Guest Blogger ~ Denise Forsythe

5 Tips on Researching a Novel

by Denise Forsythe

As a writer of both short stories and novels, I’ve grown accustomed to research. It is a part of writing, much like plotting and editing. Because I’m naturally curious, I have to limit the amount of research I do on any given subject.

When I began writing Misconception, a domestic suspense thriller, I had no idea how much research I’d need to do. That’s because up until then I’d been a short story writer and only needed to research small bits of information to propel my plot forward.

A tried-and-true pantser, the ideas that combined to form the plot led me to realize just how much research was needed.

The book contains medical research on infertility, psychological research on personality types and disorders, employment research on workplace disputes and criminal law research, including jail/prison conditions for female inmates.

What worked for me and what I will share are five tips on how to get through the research hurdle.

1) To avoid long gaps in writing while researching subjects, consider doing just enough cursory research. That means conducting research prior to or early on during your first draft. That way you’ll avoid having to correct large parts of your story or manuscript later on. In my case, as I was writing Misconception I decided to set the story in Chicago. I felt the large city coupled with challenging weather would set a moody tone for the domestic suspense thriller. This is especially beneficial when you are deep into developing characters and plot points. Once you are at a point to take stock of what you’ve written so far, you can continue researching and filling in any gaps. This can also reduce the chance of falling into a rabbit hole by limiting what you need to advance the story.

2) Create a system to keep track of research sources. I use Scrivener to write my manuscripts. The software provides a handy corkboard to place website links right next to the page where the information will be placed. It’s important to obtain at least two to three resources for each subject, to ensure information or resource isn’t outdated or incorrect.

3) While artificial intelligence resources can be helpful, I would caution their use. Though a resource like ChatGPT can narrow down resource options, it isn’t a replacement for doing your own thorough research. Some resources I used included: WebMD and Health.com for medical conditions, university educational programs for fertility specialty information, past news coverage of sports and team rivalries, news coverage and/or documentaries on jail conditions, fertility health associations, hospital chapel coverage by local newspapers and a website called Lifeway that offers examples of funeral sermons.

4) Check and recheck sources. It’s a good idea to use respected sources for medical and legal research and avoid copying what you see on television or in movies. Tapping into my past experience as a paralegal working for a New York City DA’s office, I knew my knowledge of criminal law wasn’t enough to flesh out the details of Cassie Nichols’ harrowing journey through the Wisconsin legal system. Make sure to drill down to the state, and sometimes the city, when it comes to researching criminal law. I researched specific areas from a state and local angle, going so far as to find real accounts of what jail conditions are like and locating transcripts of initial court appearances so I could use the information as a guide. If you are good at deciphering medical jargon, by all means do so. If you’re not, don’t be afraid to reach out to an expert. A helpful website to assist in locating an expert in a field is HARO or helpareportout.com.

5) Do a final fact check while the book is in self-editing mode. Things change, especially when it comes to legislation. My book was about a third of the way complete when I discovered that it couldn’t be set in Chicago, as planned. During research I learned that in the state of Illinois, in vitro fertility treatments are covered by insurance, whereas in Wisconsin they are not. This was an integral aspect of the plot, given the tension between the main character, Cassie Nichols, and her husband Jake. The financial strain burdened the already stressed couple, adding to the tension. Because I wanted to retain the moody weather as a backdrop to intensify certain scenes in the psychological thriller, I chose to move the setting to a fictional town in southeastern Wisconsin near where I grew up.

Though research may seem daunting, with a little strategy it doesn’t have to be painful.

Misconception

Cassie Nichols wants a baby. Badly.

She’s certain a baby will anchor the crumbling relationship with her husband, Jake, who she suspects is having an affair.

But after a miscarriage and continued trouble getting pregnant leads the couple down the frustrating and expensive road of in vitro fertilization, Cassie finds herself running out of time.

Pumped on hormones, fueled by anxiety, and believing it is the only way to save her marriage, she does the unthinkable to ensure a viable pregnancy.

Now, the happy family she envisioned remains out of reach and is instead wrought with lies, deception, and murder.

universal buy link: https://books2read.com/misconceptionbyDeniseForsythe

Denise Forsythe is the author of the domestic suspense novels Misconception and the forthcoming Misconstrue.

An award-winning and recognized writer of mystery, horror, and science fiction short stories; you can find these works under the pen name Denise Johnson (see author page).

A member of Sisters in Crime, Inc. and multiple Sisters in Crime chapters, she is a Charter Member of the Sisters in Crime

Grand Canyon Writers chapter and its current vice president.

She resides in the Southwest with a precocious Labradoodle that keeps her on her toes.

Visit her at her website:deniseforsythedotcom to learn more about freebies, upcoming book projects, and book signing events.

Guest Blogger ~ Liz Alterman

A big thank you to Liz for getting a post for me in time to fill in for Heather Haven, who asked me to find someone to fill her Thursday this month.

Why I write psychological suspense:

During my teen years, my favorite way to spend the weekend involved sitting in the eerie darkness of a movie theater, sharing a bucket of popcorn with friends, waiting to be scared—not by zombies, dinosaurs, or tornados but by the nanny who wasn’t as kind as she appeared, the handsome husband leading a double life, or the woman posing as an author’s biggest fan who will ultimately hold him hostage.

That fear, the feeling of goosebumps sprouting, hair rising on the back of my neck, was such an enthralling sensation, almost like those chilling moments when a roller coaster inches up that steep incline, I couldn’t get enough.

Since the afternoons when my mom read to me as a child, I’d always wanted to write a book. While my first was a memoir, when I turned to fiction, I longed to try to evoke the same tension and anxiety I fell in love with in the fourth grade while reading Lois Duncan’s Ransom and, later, in other novels by authors like Megan Abbott and Patricia Highsmith, and, of course, in those frightening films.

I’ve now written several thrillers and while I’m in the thick of plotting each story, I worry that it won’t come together in the end. (Another source of fear!) That said, I love the way the process can feel akin to putting together a puzzle. You’re working toward a complete picture, your brain turning around the pieces until they lock into place. When they do and you can surprise yourself—and, hopefully, your readers—it’s magical.

Reading and writing thrillers, suspense, and mystery also gives you a healthy sense of wariness. When you’re dialed into the possibility of darkness lurking around every corner, it keeps you on guard. One morning when I was in my twenties and walking through a parking lot, a man approached me and asked if I wanted to see the puppies he had in his van. I almost said, “Are you kidding? I’ve seen Silence of the Lambs three times! There’s no way I’m getting near your van!”

Writers have rich imaginations, which is both a blessing and a curse. I joke that once you start writing thrillers, suspense, or mysteries, that becomes the lens through which you view the world. Last fall, I attended a short writing retreat. Beyond my window lay a field, a dense fog muting the colors of the autumn landscape. My gaze shifted to a pair of dogs sniffing around but always returning to the same patch. Were bodies buried out there? I couldn’t help but muse. 

I often wonder if romance writers are similarly afflicted. When they see a couple, do they create an elaborate backstory for them? A meet-cute? A conflict involving a former love interest that leads to a break-up and eventually a happily-ever-after? Is all this imagining an occupational hazard? Either way, it’s often a delightful escape from reality.

Writing thrillers has also been a wonderful way to work through pent up feelings of frustration and even revenge fantasies. Murder a busybody neighbor? No problem. Put snarky dialogue in the mouth of your protagonist as she outwits a villain? Done. Leave all your animosity on the page.

Though I love writing personal essays and humor pieces, suspense is a genre I always return to for the chance to bask in the unsettling appeal of impending doom.

You Shouldn’t Have Done That

Jane Whitaker and Ivy Chapman have been best friends for twenty years – ever since their sons Cal and Brad attended the same preschool.

But their close bond is severely tested when their now adult sons go skiing together in Wyoming and only one returns.

Where is Cal Whitaker and why didn’t Brad Chapman report him missing?  With growing fears for Cal’s safety, his family begins to suspect Brad knows a lot more than he’s saying.

Friendship turns to suspicion and then to open hostility when Cal’s sister Emerson posts an online appeal that ignites a vicious crusade against Brad.

As decades-old loyalties crumble, Jane and Ivy find themselves on opposite sides of a deadly divide. How far will each mother go to protect her family? And what happens when saving one son means destroying the other?

Buy link: https://www.amazon.com/Shouldnt-Have-Done-That-psychological-ebook/dp/B0F1DPWT5D/ref=tmm_kin_swatch_0

Liz Alterman is the author of the memoir, Sad Sacked, the young adult thriller, Hell Be Waiting, the suspense novels The Perfect Neighborhood, The House on Cold Creek Lane, and You Shouldn’t Have Done That, as well as the forthcoming romcom Claire Casey’s Had Enough. Her work has been published by The New York Times, The Washington Post, McSweeney’s Internet Tendency, and other outlets. Follow her on Instagram or subscribe to her Substack where she shares the ups and downs of the writing life (and cat photos).

Guest Blogger ~ Pamela Fagan Hutchins

Vigilante with a Badge in the Modern West: Delaney Pace

My Delaney Pace Series is set in the Bighorn Mountains of Wyoming, present-day—the real-life Modern West. It’s a setting I know well. I live there, right on the eastern face of the Bighorns near Sheridan. For the book, I created the fictional town of Kearny. Its name was inspired by Fort Phil Kearny near Story. My husband and I used to live across the street from its ruins and the museum that now stands in its place. That setting has fueled many of the books I’ve written.

But any good series is driven by its lead character more than anything, so it is with that in mind that I present to you my vigilante with a badge, Deputy Investigator Delaney Pace. My friend Daisy is the inspo for Delaney, and you couldn’t get more Modern West than Daisy—or more kick ass.

A few years ago, my husband Eric posted that we were giving away rusty, fire-damaged barbed wire. One of the takers was Daisy, who showed up with her family to claim some to use for a project.

We soon learned that she’d given up oil field trucking in North Dakota—and a side gig as a reality star— for taking over the family homestead, raising her second daughter twenty years after her first, and being a service to others through philanthropy and her physical labor. She was a key player in organizing one of the largest agricultural relief efforts in the history of the United States through a huge convoy of truckers, donors, and volunteers after historic fires devastated America’s Midwest. She and her family raise (and butcher) a large flock of turkeys every year to feed 300+ people at a free community Thanksgiving dinner.

Daisy’s the one you want as your second in a knife fight, who could have been a model or actress instead of a rodeo star and extreme trucker, and she’s the friend you can knock back a cold one with or take to meet your pastor (after you’ve done your best to prepare them for the encounter). If by some small miracle you find her in a church, you won’t see her sitting in the pews… she’s the one standing in the back.

She was forged in the kind of volcanic upheaval that can result in smoking rubble or beautiful rocky mountain ranges. Daisy, through character and force of will, is the latter. If you enjoy Delaney as much as I do, it is because of my friend Daisy. {Daisy, thank you for agreeing to let me reshape you in fiction.}

Whether it is her love for her niece, her desperate need to find her father’s killer and unravel the mystery of her mother’s disappearance, or her passion for hunting down killers (and for the handsome deputy she works alongside), Delaney goes all in. Her spirit embodies the Modern West. Rugged, self-reliant but selfless, with one foot in 1950 and one in 2024.

I think she and I have a long road to travel together, and I’m thrilled to ride shotgun on her fictional journey.

Hop in with us—we’d love to have you, too!

Pamela Fagan Hutchins

Catch Delaney Pace in her latest adventure: HER FORGOTTEN SHADOW https://amzn.to/3Nh54xYA violent storm erupts over the small town of Kearny, bringing a devastating mudslide. Amongst the debris, the worn threads of a child’s blanket, hides the body of a young girl, her long dark hair matted with the fallen earth that killed her.

When the rescue team find rope marks around the ankles of the teenage girl, they call in Detective Delaney Pace. Fourteen-year-old Marilyn Littlewolf went missing five years ago after moving to Kearny from a local reservation. Fearing she was dead, nobody expected Marilyn to ever come home. So where has she been? And why is her body covered in bruises?

Delaney thinks Marilyn was held captive in the mountains that tower above the town, but with acres of remote wilderness to search, the investigation seems impossible. Diving into Marilyn’s case, one name stands out that makes her blood turn cold as ice: her friend and longstanding babysitter to her two adopted daughters, Skeeter Rawlins.

Racing to his home, she finds it in disarray, it’s clear he left in a hurry. In disbelief, Delaney takes in the empty whisky bottles and wonders if she was wrong to trust her reliable old friend with her darling girls?

As evidence piles up against Skeeter, Delaney’s heart shatters when another girl is reported missing. Tracing her to a remote cabin deep in the woods, she fears she’s about to finally uncover the truth about her once-trusted friend. But when she bursts into the disheveled shack nothing could have prepared her for what she finds. Was she wrong to suspect Skeeter as the twisted mind behind the missing girls? And is she already too late to save another innocent life?

Pamela Fagan Hutchins is a USA Today bestselling and Amazon All Star mystery/thriller/suspense author with books in ten languages, who believes in soulmates, loves to laugh, travels too much, and lives out the adventures in her books at a rustic lake camp at Maine’s Mooselook Lake and in an off-the-grid lodge on the face of Wyoming’s Bighorn Mountains with her husband, sled dogs, and draft horses. She’s currently along for her husband’s year-long assignment on the Mediterranean coast of France, writing her fifth Delaney Pace crime thriller in a tiny village where no one speaks English or has ever seen Alaskan malamutes before… and loving it.

Website: http://pamelafaganhutchins.com

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Guest Blogger ~ Sandra Gardner

A Mystery is a Puzzle       

The basis of a mystery story is a puzzle. There’s at least the main puzzle, and maybe even one (or two more) contained in the story as subplots – smaller plots generally connected to the main story.

Your job as a mystery writer is to start with a scrambled mess, the way it looks when you dump the pieces out of the puzzle box. There’s a body, an attack, a disappearance, etc.  Somebody — or maybe more than one somebody — is guilty. But who could it be: the wife, the husband, the girl/ or boy/ friend? Or maybe it’s someone who owes money to someone else.

As the story’s writer, you need to make the pieces fit together by the end of the story. So, you begin to work it out on the page. But sometimes what you thought would work, doesn’t, and you have to toss the pieces back in the box and start again. You take a different approach or look at your story from a different angle. You might change the POV (point of view) from first to third person or vice-versa, or multiple POVs. A warning about multiples: This is difficult to manipulate and sustain, so probably not a good idea for a new mystery writer. You might change tenses from present to past, past to present; use flashbacks or a prologue to set the scene.

A word about red herrings: For example, just when everything points to a certain person, that person turns out to be a cop. Or was somewhere else at the time of the murder. Or ends up as the next victim.

Used judiciously, red herrings can give the story more tension. You want to keep upping the tension, so that when the reader thinks everything (the pieces) looks like they’re going to come together – bang, the whole thing falls apart. There’s another crime — an attack or a murder. First this person looks guilty. Everyone is terrified, each person suspects everyone else. Take a look at an Agatha Christie Poirot mystery. In many of them, Poirot gathers everyone together and points out how each person could be the guilty one, before he finally reveals the real killer. Or in at least one Poirot story, there’s more than one guilty person.   

Here’s a confession: I’m terrible at jigsaw puzzles, being one of those people who process information auditorily, rather than visually. But I’m good at the crossword kind, which, when you think about it, isn’t too different: Here you have blanks that need to be filled in and have to fit together to solve the puzzle.

Another confession: When I begin writing, I don’t know how the puzzle will work itself out. I have to wait until my characters tell me, in their thoughts and actions. So I just wait. And listen.

There are usually plenty of clues. But reader, beware. Just like in a jigsaw puzzle, what first looks like it will fit, might not.

The Murder Blog

Philomena Wolff was 17, walking home from school with her best friend, when her friend disappeared, ending up as one of several young women abducted and murdered in upstate New York by a clever killer who eventually disappeared from the area.

Philomena was terrified that the man caught a glimpse of her when he took her friend.

Many years later, young women have been ending up dead again.

Philomena, now an investigative reporter, hosts a crime-solving blog, “Who Killed Who?” With the help of her friend, a psychic gravedigger, her friend’s boyfriend, a P.I., and the blog’s readers, Philomena is on a mission to hunt the killer down. Her readers are with her. But so is the killer, posting vile notes and vicious threats on the blog.

Could the killer be the same one who murdered her friend long ago, trolling for more young women – and Philomena?

Buy links: https://www.amazon.com/Murder-Blog-Suspense-Novel-ebook/dp/B0CK9RVT9V

https://www.barnesandnoble.com/w/the-murder-blog-sandra-gardner/1144100569?ean=9781685133450

Sandra Gardner is the author of seven traditionally published books: four novels and

three nonfiction books. 

         Gardner’s new suspense novel, The Murder Blog, was published by Black Rose Writing in December 2023. Her last two novels — both mysteries — Dead Shrinks Don’t Talk and Grave Expectations were published by Black Opal Books in 2018. A coming-of-age novel, Halley and Me, won the Grassic Short Novel Prize from Evening Street Press and was published in 2013. Her nonfiction books include Teenage Suicide (Simon & Schuster); Street Gangs (Franklin Watts); and Street Gangs in America (Franklin Watts). Street Gangs in America received a book award from the National Federation of Press Women. Previously, she worked as a journalist and was a contributing writer to The New York Times.

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