A Bee in my Bonnet by Paty Jager

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While figuring out the means of death in my latest Shandra Higheagle mystery, Toxic Trigger-point, I had to come up with something quiet, easy, and could be done while a woman was face down on a massage table.

I wanted the scene when the body is found to look as if the woman is on the table waiting for a massage, but then they realize she is dead.

The scene had to look serene-normal.

I came up with an allergy to bees. After reading up on it, I discovered people who are deathly allergic to bees can die within minutes of contact with bee venom. Further research, I discovered there are some facial creams that have bee venom in them. Enough to cause anaphylaxis shock and death.

To tell you any more about how it all happened would give the story away. ;)_

However, each time I tried to come up with a way for Shandra and Ryan to get a confirmation it was from a bee sting or venom from forensics, I was shot down by Judy Melinek, MD and forensic pathologist.

Each time I’d come up with something, like, how about finding the enzymes for bee venom in stomach contents, she’d shut me down. Bee venom can not be tested for because of it’s chemical break down. Hmmm….

She told me the discovery would have to come from the investigation. Discovering the woman’s allergy and working from there. So that’s what I did. With the help of information from the victim’s family and, of course, Shandra’s dreams, she and Ryan solve the murder.

This is what I enjoy about writing mysteries. While I might have a great idea in mind for a murder, I have to dig and research to discover the best, and sometimes the only way, to disclose or discover how the victim was killed.

Have you read any mystery books with an unusual way the victim was killed?

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How Mysteries Found Me . . . and Elude Me

Ever since I was a fourth grade nothing–and despite my disdain in book report writing during grammar school–my goal was to break into news reporting. Specifically, feature writing, soft-news reporting, or 1st POV investigative journalism. Thank the current events segment of school lessons, two National Geographic and Time magazine issues, and falling asleep to the opening 10 O’Clock news segments–after the announcer’s ask if parents knew where their children were?–of the usual Middle Eastern countries fighting. I’d be amiss if I didn’t give a nod of gratitude to the inimitable Paul Harvey for enriching my love of journalism until his still-missed narrative on said news. The dream became reality in features reporting for two college newsrags, an online site when the Interwebs was young, a stint with a New Orleans Pennysaver, a church tabloid, and scattered articles in First Draft, and in a Brooklyn, a Queens, and a small-town Texas outlets. But even with present-day current events growing scarier, stranger, and noticeably darker with each passing hour as news outlets are also noticeably more crowded and pointy-elbow competitive, I still follow them steadfast.

Much as I love words and what REM sleep-dreams surprise me with, it never occurred I’d write one book, let alone be earlobes-deep into projects spanning three separate series, this platform, newsletter-planning, and shoehorning in working flash fiction pieces and haikus. The universe and the Designer behind it had adventures in mind not involving conventional journalism. As one not believing in coincidences, I’m body-surfing this space-time wave unapologetically.

My now-deceased mother devoured anything medicine-related for a career in nursing, but my joyous arrival detoured those plans. My being born with albinism likely pushed her into the genetics end of biology of medicine, from the sneaks I saw of her Queensborough College class notes, and with her help during high school biology and organic chemistry, I aced the classes; to this day, I still remember most of the components. On her days off from working as a phlebotomist lab tech since early childhood, she watched every medical or crime mystery on TV. Perry Mason. Quincy, M.D. Nancy Drew/Hardy Boys Mysteries. Hart to Hart. Ironside. Alfred Hitchcock Presents. I Spy. The Saint. Mannix. Barnaby Jones. Kojak. Nero Wolff. More often than not, she cracked the case before the show’s penultimate commercial block. She also read Sidney Sheldon, Michael Crichton–The Andromeda Strain stands out alongside Robin Cook’s Coma and another title with “Ophelia” in it, but I’m unsure which this is–Jackie Collins, and back copies of Ellery Queen. She’d offer these when I read everything in our area library or at home, but I did so lacklusterly (yes, I made up a word! 🙂 )–no kids were in it. Leastwise, no cute guys I could imagine as my book boyfriends. Sherlock Holmes was easier to listen to than to read, but even then, that story captured me as long as a rainbow lasts; ADHD much? Same with Nancy Drews (what WAS it with every 👏🏻 story 👏🏻ending 👏🏻 with 👏🏻 an 👏🏻 ice 👏🏻 cream 👏🏻 sundae 👏🏻 celebration?!? Who can even eat that much ice cream–NOT looking at you, Joey Chestnut! 🙂 Yikes!). The Hardy Boys were more fun than Nancy, as were a handful of classic Scooby-Doo episodes, but not for lack of trying. Aside from the aforementioned, there wasn’t much for kids to believably play in, and case-crack, good whodunnits. Sci-fi, sure. Judy Blume, Richard Peck, Heidi, Charlotte’s Web, Peter and the Wolf, Beverly Cleary, and Paula Danziger ruled the kid-lit scene as Harry Potter, Wimpy Kid, The Dork Diaries, and the Percy Jackson reads do today, but the After-School Specials in book form tackled fitting in, boy-meets-girl, boy-loves-girl, boy-loses-girl or boy-claims-girl-again, bravery and honesty in friendships, humility, and standing up for oneself Cleary handled. Danziger and Blume took on heavier topics like divorce, drugs, puberty, sexuality, dysfunctional families, or weight struggles. So who’d believe a kid crime-fighter or a pint-sized spy in the same playing field genre as Sherlock, Nero, Bond, or Mike Hammer, let alone one grown-ups would take seriously? Heck, even teenagers Frank, Joe, and Nancy were grown-up technically, but they probably still did kid-stuff like ball games, pillow fights, sock-hops, and pajama parties offstage!

Aghast and disgusted with American journalism’s willful descent into madness during college, post graduation and zero job prospects, I pondered what I’d next write, where I’d next go. Diary-keeping–meh. Blogging wasn’t a thing. I loved emailing, but didn’t know a soul I couldn’t easily talk to in person or on the phone. And most family members had passed away or weren’t on speaking terms with me to engage in letter-writing. My imagination? Then, like now, is too friggin’ big to contain in a short story if I tried. Still reading though–Harry Potter, in this case–while cleaning my kids’ bedroom one afternoon, a teenage boy on his bed in his messy room, looseleaf open on his knees as he dozed, flashed to mind like C.S. Lewis’s lit lamppost in a snowstorm-shrouded forest popped in his. This fully formed Wyoming high school sophomore, oldest of three siblings and sans girlfriend, was Jay Vincent. Upon hearing stock car racers Tony and Cruz Pedregon’s surnames later that evening, I stole this to tag as J.V.’s. Add in Keenan Alexander, the name Keenan influenced by the Wayans brothers on a youngish FOX network, and Casper McGuinness from another false-start novel, I had my central cast in need of a story. A few turns of the imaginative Phillips head, Keenan became Casper’s street-smart, smart-ass, and lady-killer cousin Logan.

2005 was pivotal for news and personal events. New York State Governor Eliot Spitzer made headlines in regular trysts with a prostitute and for it, shamed out of office. Not long after, New Jersey Governor Jim McGreevey lost his post for hiring a PI to track his gay boyfriend’s affair at taxpayers’ expense. Iconic comedian Richard Pryor, and R & B artists Luther Vandross and Rick “Superfreak” James died, but Pryor made ink with his birth allegations the result of a hooker-john union. In that year, I happened into a long-forgotten neighbor around the corner from my then-residence who remembered my being a non-conformist curiosity preschooler, and a ball of near nonstop energy. A ten minute exchange of hellos and are you so-and-so’s daughter turned into a year of visits, teas, desserts and hushed conversations I deserved to know, including confirmations behind our 1980 cross-country move, how my maternal grandmother had been an alleycat, and my dad’s acidic bigotry to Caucasians were explained.

Even with my questions and suspicions acknowledged, a deeper why thickened the current events and history soup I mentally and emotionally digested: What if two high school kids learn they’re sons of prostitutes, set to be slain to keep them from discovering why they are? From that, I the composer to sleuth-to-be Jay Vincent Pedregon and cousins Casper and Logan McGuinness, the players of the music in pouring out my heart in anger, shock, astonishment, rage, and sadness in my experiences-backstory-explained on paper, mixed with current events in the novel’s plot, found a story home. In the storm and its cleansing, JERSEY DOGS was born.

Was that to shamelessly plug my inaugural mystery? Nope. It’s to illustrate why I’m an author in the first place, and how my ancestry’s sordid and unapologetic past drop-kicked me here. My mother’s love for this genre, and learning she used to write before her vocation in peripheral medicine? Partly. But it’s broader and more intense than having messy creative fun in streaking watercolors to blend word forms, characters, scenes, plots, and settings. If I’m gonna be ugly-crying honest with myself and with you, I need to be constantly okay with my father’s homicide in 1991, that I may never uncover why that now Pluto-cold case ever happened, or that his putrid ethnic views might’ve factored in his death. I’m also good with not knowing my mother’s deepest fears in having daughters with albinism, or her fright behind her uprooting my 14yo self and its bustling, never-sleepy Metropolis life to a podunk northern Arizona town with one traffic light and one post office. Forensically, though, albeit fictionally, my curiosity Qs and As are a little more sated with each story crafted, crime solved or gotten away with, and growth steps my characters take. That, too, is okay. If there isn’t enough time to read all the books I’d like to, then in a world where the 5Ws and an H are often plain, aspects of how my author life came to pass is a sweet enough mystery for me.

What Makes A Mystery?

by Janis Patterson

We talk a lot about writing mysteries, reading mysteries, enjoying mysteries, but it’s seldom discussed what a mystery is. Leaving out the religious definitions, Dictionary.com says

  1. any affair, thing or person that presents features or qualities so obscure as to arouse curiosity or speculation
  2. a novel, short story, play, or film whose plot involves a crime or other event that remains puzzlingly unsettled until the very end
  3. obscure, puzzling, or mysterious quality or character

So at heart a mystery seems to be an obfuscation, either deliberate or accidental. I can deal with that. It isn’t easy, but I can deal with it. It comes down to making the unknown known, and the writer has the unenviable task of revealing it piece (clue) by piece. That is after he created the story and then covered it up! It is a delicate balance.

Taking a ‘mystery’ and making it into an enjoyable and reasonably coherent novel is a daunting process, whether it’s the question of who took Aunt Ida’s coconut cake to finding a vicious and seemingly omnipotent serial killer. The process is – or should be – the same. Even if it isn’t the first scene in the book, when you’re plotting you need to start with an action by an unknown – i.e., the crime, be it coconut cake or murder. Then you must follow the carefully laid clues but seemingly random clues found by the sleuth, be he amateur or professional detective, and by examining these clues eventually uncover the truth. Don’t forget to complicate the process with a fair amount of believable red herrings and some conflicts/problems caused by the people involved.

The trick to doing this is not to be too obscure or too obvious. And I’m a firm believer that your sleuth has to work at finding these clues and therefore find the solution to the mystery in a logical and sort of organized form. You should also put in enough clues that the reader, if so inclined, has a decent chance of solving the mystery. Now I’m perfectly aware there are mysteries which are widely read and even some celebrated writers who break these rules. The most famous example is Raymond Chandler, who admitted that sometimes even he didn’t know how his sleuth solved the mystery – it just happened. Raymond Chandlers are few and far in between, though; the quality of his writing was so good that neither readers nor critics seem to care. Don’t try to duplicate this. Odds are you can’t.

Another rule-breaker is often the currently popular ‘fluffy’ cozy mystery. The sleuth is usually a woman and she usually has a ‘cute’ job – owning a bakery or specialty coffee cafe or floral shop or something similar. She has or wants a boyfriend, who often turns out to be a policeman of some sort, and a bunch of ‘zany’ or ‘quirky’ friends. All too often in this kind of story the mystery is of secondary importance to personal relationships and the personal life of the sleuth. It’s an overdone trope, but some sleuths still express a passion for shoes which takes up a lot of the story space. Which is fine, as long as that is the sort of story is what the reader wants.

What is not acceptable, however, is when in whatever kind of mystery the sleuth does little to no sleuthing. Clues seem to appear with no effort on the sleuth’s part. The solution is highly reminiscent of the deus ex machina so beloved of Greek and Roman playwrights. I call that a cheat. A mystery shouldn’t need a god to step down from Olympus to unravel a story so complex it is beyond the ken of mere humans.

It is good that there are so many variations of mysteries – puzzles, non-lethal crimes, capers, murders, serial killers, fluffy cozies, traditional cozies, hard-boileds… there is a style of mystery for every reader. I only hope they follow the rules that make a mystery a good story.

Cozy mysteries… on TV

I love cozy mysteries so darn much (so much that I’m saying darn instead of something with a bit more bite). I love to read them and I definitely love to watch them. There’s something about the quirky characters and charming settings brought to life on the screen that makes them so enjoyable.

I’m a huge Hallmark fan. Park me in front of my TV, turn on Sling and let me binge watch Hallmark Christmas romances and I am a very happy woman.

Very. Happy.

Guess what I love as much as a Hallmark Christmas romance? A cozy mystery on Hallmark Movies & Mysteries. There are so many great ones and I wanted to share a few of them with you.

As a writer, I love to see how the stories are assembled in film form. As a reader, I can watch a cozy much faster than I can read one 😀 And some of the Hallmark cozies are based on books, which is like super duper extra bonus round.

Mystery 101 series

I LOVE this series. There’s two out currently with a third releasing in September. This series combines several of my favorite things: criminology, academia, romance, and a good mystery.

The setting is great and the chemistry between the two characters sizzles. I love a slow burn romance. But you know what I love most about this one? The female amateur sleuth is brilliant. She’s not ditsy and she doesn’t stumble upon the answers by accident. She’s smart and respected.

Also, the detective respects her. Instead of spending the whole series giving her crap and telling her to stay out of his way, he respects her contributions and acknowledges that she’s helping him solve the murders. I really enjoy the banter, cheekiness and respect these two characters have.

Morning Show Mysteries series

This series first drew my attention because it’s set in the Pacific Northwest (where I live). The family and friends of the characters are so charming, loving and downright silly sometimes.

This mystery also includes a second-chance romance between the amateur sleuth and the detective. Their chemistry is fantastic. Also #RickFox #swoon.

This one does a great job blending several interests, specifically television and cooking. If you like either or both of those things, this is the series for you.

Your turn! Do you watch any Hallmark mysteries or other cozies? I’d love your recommendations!