Not Just a Pretty Face

I’ve been taking online workshops through the International Thrillerfest Online school. While a couple of topics are ones I’ve attended workshops on before, each presenter has their own unique spin they bring to it. Which means, I have picked up a few new tricks and things to try.

The first one was a workshop by Adam Hamdy on Pacing. While I had learned about most of what he talked about before, it was his discussion on how he went from a pantser (someone who just starts writing with no idea where they are headed) to someone who does plot out the book in a basic way. Not an outline or thorough scene by scene . He writes the tag line then expands that a bit, then expands that a bit more, until he has 5-7 lines for each chapter with the action or external plot of the story and maybe some of the internal plot that will play out.

I decided to try this for the latest book I’m working on. I’ve always known my beginning, a couple of plot points in the middle, and my end, but when he said by taking the time to do this step speeded up his writing process, I thought it was worth a try. And the last book I had so many interruptions, I’d repeated myself in several places- which was discovered by a beta reader.

It took me two days to discover what my book was about, write up my suspect list, and write the 5-7 sentences per chapter. This is just the investigation, or external plot, that will be brought up in each chapter. After starting the book, I added in a new secondary character who will help add more dimensions to my main character and also add more internal conflict in House Edge, book 2 in the Spotted Pony Casino Mysteries.

And you were wondering where the title of this post came from… A bonus workshop we received dealt with what mystery/suspense/thriller readers look for in a book cover. I found the information insightful. So much so, I sent an email to my cover designer to redesign the first three covers in the Spotted Pony Casino Mystery series. I have Poker Face published and available to the public but it is the first book. I decided it was best to get it and the next two I’d had made to get a consistency in the series from the beginning.

Here are the books I had made before the workshop:

These aren’t bad and convey a bit of the story. However, the survey taken by a marketing firm who works with all the big publishers and some of the larger writing organizations said that mystery/suspense/thriller readers don’t care if the image on the cover is anything like what’s in the book. They read the title first. They want a title that catches their imagination and is a play on words. Check- my titles do that. They don’t like people/faces on the books. They don’t mind shadowy figures and prefer covers that look like a puzzle. They want to see creepy, mysterious, or action depicted on the covers. And they prefer a description of the type of book: Mystery, Thriller, True Crime, Action Adventure, Suspense not A Novel.

And these are the new covers:

Simpler images, in-the-face title, and the word Mystery is easier to see than in the logo that sweetened the look of the books. These covers also leave more to the imagination.

I’m glad I had this workshop now and not a year from now when the fourth book would be coming out.

And I’m thankful I went with simple covers on the Gabriel Hawke books and I have a play on words for the titles.

It might be just a book cover, but it is the face of the book I want to draw readers into. So while pretty is nice, I want a cover that exudes mystery, intrigue, and a reader can’t pass without at least taking a peek inside.

What do you think of the change of cover?

I think your character is getting old and senile.

That is what my oldest daughter, one of my beta readers, said to me while reading my latest draft of the next Gabriel Hawke book. I laughed and asked why. She mentioned two things that were not my character’s fault. They were mine. So it is the writer and creator of Gabriel Hawke who is getting senile! LOL

Actually, this last manuscript, I found myself having to reread the last two or three chapters every time I sat down to write because I would have days in between being able to write. I lost the flow of the story and the events. Even though I also write about three or four chapters and then go back and on a notepad write down all the significant events that have to do with the murder or investigation they are doing.

I also have a calendar white board that I put small sticky notes on each day with the significant information that is discovered that day. It helps me keep track of the length of time the book plays out over and what forensics information could be coming in.

With all of these “cover my backside” in place, I still repeated things and had my character saying things that he’d already said. Yikes!

Now I know why I didn’t pursue my writing career until my kids were older. Right now we have our oldest granddaughter living with us. We have been attending her volleyball games and I’ve been taking days to go trail riding with other grandkids. I’m spending time with family and my writing is suffering. But I would rather have that than my family suffering.

While the Hawke book is off with my beta readers, I started fleshing out the next Spotted Pony Casino Mystery book. I did something I have never done. I made a 5 page outline of sorts. I wrote five or less sentences for each chapter pushing the plot of the story along. I didn’t add in any emotional or sub plots, but I’m hoping those will come naturally as I write and the outline will keep my story flowing without repeating and backtracking. Because until this granddaughter graduates in May, I will be busy with her and her school functions as well as having fun with the grandkids down the road.

If you are a writer, do you plot or do an outline before you start a book? Have you ever discovered at the end that you had repeated information?

Readers, have you ever read a book that repeated information or made the main character seem lost?

The Illusive Word

Early on in my writing, I would have times when I’d be writing along and…nothing. I knew what I wanted to say but I couldn’t find the word I wanted. That was before I was writing on a computer. I would pull out my dictionary and look up a word similar to what I wanted. And hopefully by process of elimination, the right word would reveal itself.

After attending my first RWA (Romance Writers of America) conference, I learned that every writer needs a dictionary( which I had), a thesaurus, The Chicago Manual of Style, and the book Goals, Motivation, and Conflict by Debra Dixon. I went home and found those books at my local bookstore and they have been on my shelf. I even purchased a newer version of The Chicago Manual of Style this year.

my shelf of reference books

As you can tell by the ratty cover on the thesaurus, I have used it a lot. Even when I look up a word through Word Docs, I will end up going to the book. I sort through word after word, until I come up with the one that makes the sentence show what I want.

My falling apart thesaurus

There are days it feels like I stop my momentum more than I write. On those days my brain doesn’t spit out the words I want and I hunt and hunt. Then there are days I don’t touch any of the books as my fingers fly over the keys moving my story along with the precise words I need to convey the scene.

I know I will be going back and editing the story and could just put in what I want to say in parenthesis and move on. But my brain won’t let me. I have to have the exact word or I can’t move on with the story. Although there have been a couple of times when the right word couldn’t be conjured up with all my reference books. Then I do put down what I want to say in parenthesis and come back to it when I do the edits, hoping the brain is more engaged that day.

I think the need to have the “perfect” word is a curse to writers. I’m sure I’m not the only one who can use up writing time hunting down the illusive word that is on the tip of my fingers but can’t quite manifest in my mind.

For me, this is a second behind editing as the hardest and most dreaded part of writing for me. How about other writers? Do you also struggle at times to find the right word? Readers, have you ever read something and thought, “this word would have been a better choice?”

MISSED WRITING OPPORTUNITIES AND WHY by Marilyn Meredith

Not too many years ago, when our chapter of Sister in Crime and many who wanted to be mystery writers and a program chair who brought in great speakers, not only did I get some great ideas for plot from them, but also was asked to write a book for them.

One would have really been fun. Our chapter went to the nearby airport and heard and viewed all about the police and sheriff’s helicopters. We heard exciting tales about what they did and arrests they’d made. One of the police pilots seemed to focus on me while he was talking. Afterwards, he came and asked if he could speak with me.

He wanted me to write a book about him and all of his exploits. He offered to take me on “fly-alongs” so I’d know what it was like to fly all over the big city and spot criminals, and sometimes actually land to arrest them. Believe me, I wanted to do it. I took his card and told him I’d get back to him.

At the time, I owned and operated a licensed home for six women with developmental disabilities. My husband and I ran it together. The big city where the police officer and his helicopter were stationed was about an hour and a half drive from my home. Though truly torn, I knew it wouldn’t be fair to my husband or the women I cared for to be away as much as giving a book like this justice—so I turned it down.

The second opportunity was when our SinC chapter had a police detective from the coast who told us all the details about a horrible murder of a teenaged girl, by three teen boys. Afterwards, he asked me if I’d co-write a true-crime book with him about this horrendous crime. Again, to do the job right, I’d have had to be away from home far too much. However, that wasn’t the real reason I turned it down. The thought of interviewing the parents of the dead girl and those of the boys was not something I wanted to do. I know all of their hearts must be broken.

And I’ll close with the one opportunity I accepted and wished I hadn’t. I accepted the job through a ghost-writing company that I’d worked with before, to write the story of a big time but supposedly reformed drug dealer. I didn’t have to meet with him in person; we did everything through email. His story was fascinating. He managed to avoid being caught while selling to some of the most influential people in a wealthy beach community in southern California, and then his change of life style when he moved to Hawaii.

We seemed to get along fine. He was happy with what I’d written until it was time for him to make his final payment. He became verbally abusive, told the company I worked for I hadn’t written anything the way he wanted. The worst of his emails came when I was at the Public Safety Writers Association’s annual conference. I sent him an email telling him where I was and who I was with: all sorts people from different law enforcement agencies from police, FBI, NSA, etc. and I planned to seek their help. That stopped him. I never heard from him again. I have no idea if he published his book—and frankly I don’t care.

I’m not quite sure why those memories popped up, but I thought you might find them interesting.

Have any of you ever turned down a writing opportunity?

Marilyn

Writing Makes me Happy by Paty Jager

I started this writing journey decades ago because I had a need to write. That sounds hokey or corny to some but it was my husband who first realized when I didn’t have time to write, I became cranky. LOL I would become irritable and crabby when I was so busy raising kids and taking care of the chores that I didn’t have time to write. He would say, “Go write for a while. Leave the dishes, or do the laundry later.” And I would go write, and the real world would once again be a happy place for me.

My best guess would be, anyway from what I’ve noticed over the years, my overactive imagination would keep me up at night with ‘what ifs’ and tragedies befalling family members. When I write and am engrossed in causing all kinds of trouble for my characters, my mind is at ease and I sleep better. If I don’t write, I put all of the danger into potential threats to my family members and friends. Weird, right?

I also enjoy the research. Over the years, even as a child, I would read books and discover new places, new people, new cultures, and learn about things I didn’t have where I lived. That was exciting to me! As a teen I loved the old Gothic Romances by Phyliss Whitney, Mary Stewart, and Victoria Holt. I enjoyed living in mansions, the terror of crossing a moor in the dark, experiencing a time and country that was so different from what I lived. I also liked they were the thickest books in the school library. I could go through a thin novel in two days, reading during lunch, afterschool and when I was supposed to be sleeping. 😉

I started reading mysteries then and continued as an adult. A good mystery for me has twists and turns and engaging characters. I devoured books by Agatha Christie, Dick Francis, Dorothy Gilman. Lilian Jackson Braun, Tony Hillerman, and Sue Grafton.

Putting a bit of mystery in everything I write has shown me that I am a writer who has to write mystery to feel I’ve built a complete story. And that is why I write mystery books. It is what, is deep in my core. I like writing twists and turns and having justice at the end of the story.

My innate need to always write about justice or injustice has brought me to writing mysteries with Native American influences. Whether it is characters or setting. Their plight has always tugged at my conscious and now, with writing, I have a way to show they are human and viable people just like everyone else. They have been trod upon and nearly annihilated, yet because of their faith and resilience they are growing stronger and becoming a voice that needs to be heard.

Writing mysteries with Native American elements is what makes me happy. I have a couple of romance series I need to finish, and I tried. However, my heart isn’t into those at this time, so I will continue to write the stories that are calling to me.

Here is the latest release of my new Spotted Pony Casino Mystery series.

Poker Face

Spotted Pony Casino Mystery

Book 1

Dela Alvaro is a disabled veteran who grew up on the Confederated Tribes of the Umatilla Reservation. When an IED in Iraq ended her military career, she came home to reassess her life and landed a job in security at the Indian run casino on the reservation.

Not even a year into being the assistant to the head of security, Dela is promoted on a trial basis. When one of the casino employees is found stabbed and stuffed in a laundry chute, she knows she can kiss head of security good-bye if she doesn’t find the killer before the media gets hold of the story.

While she is in over her head, she can’t decide if the FBI Special Agent called in to help is a blessing or a curse. It’s a man she ran across in Iraq who overrode her authority. When a second casino employee is killed, Dela has to decide if she can trust the special agent with not only keeping her job but keeping the rest of the casino employees safe.

Universal Buy link:

https://books2read.com/u/brPxxw