Writing Would Be Perfect If…

by Janis Patterson

I mean it. Writing would be so perfect if it weren’t for the readers.

I know, that is a very incendiary statement, but it’s true. We’re asked to live up to readers’ expectations without being given much of a hint as to what those expectations are. Or what they’re going to be in six months or a year, after some big unexpected blockbuster shows up and turns everything we thought we knew into a fruit salad.

Have you ever noticed how so many of those big unexpected blockbusters are usually done by people who have never published a book before? Without the need to cater to a pre-conceived notion of what readers (and publishers!) want, they write what they want. But I’ll bet there are many many more who write what they want and never get by the second reader at an agent’s or publisher’s office. It’s the one that gets through that messes everything up for us working professional mid-list writers. We’ve finally (we think!) worked out the reading habits of our demographic and adjusted our plotting/writing accordingly and some of us make a fairly decent living doing that.

Then – boom! Some off the wall writer hands in a new style of book and suddenly that’s what everyone is wanting. I’ll bet all those writers who hit the jackpot aren’t trying to make a living off their writing, that they have jobs to pay their rent and bills, but they don’t mind messing things up for the rest of us. Humph!

It has become a bad joke in the writing industry that publishers are eagerly seeking something like [insert name of current bestseller here] – something just the same, but different. I have known writers who start to growl menacingly when told this and publishers don’t seem to understand that such a statement is not really good corporate communication.

Sadly, though, it isn’t just publishers and agents. I have talked to readers about this phenomenon and am astonished at how easily the little darlings are led – of course, they are the same people who rush to buy a detergent that screams “NEW” and “DIFFERENT” when the only things new and different about the product are that the boxes are smaller and the price higher.

I have talked to readers (in both romance and mystery, as I write both) who are upset with the new fashion of genre bending. I recall one most decisive woman who hated the idea, saying “When I read a story I want this to happen, and then this, and then this.” She was not happy when I asked if she were so rigid in her reading desires why didn’t she just read the same book over and over again and save herself some money.

Her reply was fit for neither print nor pixels.

I guess you really can’t please everyone. Sigh.

Splits, Murders and Happy Endings

by Janis Patterson

I have a split personality. No, really it’s true. I do.

Part of the time – as Janis Patterson – I delight in writing the foulest murder, stories of people who exterminate their fellows without a thought or qualm – and what is really scary is that I like it! I delight in finding new and obscure ways of killing someone, and am absolutely over the moon when I discover how such a heinous act can be gotten away with scot-free. (The only unfunny part of this was when in real life a truly creepy person asked me if I do consulting. Brrrrr…..)

However – the rest of the time – as Janis Susan May – love-across-time-cover I’m an unabashed romantic who writes tender stories of two imperfect people surmounting obstacles and finally find the perfection of true love. I adore giving them trials and misunderstandings and difficulties and differences of opinion, making it seem that they will never get together… then just when things look darkest bringing them together in a satisfying happily-ever-after ending.

And never, hopefully, shall the twain meet.

So what causes this rather radical dichotomy? I have no idea. I just know that some stories demand romance and hearts and flowers, while others have to have revenge and murder. Those of you who know me know a little about my working process – I don’t plot and I don’t do character sheets or anything like that. The stories just come… and so do the characters, independent people who simply walk in, tell me their name (and Heaven help me if I try to change it) and what they’re going to do. Far too many times I don’t feel like I am writing but instead merely transcribing.

It makes for an interesting work process. On the other hand, I am never bored. And neither are my readers.

For example, my Ancient Egyptian time travel romance PASSION’S CHOICE is now not only a standalone novel, it is also included in the Love Across Time box set – ten full novels by bestselling authors, right now on sale for 99 cents at Amazon! An unbelievable bargain you should go get immediately! PASSION’S CHOICE is the story of Elissa, an average young American woman on a tour in Egypt when she falls over the railing at Deir el Bahri, temple of the female pharaoh Hatshepsut. The only thing is, when she hits the ground the temple is under construction, and the general in charge of the project believes her to be a pleasure woman. (You can guess what that is, can’t you?) Before she knows what’s going on, Elissa finds herself in a dangerous masquerade at the pharaoh’s court, one that not only puts the life of the man she loves at risk, but the fate of Egypt – and perhaps the future – as well.pc-web-small

By contrast, my newest murder mystery release is about arrogant, wealthy, aged sleuth Flora Melkiot, who has been called the dark side of Miss Marple. In MURDER IN DEATH’S WAITING ROOM, Flora has been confined to a rehab facility by her painfully conventional daughter, an act that infuriates Flora, who says it was only a little traffic accident and she could manage perfectly well with a broken wrist in her own home. Then first one of the patients and then another are brutally murdered, and Flora once again finds herself in the position of solving the crimes. As always, Flora is convinced that she can do anything… and usually she not only can, she does. When drugs get added into the mix, what should be a place of healing comes perilously close to becoming a death trap. midwr-web-promo-small

See? Two completely different kinds of writing, genres, even characters, but just one of me. One of my longtime beta readers – who has read almost every word I’ve ever written – looked at me one day and asked how I did it. How did I manage two such different genres, two such different conventions, two such different worldviews and do both of them equally well. I thought for a minute, then gave her the only answer that was possible.

I don’t have a clue.

Public Speaking, Self-Publishing and Scars

by Janis Patterson

Last weekend I gave a workshop at our local MWA chapter on self-publishing. Not that I’m an expert, or anything like that, but you realize that to be an authority on something you only have to know a little more than everyone else, and I have been self-pubbing since 2013. Besides, I was dragooned into it by my fellow chapter board members!

Normally when I give a workshop or a public speech I write it out, agonizing on the exact nuances of words and the rhythm of sentences. Yes, I am a control freak. Unfortunately, that means I usually read the presentation, making sure each word is exactly as I wrote it – in other words, giving a boring program that would have been better as a magazine article.

I don’t mind public speaking; it’s not my favorite thing to do, but it is easy and not unpleasant. I know there are some who are absolutely terrified to speak in front of people – my own dear mother was one – but I just don’t understand that. Know that such panicky fear exists, and accept it, but don’t understand it. I don’t see any difference between talking to five people or five hundred.

Anyway, due to work and life and other uncontrollable things I didn’t write down my speech – only made notes of topics that had to be covered. And agonized about their order; apparently you can’t turn off the control freak gene. It would be okay, I thought; we’re a small chapter and I know everyone there. Ha!

I was astonished at how quickly the room filled up. We finally ended up with more than double our usual attendance, and there were some people there I had never seen before. Well, it was too late to back out, so I sat down at my improvised speaker’s table, and started to talk. The Husband says there has never been a time I couldn’t talk!

I talked for over an hour, almost an hour and a half. (My father used to say, Wind her up and she talks…) There were some very intelligent questions, and some very elementary questions, but that’s okay, because everyone starts out not knowing everything – or sometimes anything. I stressed that what I was saying was based on my experience, that their mileage or choices might vary, that there were choices to be made that only they could make. That is the essence of self-publishing, I think – self responsibility. The choices you make will affect the results you get but – aside from a few basics – like to sell a book you have to finish it and get it out there – every choice and everything that is done devolves on you. If it gets done, you have to do it.

The workshop went rather well, though I must admit it was a little unsettling to see all these people – friends and strangers alike – scribbling down seemingly every word I said, just like I had maniacally taken notes at the workshops of important people. Yes, it was a bit of a rush – half elation and half sheer terror. And although public speaking doesn’t really faze me, I’m glad it’s over.

Will I do another one? I honestly don’t know. I’m glad I did this one. I hope that everyone there has an easier path to self-publishing because of what I said. I know I owe a lot to those who went before me into this brave new world, but even so I still accumulated my share of scars and mistakes. Perhaps that’s called growth