Killing Time by Paty Jager

paty shadow (1)Eons ago when I wrote my  first mystery book it all started with guests on a talk show. Well, let me take a step back from there. I wrote that first murder mystery because there was someone in my life I wanted to see dead. Since I’m a law-abiding citizen, I used the power of words to kill my intended victim. 😉

It was having the demise of this person in mind as I watched the talk show that the premise of the story formed. The talk show had a woman and a man who were private detectives and they’d written a book, Be Your Own Detective. I listened to them talk about how they’d written a book that could help anyone be their own detective.

I haunted bookstores until I found the book. (This was way before you could order easily online). With the book in hand, I came up with a freelance photographer and divorced mother of two who gets a call from her ex that he is in jail for a murder he didn’t commit. The woman debated on whether to ignore her husband or make sure her children didn’t have the baggage of a criminal father. She watched a talk show and discovered the same book I did. 😉

With the book in hand she begins digging into the whereabouts of her husband when he supposedly killed a woman. (The person I wanted dead)  I used the information in the book on tailing, surveillance, paper trails and verbal seduction to come up with scenes and move the story along. The book had lots of great information in it. Some of it would still work to day and some that is dated.

I actually wrote two books with the same amateur sleuth. Some day, with lots of updating, they might become published. But as long as I can keep coming up with plausible deaths and mysteries for Shandra Higheagle to solve, I’ll be working on her stories.

higheagle-book-banner

Paty Jager is an award-winning author of 25+ novels and over a dozen novellas and short stories of murder mystery, western romance, and action adventure.  This is what Mysteries Etc says about her Shandra Higheagle mystery series: “Mystery, romance, small town, and Native American heritage combine to make a compelling read.”
All her work has Western or Native American elements in them along with hints of humor and engaging characters. Paty and her husband raise alfalfa hay in rural eastern Oregon. Riding horses and battling rattlesnakes, she not only writes the western lifestyle, she lives it.

blog / websiteFacebook / Paty’s Posse / Goodreads / Twitter / Pinterest

Save

Guest Blog – Bridges Del Ponte

Diverse Voices in our Mysteries

In a changing publishing landscape, many readers are actively seeking out more diverse voices in our mysteries.  This demand may flow from our readers’ desires to more closely identify with characters in our mysteries that better reflect their own life stories.  In other instances, our audience may want to enrich their reading experiences by learning more about others’ distinct backgrounds.  The concept of writing across cultural backgrounds or “transcultural” writing may include characters and situations involving different ethnicities, races, genders, sexual orientations, religions, ages, gender identities, or geographic locations.  In creating diverse protagonists and supporting characters, here are several key points to consider when making our mysteries more inclusive.

Write What You Know.  Writers are often advised to write about what they know.  The protagonist of my new mystery series is Marguerite “Monty” Montez, a young lawyer who straddles the old world of her immigrant Portuguese family and her contemporary world as a homicide prosecutor.  My parents were the children of immigrants from the Azores and Madeira who settled in a Portuguese neighborhood in East Cambridge, MA.  As a young attorney, I later lived in this same neighborhood next door to my maternal grandmother.  Based on my background, I am able to intertwine aspects of Portuguese-American culture and generational conflicts from an intimate perspective into my mystery.  But no group is monolithic, so my take on my Portuguese-American heritage is simply my personal view, and not that of an entire group.  Think about how your own background may inform a diverse voice in your mystery.

Do Your Homework.  Whether borrowing from your own background or injecting other distinct voices into your mystery, be sure to do your research.  Nothing will throw a reader out of your story more than a diverse perspective that does not ring true.  You will need to do research on gaps in your own cultural history or your lack of first-hand knowledge about another culture.  That research may involve interacting with members of that diverse group, interviewing local or national experts, participating in cultural events, listening to relevant podcasts, attending speaker panels, and reviewing online or print sources.  The greater exposure you have to and the more information you learn about a relevant group, the better prepared you will be to channel diverse voices in your mystery.  If you have the opportunity, consider asking someone from that culture to serve as a beta reader of your work.  They may be able to provide valuable feedback by illuminating cultural nuances and helping you avoid major mistakes.

Recognize Cultural Sensitivities.  The introduction of diverse voices into your mystery can be fraught with challenges.  Some readers may raise concerns about improper cultural appropriation, superficial characterizations, and offensive stereotypes.  Yet the mystery field needs to be more inclusive by offering more diverse voices in our books.  Mystery writers are expected to imagine a broad range of characters in their fictional tales, including those from other backgrounds.  For example, the late Tony Hillerman featured Navajo protagonists and culture in his mysteries, and ultimately received an award from the Navajo nation for his culturally accurate and respectful portrayals.  As stated above, doing your homework will help to avoid potential inaccuracies or shallow representations.  But be aware that certain readers may be sensitive to your efforts to represent individuals and circumstances derived from other cultural groups.  Respect these criticisms and think about how you might address any inaccuracies in future books in your series.

frontcover_july5_2016kindle-700x1047Deadly Sacrifices – A Marguerite Montez Mystery

You always remember your first time.  Monty’s first happened in St. Stephen’s church, directly beneath a statue of the Virgin Mary, right after morning mass.  A local soccer mom is bludgeoned to death in her suburban parish chapel outside of Boston.  In her first homicide case, prosecutor Marguerite “Monty” Montez endangers her life digging up evidence that shows the police nabbed the wrong man.  Monty’s investigation uncovers disturbing memories and fresh leads in an unsolved murder of a childhood friend in her close-knit Portuguese community.  Her dauntless search for the true killer is a wild thrill ride into a dangerous world of lethal secrets.

Amazon Print: https://www.amazon.com/Deadly-Sacrifices-Marguerite-Montez-Mystery/dp/1533376697/ref=tmm_pap_title_0?_encoding=UTF8&qid=&sr=

Kindle Version:  https://www.amazon.com/dp/B01I0VK28A

 About the Author

pontesmpic-341x450-2Bridges DelPonte has published two novels, Deadly Sacrifices and Bridles of Poseidon, three non-fiction books, several science fiction, fantasy, and mystery short stories, and numerous legal, travel, and business articles. Her mystery, Deadly Sacrifices, received a Royal Palm Literary Award (2nd place – unpublished mystery) from the Florida Writers Association (FWA) and her underwater fantasy, Bridles of Poseidon, was a finalist for a Royal Palm Literary Award (unpublished fantasy). She is a member of FWA, Sisters in Crime, Inc., and Citrus Crime Writers. When she is not tapping away on her laptop, she teaches law courses, creates educational game apps, and lives happily in sunny Central Florida. To learn more about Bridges DelPonte and her writing, please visit her author web site at http://www.bridgesdelponte.com or her Amazon Author Central page at http://www.amazon.com/Bridges-DelPonte/e/B00BW7BZYU.

 

 

 

Mystery and Mysticism by Paty Jager

paty shadow (1)My brother is an artist who creates his own bronze statues and patinas bronze work for other artists. When he told me about a specific piece he’d put the patina on and how it had a unique configuration, he had my attention. His words, “This would make a great murder weapon.”

That sentence stayed with me for several years.

And finally, when I decided to write a murder mystery series, I jumped at the idea of using a 300 lb bronze statue as the weapon. Only I had to come up with a plausible amateur sleuth and give her a profession. That is how Shandra Higheagle, a potter who is half Nez Perce Indian, came to be. I wanted her to have the Native American background to keep with my tag line, “Murder mystery and steamy western romance starring cowboys and Indians.”  And I wanted her to use her heritage to help solve the murders. That is where her Nez Perce grandmother came onto the scene.

Shandra’s Nez Perce father was a rodeo bronc rider who died in a rodeo accident when she was four. Her Caucasian mother and step-father kept her from her father’s family until Shandra rebelled as a teenager and spent a summer with her grandmother.  While Shandra still wasn’t allowed to let people know of her Indian heritage, she kept in touch with her grandmother. The first book opens with Shandra returning from her grandmother’s funeral and seven drum ceremony.

Where is this all going you ask?  When Shandra is suspected of killing a gallery owner and then the county sheriff’s detective turns his interest to her best friend, Shandra’s grandmother comes to Shandra in her dreams, guiding her to the evidence that will help them find the murderer.

Shandra has a hard time believing in these dreams, yet the detective believes. Her dreams cause her conflict with herself and allows her to let someone in after years of keeping herself closed off.

One of the most difficult and rewarding parts of writing these books is to come up with dreams for Shandra to have that reflect what is going on with the mystery without giving anything away.

The first three books of the Shandra Higheagle Mystery series are now in an ebook box set.

Here are the shortened blurbs for the first three books in the Shandra Higheagle Mystery Series.

higheagle-1-3-box-2700px

Double Duplicity

Potter Shandra Higheagle’s Nez Perce grandmother visits her dreams, revealing clues that help Shandra uncover not only one murder but two.

Tarnished Remains

Digging up Crazy Lil’s past takes Shandra Higheagle down a road of greed, miscommunication, and deceit.

Deadly Aim

The dead body of an illicit neighbor and an old necklace sends potter Shandra Higheagle on a chase to find a murderer.

Windtree Press / Amazon / Nook / Apple / Kobo

Paty Jager is an award-winning author of 25+ novels and over a dozen novellas and short stories of murder mystery, western historical romance, and action adventure. She has a RomCon Reader’s Choice Award for her Action Adventure and received the EPPIE Award for Best Contemporary Romance. Her first mystery was a finalist in the Chanticleer Mayhem and Mystery Award and is a finalist in the RONE Award Mystery category.  This is what Mysteries Etc says about her Shandra Higheagle mystery series: “Mystery, romance, small town, and Native American heritage combine to make a compelling read.”

blog / websiteFacebook / Paty’s Posse / Goodreads / Twitter / Pinterest

patyjager logo

Hidden Tracks

Amber in tree final I have files with titles such as “Accidental Shooting Settlements” and “Art Authentication” as well as “Pricing Art” and “Parrot Questions.” I finally deleted the one on 1989 Aerostar vans. The struggling old van made it through Shaman’s Blues and Snake Face and retired, with no one commenting on how I’d handled its various mechanical problems. That’s how it should be. I want to hide my tracks. Readers usually shouldn’t be paying attention to my research, but since this is a blog about writing, I’m going to go backstage and show the process.

Readers notice all the scholarly articles in The Calling. This book may look as though I worked harder on research compared to the rest, but in fact it was the easiest. I didn’t venture outside my areas of expertise, and I set it in places I knew well.When I lived in Norfolk, I’d visited a number of alternative healers there and several psychics in Virginia Beach—out of pure curiosity, with no idea they would end up as background for a book.  An important character in this story is a professor in health sciences and so am I. To find the material on alternative medicine and research in the field, all I had to do was relocate the right articles. I knew where they’d been published and I remembered the content.

More often, I don’t realize how much I’ll need to know about a subject until I’m into the first draft of a book. I immediately start keeping research lists, things to look up or ask experts about, and I dig into these questions as I go along.

When the character of Jamie showed up in Shaman’s Blues, I read books about current Australian Aboriginal culture in order to understand his roots. I studied Aussie slang and was blessed with an Australian critique partner who could tell if I got it right. And then there’s his van. It’s close to being a character in the next book, Snake Face. I took notes during Car Talk. I looked up timing belts and timing chains, I looked up the last year that these vans were made with carburetors, and I looked at pictures of their engine parts. A musician who had toured with a band read the manuscript to make sure I portrayed life on the road correctly. And I consulted a couple of lawyers about a major plot point. I double-checked some details of the medical treatments and outcomes for a particular injury. And I searched out the name of a Greek drinking dance. This is, I think, typical in the creation of a book, more typical than the ease with which I could pull together the seemingly obscure scholarship in The Calling.

For Soul Loss I reread some books on neo-shamanism to refresh my memory of a strange workshop I once attended as part of a conference, and I researched Tarot cards and Cochiti Pueblo beliefs about the dead. I also had to find out what was involved in setting up a festival. For Ghost Sickness I had to study up on parrots, since several play roles in the story, and also looked into rodeo injuries, and many matters related to art. Even though I’d set the story in familiar places, I revisited the Mescalero Apache reservation and took a careful, observant walk through Truth or Consequences to make doubly sure that certain events could happen as I wrote them. I could go on and on. It’s amazing what I discover that don’t know—or what I’ve forgotten that I thought I knew. But that list with the heading “Look Up” eventually gets crossed off and ideally readers have no idea I had to work so hard on that van. All they need to care about is the character driving it.

What do Jessica Fletcher, Shania Twain, and Sarah Winnemucca have in common? by #Paty Jager

canstockphoto26040640I was asked this question for a blog interview I did: Describe your protagonist as a mash-up of three famous people or characters.

These are the people/characters I picked and the reasoning behind choosing them.

The first is a character: Jessica Fletcher of the TV series Murder She Wrote. Jessica is always finding herself in the middle of murders and so is Shandra Higheagle my protagonist in the Shandra Higheagle Mystery series. They are both amateur sleuths and they both have creative minds. Shandra is a potter who sells her sought-after vases as art pieces.

DanPost_DP3544_15The second person is real: Shania Twain, the country singer. Her artistic nature and panache reminds me of Shandra. My character buys a new pair of fancy cowgirl boots every time she sells a vase. She likes the flashy, fancy ones with embroidery and cut-outs. And while she dresses with flair and adds special touches to her vases, she loves to ride her horse, snuggle with her dog, and dig in the clay that she uses for her art.

The third person is also real and a part of history: Sarah Winnemucca, a Paiute woman who was an activist and educator from 1844-1891. Shandra has been kept from her father’s Nez Perce family while growing up. Now that is an adult, she is exploring her heritage. The more she travels to the reservation to get to know her family, she is determined to help her people and family through her art and educate the masses. I have a post here about some other fascinating Paiute women.

When this question was first put to me, I had to think about it a bit. But once I started connecting the people with my character it became clear who she was and how she related to each of these women I picked.

I’m currently working on the 6th book in the Shandra Higheagle series, Reservation Revenge. This book is all set on the Colville Indian Reservation. The home of the Chief Joseph band of Nez Perce and 11 other tribes. It has been a learning experience writing this book. Both culturally and as I try to make it twist and turn.

If you want to learn more about Shandra Higheagle you can go here.

You can get the first book of the series for free:

Double Duplicity (652x1024)Book one of the Shandra Higheagle Native American Mystery Series
Dreams…Visions…Murder
On the eve of the biggest art event at Huckleberry Mountain Resort, potter Shandra Higheagle finds herself in the middle of a murder investigation. She’s ruled out as a suspect, but now it’s up to her to prove the friend she witnessed fleeing the scene was just as innocent.

With help from her recently deceased Nez Perce grandmother, Shandra becomes more confused than ever but just as determined to discover the truth. While Shandra is hesitant to trust her dreams, Detective Ryan Greer believes in them and believes in her.
Can the pair uncover enough clues for Ryan to make an arrest before one of them becomes the next victim?

BUY LINKS

Amazon / Kobo / Nook / Apple / Windtree Press

Paty Jager is an award-winning author of 25+ novels and over a dozen novellas and short stories of murder mystery, western historical romance, and action adventure. She has a RomCon Reader’s Choice Award for her Action Adventure and received the EPPIE Award for Best Contemporary Romance. Her first mystery was a finalist in the Chanticleer Mayhem and Mystery Award and is a finalist in the RONE Award Mystery category. This is what Mysteries Etc says about her Shandra Higheagle mystery series: “Mystery, romance, small town, and Native American heritage combine to make a compelling read.”

All her work has Western or Native American elements in them along with hints of humor and engaging characters. Paty and her husband raise alfalfa hay in rural eastern Oregon. Riding horses and battling rattlesnakes, she not only writes the western lifestyle, she lives it.

blog / websiteFacebook / Paty’s Posse / Goodreads / Twitter

patyjager logo

 

 photo source: © Can Stock Photo Inc. / dizanna