solve problems and engage in dreams comes from our not knowing. Writers are readers, and reader’s read to experience something new and maybe learn. As authors, we need to write what we don’t know.

If you don’t know something how can you write about it?

Maybe you’ve dreamed of being a double agent. Possibly you’ve longed to experience what it would be like to be in a Witness Protection Program. Perhaps you’ve wondered how it would feel to have the hot breath of a serial killer on your neck just before your heavy wrench smashes his face into the dirt. Only human beings can enjoy danger safely, living vicariously, through the words spoken or written by others. No other animal on our planet has this luxury.

My first novel, The Flapper, the Scientist, and the Saboteur, Kirkus Reviews (starred review) started with scant knowledge about an estranged aunt who was an ex-flapper. Inspiration for this novel came to me because her story felt too important to ignore. My ancient aunt had slammed into my busy life, vying for attention with my demanding career. This redoubtable, chain-smoking, rum-drinking woman made a game of criticizing me, turning the air blue with smoke and cuss words, and enchanting my husband.

I’d come home exhausted from my job of problem solving as an administrator in a heavy-handed bureaucracy of educators and also from my layman position, working with a veterinarian to evaluate research protocols at the Lovelace Respiratory Medical Research Laboratory. Every evening, I’d find this tipsy woman telling outrageous tales of her Roaring-Twenties life as a flapper in dangerous 1923 Chicago. She never revealed much about her own antics, except on occasion she’d toss out tidbits of her wild life like delicious appetizers.

Too good not to be told:

What if I combined this ancient flapper’s ramblings and fabrications with today’s devastating corporate espionage problems, using what I did know about biomedical research labs? Then this would be much more than just another Roaring-Twenties flapper story. Even though I’d fashioned an unusual combination, I thought it might be quite an intriguing mix. However, I knew nothing about the 1920s and even less about corporate spying.

Playing around with my knowledge of bits and pieces, tiny kernels of ideas developed into miniature tales. I shuffled them together using fictional characters, places, events, and conflicts. For my strange story to be engaging, each character would have to be connected with the others characters through powerful motivations. This meant even my secondary characters must be three dimensional. I had huge holes in my knowledge. I needed to know more.

Use what you know to figure out what you don’t know:

After untold hours of researching, I made likely guesses to fill in as many empty spaces as possible. I buried myself under a search and find mode. I had started out knowing only the Hollywood version of a flapper’s life along with scraps of information my aunt had given. This wouldn’t do, and I knew nothing about corporate espionage, but spies have always intrigued me. The more I learned the more fun I found in bringing my Flapper, Scientist, and Saboteur to life.

Writing the unknown:

I believe your story deserves to be startling and robust. I always research more than I can possibly use. Then I select only what’s rich and on target. For fun, I throw in some quirky stuff. Here’s the best part: I put all of the above together, mix with my wildest imagination, edit, delete, select the most powerful verbs, revise, revise, revise, then polish my story—with joy.

My award winning stories happen because I dare to write what I don’t know. How does your imagination help you write what you don’t know?

The Flapper, the Scientist, and the Saboteur intertwines a corporate espionage mystery with a generational battle-of-wills story between a dedicated professional intent on fighting chaos to restore order and a free-spirited aunt who needs her niece to live in the moment.

Beth Armstrong, a Denver biomedical scientist, wrestles with the impossible choice of saving her sabotaged, groundbreaking cure for multiple sclerosis or honoring an obligation to care for her cantankerous old aunt. Playing nursemaid ranks just a notch above catching the plague on Beth’s scale, yet her ex-flapper aunt would prefer catching anything deadly to losing her independence under the hands of her obsessive-compulsive niece. 

While a murderous culprit runs loose in the science institute, Beth finds her whole life out of balance. Unpredictable nefarious activities at the institute–which is rife with suspects–cause Beth to wonder if she can trust anyone, while at home her chain-smoking aunt entertains Beth’s neglected husband with nightly cocktails and raucous stories from the Roaring Twenties. The Flapper, the Scientist, and the Saboteur creates a compelling mystery intertwined with a generational battle-of-wills story between a dedicated professional intent on fighting chaos and restoring order, and a free-spirited aunt who insists her niece listen to her heart and learn to live in the moment.

Buy Links:

https://www.barnesandnoble.com/s/charlene%20bell%20dietz/_/N-8q8
https://www.amazon.com/Flapper-Scientist-Saboteur-Charlene-Dietz-ebook/dp/B01HFKL3DA
https://treasurehousebooks.net/product-tag/charlene-bell-dietz/
https://www.audible.com/pd/The-Spinster-the-Rebel-and-the-Governor-
Audiobook/B0BPDCJK4B

Charlene Bell Dietz, raised in the Rocky Mountains of Colorado, now lives in the central mountains of New Mexico. She taught kindergarten through high school, served as a school administrator, and an adjunct instructor for the College of Santa Fe. After retirement she traveled the United States providing instruction for school staff and administrators. Her writing includes published articles, children’s stories, short stories and mystery and historical novels, winning awards from NM/AZ Book Awards, Writers Digest, Public Safety Writers, and International Book Awards, along with earning two of the coveted Kirkus Reviews (starred review) and having two books named to Kirkus Reviews Best Books of 2018.

Connect with Charlene:

chardietzpen@gmail.com

https://www.facebook.com/charlene.dietz.9/

http://inkydancestudios.com

Can I Write a Crossover Novel?

~ Pamela Beason ~ 2 Comments

I’m not a bestselling author, but I still have loyal fans who write to me, especially readers for my Sam Westin Wilderness Mysteries, which currently includes six books, and my Neema the Gorilla Mysteries, which has three. The number one reason fans send me email is to ask when the next book in the series will be out. This question makes me simultaneously cheer and groan. While readers excitedly report that it took them only two or three days to finish the book, I remember that it took me ten or twelve months to write and publish it.

So, I recently had the bright idea to solve this dilemma by writing a crossover novel, in which the characters (or at least the main ones) will appear in the same novel. Bright idea? The problem is that these two series are very different. The Sam Westin mysteries always involve wild animals in wild places, so there’s a lot of hiking and descriptions of rugged areas. The Neema series involves captive gorillas that are learning American sign language, and a beleaguered small-town police detective who gets drawn into vague mysteries when the gorillas observe something frightening and give him cryptic clues, such as snake arm and tree candy. (Poor man, trying to interpret gorilla signs that could be vital clues about a crime or hints about what Neema wants for lunch.)

How the heck am I going to get these two series to mingle? What the heck could these characters ever have in common? In the Sam Westin series, I’ve already focused on cougars, bears, sharks, and wolverines, so I decided to include wolves in her next adventure. How could captive gorillas and wild wolves ever mix? And the answer is: of course they don’t! And they won’t in this next novel, either.

Although my books include a lot of animals (obviously), the crimes are always committed by humans. So I need a human thread—something mysterious, of course—to bring the gorilla world and the wildlife world together. I mulled this challenge over for a while on my break for the last five months. (Some would say this was actually my prolonged period of procrastination, which I have perfected over the most recent years.) While I was in Vietnam last November, I met a fascinating woman who works for the Red Cross locating refugees and their relatives in the United States and elsewhere. I asked her a million questions about immigrants (both legal and illegal) and refugees, which are a legally designated and protected category of migrants here.

Migrants who come to the U.S. are often seeking to join relatives who are already here, and sometimes groups of migrants get broken up, either by the need to travel separately or by one person successfully entering the country while another can’t.

So I plan to have one undocumented immigrant mysteriously killed in the vicinity of the gorillas, leaving behind a toddler who cannot speak English. (Sorry, but this is a mystery and we all know some tragedy is called for.) Poor Detective Finn gets to figure out what happened to mom and who the heck this abandoned child is and how she connected with the gorillas.

Meanwhile, Sam Westin is going to backpack into North Cascades National Park in hopes of finding wolves that have been reported there, only to discover an injured foreigner and an injured horse lost in the wilderness. And then someone will try to kill them all before they can reach civilization.

Okay, there are so many questions left. Who the heck is the foreigner lost in the wilderness, and why is a horse wandering in the woods? And most urgent of all, who is shooting when Sam is trying to rescue the unfortunate man and beast? And what is the possible connection between the abandoned toddler and the illegal migrant Sam has encountered?

I’m not going to tell you all that (okay, so far I only have vague ideas about those challenges), and I can’t even tell you the title for my new novel, because the Neema series books always have “The Only” in the title, and the Sam Westin books are usually one word (Endangered, Bear Bait, Undercurrents, Backcountry, Borderland, Cascade). So what title can I use that will make sense? And how will I advertise this crossover novel?

Only time will tell whether writing a crossover novel will please the readers of one series and introduce them to the other (thereby saving me a year of writing another book), or whether I’ll be the next victim running through the woods, trying to escape angry fans.

Hitting the Road to Write a Book

~ patyjag ~ 2 Comments

I’m heading on a road trip Wednesday to check out some locations I’ve written into the 4th book, The Squeeze, in the Spotted Pony Casino Mystery series. While I grew up close to the area and had quite a few trips to there, it has changed since I was a teenager.

I’m also going to the library in Pendleton to use their archives of the local paper to go through the motions my character will be doing in my book. And I need to see a restaurant and store that I use in the book. Then I’ll be headed to the Umatilla Reservation to drink in more of the atmosphere there. I plan to sit for an hour or more in the small store with a sandwich shop to watch interactions and if I’m lucky I’ll find someone to talk to about living there. After that, I’ll go to the museum and check out the books at the store in the museum to see if there are any books that I can use to learn more. And finally, I’ll sit in the casino an hour or two to soak up that atmosphere and add it to my story. I may even venture out to where I have my character’s house just to get view of it in a different season.

I’d hoped to visit with a tribal member that has been helping me with the culture of the reservation. He can’t get away to talk to me the days I could get to the Reservation.

It will be a five-hour drive from where I live to Pendleton. I’ll either spend the night at the casino if I don’t have enough time to do all I want, or if I do get my research finished and don’t have to go back, I’ll spend the night at my oldest daughter’s an hour from Pendleton and head home on Thursday.

This isn’t the first nor the last time I’ll be taking research trips for books. The 5th book in the series is set at an Indian casino on the Oregon Coast. I’m headed there in March with a friend to do research for that book.

And over the summer I took a trip with my sister-in-law for book 10 in my Gabriel Hawke series. Bear Stalker is now available in ebook and print and we are working on the audiobook.

Here is the blurb, cover, and buy link:

Book 10 in the Gabriel Hawke Series

Greed, Misdirection, and Murder

Oregon State Trooper Gabriel Hawke’s sister, Marion, is on a corporate retreat in Montana when she becomes a murder suspect. Running for her life from the real killer, she contacts Hawke for help.  

Hawke heads to Montana to find his sister and prove she isn’t a murderer. He hasn’t seen Marion in over twenty years but he knows she wouldn’t kill the man she was about to marry.

As they dig into possible embezzlement, two more murders, and find themselves trying to outsmart a wilderness-wise kidnapper, Hawke realizes his sister needs to return home and immerse herself in their heritage. Grief is a journey that must be traveled and knowing her fiancé had wanted Marion to dance again, Hawke believes their culture would help her heal.

https://books2read.com/u/mdjNzW

Guest Blogger ~ Saralyn Richard

~ patyjag ~ 5 Comments

The Origin of Detective Oliver Parrott

By Saralyn Richard

I hate to admit this, but the protagonist in my Detective Parrott Mystery Series began as an afterthought. Shameful, I know, but truthful, nonetheless. The first book in the series, MURDER IN THE ONE PERCENT, begins with an elegant party—a weekend retreat at a country mansion in Brandywine Valley, Pennsylvania, where some of America’s wealthiest and most powerful live.

I was so focused on the party—the guests, the invitation, the menu—I lost sight of the fact that the plot was barreling towards a mysterious death in the bedroom on the fourth floor. Once I had the body, and I’d carefully lined up the various suspects, I realized I needed a detective. Of course, I did. So, I fleshed out the details of the detective’s appearance, his background, his personality. Parrott was an outsider, having little in common with the people in Brandywine. He was young and African American, smart and well-organized, undaunted by the glamor or power, and able to see through the subterfuge and dissembling that was thrown at him.

I’d had students like Parrott. I knew him inside and out. I decided to name him Parrott after Agatha Christie’s detective, Hercule Poirot. (His name is pronounced like “parrot,” the bird.) Once I got further into writing the book, I realized that Parrott was the main character. With that in mind, I rewrote the first chapters of the book to shine the spotlight on him from the start.

The more scenes I wrote with Parrott in them, the more I admired and appreciated his qualities and the way he worked. I loved the way he treated others, too. I still didn’t fathom how much readers would root for him. It wasn’t until MURDER IN THE ONE PERCENT was published, and a clamoring for more Parrott books started that I even considered writing a series.

Here we are, four years and three books later. A PALETTE FOR LOVE AND MURDER was published in 2019, and CRYSTAL BLUE MURDER was just released in September. The Detective Parrott Mystery Series continues to thrive, and so does Detective Parrott, the protagonist who was actually an afterthought.

CRYSTAL BLUE MURDER

METH, MURDER, AND EXPLOSIONS OF THE HEART

In the heart of tranquil, lavish Brandywine Valley, Detective Parrott confronts a meth explosion, a dismembered corpse, and an intricate trail of deceitful secrets that shake up many lives — including his own. When celebrity hostess Claire Whitman’s renovated barn explodes into flames, Parrott delves into the privileged lives of all who are affected. Tension from Parrott’s personal life crosses over into the case, and secrets, deceptions, and crimes create an even bigger explosion. Third in the Detective Parrott Mystery Series, Crystal Blue Murder explores the complexities of life in an entitled world where many of America’s wealthiest and most powerful elite have their own definitions of right and wrong.

Buy links: https://www.amazon.com/Crystal-Blue-Murder-Detective-Parrott/dp/0989625567

Crystal Blue Murder by Saralyn Richard, Paperback | Barnes & Noble® (barnesandnoble.com)

https://books2read.com/u/4X2ae6

Saralyn Richard is the author of award-winning mysteries that pull back the curtain on people in settings as diverse as elite country manor houses and disadvantaged urban high schools. An active member of International Thriller Writers and Mystery Writers of America, Saralyn teaches creative writing and literature. Her favorite thing about being an author is connecting with readers like you. Follow Saralyn and subscribe to her monthly newsletter at http://saralynrichard.com.

Social media links:  https://twitter.com/SaralynRichard

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https://www.goodreads.com/author/show/7338961.Saralyn_Richard

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The Magic Factor

~ janispattersonmysteries ~ 9 Comments

by Janis Patterson

There are many mysteries in this world, and many – as we all know – are in the writing game, not the least of which is the Best Seller. Now a dedicated media campaign, the work of many people, a LOT of money and the backing of a prestigious publisher can create a national best seller out of an unimaginably dull and occasionally pedestrian book. On a smaller, more human scale, in the self-publishing world the same pattern will hold, though with generally less rarified results. A lot of (usually) friends, some dedicated and probably expensive PR, and determined social media presence can elevate a piece of pure dreck to more than respectable sales. Everyone knows that.

What everyone doesn’t know – and what can’t be guaranteed – is the Magic Factor.

That is the unquantifiable something which no one can guarantee, cause or even predict which strikes at random and elevates an ordinary – or even less-than ordinary – book to stellar heights.

I just experienced this phenomenon and no matter how I have tried I simply cannot analyze why it has happened.

The book in question is a romance, a perfectly ordinary romance which was written (in some haste, I might add) for inclusion into an anthology many years ago and republished under my own imprint at least half-a-dozen years ago. Since then it just sort of lay there; I didn’t publicize it other than putting an excerpt on my website (which I do for all my books). It hasn’t sold a single copy in any format in at least two or perhaps three years.

Until about a month ago.

I was surprised but happy when a copy sold – in paperback, no less. When that number jumped to six, still in paperback, I was delighted. When in the course of about three weeks about thirty paperbacks (including a smattering of ebook versions and KU reads) were sold I was astonished. When it was selling more copies than any other of my books I was totally gobsmacked.

Why? And why this book, which while reasonably well-written and originally well-received but is still not one of my best or even favorite stories?

I don’t know. I like the book, but have no idea of why this sales surge is happening. (And it is still happening, believe it or not.) Perhaps a book club discovered it and wanted a shortish, pleasant, clean read? Perhaps some college writing class wanting a good example of how to write a genre novel? Or – horrors! – perhaps how NOT to write a genre novel? I really don’t care – it’s all subjective anyway, and I get my royalties no matter what.

Perhaps the best of all, the surge of interest has sparked an interest in my other (similar) stories, though none of them have taken off like this one has.

That’s what I mean by the Magic Factor. I had nothing to do with it, and the reasons are totally unknown, at least to me. Magic!

Now if we could just figure a way to bottle it…