By Sally Carpenter
Why do people like different types of literature?
Writers have been wrestling with that question since the first authors tried to earn a living with their work. Why are some books best sellers and other titles flounder? If I knew the answer to that, I’d have some moneymaking books on the shelves myself.
Some books managed to stand the test of time, such as the Sherlock olmes tales that were a rave hit when Arthur Conan Doyle penned them—people went into mourning when he tried to kill off his character. The stories, set in a distant time and written in a rather cumbersome style, are still popular today. Yet the sensational private eye stories from the American pulp magazine era are dismissed as period pieces. Why is that?
I read that our tastes are “imprinted” at an early age. Often the music, books and pop culture we grew up with are the preferences we keep our whole lives. This can change, of course. As we mature we stop reading children’s books and move on to adult literature. Young adults—in conscious rebellion or unconsciously—want a culture distinct from their parents’. Often people raised in a small, closed community find their tastes broaden when exposed to other cultures.
But I think the imprinted theory is mostly true. Devout fans read a certain author in their youth, and they kept that taste their entire life. Just for fun, I’m on a Facebook closed group for fans of the Columbo TV show. Someone asked why we love the program. Many said it reminded them of growing up in a home where the family gathered at the TV to watch the show together on Sunday night. Others like the ‘70s culture of the show—the music, clothes, and mannerisms. Columbo brings back fond memories of past times. Reading a favorite author takes us to a time and location that brings us joy.
I know of authors who are noir fans. They love watching the old noir movies and their writing is a tribute to that genre. I wonder how writers find joy in writing such dark, gritty work. It’s a fascinating world of dark alleys, hideaways, shady deals, colorful characters, beautiful seductive female and a good guy who often behaves in a bad way to get the job done. The noir authors I know are nice, quiet, law-biding people. Maybe the noir world provides “nice” people a safe outlet to imagine themselves as a fist-punching, hard-drinking, womanizing private dick with a seedy office and seedier clientele.
I know an author who hates cozies because of the murder of a close family member—she “finds nothing funny in murder.” So her books are dark and grim. Fans of such stories perhaps like finding justice in the darkness.
When cozy readers are asked about their faves, they often say they enjoy the sense of family found in such books and watching how the characters change and interrelate over the course of a series. Cozy fans also like the escapism of spending time in a fantasy, small-town setting.
I recently decided to challenge my tastes a little. One of my cozy series is a 1960s spy caper. I joined a Facebook group for fans of spy books and films. I asked what books I should read as a newbie and received over 10 responses. Fans love to share their knowledge! From what I‘ve seen of the group so far, they mostly prefer the Cold War, harder-edged tales. My books may be too “cozy” for them, but hey, maybe I’ll broaden their tastes a little.
What are you tastes in reading and how did it come about?