I wrote my first book, The Death Contingency, when I was an active realtor. It became part of a seven-book series, the Regan McHenry Real Estate Mysteries, but when I was working on that first book, it was only a game for me, a puzzle to be solved, and an opportunity to right a few wrongs in dealings where I felt slighted or abused by the realtor on the other side of a transaction. You might say in addition to being a murder mystery, it was a revenge book.
Most realtors are nice hard-working people who care about their clients, but if you work in that business long enough, you come across people who aren’t. Writing a book outing some shady dealers promised to be satisfying.
I assumed the people who read the book would be realtors holding open houses so it was designed to be read in small bursts during downtime between visitors. I thought if I carefully dropped clues about the identities of the real agents I turned into villains, astute fellow realtors would figure out who they were even if their names had been changed.
I was mistaken about that first book on many levels. It turns out most realtors don’t read books, or at least not mysteries written about their associates. The few local realtors who did read my first book didn’t have any idea who I used as my characters even when it was incredibly obvious and it was great fun when they argued with me about the real identity of a character.
But based on the messages I received from realtors working in other communities, there must be many people out there who’s actions are similar because they’d say things like, “You never met Kathy from my office, but you sure nailed her.”
I always use the phrase, “This is a work of fiction. Unless specifically credited, names, characters, places, and incidents are either products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.” It’s a lie.
I eavesdrop unabashedly. I freely steal snippets of other people’s lives to use in my books. The admonition, “Be nice to me or I’ll kill you in a book,” works for me. And that’s not all. Some of my best side stories come from writing about the foibles of others. (I’m not proud, though. Sometimes I’m the one being parodied.) When I speak at book clubs or in front of audiences about the Regan McHenry Real Estate Mysteries, I always tell people that the murders are made up but the real estate stories, no matter how farfetched they seem, are real and happened to me or to an associate.
I have the feeling other writers do the same sort of things. The baker-protagonist writer has probably seen real flour-throwing incidents similar to the one she used to help her character escape from a killer. The yachting-protagonist writer may have watched an attempted drowning. The chef-protagonist writer has all those handy knives to work with not to mention flaming cooktops and opportunities to add poison to a dish.
Who knew writing murder mysteries could be so much fun…and so therapeutic?
Ladies of Mystery 
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