Month: July 2023

What’s Your Method? By Karen Shughart

~ kshughart47 ~ 2 Comments

I recently read an article about renowned American author, John Steinbeck, who gave six tips on writing that were included in a letter he wrote in 1962 to a friend. These caused me to reflect on how I write my cozy mysteries, and I was astonished to realize how much of his advice applied to me. Below are the tips with my italicized notes beside them:

  1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised. I don’t write every day, but when I do I try to write at least a chapter or two. I don’t have pages in mind; instead, I aim for 60,000-75,000 words, the length for cozies.
  2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material. This one hit home. I write the entire story and revise and expand afterword, my first draft is typically too short.
  3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theatre, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one. Instead of picking a person, I write towards a targeted audience, mainly women (and some men) who are middle-aged or older. Cozies are called “clean” novels because they do not contain graphic language or violence or explicit sex scenes, something that appeals to my readers.
  4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole, you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there. I do this a lot. See below.
  5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing. I have a slash and burn mentality when it comes to writing. I may fall in love with a scene, but I’m brutal about cutting it if it doesn’t fit.
  6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech. I do this with every character. Sometimes when I’m writing dialogue for a male, I check with my husband to see if it sounds authentic.

So, there you have it. I hope you authors reading this blog take time to reflect on your own writing methods. For those of you who are our readers, perhaps you’ve gained a little insight into the writing process, at least for John Steinbeck and to a lesser extent, me..

Guest Blogger ~ June Trop

~ patyjag ~ 2 Comments

Ancient Roman Forensics

As the author of the Miriam bat Isaac Mystery Series set in first-century CE Roman-occupied Alexandria, I regularly research the investigative techniques used in Roman times. In writing my latest book, The Deadliest Deceptions, a collection of short mysteries ranging from cozy to noir, I found myself focusing on Roman forensics. No, the Romans didn’t know about fingerprints and DNA, but in time, their courts accepted evidence based on blood spatters, dental characteristics, and pattern recognition.

Perhaps the most famous case based on blood spatters was “The Wall of Handprints”, in which a blind son was accused of killing his father for his inheritance. The prosecution argued that the father was asleep with his wife, his son’s stepmother, when his son stabbed him to death. Furthermore, the father died instantly without having awakened his wife, and the son left a trail of intermittent handprints and blood spatters on the wall from their room back to his own.

On the other hand, the defense attorney claimed that it was the stepmother who killed her husband. Upset that she would lose the inheritance, she framed her stepson. The lawyer successfully argued that the son, being blind, would not have left intermittent prints. Rather he would have dragged his hand along the wall. So, despite their lack of knowledge about the components of blood, the Romans used its prints and spatters to reconstruct the crime.

Julia Agrippina, a.k.a. Agrippina the Younger, used dental characteristics to confirm that Lollia Paulina was dead. Having ordered Paulina’s suicide, Agrippina confirmed her rival’s death by asking for Paulina’s head and inspecting the teeth herself. She must have been satisfied because she did not have anyone else killed for five more years.

Pattern recognition marks convinced the Roman emperor Tiberius that his praetor’s wife died by murder rather than suicide. He saw drag marks and other signs of a struggle to contradict the husband’s claim that his wife had jumped out the window while he was sound asleep. Tiberius referred the matter to the Senate, but alas, the praetor opened his veins instead.

        Roman forensics may date back two thousand years, but even modern evidence from blood spatters, dental characteristics, and pattern recognition can be wrongfully interpreted. Just not in my stories. You can depend on Miriam bat Isaac and her assistants to look at wounds, loss of body heat, skeletal proportions, blood spatters, foot prints, and disturbed foliage to assess a crime correctly.

THE DEADLIEST DECEPTIONS

Enter the world of first-century CE Roman Alexandria and participate in the perilous adventures of Miriam bat Isaac, budding alchemist and sleuth extraordinaire. Join her and her deputy Phoebe as they struggle to solve nine of their most baffling cases beginning with the locked-room murder of a sailor in which Miriam is baffled by not just who killed the sailor but how he could have died and how the killer could have entered and escaped from the room.

But be careful as you accompany them into the city’s malignant underbelly. Whether or not you can help them solve the crimes, your blood will flow faster as you escape to that world of adventure we all long for.

BUY LINKS:

Amazon for Kindle    https://www.amazon.com/Deadliest-Deceptions-Collection-Miriam-Mysteries-ebook/dp/B0BT3W7V1B

Amazon for Paperback   https://www.amazon.com/Deadliest-Deceptions-Collection-Mysteries-Mystery/dp/1685122752

June Trop and her twin sister Gail wrote their first story, “The Steam Shavel [sic],” when they were six years old growing up in rural New Jersey. They sold it to their brother Everett for two cents.

“I don’t remember how I spent my share,” June says. “You could buy a fistful of candy for a penny in those days, but ever since then, I wanted to be a writer.”

As an award-winning middle school science teacher, June used storytelling to capture her students’ imagination and interest in scientific concepts. Years later as a professor of teacher education, she focused her research on the practical knowledge teachers construct and communicate through storytelling. Her first book, From Lesson Plans to Power Struggles (Corwin Press, 2009), is based on the stories new teachers told about their first classroom experiences.

Now associate professor emerita at the State University of New York, she devotes her time to writing The Miriam bat Isaac Mystery Series. Her heroine is based on the personage of Maria Hebrea, the legendary founder of Western alchemy, who developed the concepts and apparatus alchemists and chemists would use for 1500 years.

As an award-winning middle school science teacher, June Trop used storytelling to capture her students’ imagination and interest in scientific concepts. Years later as a professor of teacher education, she focused her research on the practical knowledge teachers construct and communicate through storytelling. Her first book, From Lesson Plans to Power Struggles (Corwin Press, 2009), is based on the stories new teachers told about their first classroom experiences.

Now associate professor emerita at the State University of New York, she devotes her time to writing The Miriam bat Isaac Mystery Series. Her heroine is based on the personage of Maria Hebrea, the legendary founder of Western alchemy, who developed the concepts and apparatus alchemists and chemists would use for 1500 years.

June, an active member of the Mystery Writers of America, lives with her husband Paul Zuckerman, where she is breathlessly recording her plucky heroine’s next life-or-death exploit.

Facebook    https://www.facebook.com/profile.php?id=100044318365389

Website       https://www.junetrop.com/

Hobbies and Homicide

~ janispattersonmysteries ~ 2 Comments

by Janis Patterson

Hobbies (and crafts, though for brevity’s sake I will use ‘hobbies’ to cover both) serve several but very disparate purposes in cozy fiction, all in a kind of situational shorthand.

Although a surface read of the cozy genre seems to indicate that the protagonist/sleuth’s hobby is solving murders, there is more to the inclusion of a sleuth’s avocation. Often having a hobby gives the sleuth a sort of ‘leg-up’ on the modus operandi and eventual solution of the crime that the police do not necessarily have.

For example, a hobbyist needleworker might notice that the knots tying the victim are unique to a certain form of embroidery… or the same could be said of a model ship builder who sees the esoteric knots as being nautical.

A baker or cook or even a nurse or pharmacist might notice certain ingredients laid out that have no place in the recipe the decedent was baking at the time of death… or notice the distinctive scent of an obscure ingredient in a finished product that, combined with another ingredient, could cause an allergic reaction in some people, which of course the victim is one.

A hobbyist jeweler might notice that the garotte was made of a rare form of tiger tail (a coated wire often used in stringing heavy necklaces) instead of the common guitar string the police mistakenly believe it to be.

The use of this special, hobby-related know-how is a quick and believable way of giving the amateur sleuth a depth and breadth of knowledge that would be cumbersome and difficult to explain otherwise. However, this is a trope which can be easily overused. I mean, wouldn’t you quickly tire of mysteries where the same sleuth is always an expert regarding the widely varying ways and means of the way a murder was committed? Or that multiple murders by multiple murderers are serendipitously committed using the same unusual means?

To continue the above examples, it is unacceptable that bakers/cooks can solve only baking/cooking related mysteries or needleworkers needlework mysteries or… you get the idea. To say the least such narrow specialization would be pretty much unbelievable for an amateur sleuth cozy mystery, as well as totally destroying the idea of a series featuring the same sleuth. How many people can you believably expect to be murdered using needlework techniques? Excepting, of course, an obsessed serial killer, which is a totally different genre and therefore is another topic of discussion altogether.

Back to specialization. If there is a series where the sleuth has a useful and universal-ish hobby, as the more general the hobby the more believable multiple solutions become. For example, if the sleuth is an expert in 15th century Swabian poetry, how many mysteries can logically (or even semi-logically) be created to fit in such a narrow framework? On the other hand, a sleuth whose hobby is making ship’s models, the world of potentially solvable crimes expands. There can be mysteries about full size ships, doll house miniatures, history of both (and more)… all of which are basically related and could be easily lumped into one general hobby-related knowledge base.

Aside from the story uses of hobbies, avocational pastimes are wonderful as character revealers. When creating a character writers have to be careful to make each one an individual, a person you should be able to recognize if you met them on the street. Nothing can kill a book (no pun intended) faster than a cast of characters with all the depth and believability of paper dolls.

Real people are not so easy to pigeonhole. That sweet gentle man down the street whose garden is a dream was also a bad-ass Army Ranger in his youth. The doting mama who makes glorious ceramics in her garage kiln used to sing grand opera in Europe. That cherubic young man who builds model airplanes and helps elderly neighbors carry their groceries inside also sets fires for amusement. Humans are not single-note creatures, and neither should our characters be. Hobbies – even those which do not help solve the mystery – are a useful tool in creating believable characters.

And not just sleuths/protagonists/sympathetic characters. Remember, villains need to be well-rounded people too, perhaps even more than heroes. The mustache-twirling villain who does evil for the pure sake of doing evil belongs in bad cartoons, not in cozy mystery fiction. Sleuth, victim or villain, everyone is the hero of their own story. Although it might make no sense to us that the villain cultivates a lovely garden of poisonous plants so he can wipe out those who want to make a parking lot where a field of wildflowers bloom, we have to be able to see why he believes his actions are necessary. Even though we don’t believe in what he is doing we have to be able to see why he is doing it in order for our sleuth to obtain enough proof to solve the case.

Just remember that the hobby-related clues – like all clues – should not be obvious from the first. If a victim is killed by a salad containing some of the nightshade grown by the grumpy old woman down the street and she is the actual poisoner, that is not much of a mystery. On the other hand, if the killer is the sweet grandmotherly lady at the other end of the block who is always baking treats for her neighbors is using the grumpy one’s nightshade to get rid of those whom she doesn’t think are worthy of living in her neighborhood while trying to cast suspicion on her grumpy arch-enemy, that is a mystery. Or perhaps there is a third player, the man who amuses himself by drawing pictures of plants and hopes to get rid of both old ladies so he can buy their houses and….

You see? The possibilities are endless. Just make sure that when you create your characters – both sleuths and villains – that their reasons are valid to them even if not to us, that they are believable and (this is important!) accurate. If your character has a hobby, it doesn’t have to be yours – you just have to know enough about it to get it right. Otherwise those who do know about it will descend on you with righteous criticism and both your book and your sales will suffer for it.

(P.S. – for those of you who are following my republishing blitz, I am happy to report that it is going perfectly according to schedule – a book, freshly edited, freshly edited and as often as not with a new cover – released every other Wednesday since the middle of January! TIMELESS INNOCENTS (#14) released the 5th of July, and THE EARL AND THE BLUESTOCKING (#15) will go live on 19 July. Plus – drum roll here – my second audio book A KILLING AT EL KAB and my third CURSE OF THE EXILE are now available at Amazon and Audible!)

Missing deadlines makes me nauseous.

~ patyjag ~ 5 Comments

I have a write on wipe-off board that I use to keep track of my “deadlines.” These are self-imposed deadlines, because I am a self-published or Indie author. But I take keeping to my deadlines a big thing. I HATE when I miss deadlines. I, being boss and employee, beat myself up over missing them and I have a hard time when a deadline passes and see it will be at least another month before a project will be finished.

That is what has been happening with Damning Firefly. Each month, I add another month to get it written and move the rest of the projects I set as goals for the year forward.

I’ve discovered that while I believe I have lots of time to write, I find I spend a lot of time researching and promoting. The book also had to go through a tweak which added more time to the finished project. But I am on the downhill side, which means I am wrapping up the clues, tightening the handcuffs on the suspect, and hoping the twist at the end leaves the reader going, “Wow, I didn’t see that coming” or “That was a good twist.”

I want to put this book up for pre-order but with as many times as I’ve extended the writing of the book, I’m afraid I’ll miss the date. But then, I am also anxious to see what readers think of the cover and the premise. It is darker and more controversial than my usual Gabriel Hawke book. But it was an idea that came from things my parents, who have now passed, said to me at different times. And I think it is something that people in small communities will sometimes hide.

Sales and reviews will tell me if the book was a hit or a miss. There are just times when I feel like there is a story that needs to be told. It’s something that burns in my gut and comes out through my fingertips. LOL that makes me think I should write paranormal. The visual is kind of funny!

I have tried to pair humor with a darker tale in Damning Firefly and tried to show the side of the victim’s and the woman who tried to help them.

Hopefully, by my next post I’ll have a pre-order and the book will have come back from my editor and soon to be released.

Guest Blogger ~ Patricia Crandall

~ patyjag ~ 2 Comments

RABBITS, BUNNIES, WHISKERS AND HOP!

Why do I write? The answer lies in the fact I enjoy reading. It all began with Uncle Wiggley Longears, the rabbit gentleman stories by Howard Garis. At bedtime at our house in the nineteen forties, my father would entertain me and my siblings with his own version of an ‘Uncle Wiggley Adventure.’ After an ending, “And if the turnips do not fall into the cabbage patch traps and get eaten by the turtle tribe, tomorrow I will tell you about Uncle Wiggley’s narrow escape from the falling tree near ‘Henry’, the covered bridge.” (In Vermont, covered bridges are named). With an eager readiness at the next bedtime, three children sat in anticipation as my father struggled to fabricate a new Uncle Wiggley adventure.

            I learned early that children’s authors captivate a child’s and an adult’s imagination in a magical, mind-stretching manner that no other writer can do. The children/young adult authors who are repeatedly read in our home and are impressive masters to follow are: Howard Garis, Beatrix Potter, Dr. Seuss, Laura

Inglis Wilder, J.K. Rowlings, Carolyn Keene, Franklin Dixon, E.B. White and Lewis Carroll.

            Children’s authors often pen a story for a particular child as Clement Moore did when he wrote the renowned poem, ‘The Night Before Christmas,’ to satisfy his children’s need for a Christmas story. A child has an imagination filled with wonder and welcomes all types of zany and horrific tales. Put it all together and zap – Alice in Wonderland by Lewis Carroll.

            I have written a story entitled, ‘The Polka Dot Mystery,’ with my three grandchildren. It began on a rainy day when the children complained there was nothing to do. I pulled out pencils and paper. We sat around the kitchen table and began with the oldest child creating a sentence first. Then the second child added her sentence, followed by a grandson’s wacky sentence. My sentence came next and balanced his morbid one. We continued to do this until we had completed a story, ‘The Polka Dot Mystery.’ To our surprise, it was published in a children’s magazine.

            The next time you browse through a bookstore, check out the children’s section. And watch out for rabbits – they have multiplied in the story market. Hop to it!

Ten-year-old Wyatt and eleven-year-old Hannah uncover the dark world of illegal dog fights when they trespass at a Vermont farm and peep through a barn window. And when crotchety old Lester Cranshaw’s dog, Paddy, turns up missing, there is no holding him back from investigating the situation and the kids join in. In the dead of night, after the trio are captured and held hostage at the Inglis farm, Wyatt will need all of his wits and courage to escape in order to save the lives of his friends. The Dog Men draws the reader into a tempest of animal abuse, lawlessness, and kidnapping within the confines of small-town happenings. A chilling plot and a peerless relationship between kids, adults and pets.

Buy links:

https://shoptbmbooks.com/The_Dog_Men.html

https://www.amazon.com/dp/1614684669

Patricia Crandall has published nine books as well as numerous articles and short stories in various magazines and newspapers.  Books to date include: Melrose, Then and Now, a historical volume, I Passed This Way, a poetry collection, The Dog Men, a thriller, Tales of an Upstate New York Bottle Miner, non-fiction, Pat’s Collectibles, a collection of short stories, Living to One Hundred Plus, a collection of interviews of women living past one hundred and a y/a thriller about child sex trafficking titled The Red Gondola and the Cova. A Reunion of Death is a Christmas mystery in the method of Agatha Christie. Patricia is also working on a unique book of short story mysteries to be published in 2023. A member of Sisters in Crime (Mavens) and National Association of Independent Writer & Editors she lives with her husband, Art, and a rescue cat, Bette, at Babcock Lake in the Grafton Mountains near Petersburgh, New York. She has two children and three grandchildren who live nearby.

Patricia’s blog

Patricia’s website