What are the differences in symptoms between cyanide poisoning by inhalation or by ingestion? What is the best way to store evidence? What work happens on a lavender farm in early October? How are French wine labels governed by the state?
The topics a mystery writer may find herself researching are never boring! We rely on resources including — but by no means limited to—manuals, interviews with experts, visits to unusual places, even Google searches.
When a murder is committed in our books, even if it takes place off the page, we need to know exactly how it was done and what clues might be left behind. When a victim is found in a particular location, we need to know why he or she was there to begin with. When a suspect produces an alibi that doesn’t hold water, we need to know the detailed explanation of why not — even when we don’t share all those details with the reader.
The question of how many details to share is a big one. For a book to pass muster as a realistic story, a certain level of explanation and accuracy is necessary. But include too many details, and suddenly your reader finds herself reading a how-to manual instead of an engrossing story.
Of course, different readers look for different types of details. How we as writers present our stories is a big part of what makes up a writer’s “voice.” Some writers are known for their intricate explanations, whether of crimes or locations or corpses. Readers who loves those writers thrive on those details — to them, it brings the story to life. Other readers look for a book that skims over the detail. They’re less worried about how accurate the description of police activity is and more interested in the emotional arc of the characters involved. And some readers want it all!
Some of these differences are determined by the subgenres within the mystery genre — some books are thrillers, others suspense or cozies. Each type has its own expectations. No one who picks up a cozy is looking for a graphic description of the corpse, but leave out the details of the chocolate cake recipe and you’re asking for trouble!
The writer must know her readers’ expectations and not disappoint. My books are traditional mysteries, which means they follow the line of providing succinct and accurate descriptions of crimes and how they are committed, but keep the focus on the plot and characters. When I’m looking for a fun read at bedtime, however, I usually grab a cozy mystery, something I can cuddle up with along with a cup of hot chocolate and enjoy. Hey, who said we could only read one subgenre?
So how much detail should a writer include? Not too much, but just enough.
How much detail do you look for in the books you read?
And if you’re wondering, the first two questions above I had to answer for my book A Pale Reflection, coming out later this year. The second two are for the book in the series after that (yes, while one book is with the editor, I get to work on the next one).
Learn more about Jane Gorman and the Adam Kaminski Mystery Series at janegorman.com or follow her on Facebook or Instagram.
Linda L. Kane MA in Education, PPS, School Psychologist, and Learning Disability Specialist, is the author of Death on the Vine, Chilled to the Bones and an upcoming release of the The Black Madonna. She lives with her husband, three dogs, one bird, and eight horses in California.