Guest: Maggie King

Why Do I Write Mysteries? The short answer: I love reading them. The long answer is much, well, longer!

Like many young girls I was a huge fan of Nancy Drew and the Dana Girls. I’ll never forget the day my mother brought home The Hidden Staircase after a trip to the P.M. Bookshop in Plainfield, New Jersey. My friends and I started swapping tales of those intrepid girl detectives like mad. We loved the puzzles and the adventures. My parents were great role models for mystery reading with the stacks of Agatha Christie and Erle Stanley Gardner paperbacks atop their nightstands.

In sixth grade I started writing my own girl detective mystery and read installments to my friends while walking home from school. They enjoyed my creative efforts. I wish I still had those stories, for posterity.

By high school I had drifted away from writing and reading mysteries, finding an outlet for my considerable adolescent angst in poetry and journal entries. The journal entries (as well as the angst) continued throughout my life but it wasn’t until the nineties that I took up mystery writing again.

I joined my first mystery book group in Santa Clarita, California in 1993. I’d been devouring anything by Agatha Christie for years but there was a whole world of other mystery authors out there and I was ready to dive in. The women in the group were lovely—almost too lovely. I hadn’t yet started my writing career but I knew I was on my way when the what-if scenarios came to me unbidden—

What if these women weren’t really so nice?

What if this was all for show and they harbored secrets, agendas, hatreds?

But it wasn’t until 1996 when I moved to Virginia and took a creative writing course at the University of Virginia that I started writing in earnest. I didn’t forget those nice women—or were they?—from the Santa Clarita book group. I gave them backstories and they became the story prototypes for Murder at the Book Group.

Like many mystery writers, I have a strong need to see justice done and set the world right. Mysteries are the perfect vehicle for that. Mysteries are about relationships—relationships that have gone awry. I’m fascinated by family dynamics and how memories of my own family experiences have popped up throughout my life, sometimes in good ways and sometimes in disconcerting ways. Love and obsession intrigue me to no end, as does sin and how we’re impacted by it.

My short stories are morally ambiguous and I sometimes explore vigilante justice. I’m a law-abiding citizen, but sometimes I wonder if justice is better served outside the boundaries of the law. That’s why I write. It keeps me out of prison and my victim(s) safe. And I can create interesting characters I’d never want to know off the page.

It’s unlikely that I’ll ever solve a mystery—and I have no desire to—but my sleuths can do anything. Just like Nancy Drew. Nancy Drew was intrepid, talented, bright, and flawless (Okay, she was a bit uppity at times, especially in the early stories). My characters, like most modern day sleuths, are flawed but I get to pick and choose their flaws and their virtues.

To circle back to the original question, “Why Do I Write Mysteries?”

Because I love reading them.

And I love writing them.

Blurb for Murder at the Moonshine Inn:

murder-at-the-moonshine-inn-cover-lowWHEN HIGH-POWERED EXECUTIVE Roxanne Howard dies in a pool of blood outside the Moonshine Inn, Richmond, Virginia’s premiere redneck bar, the victim’s sister enlists Hazel Rose to ferret out the killer. At first Hazel balks—she’s a romance writer, not a detective. But Brad Jones, Rox’s husband, is the prime suspect. He’s also Hazel’s cousin, and Hazel believes in doing anything to help family. Never mind that Brad won’t give her the time of day—he’s still family.

Hazel recruits her book group members to help with the investigation. It’s not long before they discover any number of people who feel that a world without Rox Howard is just fine with them: Brad’s son believes that Rox and Brad were behind his mother’s death; Rox’s former young lover holds Rox responsible for a tragedy in his family; and one of Rox’s employees filed a wrongful termination lawsuit against her. The killer could be an angry regular from the Moonshine Inn—or just about anyone who ever crossed paths with the willful and manipulative Rox.

When a second murder ups the ante Hazel must find out who is behind the killings. And fast. Or she may be victim #3.

 Buy link: http://amzn.to/2dtozWa

maggie-king-author-photo-72Maggie King is the author of the Hazel Rose Book Group mysteries, including the recently-released Murder at the Moonshine Inn. She contributed the stories “A Not So Genteel Murder” and “Reunion at Shockoe Slip” to the Virginia is for Mysteries anthologies.

Maggie is a member of Sisters in Crime, James River Writers, and the American Association of University Women. She has worked as a software developer, retail sales manager, and customer service supervisor. Maggie graduated from Elizabeth Seton College and earned a B.S. degree in Business Administration from Rochester Institute of Technology. She has called New Jersey, Massachusetts, and California home. These days she lives in Richmond, Virginia with her husband, Glen, and cats, Morris and Olive. She enjoys reading, walking, movies, traveling, theatre, and museums.

Website: http://www.maggieking.com

Facebook: https://www.facebook.com/MaggieKingAuthor

Twitter: https://twitter.com/MaggieKingAuthr

 

Canine Takeover by Paty Jager

sheba-canstockphoto18381057I’m sure you’ve heard actors say not to work with children and animals, you’ll get upstaged every time.

That’s what happened when I decided to make a secondary character from the Shandra Higheagle Mystery series a main player in the Christmas mystery, Yuletide Slaying.

I was excited when I came up with the idea to make Shandra Higheagle’s big mutt the character that finds the body in the Christmas mystery. I and many of my fans have fallen in love with the big, goofy Newfoundland/ Border Collie cross dog. She’s as quirky as a dog can get. With her large size she should be a great guard dog, but alas, her Border Collie timidness keeps her from being ferocious. Instead, she rolls onto her back in a submissive gesture when meeting people. She’s scared of loud noises, and prefers to hide behind Shandra than take on any confrontation.

Knowing all this about her dog, it’s a bit disconcerting for Shandra when Sheba bolts out of the parade line after a vintage car backfires and drags a sleigh filled with presents for foster children down a side street and disappears. Not only does she fear for her dog, she is worried what Detective Ryan Greer’s mother will think when the sleigh doesn’t arrive at the Christmas carnival.

To Shandra’s relief, Sheba steps out of an alley with the sleigh in tow. But there is a dead man in the sleigh. And she soon discovers, Sheba witnessed the attack because she has a stab wound.

Will the killer be out to finish off the big goofy dog? Will Sheba run when she sees the killer or will her Newfoundland protection instincts kick in?

This was a fun book to write with the focus on the beginning and end on Sheba. She has become one of my favorite secondary characters in this series along with Crazy Lil and Maxwell Treat.

Have you read a mystery where an animal was an integral part o the story line? What was the animal and the book?

Right now you can pre-order Yuletide Slaying for a special price. $.99!

Book 7 of the Shandra Higheagle mystery series

Yuletide Slaying

yuletide-slaying-5x8Family, Revenge, Murder

When Shandra Higheagle’s dog brings her a dead body in a sleigh full of presents, her world is turned upside down. The man is a John Doe and within twenty-four hours another body is found.

Detective Ryan Greer receives a call that has them both looking over their shoulders. A vengeful brother of a gang member who died in a gang war is out for Ryan’s blood. Shandra’s dreams and Ryan’s fellow officers may not be enough to keep them alive to share Christmas.

Pre-Order Links:

Amazon / Nook / Apple / Kobo

Paty Jager is an award-winning author of 25+ novels and over a dozen novellas and short stories of murder mystery, western historical romance, and action adventure. She has a RomCon Reader’s Choice Award, received the EPPIE Award, and a Paranormal Lorie Award. Her mystery, Double Duplicity, was a finalist in the Chanticleer Mayhem and Mystery Award and a runner-up in the RONE  Mystery Award.  This is what Mysteries Etc says about her Shandra Higheagle mystery series: “Mystery, romance, small town, and Native American heritage combine to make a compelling read.”

blog / websiteFacebook / Paty’s Posse / Goodreads / Twitter / Pinterest

photo source: Canstock.com

Guest Blog – Bridges Del Ponte

Diverse Voices in our Mysteries

In a changing publishing landscape, many readers are actively seeking out more diverse voices in our mysteries.  This demand may flow from our readers’ desires to more closely identify with characters in our mysteries that better reflect their own life stories.  In other instances, our audience may want to enrich their reading experiences by learning more about others’ distinct backgrounds.  The concept of writing across cultural backgrounds or “transcultural” writing may include characters and situations involving different ethnicities, races, genders, sexual orientations, religions, ages, gender identities, or geographic locations.  In creating diverse protagonists and supporting characters, here are several key points to consider when making our mysteries more inclusive.

Write What You Know.  Writers are often advised to write about what they know.  The protagonist of my new mystery series is Marguerite “Monty” Montez, a young lawyer who straddles the old world of her immigrant Portuguese family and her contemporary world as a homicide prosecutor.  My parents were the children of immigrants from the Azores and Madeira who settled in a Portuguese neighborhood in East Cambridge, MA.  As a young attorney, I later lived in this same neighborhood next door to my maternal grandmother.  Based on my background, I am able to intertwine aspects of Portuguese-American culture and generational conflicts from an intimate perspective into my mystery.  But no group is monolithic, so my take on my Portuguese-American heritage is simply my personal view, and not that of an entire group.  Think about how your own background may inform a diverse voice in your mystery.

Do Your Homework.  Whether borrowing from your own background or injecting other distinct voices into your mystery, be sure to do your research.  Nothing will throw a reader out of your story more than a diverse perspective that does not ring true.  You will need to do research on gaps in your own cultural history or your lack of first-hand knowledge about another culture.  That research may involve interacting with members of that diverse group, interviewing local or national experts, participating in cultural events, listening to relevant podcasts, attending speaker panels, and reviewing online or print sources.  The greater exposure you have to and the more information you learn about a relevant group, the better prepared you will be to channel diverse voices in your mystery.  If you have the opportunity, consider asking someone from that culture to serve as a beta reader of your work.  They may be able to provide valuable feedback by illuminating cultural nuances and helping you avoid major mistakes.

Recognize Cultural Sensitivities.  The introduction of diverse voices into your mystery can be fraught with challenges.  Some readers may raise concerns about improper cultural appropriation, superficial characterizations, and offensive stereotypes.  Yet the mystery field needs to be more inclusive by offering more diverse voices in our books.  Mystery writers are expected to imagine a broad range of characters in their fictional tales, including those from other backgrounds.  For example, the late Tony Hillerman featured Navajo protagonists and culture in his mysteries, and ultimately received an award from the Navajo nation for his culturally accurate and respectful portrayals.  As stated above, doing your homework will help to avoid potential inaccuracies or shallow representations.  But be aware that certain readers may be sensitive to your efforts to represent individuals and circumstances derived from other cultural groups.  Respect these criticisms and think about how you might address any inaccuracies in future books in your series.

frontcover_july5_2016kindle-700x1047Deadly Sacrifices – A Marguerite Montez Mystery

You always remember your first time.  Monty’s first happened in St. Stephen’s church, directly beneath a statue of the Virgin Mary, right after morning mass.  A local soccer mom is bludgeoned to death in her suburban parish chapel outside of Boston.  In her first homicide case, prosecutor Marguerite “Monty” Montez endangers her life digging up evidence that shows the police nabbed the wrong man.  Monty’s investigation uncovers disturbing memories and fresh leads in an unsolved murder of a childhood friend in her close-knit Portuguese community.  Her dauntless search for the true killer is a wild thrill ride into a dangerous world of lethal secrets.

Amazon Print: https://www.amazon.com/Deadly-Sacrifices-Marguerite-Montez-Mystery/dp/1533376697/ref=tmm_pap_title_0?_encoding=UTF8&qid=&sr=

Kindle Version:  https://www.amazon.com/dp/B01I0VK28A

 About the Author

pontesmpic-341x450-2Bridges DelPonte has published two novels, Deadly Sacrifices and Bridles of Poseidon, three non-fiction books, several science fiction, fantasy, and mystery short stories, and numerous legal, travel, and business articles. Her mystery, Deadly Sacrifices, received a Royal Palm Literary Award (2nd place – unpublished mystery) from the Florida Writers Association (FWA) and her underwater fantasy, Bridles of Poseidon, was a finalist for a Royal Palm Literary Award (unpublished fantasy). She is a member of FWA, Sisters in Crime, Inc., and Citrus Crime Writers. When she is not tapping away on her laptop, she teaches law courses, creates educational game apps, and lives happily in sunny Central Florida. To learn more about Bridges DelPonte and her writing, please visit her author web site at http://www.bridgesdelponte.com or her Amazon Author Central page at http://www.amazon.com/Bridges-DelPonte/e/B00BW7BZYU.

 

 

 

It’s Not Always About Winning by Paty Jager

This past weekend I attended the InD’Scribe Conference and RONE awards.  My book Double Duplicity was a finalist in the mystery category.

Double Duplicity (652x1024)I hadn’t planned on attending the conference, but I received an email that said my book was a finalist in the RONE contest. A contest that was vetted three ways. First the book had to have a 4.5 or better review from the InD’Tale review magazine. Then it was left to readers to vote for it. After that round it was read by people who work in the publishing industry. The scores were tabulated and the winners were picked.

At the conference, I was also a member of a 4 person panel that talked about writing paranormal. I was happy to find I wasn’t the only person who had shape-shifting Native American tales. My book, Double Duplicity, that was up for the Mystery RONE award has a deceased Nez Perce woman who visits her granddaughter’s dreams and helps her solve mysteries. I believe being a finalist helped put me on that particular panel.

The mystery category had stiff competition. I didn’t read each finalists books but I looked them up. A funny thing happened when I first arrived. A young man saw my finalist badge and asked what category. I told him mystery. He was a finalist for paranormal.  He asked if I’d read my competition. I replied I hadn’t. “That was probably smart,” he said. “After reading mine, I know I don’t have a chance.” Which was pretty much why I didn’t want to read the competition.  It would have taken the wistfulness of perhaps winning away, if I felt I didn’t have a chance.

me-rone-awardI dressed up for the event and sat through the two hour long celebration. Of course mystery and suspense were the last categories to be given out.

I’m the first to admit when I saw they were making the people who won the top spot give a speech, I was hoping to not be the winner, only a runner up so I didn’t have to give a speech. And my wish came true. They called the winner of the mystery category and then the runner up. Which was me! While winning and having the crystal trophy would have been awesome because the InDTale magazine would have also given my book free promotion, I’m happy with the certificate naming me the runner up. It validated I didn’t make the wrong decision by writing the genre of my heart.

And even though I’m a runner up, TJ Mackay, the head of InDTale magazine, said that many of the categories the difference between the winner and 1st runner up was by 1 point and one category by half a point. I like to think the mystery category was one of the close ones and that makes my runner up all the more sweet.

You can download the first book of the Shandra Higheagle Mystery Series, Double Duplicity, for free at all ebook venues. Watch in November for the 7th book in the series, Yuletide Slayings.

Paty Jager is an award-winning author of 25+ novels and over a dozen novellas and short stories of murder mystery, western historical romance, and action adventure. She has a RomCon Reader’s Choice Award for her Action Adventure and received the EPPIE Award for Best Contemporary Romance. Her first mystery was a finalist in the Chanticleer Mayhem and Mystery Award and was 1st runner up in the RONE Award Mystery category.  This is what Mysteries Etc says about her Shandra Higheagle mystery series: “Mystery, romance, small town, and Native American heritage combine to make a compelling read.”

blog / websiteFacebook / Paty’s Posse / Goodreads / Twitter / Pinterest

SH Mug Art

Guest – D.J. Adamson

18c9df8f-826a-4eda-93a2-fc844dea3118  The act of self-promotion. Getting Out There!

I worked in sales and marketing before deciding to self-publish. This background gave me the confidence to go forward. I’d trained many people to successfully sell and market. Combining what I knew before with what I know now, allows me to pass on some of the tips I’ve learned about selling and marketing my books.

At the beginning, I mimicked what others were doing.  I played with social media, went to conferences and networked, purchased promotional packages.  Did I have success?  Some. But nothing that put me on the Amazon’s  “most sales list” or matched Hugh Howie’s numbers.

As a past business person, I know a business needs to eventually run in the black. Maybe not the first year, but eventually.  So after two years, I pulled up my expenses and balanced them with my assets.  DEPRESSING.  Yet, instead of discouraging me, it has motivated me to do it all differently. Here is what I have found:

  1. I no longer go to conferences unless the attendees include readers as well as writers.  Writers don’t buy books. Or very few. I’m a reader and have an addiction for anything on paper.
  2. I go to conferences that are close by and don’t cost a flight and hotel to attend. One conference cost me two thousand dollars and I sold one book. I joined active association, like Sisters in Crime, National Women’s Book Association, SCBWI, Mystery Writers of America. I became active. If I wasn’t active, I generally found excuses not to go to the meetings. Kind of like having a gym membership.
  3. I remind myself that I am as good as my last book. I have received one award and was nominated for another. I have received 4+ stars on my novels. Many Goodreads people “Want to Read” my work. But, sales diminish after the book has been out there for a year. I need to produce one to two novels a year. And let me emphasis, Good Novels. That means, I need to be disciplined in my schedule, working on my writing at least four to six hours a day, and I spend about five hours a week on social networking and promoting.
  4. I used to work many social networks. Now, I am only on Facebook and Twitter. Trying to do it all meant I didn’t do any of it very well.  I also limit how much I promote my books, only doing so when I have a special promotion going on, revealing a new cover or mentioning a launch.  Don’t you thumb right past those twenty posts requesting, “Read My Book”?

I use social networking for networking, not marketing. I meet new people in the industry and by putting myself out there, I am received.

  1. I use my Kindle freebies only before I launch a new book.  I hold maybe one/two .99 cent promotions. I try to do a Goodreads giveaway once a month.  I offer two, sometimes three books.  I send them by camel.
  2. I use snail mail to keep others updated on my new work. I’ve found postal mail more beneficial than email. It takes nothing to hit the delete button on a computer. The person getting the postcard has to see what the card is about and who it’s from before giving it a toss in the trash basket.
  3. I set a dollar limit for promoting a book. If you look around, you’ll realize a whole industry has been developed to swallow author’s dollars, promising to get their books noticed. I have limited my promotional money to $500 a book. I know that sounds low, but I think I have sold more books in this past year than the two years combined. I advertise on free or low-cost sites. Amazon ads have been very successful, and the cost is low. Finding a way to get to readers or promote without spending a lot of money has become actually very fun. I had Fiverr.com create my book trailers. Go to my website http://www.djadamson.com to see for yourself. They aren’t bad. They are also on YouTube, and go figure this, the trailer of Outré has been seen by almost five thousand viewers. Did that turn into sales. Probably not. But five thousand people learned my name. Like a shampoos brand, Clairol. You may not buy it, but you recognize it as a shampoo.
  4. I put myself out there by creating a newsletter. Le Coeur de l’Artiste reviews books and interviews authors. I publish it monthly. It comes out, like any other deadlined project, on the 15th of every month. Sometimes not until midnight, but one minute before, I press the send button. The newsletter has not necessarily created sales, but it has branded my name a bit as a writer. Plus, I find a great satisfaction in promoting other authors.

Stephen King said in his work On Writing that to write you need to read a lot. You need to read what is good and what is bad. I read at least 5-6 books a month, just for the newsletter. I also try to read one or two books on promotion and craft.

  1. I began accumulating email addresses as soon as the newsletter idea came to me. So far, my Le Coeur de l’Artiste list is almost two thousand readers. I don’t promote myself in the newsletter, but it can be found on my website. I also offer it to many readers as a PDF. The newsletter has been so well accepted that I now have a blog, L’Artiste, that spends a little longer with an author and their work. I produce it three times a month. I also include others besides authors: musicians, scriptwriters, playwrights, etc. The blog emphasizes that getting the story out has many forms.
  2. There are great books out there by people offering promotional ideas. Read them all. Take an idea, put it on a card, then try it out. One idea at a time. If it doesn’t feel good to you or didn’t pan out, throw the card away and pick up another.  Don’t be bashful, ask others for their promote stories. I have rarely been told to “beat it.” In fact, I think it’s a writer’s responsibility to help other writers. We all know how defeatist we can feel when things aren’t going well.

I am not sure I was helpful to anyone reading this. I am merely sharing my experience so far. I want to write for a long time, which means I need to be sensible about what I do, both with time and money. It might also sound like my whole life is consumed behind my computer.  I still teach a full load of classes, grade papers, make dinner, clean house, and find the time to give my family a hug. Keeping to a schedule helps manage everything. Plus, I am my own boss when it comes to this publishing gig. If I want to take a day off, I do. I just don’t miss a deadline. Readers might fire me!

Putting yourself out there is the ultimate KEY to being SUCCESSFUL.  Please share with me your promotional stories, both the horror stories and those that gave you some success. You can reach me on Facebook, Twitter, or my Website. And don’t miss the latest issue of Le Coeur de l’Artiste.

me-3D. J. Adamson is the author of the Lillian Dove Mystery series and the Deviation science fiction-suspense trilogy.  Suppose, the second in the Lillian series has just been released.  She also teaches writing and literature at Los Angeles colleges. And to keep busy when she is not writing or teaching, she is the Membership Director of the Los Angeles Sisters in Crime, Vice President of Central Coast Sisters in Crime and an active member of the Southern California Mystery Writers. Her books can be found and purchased in bookstores and on Amazon. To find her, her blog L’Artiste, or her newsletter that interviews and reviews authors go to http://www.djadamson.com. Make friends with her on Facebook or Goodreads.