Tag: writing

Picking Up Steam by Karen Shughart

~ kshughart47 ~ 3 Comments

I recently received an email from someone who has read all the cozies I’ve written. She said that while she enjoyed each of the books in my Edmund DeCleryk series, she thought the most recent one, Murder at Freedom Hill, was the best; with each book my writing skills have evolved, with layers added to each story. I appreciated her candor, and she probably was correct. My writing has in many ways been like a train, metaphorically picking up steam, and adding railroad cars as necessary to accommodate a growing number of passengers seeking to get to their destination.

With the first book in the Edmund DeCleryk cozy mystery series, Murder in the Museum, I wrote a prologue that introduced a historical backstory that provided clues to why the present-day murder occurred. As the mystery unfolded, the backstory, spanning the late 1700s to the mid-1800s, continued with artifacts found in the basement of the museum and discovery of a memoir written by a man who, in his youth, had made terrible mistakes but who redeemed himself in adulthood. It was a short story within the book.

I continued with the historical backstory concept in my second book, Murder in the Cemetery, after deciding it would always be part of my cozies. But this time after the prologue, I conveyed it with the discovery of an artifact at the cemetery where the victim was killed, and a series of letters a lonely wife wrote to her sister while on a quest to find her husband, who had been transported to England as a prisoner of war during the War of 1812. Instead of one prologue I wrote two, the first introducing the backstory, and the second giving the reader the seasonal setting for the present day murder.

In the third book, Murder at Freedom Hill, I continued with the two prologues and the backstory-a narration for an exhibit at the historical society about the victim’s ancestors, both Black and White-who were involved in the Underground Railroad and Abolitionist Movement. Then I added a subplot that was separate from, but intricately woven into, the main story.

Now I’m working on book four, Murder at Chimney Bluffs. In this one, I continue with techniques I used before: the two prologues, the historical backstory -now rumrunning and the Prohibition era -but the backstory will also be the subplot. And I’ve added a second mystery, a cold case from decades ago that may lead the investigators to the killer.

I’m happy with the progression of these books, it keeps me interested and stretches my brain, but I confess that the writing is taking me a bit longer with each one. Now I’m compiling more notes and have added a timeline and a list of characters, many of whom are recurring; some new. As I continue to write the series I, too, am picking up steam, which will, hopefully, make each book better than the one before.

Karen Shughart is the author of the award-winning Edmund DeCleryk cozy mystery series, published by Cozy Cat Press. She has also co-written two additional mysteries with Cozy Cat authors, and two non-fiction books. A member of CWA, North America Chapter, and F.L.A.R.E., she lives with her husband, Lyle, on the south shore of Lake Ontario in New York state.

Discovering the Setting

~ susanoleksiw ~ 11 Comments

I’m in the middle of the sixth book in the Anita Ray series, which is set in a tourist hotel in a South Indian resort. Over the years the area has grown from a tiny fishing village with a few hotels just up the coast to one of the most popular destinations for Westerners eager for the sun and sand, not to mention the sunsets and the fishing boats bobbing on the horizon at night. I know the area well, having visited it for the first time in 1976 and several times in the 2000s. 

The pathways laid out in the early years are now paved walkways through marsh with little pools covered with lily pads. The paths have been widened in some areas to allow shop owners to hang out rows of brightly colored silk saris and blouses. When I think there’s no more room for another restaurant or shop, I turn a corner and spot five square feet turned into an open-air cafe with the owner stirring a pot on a two-burner cooktop, ready to serve the foreigners sitting on stools before a board table. The food is good, the price is right, and the cook’s son works in one of the high-end hotels. Much of Kovalam has spread on what was once paddy fields that came down to a low berm fronting the beach. All those are gone, and only the rare private home remains, hidden away beneath tall palms.

A reader often tells me they know “exactly where I am” in an Anita Ray story, and that’s because I do too. I have a strong sense of direction in India (and elsewhere), a deep understanding of India (after years of graduate school), and a personal love of the region. All of that informs the Anita Ray stories. What I don’t have is a sense of place in any story if I haven’t been there, walked through a public park, found a typical cafe for the area, and visited a municipal building—perhaps a library or town hall. I can make up a lot of it, but I need to experience the “feel” of the place. 

The Joe Silva series, in seven books, takes place in a small coastal New England town. I know these towns well, having grown up in one. The rocky coast speaks of the “flinty” Yankee, and the harsh winds call to mind the ever-present threat of hurricanes and other storms. Winters may be changing because of climate disruptions, but the birds still come, the land demands careful attention, and life for the fisherman is never easy.

One of the reasons I enjoy reading crime fiction is the other landscapes I get to explore. I’ve been through the Southwest and lived for a brief time in Tucson, so I appreciate any writer who can take me into that world of mountains and deserts, long straight roads, and small adobe houses with gravel yards. The openness of Montana and Wyoming brings out the best in some writers, and I look forward to their stories and landscapes.

Regardless of where we grew up or now live, we are creatures of our environment, and the best fiction uses that sense of place, what is distinctive and unique about one location, to propel the characters and their story. This, for me, is the reward of a reading a novel with a rich, fully developed setting. I come to understand both people and place, and know a part of the world I may never visit a little better.

An Early Spring by Karen Shughart

~ kshughart47 ~ 3 Comments

Here on the south shore of Lake Ontario we had a mild winter, and now we’re having an early spring. In February that rascally groundhog didn’t see his shadow, so he probably wasn’t surprised when our daffodils started peeking up from the ground, that green leaves emerged on our hydrangea bushes, or that lush catkins swelled the branches of our pussy willow tree. Robins began hopping about in search of worms, and we awakened to the cooing of mourning doves much sooner than expected. Geese obviously know things we don’t, we spied multiple V-shaped processions flying high in the sky, heading north to Canada, about a month early.

February was also a wild roller coaster ride – a day or two of sub-freezing temperatures with power outages, the result of vicious wind and driving rain or blowing snow — followed by a day or two of sweater weather, bright sun with temperatures in the 50s, 60s and on some days, 70s, Repeat, and repeat. Thank goodness we have a generator.

Now it’s March, the month that in our neck of the woods we call Mud Season. The reason for the name is that the several feet of snow we typically get each winter melts in a rush in a day or two, flooding our streets and making for swampy grass and a mucky beach. This year it never happened, we hardly had any snow. It’s odd, but then again, we’re not complaining.  I’m still clipping sprigs from the rosemary plant I grow in a pot on our deck, usually by now it’s turned brittle and yellow.

In the past I’ve never really loved March, we often travel south for warmth and sun, but this year we decided to stay home and put a positive spin on it. March, like its cousins June, September and December, spans two seasons, with winter ending earlier than expected and signs of an early spring everywhere.

The air smells softer, a sweet perfume of ripening earth, and instead of washed-out blue, the sky is now the color of a robin’s egg. The lake, more often than not, is cobalt with frothy waves of white instead of pewter and silver. The days are longer; and we often awaken to a coral-pink sunrise and cheerful birdsong. Instead of heavy coats and boots, we don sweatshirts or sweaters and sneakers for our daily walk.

This year, it’s as though a switch has been flipped weeks earlier than we expected. We’re enjoying it and the opportunity to spend more time outdoors as we anticipate the slow and steady movement towards the vibrant days of summer.

Karen Shughart is the author of the award-winning Edmund DeCleryk cozy mystery series, published by Cozy Cat Press. All books are available in Kindle, Kindle Unlimited, paperback, and Audible and at independent and chain bookstores and gift shops. She is a member of Crime Writers Association of the UK, North America chapter; F.L.A.R.E. ( Finger Lakes Authors and Readers Experience) and AllAuthor.

Hook, Line and Sinker – The Problem with First Lines

~ janispattersonmysteries ~ 4 Comments

by Janis Patterson

Unfortunately we live in a sound bite age – if you don’t get their attention in X amount of seconds you don’t get it. Time was when authors were advised that you had the first chapter to hook the reader (agent, editor or customer). Then it went down to the first five pages. Then the first page. Then the first paragraph. Now people are leaning toward the first line. Logic would dictate that it would stop there, but in this crazy publishing world I wouldn’t bet on it. With a sad fatalism I’m waiting for a list of sure-fire attention-getting first words. Where things will go after that I don’t even dare speculate.

So what do you do? You grab their attention from the first. Now I’m generous, so I personally work under the three sentence rule. You have three sentences to intrigue them enough to read on. Almost every classic novel violates this rule… some of them adhere to the old ‘first couple of chapters’ convention, which means many if not all would never make it to the shelf today. Of course, novels, conventions and writing styles have changed over the years; what was loved and lionized years – decades – centuries – ago is dead weight today. After all, how many modern people read really old books today for pleasure? (I know some do, and good on them, but we’re talking about modern, short-attentioned modern genre readers.)

So what is it about first lines? People say, you have your cover blurb – why won’t that make them read the book? Well, sometimes it will. It and the cover will usually get the reader to look and pick up the book, but the first sentence(s) will make them want to read the rest. (And like all other things in this more than slightly mad business, this is a generalization. Nothing is ever absolutely certain!)

How? is usually the first question. What do you do to hook the reader? What formula is there to make sure that first line makes them want to continue reading?

The first thing you do not do is start off boring. Don’t talk about the weather, or the pretty scenery, or how much you like your new red dress… unless of course, this is so strange or so much of a clue or whatever that it almost turns out to be the turning point/crux of the story. That’s an individual story call.

Some people just start writing and eventually go back to edit; others end up cutting the first thousand or so words to get a good beginning. Every writer at one time or another has been told “Your story starts in the middle of the second chapter – cut everything before that and lard the information into the story later on.” Other writers can craft a winning first line almost from the get-go. Still other writers come up with a sterling first sentence and then create a story to support it. Even other writers… well, you get the idea. Writing is a highly individualistic enterprise and everyone’s process is different. There are requirements about the finished product, but the process is up to the individual writer.

Back to first lines. Do start off in the middle of something exciting. The hero is caught in the middle of a wildfire or is being stalked by a hungry tiger or is hiding from a gunman – or is being made love to by the most beautiful woman in the world whom he has never seen before. Make his emotions your own. Make the reader wonder (1) how did he get into such a situation and (2) how is he going to get out so much that he has to keep reading.

Once the reader is engaged you can tell the rest of the story – either from that point on or going back to the beginning to tell how he got there or whatever timeline the story demands.

Let’s face it – it doesn’t matter how good and outstanding your story is, or how you present it, the reader is not going to read it unless you hook their interest, and one of the primary tools for that is the first line.

GOOGLE IT!

~ Kimila Kay ~ 5 Comments

Eons ago, when I wrote my first book, I actually had to go to the library to research untraceable poisons, fast acting poisons, skin absorption poisons. Yes, I was poisoning someone and yes, I’m that old!

I loved going to the library, I mean after all it is filled with books! But as a single mom at the time, with two young boys, my opportunities to languish in a palace of books were limited.

Also, during my early writing days, there were no TV shows like Criminal Minds or CSI. Though I have a dark and twisty mind, I didn’t know anything about “behavioral analysis” or “DNA” or “national criminal databases.”

In my next WIP, my villain convinced another inmate to kill himself while posing as the villain. The villain would then assume the dead inmate’s laundry job and smuggle himself out of the prison in a laundry truck. My weapon of choice was a lightbulb gasoline bomb, an idea I stole from “The Longest Yard.” So, I was back in the library researching how to make such a bomb. When I found no such information, I resorted to asking my electrician uncle who said he’d remember not to make me mad.

Then, when I wanted to know what type of firearm an FBI Agent carried, I emailed the FBI. Instead of receiving an email reply, the FBI called me. Evidently, at the time, they kept this information secret, and I was told I’d be placed on a list as an author in case I emailed them again.

A side note about lack of technology when I wrote this book, it was written longhand on countless sheets of a legal pad. Then I would spend hours carefully typing the novel on a non-autocorrect typewriter. Good times!

Imagine my delight when the World Wide Web was created, along with my ability to own a desktop computer! And, of course, my creative brain couldn’t get enough of shows like CSI and Criminal Minds.

By the time I wrote my next novel, it was 2004. My husband and I were finally empty nesters, and I was blessed with the opportunity to work from a home office.

I have an overactive imagination, which isn’t always accurate. Now when I need to verify an action one of my characters might take. Or the consequences for a specific crime if my villain is caught. Maybe I just need to know what the times are for sunrise/sunset in a specific month. Whatever the question, Google is at my fingertips!

I love that I can get instant information from several sources and within minutes to hours, I have my answer. Generally, I copy and paste my newfound knowledge and store the Word file in a folder for my current WIP. Another great tool is the ability to search my Word program for a specific item, but if I failed to save the nugget of info, I can always Google it again!

Googling does have its pitfalls. When I researched how to smuggle drugs in an RV (think gas tank) I received a phone call from Homeland Security. At first, I thought I was being pranked and the following conversation ensued:

“Hello, Mrs. Setzer,” a baritone voice filled my ear, “this is Agent Michaels from Homeland Security. I’m calling regarding your recent research on how to smuggle drugs into the United States from México.”

Okay,” I laughed, “who is this really?”

“Agent Michaels from Homeland Security.”

“How’d you get my cell number?”

“We’re Home Lane Security, ma’am.” Agent Michaels sounded annoyed. “Please answer the question.”

“I’m an author and just doing research for a book.”

“Understood. You will be placed on a list as an author, but you may want to be careful in the future with regard to your Google searches.”

Oh, good, I’m on another list!

Recently, I was struggling to settle on titles for two new WIPs. One book centers around a character’s survival while stranded on a ledge after a fall. The second WIP is about a serial killer who places bodies into a river. These two books will be part of a series that has two-word titles, which are my favorite. As I had my hair cut and colored, my stylist, Larry, and I tried out different word combinations. We landed on “Ravine”, which I really liked, but needed a lead word beginning with R.

You guessed it, we turned to Google! During my two-hour visit, Google sparked our imaginations with words like rescue and remote. We had fun trying different words with “Ravine.” Given a ravine is generally in the woods, our search led us to rattlesnake dens located on rocky ledges. We finally settled on “Rattlesnake Ravine.” Not only do I love the title, but our brainstorming created another threat for my Hero. And if you hate snakes as much as I do, researching and writing about their behavior was creepy!

This series already has “Redneck Ranch”, “Whispering Willows”, and “Willow’s Woods.” And though the titles are perfect for their novels, I really wanted to use a different consonant. So, on another recent visit to Larry, we repeated our title Googling session, finally landing on “Fatal Falls.”

Now, in an era of instant information, I am in awe of the tools available to me. From acquiring specific knowledge to checking facts to looking for inspiration, I can use Google, Bing, Wikipedia, and more.

While I love being able to use technology with my writing projects, I’m not planning to go down the AI rabbit hole. My mind is already dark and twisty without the benefit, or detriment, of Artificial Intelligence.

I very rarely visit a library these days to do research, but I do still write longhand on a legal pad. My favorite writing spot is a noisy bar where I get lost in the cacophony of sound. And when I need a tidbit to round out a character, to verify the average temperature in Oregon in October, or fact check how a rural Sheriff’s Department would handle a crime scene … I just Google it!!!

Happy Googling, Ladies!!!