Truth, Lies, and Fiction
My plots have always been influenced by real-life crimes and human-interest stories. However, with Guilty as Framed, my latest Anastasia Pollack Crafting Mystery, the story is more than influenced by an actual crime; it incorporates that crime, one that has fascinated me for decades, into the story. This, of course, posed various challenges, especially since it involved a cold case that was rife with lies, misdirection, and botched investigations.
The crime in question was the 1990 burglary of the Isabella Stewart Gardner Museum in Boston, considered the largest art heist in history. The theft consisted of priceless masterpieces by Rembrandt, Vermeer, Manet, Degas, and others. It involved such disparate characters as a pot-smoking security guard, the Irish mob, and even the Pope. It included the unsolved murders of some of the suspects and as the years passed, the deaths of most of the persons of interest.
There were sworn statements by mob relatives and associates claiming to have seen some of the missing paintings over the years, as well as speculation that the artworks are in Saudi Arabia. And in what must be one of the oddest law enforcement press conferences on record, thirteen years after the robbery, the head of the Boston FBI announced the crime had been solved, although he presented none of the missing artworks nor announced any arrests. He then ended with a plea to the public for help in solving the case.
True crime and cozy mystery are two distinct genres. One is fiction; the other is not. But in weaving a true crime into my fiction, I wanted to hone as closely as possible to the actual events of the case. To do so, I had to take some creative liberties. I decided to focus my story around one specific incident that involved a mob associate and his wife, weaving that aspect of the actual investigation into my plot.
Even though these people have since died, I changed their names and the names of other suspects and persons of interest who I incorporated into my story. (When dealing with members of organized crime, even ones long dead, it’s best to play it safe!) I also created additional characters, thus enabling me to weave a thirty-two-year-old Boston cold case into a series that takes place in present-day New Jersey.
Guilty as Framed is the eleventh book in my Anastasia Pollack Crafting Mystery Series. In each book I’ve challenged myself to create stories unlike my previous ones. No reader wants to read a book where only the names and places (and possibly the murder weapon) differ from other books in the series. This current book was my greatest creative leap to date. I’m hoping readers find the book as enjoyable to read as I did to write.
An Anastasia Pollack Crafting Mystery, Book 11
When an elderly man shows up at the home of reluctant amateur sleuth Anastasia Pollack, she’s drawn into the unsolved mystery of the greatest art heist in history.
Boston mob boss Cormac Murphy has recently been released from prison. He doesn’t believe Anastasia’s assertion that the man he’s looking for doesn’t live at her address and attempts to muscle his way into her home. His efforts are thwarted by Anastasia’s fiancé Zack Barnes.
A week later, a stolen SUV containing a dead body appears in Anastasia’s driveway. Anastasia believes Murphy is sending her a message. It’s only the first in a series of alarming incidents, including a mugging, a break-in, another murder, and the discovery of a cache of jewelry and an etching from the largest museum burglary in history.
But will Anastasia solve the mystery behind these shocking events before she falls victim to a couple of desperate thugs who will stop at nothing to get what they want?
USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.