My Favorite Halloween Costumes

The best part of Halloween for me is, by far, the costumes. Okay, little chocolate bars are up there. But deciding what to wear and how to make it, that is possibly the most fun of all.

Fred did not like the chicken suit

I wish I had pictures of my Jawa costume from 1977 – they’re around here someplace. I built it myself and it even had real, glowing orange lights for eyes. Then there was the last minute costume I threw together when I was 14 so that I could go trick or treating at the last minute. I wrapped up a bunch of sheet strips around my ankle, got an old ski pole and a jacket and went as a skier.

Which kind of underscores my costume philosophy. Make it really complicated or make it funny. Or better yet, both. This got to be a problem as my kid grew up because between me, with my creative inclinations, and her engineer father, who loved that kind of problem-solving, my daughter could ask to be just about anything and did.

We tried the shark suit with Clyde. He didn’t like it.
TobyWan didn’t like the chicken suit, either.

When she was 3, she wanted to be Cinderella. I did a creditable dress for her. And when she was 5, she wanted to be My Little Pony. That one was not one of my better efforts, but in all fairness, the sewing machine died the night of October 30 and all I had was my serger to work with.

Then, when she was 6, she wanted to be a birthday cake. We pulled that one off. She wanted to be a box of Nerds candy one year and was a treasure chest another year – both of those were her father’s work since they were all cardboard.

My husband now does not like to dress up and we haven’t been to a Halloween party in years, anyway. Life has gotten busy and I’ve had a couple health issues that force me to spend my energy on longer-lasting projects, like books. That, and we’ve already got the costume pic with TobyWan, the current dog.

Moses as Charlton Heston

The earlier dogs weren’t thrilled with the costume thing, but I at least got the costume on long enough to get pictures. That being said, it took almost 12 years to get around to dressing our dog Moses up as Charlton Heston, back in 2013. It may have been just as well. Mosie was pretty hyper as a younger dog and probably would not have sat still for the photo.

So, there’s not going to be any dressing up this year. Unless we get a last-minute invite to a party. That sheep costume should be around here someplace.

The Aging Protagonist by Paty Jager

I get an online ezine called the Crimereads. It has great articles about mystery books, authors, and the genre. The latest one had a topic on what makes a good protagonist and in the article the writer talked about how some protagonists age through the lifetime of their series and others don’t.

Because I am a writer who likes to keep my stories as real as possible, I tend to age my characters and keep track of the time/years for each book. If I write three books in one year, they are set in that year. So the next year, my characters are a year older and things, like secondary characters getting pregnant are part of my secondary plots. I remember reading books with characters that didn’t seem to age. Like Kinsey Milhone (the character who was the impetus for me to try my hand at writing mysteries), Miss Marple, Stephanie Plum, Mrs. Pollifax, and even James Qwilleran, and his two Siamese cats, Koko and Yum Yum

It will be interesting to see how long I can keep my character Gabriel Hawke traipsing about the Eagle Cap Wilderness solving murders when I started him out at 53 years old. But I have a feeling he will be going strong for a good long time. People around him will age, as will he, but we’ll see if his aging makes him think harder about family, his own presumably.

As for Shandra Higheagle, she has married since becoming a mystery character and while her friends are all becoming pregnant, I haven’t decided if she’s going to become pregnant, if she and Ryan will be a childless family, or if they will bring an older child into their family. It’s all up in the air at this time. It all winds around in my head as I ponder the future for these two.

One thing I know for certain. My characters will age, their lives will have ups and downs, and I hope they continue to be characters readers want to read about.

What are some of your favorite characters and have they aged over the course of their series or stayed the same?

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17 Hours by Missye K. Clarke

Late Saturday night, 4 February, 1991.

Sam had himself a time at a sweet jam in Upper Harlem. Talk at the party flowed: plans to rock out Disney World in the spring, because he, Charlie, Marie, and several other family members hadn’t yet been. Sam Junior was doing well in school. He had job security. He’d be a grandpop later that year. The drinks were maybe a touch better than the present company, but on the whole, Sam felt, life was good.

Too bad it all would soon end.

Sam left the Lenox Avenue apartment roughly 1:30am back to Queens and to bed. Mornings come faster when you’ve been partying, and he wasn’t the exception.

The station was quiet when he fed his $2.25 token fare in the Queens-bound turnstile. Distant laughter echoed in the labyrinthine station, and he cut the token booth a glance. The clerk behind the bullet-proofed glass gave a small nod in acknowledgement before returning to his Daily News.

More laughter carried through the chilly station, part of a monstrously complex network New York City Transit is. Although the best method getting around the Big Apple, a cab in that same distance to his Flushing, Queens residence was twenty times the transit fare, and he prided himself on being an unapologetic cheapskate.

He took a seat on the Queens-bound A train platform, sighs. Minutes skidded past. Nice party. Work’s been brutal. I need to do that more oft–

“You got money?” a voice asked over the hard thunder of an approaching train.

Sam looked up. Several teens in dark clothes semi-circle him. “No.”

“That watch says different, man,” a second teen said.

“So?”

The train still barreled in, but slowed as regulations dictated.

The teens rushed the man. No time to think, Sam pulled out a .9. Several against one wasn’t a fair fight, but in a fight, is anyone ever worried about fair?

Shouts, confusion, havoc. Cursing, punches thrown, shots fired. So much chaos for a small number in a tussle on a cold, lonely platform in the young Sunday morning. From a motorman’s viewpoint, powerless he couldn’t stop his run in time seeing a panicked human’s eyes while trying to climb back to the platform, and to safety, he’d find work not so conscience-bruising. No more would he play another part in a senseless end.

A teen involved with the scuffle–to his mother, he was still her firstborn bear cub, doing her proud he was college-bound–felt remorse he found himself in a fight he wanted nothing to do with.

Maybe his fellow thugs, eager to get high on a generous stash of rolls, blunts, and bowls, saw the event as a way to power up an otherwise witch’s tit-cold early Sunday morning. Their weed dude was late, they had to pass time some kind of way. And hey, a pulse of adrenaline kept them warmer a hell of a lot better than sitting in a boring Con Ed heated apartment devoid of weed would do.

Whichever the case, or the thoughts, those affected might see sunrise hours later. One man on a literal collision course with fate wouldn’t. Nor would he see the mid-year arrival of his first grandchild.

NYPD caught two perps, those outcomes unknown. But being underage, those boys’ criminal records are sealed, if not expunged altogether. The rest of that crew, if any to account so, or would cop to, fled into the ubiquitous shadows of the Manhattan night, maybe hit or missed by bullets, bur definitely gone like cold smoke. Bear Cub, the college-bound, might’ve been among the runners. Conceivably, he kept his mama’s promise and made good in school and then some: he shielded his bear cub child from the life he’d lived, knowing Bear Cub Sr. altered another family’s lives he’d never meet. Perchance this was the bear cub’s way to atone–God sees all but waits. He’d let Bear Cub tell that family his regrets in the next life.

* * *

Early Sunday evening, 5 February, 1991.

“Missye, I gotta talk–” my husband Pete told me as I had my key in the lock of our front door.

“One side, one side, let a rabbit through,” I demanded, feeling like an overfilled water balloon after finding no bathrooms between traveling home from a friend’s memorial for her husband.

Pete side-stepped my mad dash. I let my backpack purse hit the worn carpet outside the loo, not caring if something broke, got wet, or crumbled within the bag. When you’re the start of second trimester pregnant and your remaining wisdom teeth are floating, all bets are off.

I dropped on the seat, let ‘er rip. The release felt needed-laugh good, needed-cry good, or a solid right hook to a boss’s egotistical nose needing a get-back-in-line alignment, good. “Okay, babe . . . now talk to me,” I said.

Expression more solemn than when he’d told me his dog died four years before, Pete said sotto voce, “Honey . . . it’s about Reggie.”

“What about him?” I asked while tidying up.

“I really don’t know how to say this . . . but he’s dead.”

“Not funny, Pete.” I cut my husband a steeled look. “I saw him three days ago, and I just came from a service. Stop bullshitting me.”

Peter shook his head no. “I’m serious. He’s been killed. Charles just told me.”

Like 9/11 a decade and seven months later, shock hit me first. Still semi-dressed, I demanded our cordless phone, dialed my favorite uncle. From his flat tone on the fourth ring, my old normal imploded. So had his. (To this day that old normal’s still imploded with my favorite uncle gone, too. I fucking hate cancer.)

Sam–Reginald Samuel Briggs, and my birth father–was the man under six of eleven train cars headed to Queens those seventeen hours before. As of this post, NYPD has no leads or clues, the case among thousands of homicides in that agency’s cold files. The account of his death, based on scant details offered at the time, permitted me creative license fragmenting together his last moments alive.

Do I know the festering, nagging why behind this crime? No. Do I want to know that why? Again, no. Am I macabre enough to conjecture that night’s events to see how close I’ve come to being right? I have–it’s in the soul’s design to crave answers to things unknown. To a degree, it’s been fun giving this case closer scrutiny NYPD didn’t do–and beats crying to the final verses of Mike + the Mechanics’ “The Living Years” yet again :). But with the key players of this story unable to be found, recently or long dead, and an agency bent on leaving its shortcomings under lock and key, forensic speculation’s all I have.

Although crafting fiction sates my inner Nosy Nancy–I love bamboozling anyone who reads my stuff, if ever they do!–this event, bookending the still-murky motives of the AZ move a decade prior, my wild imagination and inner sense of stark right and wrong, have an outlet. What I can’t do alone in the clearly broken justice system I can do fictionally. I don’t know how purposeful it’ll gift mankind to convince them to do better in solving cold cases, but if it’s a pinpoint of hopeful, philosophical light at the end of a scary-dark tunnel for somebody else worse off than I, justice is served. But I’m forever changed by this. For the better, I’d like to think so, but that’s open for debate and perception.

Or maybe I’m in deep need for good trick-or-treat candy unloaded on me while I ensure good mostly triumphs in my mysteries. Make the haul anything citrus, cherry, watermelon, and sour apple in Jolly Ranchers®, Tootsie Rolls®, and Starburst®, please, and thanks. Kindly hold the bag of rocks–those are Charlie’s. Brown’s, that is.

👻🎃 Happy Halloween! 🎃👻

 

The Case for Standardization

by Janis Patterson

As a raging individualist I stand up for self-expression. That said, I also stand up for ‘normal’ punctuation and formatting. I do not see that as a behavioral oxymoron.

As writers we want our stories to be read, and in these days of literary bounty that’s getting harder and harder. It should be obvious that one way of achieving this end is to make the reading experience pleasant and easy, right? Well, there are those who apparently didn’t get the memo. Several times in the last few months I have read stories with ghastly formatting – I’m talking about deliberate formatting choices, not the weird kinks all electronic platforms toss at us occasionally. And I’m not going to mention the misspellings, the homophonic mayhem and just general wrong-ness, either. My blood pressure won’t take it.

Why on earth do people make deliberate formatting choices that make their books difficult to read? My guess is that it’s the same reason teens (as well as some older people) dye their hair kelly green and burgundy and other unnatural colors. They want to stand out, to shout ‘I’m different.’ Unfortunately, all too often in books the message comes through loud and clear – and what could be a good story is lost in an impenetrable sea of ‘individuality.’

When I worked in a literary agent’s office several decades ago (back in the bad old days of trad/paper pubbing only) we got an over-the-transom submission of what – from the blurb – sounded like a decent story. Except – the manuscript was a mess. He used standard quote marks, but every first line of each paragraph was flush with the left margin, while the rest of the paragraph was indented half an inch. Reading that was work, but even though I stopped after about ten or twelve pages I could see that it could be a good story with a little work – and proper formatting.

Being of a helpful nature, I sent the manuscript back with a note, explaining what I thought the ms needed, including standard formatting. I got back an excoriating letter, calling me a frustrated writer (I had sold half a dozen books by then, though none through the agency where I worked), accusing me of being hidebound and unwilling to accept new things, even of trying to stifle his creative genius and hide it under a blanket of conformity.

He, he said, knew better than I because he was a teacher of language and literature. (At one of our local junior – excuse me, community – colleges, I learned.) He also said he would take his book to those with the intelligence to appreciate it.

I never heard of him again.

I still believe that non-standard punctuation, misspellings, and incorrect word choices can kill a story, no matter how good it is, especially in today’s book-glutted world. Reading should not be work.

Guest Blogger- Daisy Pettles

Why I Write a Humorous Cozy Mystery Series for Feisty Older Ladies

Here’s a mystery for you … a study by Sisters in Crime, a professional women writers mystery and crime association, found that the vast majority of mystery readers are women. Moreover, 71% of the genre’s readers are 50 or older. (Source Link:https://cdn.ymaws.com/www.sistersincrime.org/resource/resmgr/imported/ConsumerBuyingBookReport.pdf)

The mystery? Why is it, then, that the leading lady of the cozy mystery today is a baby-faced, early career, 30-something, rather than a mature, perhaps somewhat disgruntled, widowed or divorced, half-retired woman of 50+ years?

I turned 60 this year, and I read like a demon, devouring novels like M&M’s. Why, I wondered, was my feisty generation—all prime readers for Pete’s sake—so invisible in women’s mystery fiction today?

I found myself agreeing with one sister in crime writer, Dianne Harman,  https://www.huffingtonpost.com/dianne-harman/boomer-reads_b_3210208.html, who mused in 2013 that, “[Boomer Lit] is the most overlooked, underwritten genre out there.”

OK, so the term “baby boomer lit” has gotten a bad rap. Much of that is justified. The indie market is awash with badly written “boomer” novels that feature highly forgettable “senior sleuths,” seeking second chances in the confines of gated retirement villages.

Too much of this lit pounds home a “sundowner” theme – think cancer, moving into assisted living, fighting over men with competing ladies in Leisure Village – OR a “second chance” theme. Think “widower dares to date again” or “the search for the one that got away.”

Problem. I don’t see my life as in need of “second chances.” I see it as more of what it always has been: a bit of a hair-raising adventure. Why not, I thought, write about cantankerous, every day women who are aging, but who are also busy having a go at life, every morning, pretty much as they always have?

Oldsters are as varied as youngsters (really, they are). Being of the mind that if there’s a problem it’s my responsibility to engineer a solution – a great notion from the 70’s when I first hit the road out of high school — I began to create a new crime comedy series loaded with oldsters of all varieties.

In my new amateur detective series, The Shady Hoosier Detective Agency, the protagonists are lifelong gal pals, ages 67 and 71, living in small town Indiana. They share a house, a 1960 Chevy, and reluctant custody of grown children who still reside in their basement.

One in particular (Veenie) has been a lifelong snoop. The other (Ruby Jane) has great computer skills. For them, the decision to punch a time clock post-retirement as sleuths with the Harry Shades Detective Agency is as much a way to exercise their curiosity as it is a path to supplementing their social security.

Back in the 90’s the TV drama “Golden Girls,” about older widowed and divorced women sharing a home and laughter, broke through ageism to show that the closing chapters of life can be as varied and exciting as the beginning and middle. I believe that there remains pent up demand for older, feisty women characters in the cozy mystery niche.

My goal in creating the Shady Hoosier Detective Agency, with Book 3, The Chickenlandia Mystery, coming out as this is posted, is to update the cozy to better serve publishing’s core reading demographic by creating books that mirror the more diverse evolving lives of Boomer women like me.

Like all publishing undertakings, it is up to the cosmos to decide if the series will find a readership, but a few stars do seem to be aligning. The Shady Hoosiers’ debut book, Ghost Busting Mystery, has thus far won three Best Indie Humor Book Awards and two Best Indie Cozy Mystery Book Awards,

In the end, I write what I want to read. There has never been a more active, curious, diverse, witty, kick-ass generation of women. Why not gift ourselves leisure reading that reflects this?

Author Daisy Pettles

Daisy Pettles was born in southern Indiana, in a tiny river town. As a child, she was fed a steady diet of books, pies, and Bible stories. Her debut cozy series, the Shady Hoosier Detective Agency, crime comedies set in fictional Pawpaw County, Indiana, won the 2019 Gold Medal as Best Humor Book from the Indie Reader, The Next Generation Indie Book Awards, and the American Fiction Awards. Visit her anytime at https://www.daisypettles.com

CONTACT: Daisy@daisypettles.com

TWITTER: @DaisyPettles

FB: https://www.facebook.com/daisypettles

WEB: https://www.daisypettles.com

Amazon Buy Links:

Ghost Busting Mystery (Book 1)

Baby Daddy Mystery (Book 2)

Chickenlandia Mystery (Book 3)