Category: murder mystery

Learning and Sharing

~ patyjag ~ 3 Comments

I have always been someone who likes to learn. In school even if I didn’t have homework, I would bring home a book from a subject I liked and read the parts in the book that I was most interested in. It was usually either my history book or my geography book. I loved learning about other cultures and areas of the world.

As an adult, I still am interested in those things and have used my interest in the local Native American tribes to share their customs and beliefs and to show they are still a strong people who continue to learn and keep their heritage alive.

Trips I’ve taken have ended up adding more locales and cultures into my books. I like that I can share what I learn with my readers.

In the Shandra Higheagle mysteries, my main character, Shandra Higheagle, is a potter. She uses clay from the mountain where she lives and purifies it to make a quality clay to make her vases out of. I spent an afternoon, learning about the process from an actual potter. I loved the idea of having a character who is part Native American using clay she digs up, cleans, and transforms into beautiful pieces of art. The process is talked about in a couple of the books.

Because I have Indigenous characters in my three mystery series, I try to put in bits about their culture that shows who they are and how their people came to be strong, but since I’m not Native American, I do my best to show and not tell, since it isn’t my culture. I have readers wanting more of the culture, but I only put in what I fell comfortable revealing.

I signed up to learn to make pine needle baskets from a Paiute Elder. Beverly Beers is a fun instructor. She gave us what we needed to know to start and then went around instructing each of us. I started out misinterpreting her instructions and ended up with a larger hole than it was supposed to be. She chuckled and said, “You have made your own pattern.” Which was a kind way of saying I didn’t follow the instructions. 😉

As I sat in the room with the other participants and we all were engrossed in what we were doing a peace came over me that felt good. Stitching each stitch to bind the needles together and adding each new bundle of needles was calming.

I don’t know if it was the tactile closeness to the needles and nature, or the rhythmic stitching, but it felt right and welcome.

Now I’m not saying my hands didn’t start aching from holding the needles tight to put the stitches in, but it was a good ache, if that makes sense. I knew that I was making something interesting and I thought of places I could go to get my own pine needles to try a basket on my own.

I also thought of my character in the Spotted Pony Casino mysteries. She’s a disable veteran who is head of the casino security. She has tragedy in her past and upheaval in her present. She could use a hobby that would perhaps put all her troubles to the back of her mind for short periods of time. As I sat there binding the rows of needles together, I realized this would be a good hobby for Dela. Her friend Rosie, a Umatilla tribal member, could show her how to make pine needle baskets. Dela would enjoy the process, and it would then give her an excuse to go into the Blue Mountains to look for pine needles. While there she could come across an abandoned cabin she’d visited once before and found a journal from the man she believes is her father.

It’s amazing how when your hands are busy and your mind is free your imagination can run amuck and add a secondary plot line to a story. 😉

I will not only share the art of making a pine needle basket, I’ll also move my story along and bring Dela closer to learning the truth about her father. Maybe.

Guest Blogger ~ Lois Winston

~ patyjag ~ 29 Comments

The Importance of Character Arcs

Every book needs two elements—a plot and characters. Most writers understand that their story is comprised of a beginning, middle, and end. The beginning is about the Call to Action or what makes the protagonist get involved in the story’s events. In the case of mysteries, this is a murder or another crime. The middle details the steps the protagonist takes on her way to figuring out whodunit. The end is all about how the protagonist solved the crime—the finale, where the perpetrator is caught, and the denouement, where all the various strands of the story are satisfactorily explained.

What many newer authors don’t understand, though, is that the characters in a book must also have their own arcs. This is especially true in series where reader follows various characters through the course of many books. Character growth is essential. No character should be in the same emotional and mental place at the start of either a single title book or a series. When that happens in a series, the author is merely writing the same book over and over with only the names, places, and crimes changing in each subsequent story.

All recurring characters in a series need arcs, not just the protagonist. However, the arc doesn’t have to be in the reader’s face. An arc can be subtle and develop over time as the series progresses.

In Sorry, Knot Sorry, the recently released thirteenth book in my Anastasia Pollack Crafting Mystery Series, Anastasia’s relationship with Detective Sam Spader takes a major turn. Detective Spader was first introduced in Revenge of the Crafty Corpse, the third book in the series, when he suspected Anastasia’s communist mother-in-law Lucille of murdering her roommate at a rehabilitation center.

Readers of the series know there’s no love lost between Anastasia and Lucille. However, although Lucille has many flaws, Anastasia knows she’s all bark and no bite. So she sets out to find the real killer. Spader has continued to pop up in subsequent books in the series, and his relationship with Anastasia has grown from adversarial to one of grudging respect.

In this latest book, a man is gunned down in front of Anastasia’s home. There is little in the way of clues and no witnesses. The sheriff’s office is short-staffed due to vacations and a summer flu bug that has hit many county employees. Plus, there’s no money left in the annual budget to hire more officers. The detective admits he needs Anastasia’s help. He knows she has a way of seeing things that others often miss.

Over the course of eleven books, Spader has grown. He’s not the only one. The story arcs of many of the characters in the series have continued to develop. Some character growth has been for the better, some for the worse. But everyone changes in some way, making for a series that continues to grow beyond just the number of books.

Sorry, Knot Sorry

An Anastasia Pollack Crafting Mystery, Book 13

Magazine crafts editor Anastasia Pollack may finally be able to pay off the remaining debt she found herself saddled with when her duplicitous first husband dropped dead in a Las Vegas casino. But as Anastasia has discovered, nothing in her life is ever straightforward. Strings are always attached. Thanks to the success of an unauthorized true crime podcast, a television production company wants to option her life—warts and all—as a reluctant amateur sleuth.

Is such exposure worth a clean financial slate? Anastasia isn’t sure, but at the same time, rumors are flying about layoffs at the office. Whether she wants national exposure or not, Anastasia may be forced to sign on the dotted line to keep from standing in the unemployment line. But the dead bodies keep coming, and they’re not in the script.

Craft tips included.

Preorder Buy Links (releasing 6/4/24)

Amazon https://amzn.to/4a8JyVJ

Kobo https://www.kobo.com/us/en/ebook/sorry-knot-sorry

Nook https://www.barnesandnoble.com/w/sorry-knot-sorry-lois-winston/1145047275?ean=2940186076698

Apple Books https://books.apple.com/us/book/sorry-knot-sorry/id6479363569

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

You Just Feel It

~ patyjag ~ 3 Comments

I finished book 12 in my Gabriel Hawke series two weeks ago. This is the first book that when I finished, I didn’t have any doubts that I had forgotten something or that it dragged in places or that it wouldn’t sit with some of my readers. I finished this book with a smile on my face feeling as if it was a good book. Not all books feel that way when I finish.

Many writers understand this. There are very few books that when I have it ready to go to my CP and beta readers that I feel I captured everything I wanted and gave all the right clues and nailed the characters. Even the killer. I figure the places that I’m worried about they will see, and I can fix them.

As usual this was what I call my first draft. Over the decades of writing and having published 58 books, not counting the 7 that never made the cut to being published, this was the first time I finished without any doubts about the story. Having been writing this long, I have a system where I what I write the day before is where I start the following day. I begin where I started writing and read through, making changes to scenes, sentences, and words. So by the time I do type the last word in a book, it is the draft I send to my CP and Betas. After they read and send me their thoughts and suggestions, I do what I call the second draft. This one goes to my line editor. Who will also catch any wrong names, duplication of information, and my legal mistakes. From her, I go through it one more time, the 3rd draft, and send that to a proofreader. After I change what she finds, that is the final draft, and it is published.

Now I could be all wet and full of myself on this one, but so far, the beta readers have liked it and found little to comment on. Well, except for my retired police officer. And what he commented on wasn’t anything to do with police procedure. He didn’t like that Hawke kills a rattlesnake. He thought Hawke should have backed out of the cougar’s cave he was crawling into and waited for the snake to leave. I’ve thought about this since his text to me about enjoying the book other than that scene. I’ve bounced around different ways I could change the scene, but they don’t harken to the urgency that Hawke feels about finding more evidence.

My other beta reader liked the whole book. Didn’t see any problems with any of the story. She did catch some typos.

I’m waiting for my CP to get it back to me and see if she mentions the snake scene. I felt Hawke was doing what he needed to do to keep him and Dog safe while they finished their search of the cave. A small area that they couldn’t have avoided being bitten by the snake if they moved around inside upsetting it.

The scene will stay as is. And the book that when I finished felt right and made me smile, is available for pre-order.

This double cold case and current homicide have Oregon State Police Fish and Wildlife Trooper Gabriel Hawke calling in favors… and exploring a childhood he shoved into the deep recesses of his mind. 

While patrolling on the Snake River in Hells Canyon, Gabriel Hawke’s dog digs up a human bone. Hawke is confronted by an aunt he doesn’t remember, and he finds a canister of film when the rest of the remains are excavated. The film shows someone being killed and a rifle pointed at the photographer.

Going through missing person files, Hawke discovers the victims of the
decades-old double homicide. A person connected to the original crime is
murdered, giving Hawke more leads and multiple suspects.

Attending a local Powwow with his family, Hawke discovers more about his childhood and realizes his suspects have been misleading him.

Pre-order: https://books2read.com/u/bQGkXw

Guest Blogger ~ Kate Michaelson

~ patyjag ~ 5 Comments

Why Mysteries?

When I set out to write my first novel, I knew without question that I would write a mystery. As a teen, I remember coming home from the library with stacks of Agatha Christie books and tearing through them within a week. Part of me loved escaping to the far-flung settings of the Golden Age mysteries, but I also enjoyed the way the investigation brought me into the story—not only as an observer, but as an active participant. I got to look over the shoulder of Hercule Poirot or Miss Marple as they interrogated witnesses and checked alibis. 

But even more than the cognitive challenge of who did it, I’ve always been drawn to the psychology of why they did it. Like the detectives, I searched for motives. I wanted to understand why people would commit such seemingly illogical acts. What series of events brought them to that point? As an adult, it’s a question I still find myself asking on a daily basis. 

As much as I tell myself not to, I can’t help but watch or read about the twisted crime stories that make the news. I promise I’m a happy, fairly positive person, so what draws me to this darker side of life? I think it’s the need to understand the ugly realities most of us would like to keep at bay. Judging by the popularity of mysteries, suspense, true crime, and crime dramas, I’m not alone. Michael Connelly once advised authors to “write about what you never want to know.” Whether we’re reading or writing it, crime fiction gives us the opportunity to have the best of both worlds. We delve into aside of the human experience that we want to understand but would prefer to view from a healthy distance. It’s like seeing a shark—exhilarating, as long as we’re watching safely from the other side of some nice, thick aquarium glass.

Along with giving us a day pass to the seedier side of life, mysteries present character studies in disguise. Beneath the layers of intrigue and suspense lie complex characters, driven by greed, revenge, love, or twisted rationales. And, often, the detectives are nearly as troubled by the criminals. Whether it’s a hopeless, hard-drinking private investigator or the cop haunted by a cold case, the job takes its toll. Unlike the reader who can put the book down, detectives must immerse themselves in the morass of a psychopath’s logic and, thus, take the brunt of the damage. Through the detective, we make controlled contact with the taboo and explore the sides of people’s personalities they’ve spent their lives concealing.

My own mystery, Hidden Rooms, contends with the inaccessible sides of people’s personas and the secrets they keep hidden even from close family and friends. Although my book is set in a small town where everyone knows their neighbors, the drama centers on the characters discovering how little they actually know about one another. My protagonist, Riley, has spent her life quite happily accepting the shiny surfaces her friends and family present. It’s only when a disaster tears their lives apart, that she’s forced to question what they’ve kept hidden beneath their idyllic exteriors. 

My mystery—and the genre as a whole—is about trying to understand the people around us, and that’s why I love them. Crime fiction captures the thrill of the unknown and reveals it to us page by page.

Hidden Rooms

Long-distance runner, Riley Svenson, has been fighting various bewildering symptoms for months, from vertigo to fainting spells. Worse, her doctors can’t tell her what’s wrong, leaving her to wonder if it’s stress or something more threatening. But when her brother’s fiancée is killed—and he becomes the prime suspect—Riley must prove his innocence, despite the toll on her health.

As she reacquaints herself with the familiar houses and wild woods of her childhood, the secrets she uncovers take her on a trail to the real killer that leads right back to the very people she knows best and loves most.

Buy Links

Amazon, Gathering Volumes, Bookshop.org, or CamCat Books

Kate Michaelson’s debut novel, Hidden Rooms, won the 2022 Hugh Holton Award for best unpublished mystery by a Midwest writer and was released in April of 2024. As a curriculum developer and technical writer, she has created educational content on everything from media literacy to cybersecurity awareness. She is active in several writing groups and participates in causes that support those with disabilities and chronic illness. In her free time, she loves hiking, traveling, napping and anything else that takes her away from her laptop. She grew up in Greenwich, Ohio and now lives in Toledo, Ohio with her husband and pets.

Facebook: https://www.facebook.com/kate.michaelson/

Instagram: https://www.instagram.com/katemichaelsonwriter/

Goodreads: https://www.goodreads.com/author/show/40269182.Kate_Michaelson

Website: http://www.katemichaelson.com

Guest Blogger ~ Terri Maue

~ patyjag ~ 4 Comments

Knife Edge is a traditional murder mystery. The entire story is told from the point of view of the amateur sleuth protagonist, Zee Morani. I knew very little about Zee when I wrote the first draft of Knife Edge about ten years ago. Basically, I knew I wanted her to be a writer, but she needed to have more freedom than a reporter with regular hours or an assigned beat. And because I also wanted her to comment current events, I ruled out making her a book author. So, Zee became a successful columnist.

As I worked my way through early drafts, I learned a lot about Zee. In her job, she was free to pursue whatever interested her, as long as she could turn it into a column on deadline. I decided Zee should use satire in her column, which allowed me to indulge my own penchant for pointing out social, cultural, and bureaucratic idiocy, incompetency, and callousness.

It was fun to sprinkle column topics throughout the story. They provided a bit of comic relief from the escalating tension of the mystery, and I enjoyed researching topics that piqued my interest or aroused my ire. Showing Zee at work also helped me clarify how she could use her particular skills to solve the murder: her skepticism, her attention to detail, and her ability to put information together in different ways—what she called seeing the world sideways.

Also, giving Zee a human-interest focus for her column meant she would not be at home in the world of crime and criminals. I certainly was not. Drawing on my own naivete (as in what might I do next?), I put her into dangerous, and sometimes humorous, situations.

I entered a new stage of relationship with Zee after Knife Edge was accepted by Camel Press. One of the early tasks my editor gave me was to write a history of Zee’s parents. Using Zee’s age at the time of the story, I backtracked to discover that her parents came of age in the 1960s.

That decade exerted a great influence on my own maturation. Coupled with research into that tumultuous time, my experience helped shape Zee’s moral compass. She is driven by a deep need to see justice done. This drive impels her to use her column to defend the ordinary human being who struggles against the mindless workings of a machine-like organization. It also gets her involved in the murder.

Perhaps the biggest surprise in Zee’s character tuned out to be the extent to which her persona was influenced by my two previous careers. I didn’t realize this until after the book was completed.

I spent twelve years in public relations before I quit, unable to continue to spin facts to create a misleading picture. I actually looked in the mirror one day and realized that if I didn’t leave, I would get to the point where I no longer recognized the truth. Though I did not see it at the time, I made Zee a satirist specifically so she could point out the ways in which people use language to distort and misdirect, to adhere to the letter of the law while violating the spirit.

My PR experience also provided the seed for Zee’s dream to write what she considers serious journalism, which she viewed as using her talent for greater good. After my PR disillusionment, I switched careers and became a university professor. I spent 18 years teaching students how to use language ethically and responsibly and showing them how unscrupulous writers and speakers deceive their audiences.

Writers are always encouraged to write what they know. My experience with Zee would seem to indicate that I’m not always aware of what I know, at least not consciously. But then, discovering what lies beneath the surface is a big part of the fun of writing—and life—for me.

KNIFE EDGE

An unwitting columnist. A shocking murder. A devious killer.

Is Zee Morani tracking clues or playing a role orchestrated by a murderer?

When Zee Morani discovers the bloodied corpse of a disgraced medical researcher, the accused killer begs her for help. But Zee is not a cop. She’s not even a PI. She’s a regionally syndicated satirical columnist who dreams of breaking into serious journalism.

Zee believes the suspect is guilty. After all, he staggered into her as he fled the scene of the crime. But she’s made a career of challenging bureaucracy. The drive to defend the underdog, or at least give him a fair chance, pulses in her veins. Unfortunately, everything she learns only strengthens the police case.

Even as the facts pile up against him, Zee’s instincts argue for his innocence. Her friend Fontina’s finely tuned intuition concurs. But while Fontina supports Zee’s investigation, Rico, a seasoned crime reporter, balks at her interference in the case. Despite their recent breakup, he wants to protect Zee from the world of violence he knows all too well. He also wants to win back her heart. Tempting as that is, Zee resists him, her heart shackled by the pain of past betrayals. They agree to work together as professional colleagues and friends, but it’s an uneasy alliance. 

As Zee digs deeper into the researcher’s murder, her involvement makes her a target. Her inexperience tempts her to back away from investigating, but her commitment to truth won’t let her quit. When Rico suffers a vicious attack, her fury burns the last vestiges of hesitation. Gritting her teeth, she tackles a nasty thug, a suspicious police lieutenant, and in the end, the barrel of a gun—all to unmask a stone-hearted killer. 

Amazon: https://www.amazon.com/Knife-Edge-Terri-Maue/dp/1684922003

Barnes & Noble: https://www.barnesandnoble.com/w/knife-edge-terri-maue/1143420718?ean=9781684922000

Bookshop: https://bookshop.org/search?keywords=Terri+Maue

Target: https://www.target.com/p/knife-edge-by-terri-maue-paperback/-/A-89152528#lnk=sametab

Walmart: https://www.walmart.com/ip/Knife-Edge-Paperback-9781684922000/2756992774?from=/search

Terri Maue is a retired professor emeritus from Embry-Riddle Aeronautical University. After she retired, she decided to pursue a life-long dream to write a mystery novel. The result is Knife Edge: A Zee & Rico Mystery. In addition to offering a challenging puzzle, it reflects several of Terri’s interests:

  • martial arts—she holds a first-degree black belt in TaeKwon Do;
  • spirituality—she has studied many forms of religion, including Christianity, Wicca, Buddhism, and Native American and African practices;
  • the intuitive arts—she reads Tarot cards and has taught dream interpretation.

Terri is a member of Henderson Writers Group, Sin City Writers, Sisters in Crime, and Mystery Writers of America. She is working on the second book in the Zee & Rico series. She lives in Las Vegas, Nevada, with Eddie, her personal photographer and husband of 55 years.

You can visit Terri’s website at https://www.terrimaue.com, find her on Facebook at Terri Maue Author, find her on Instagram @terrimaueauthor, and write to her at terri@terrimaue.com