Up close and personal

Life is good. It is filled with family, friends, and furry critters. There is yoga four times a week; I wish it could be more. That is, I know, a wish I could fulfill.

There are wonderful times in the hot tub with the snow falling and bubble baths in the other times when the weather says it’s wisest to stay inside and soak.

Professionally, I’m transitioning from corporate writing and editing to doing more developmental, copy editing, and proofreading for writers. That is a joy.


That’s an interesting question. As a freelance journalist, I wrote on everything from intellectual property to the armoured truck industry to eel grass. Accuracy was paramount as was engagement. However, the most difficult piece I ever wrote was for “Lives Lived” in The Globe and Mail. It was a tribute to my mother following her death in 2020. It was so difficult to write because it was so personal. I had no perspective, and I feared I would not “get it right.” The only thing I know for sure: Mama, would have told me not to worry. And there would have been a hug.


I relish reading. I was a judge in the Crime Writers of Canada’s most recent Awards of Excellence, and I got to dive into more than 40 fabulous – and very diverse – books that kept me on my toes and my eyes glued to the page. When I was younger and I was discovering the wonder and wow of the mystery genre, I devoured authors like Tony Hillerman, Martha Grimes, and Ruth Rendell. More recently I have discovered writers like Richard Osman. And Delia Owens’s Where the Crawdads Sing was nothing short of joyous.


When I was about eight or nine, a next-door neighbor tossed me a Nancy Drew book. She thought I might like it. I sat on the curb between our two houses and read the entire book cover to cover. I loved the puzzle, figuring out who dunnit, and being propelled into a world outside my own.

That same year someone gifted me Charlotte’s Web, and my life was forever changed. Not only could words transport you to new worlds, they could become a part of your heart, change you in ways you could not have imagined. I wanted to do that.


My mother taught me to love language – and to respect it. She cared about words and getting the words right. She was my greatest influence.


Write. This sounds simple. Many days it isn’t. Some call this dedication, others devotion. I’m not sure it matters what it’s called as long as it happens. You will never be a better writer, you will never write another book if you don’t sit down in front of your computer screen and begin to put words in front of you.


Dreams do come true: I am officially a Lady of Mystery!

Can you tell us about your journey into writing and journalism, and what inspired you to pursue this career path?
The one constant in my life has been writing – poetry, short stories, essays, articles, books. As I was poised to begin a PhD in sociology, I decided to explore job options that would let me do more writing and less research. That led me into public relations and eventually to start my own company, Quantum Communications. In university I wrote regularly for the school paper. That led me to freelancing. I discovered you could be paid for writing – one of my personal top-five favorite discoveries – and I have freelanced ever since. My background in communications, journalism, editing, and related endeavors led to requests for me to teach. I accepted those requests and discovered that I thoroughly enjoyed engaging with people to explore ideas and theories while building skills. I did not enjoy grading.

Your portfolio includes a diverse range of publications, from The National Post to Chatelaine. How do you adapt your writing style to suit different audiences and platforms?
As a journalist (and a communications professional), you quickly learn that you are writing for the reader, and readers change from one type of publication to another. Adapting your style to meet their needs, and the requirements of the publication, is essential. That said, there are writing foundations that remain constant: conciseness, flow, readability.

“Hung Out To Die” introduces us to Riel Brava, a unique protagonist. What inspired the creation of this character, and what do you hope readers take away from the story?
A bath inspired this story. I’m a big believer in bubbles, candles, scrubs, essential oils, and music with birds chirping in the background. Friends call this bathroom time my shrine. One night immersed in a lavender cloud I realized it was time to begin writing my mystery. Get off the pot kind of thing. That led me to a litany of possible characters and crimes. Through the mist Riel emerged. Not fully formed but outlined enough that I wrote down my ideas before I even moisturized.

Like 4-12% of all CEOs, Riel is a psychopath. Not the Dexter-Hannibal Lecter-Norman Bates kind of psychopath. The kind who live and work among us, mostly unnoticed, often successful, always on full alert their differences will be uncovered. Riel is personable, even charming. He’s keen to understand how the human mind works, so he’ll blend in.

It is my hope that people will close the last page on Hung Out to Die with a smile, maybe a tear, and a little bit more acceptance of all those around us.

“Conflagration” delves into Canadian historical events, particularly focusing on the story of an enslaved Black woman. What drew you to this story, and what challenges did you face in bringing historical events to life in a fictional setting?
This book was a gift from my publisher, BWL Publishing, which has a series of historical mysteries set in each province and territory in Canada. My publisher unexpectedly lost her Quebec writer and asked if I could step in. I couldn’t wait.

Conflagration!, a historical mystery that follows the trial of an enslaved Black women accused of arson in Montreal in 1734, is founded in real-life events but wrapped in a mystery of my own making. The level of detail in court transcripts and the timelines set by the trial process meant I had a detailed blueprint for the book before I even began.

Your non-fiction book, “The Thong Principle: Saying What You Mean and Meaning What You Say,” explores effective communication. How do you apply the principles outlined in this book to your own writing process?
The Thong Principle is a way of communicating and a way of thinking. It’s about, as the subtitle indicates, a way to communicate that works on all levels. A way of communicating that works for the person sending the message and the person or people receiving the message. For writers and for readers.

As participants who’ve taken my courses know, I’ve been talking about the thong principle for decades. It’s a way to remember what matters most when we’re trying to convey a message or tell a story.  It’s a reminder that how we convey a message is as important as what we have to say.

I’ve taken that to heart.