Writing craft – Ladies of Mystery

I’m currently working on the next (#10) Gabriel Hawke Novel. It will be set up in the style of book #2. I have a person who saw a murder in the wilderness and my character Hawke will find them. Just like book #2, I’ll be starting it with a prologue where the character witnesses the killing and then runs in fear for their life.

To me it makes sense to start the book, with a prologue, showing the person watching the act happen and then fleeing, so that will need to be in their point of view. Then as the story progresses, there will be things Hawke (my main character) won’t know or see, but the reader needs to know through the fleeing person’s point of view so I will have the two points of view in the book.

Most of my Gabriel Hawke books are in my main character’s point of view unless there are scenes that the reader needs to see what my character can’t see. That’s when I use a second point of view.

This book, I’m still working on the title, has been brewing and stewing in my head for nearly 6 months. It came to me as I was writing book #9 that released the end of June. That’s how my brain works. While I am working on a current book in a series, my mind is already moving to the next book. It may be the villain creeping around in my brain, or a setting, or a premise. But as I typed the words to the work in progress, the other story is working in the background.

Back to prologues. There has been a book or two I’ve read where the prologue was flat or didn’t feel like it had anything to do with the story that followed. But there have also been books where the prologue drew me into the story, and I couldn’t wait to read more.

As with all writing, it is the execution of the timing, the words, the characters that makes a reader continue or stop. That and a good, as in a mystery book, whodunit. Something to keep the reader turning the pages and reading well past the time they should turn out the lights and sleep.

Unless you can pull them in at the beginning, with a good prologue, first sentence, first paragraph, first page, first chapter, you could possibly lose the reader. And that’s why I ponder the question: To prologue or not to prologue.

What do those of you reading this post think?

Here is info about my newest release: Owl’s Silent Strike

Book 9 in the Gabriel Hawke Novels

Unexpected snowstorm…

Unfortunate accident…

And a body…

What started out as a favor and a leisurely trip into the mountains, soon turns State Trooper Gabriel Hawke’s life upside down. The snowstorm they were trying to beat comes early, a horse accident breaks Dani Singer’s leg, and Hawke finds a body in the barn at Charlie’s Lodge.

Hawke sets Dani’s leg, then follows the bloody trail of a suspect trying to flee the snow-drifted mountains. Hawke is torn between getting the woman he loves medical care and knowing he can’t leave a possible killer on the mountain.

Before the killer is brought to justice, Dani and Hawke will put their relationship to the test and his job on the line.

https://books2read.com/u/bw19DG

“Voice is the author’s style, the quality that makes his or her writing unique, and which conveys the author’s attitude, personality, and character; or. Voice is the characteristic speech and thought patterns of the narrator of a work of fiction.”

This definition I pulled off the internet helps define Voice, but I’m going to dig a little deeper.

Each genre, historical or contemporary, western or mystery, I have to think about the “voice” I need to use for each one. I know the example of voice says it conveys the author’s attitude, personality, and character- true, but that has to also fit the time period and the place- historical or contemporary western. Jeans in a historical are called denims or overalls – in a contemporary they could be call Jeans, Wranglers or Levis.

This also goes along with word choice. The writer needs to know if a word was used in 1880 or if it didn’t become popular until the 1900s. When I type a word when writing an historical, and it feels modern, I use online etymology, a website where you can type in a word and it tells you when it was first used and the meaning of the word at that time and later.

Same goes with my mystery books. I use terms that are contemporary but try to include a bit of a western feel or voice to the books. I do this because they are set in rural areas and because my main characters are Native American, which also leads me to think about phraseology when writing from their points of view.

Especially, my Gabriel Hawke character. He grew up surrounded by his culture, and therefore, has a deeper connection to the outdoors and the earth in general. While writing in his POV, I try to make sure his inner dialog as well as what he says to other characters captures that essence.

Shandra Higheagle, while having the love of the outdoors and making pottery from clay she digs on the mountain where she lives, she grew up in a white world and is only now learning how deep her roots go in the earth. And because of this, she is easier for me to write because I can include my wonder of the Nez Perce and their culture to be reflected in her as she is coming to know more about her family.

When I sit down to write a book, depending on the genre, I have to mentally put myself in that time and place to make sure I give the best accounting of the events that are happening and told through my characters’ eyes and emotions. If you read a book from each of the genres I write, you will see there is a bit of difference in voice because I am trying to show the story through their eyes and not mine. But some of my emotions- such as my need to show injustice – will come through in every main character.

Word choice as I commented on earlier, has to do with making sure the word is true to the time and the occupation of a character or knowing what I am talking about. I don’t know how many western romance books- contemporary and historical – I stopped reading because a character grabbed a fetlock to swing up onto a horse’s back, or they grabbed the cantle as the horse started galloping. Or what really had me tossing a book…They put the halter on the horse and slid the bridle into its mouth. The writer needs to know what they are writing about. If they don’t know, they need to look it up. I spend a third of my writing time looking things up. Even if I think I know it, I still look it up to be sure. And while I’m looking it up, I might find a better word that makes the scene sound even more convincing.

Words are what make up a book and they need to be thought about carefully. Just as carefully as the characters that are fabricated to show the story.