On A Collision Course With Words

On the radio: Live-Streaming a NYC station playing Willie Nelson’s version of Hoagy Carmichael’s,”The Nearness of You.”

Hi, y’all! Been a long time I’ve blogged, and I’m thrilled and grateful to be part of a stellar group of talented authors on this platform of LADIES OF MYSTERY. I’ll do my genuine best to be a good egg . . . but I can’t promise I’ll always play nice with the other kids. If some of you know me from the SinC boards, I kinda have a big mouth. Not intentionally mind you, but, well . . . I think I’m just naturally antagonistic. And naturally a big mouth. Shy writers, don’t go–I’m really nice, honest. I’ll just save that why-I’m-a-big-mouth post for another time (Teaser–it’s why and how I began writing to start with).

I’ve always thought words were incredible, powerful tools. Onomatopoeias (words that spell out sounds–remember the series Batman? “POW”! “CRASH!” “ZAP!”? That.), And, according to family members, I was reading by three, and I remember spelling my first big word when I was four: “Freedom.” When I discovered the dictionary at 12–my fault for telling my Granny I was bored, what could I do?–I found out homophones, synonyms, antonyms, and pseudonyms were ugly cousins to one another. How cool to know ew, ewe, you, yew, yoo, whew, and hue are close enough to pass, but only just. Now I see why the English language is so hard to master. Once done, it’s wonderful to unearth the mysteries behind why it’s still the most widely accepted language spoken on the planet.

Before I wrote or read, I talked. And sang. A LOT. I never shut up–and gee, big surprise, that got me in trouble more often than not. When I wasn’t in trouble and other kids weren’t around, I’d either sing or talked to imaginary friends in whatever words or worlds my fictitious playmates and I dreamed up. Sometimes the play was fun, sometimes I sang to the radio to my pretend audiences, or sometimes I was bored and moved onto my dolls, Play-Doh, or Hanna-Barbera cartoons on TV. Or my radio set to WABC in the middle of the night (yeah, I never shut up then sometimes, too). There, I’d pull the cartoon characters from the storyboards and craft fan-fiction stories and games before that became a thing. Oh, if I could go back in time . . . Rocky & Bullwinkle Tag Team Casper and Wendy! Underdog vs. Might Mouse. Tom & Jerry Meet Heckle & Jeckle. The killing I’d’ve made, too . . . but I digress.

But I discovered words were so strong, so impressionable, so damned fun, so I used them often. And sarcasm, too, when I learned what that meant. Putting those words to paper in book report form when I was a kid, not so much, and I refused to do it. It was easier to give oral reports on the books than written ones–this way, I could act out my favorite characters in the stories I devoured. Whether it was a great story a spelling test–I don’t have to tell you I almost always aced those–a vocabulary quiz, or something involving ways to express myself, I was, as report cards home oft said, never at a loss for words to do this. Couple in being born and raised in 1960s-1980s NYC, and, well . . . Big Mouth, par excellence 🙂.

So how does this relate to writing? And writing mysteries?

Two ways.

The first–my mother, her desire to be a nurse, was an avid fan of crime shows with a medical twist, Ellery Queen, Michael Crichton, and Robin Cook. She turned me onto my first mystery, an I Can Read story titled The Case of the Cat’s Meow, and later, The Hardy Boys Mysteries. The Cat’s Meow book I have to this day, ready for when my first grandchild is old enough to discover new universes and boundless imaginations books hold.

The second way came when my father’s death, in a collision with a NYC Transit uptown-bound A train in 1991, marred the birth of his first grandchild by his oldest child–me–that same year. His unexpected end is still listed in the NYPD rosters as a cold case/unsolved homicide to this day.

So I suppose in all rights, mystery writing found me.

Although I wrote plenty in journalism since my teens, I didn’t ever think I’d write a book, much less I’d want to. Now I’ve three series plans in blueprints, and several books within said blueprints in varied states of progress. But past events, not excluding my move to a speck of town called Page AZ from gigantic Gotham on a lie discovered after the parties involved died, prompted wonderings how could a mystery work. Peppering in tales from my past, people who knew my parents still living to share their stories, and strangers who remembered little me when I was four and spelling “Freedom” for them, all began to weave a tale in my thoughts.

In writing, I hope to never stop asking why or have my curiosity’s thirst ever quenched. I hope my cast of zany characters never stops asking why I’m as zany as they are. Most of all, I deeply hope to inspire a lonely, bored, or imaginative kid–or said kids at heart–to be transported into the stories as I’d been at their age, and still am today, fostering a love for words I vow to never let die.

Until next month . . . dew the best yew ewe were born two due.

Stay Awesome!
~ Missye

Cozy Mysteries: Happy Little Murder Stories

Someone sitting outside and reading a novel

Hello! I’m so happy to be the newest member in the Ladies of Mystery crew. I’ve been consuming mystery stories for as long as I can remember, but I’m pretty new to writing them.

I decided to start writing novels in 2005 when I accidentally read a romance novel. I thought I was getting a vampire fiction book and I wasn’t prepared for the laughs and the love, but it was such a great accident. I immediately realized that’s what I wanted to write. Swoons, strong women, laughs, and happily ever afters. I wanted to write something that would make me smile.

But there’s always been this other side of me obsessed with crime and mysteries. Don’t worry, not committing crime. I’ve been reading about serial killers since I was young enough for it to be a bit concerning. When no one was looking in the bookstore, I’d read serial killer encyclopedias while being careful not to crack the spines. I’ve taken forensic anthropology classes, watched a gazillion hours of crime dramas, and toured prisons and creepy places on vacations.

On paper, I look like a textbook mystery writer, but it took me nearly 15 years of writing novels to get to a point where I wanted to write a mystery.

I learned what cozy mysteries were and it changed everything.

I’d been consuming them as TV shows without realizing it was a subgenre of mystery. I’d never noticed certain elements among shows I liked. I’d picked up books here and there without realizing they were cozies.

In case you, like me a few months ago, aren’t well-versed on the cozy front, let me help! Widely accepted commonalities among (most) cozies are an amateur sleuth as the main character; they often set in a small town or small part of a big city with wacky characters; many involve food, crafts or animals in their theme; and they don’t include graphic descriptions (of the violent or sexy kinds) or profanity. The hook/theme of the book often has almost as much real estate on the pages as the mystery itself. Plus, the crime gets wrapped up by the end. Lots of them even include an ongoing romance. There are always exceptions to a genre definition, but this covers what I usually see in the genre expectations.

Basically, they’re happy little murder stories.

They combine what I love about romance with my lifetime interest in crime and mystery.

I love that you can get to know some zany characters that come back each book, while also being able to mix up a sub-setting in each book. For example, the cozy series might be set in a small town in western Oregon. The town is there in each book, but one book might be set at a rodeo and another involving a theater production. There are endless possibilities of where to take the characters!

I’ve now got a cozy mystery manuscript draft completed. It was so much fun to write quirky characters, a slow burn romance, lots of laughs, and get to think about murder motivations, while getting to have a light-hearted ending.

I’d love to hear from you. Do you read cozies? Have you come across a corner of the book world that has everything you want in a story?

New Member

To fill in the fifth Monday of the month, I’ll introduce you to our new member.

We were sorry to see Sally Carpenter leave the Ladies of Mystery, but I’m excited to say I found some to take over her day.

Lisa Leoni is a writer I’ve known for many years. I met her when we were both members of the Salem, Oregon chapter of Romance Writers of America. We roomed together at a conference and spent time together being officers of the chapter.

I moved on from RWA and began working on writing mysteries, not realizing Lisa was too. When I discovered she is writing mystery books, and then Sally said she’d like to step down from the blog, I immediately thought Lisa would make a good addition.

Lisa will have her first post on this blog next Monday, the first Monday of every month. I look forward to hearing what she’ll have to add to the blog.

Here is her bio: Lisa has found a way to combine her lifelong love for happily ever afters and her (un?)healthy fascination with crime by writing cozy mysteries. She writes cozies set in her own backyard of the Willamette Valley of Oregon and writes contemporary romances set in Scotland. When she’s not plotting ways to murder people, she’s being herded by her ginger cats and juggles a dozen craft projects.

Welcome, Lisa!

TODAY IS MEMORIAL DAY by Marilyn Meredith

Because it’s long holiday weekend, too many forget this is the day to remember all those who gave up their lives in wars for our freedom. My husband served 20 years in the Sea Bees, including 3 tours in Vietnam. We were fortunate as he came home to us, unlike so many other families who suffered great losses.

Though my husband loved his time serving his country, it wasn’t so pleasant for me. We had a big family—ultimately five children. Often, I was the only parent at home.

There was never enough money. I got my monthly allotment check and I had to buy food for the whole month and budget wisely. There were times I went to work to supplement our income. Usually I ended up splitting whatever I made with the babysitter.

The only reason I decided to share the above information, is that there are many military families still going through separation and not enough money. At this time, we have two family members who are married to service men and have children. I believe the pay is better than what it was during my time as a military wife—but I sincerely doubt that it’s enough. And for those who’ve lost their husbands (or in some cases, wives), I’m willing to bet besides the emotional struggle there are monetary ones too.

Yes, I know that is neither writing nor mystery related, just something I felt compelled to share.

At this time, I’ve been busily planning three book signings—one in my little mountain community at a local coffee/sandwich shop, one in the closest city in a wonderful chocolate store, and one at a museum in Tehachapi—the setting for Spirit Wind. This is the latest in the Deputy Tempe Crabtree series.

Fortunately, Spirit Windhas received some great reviews.

Marilyn

Available in trade paperback and on Kindle.

Pantsing the Revision

That wasn’t the plan. I was cutting subplots, cutting back to one point of view, and changing some aspects of the crime, and I thought it would all work out in a predicted direction. Then I introduced a certain secret earlier in the plot, and out of the blue, my protagonist, Mae Martin, made a decision that changed everything.

It was a well-timed decision on her part, plot-wise. I’m at the Act Two/Act Three transition point, where the protagonist has to pass through her second doorway of no return. This choice she made, seemingly without my input, will raise the stakes for her exponentially, increasing the risks to her relationships and her reputation. It’s something only she can do, and if she doesn’t do it, there are risks to other people’s well-being. It’s a choice between two “bads.” (Meanwhile, in her romantic life she’s struggling with the choice between “goods.”)

The amazing thing to me about this unexpected turn she took is that it’s going to tie up all the loose ends, when it’s resolved.

At least, I think so.

I keep chapter notes as I go, something like a hindsight outline, noting Mae’s goal for each chapter and scene (I’m writing third person but only in her POV), the disaster or hook at the end, the loose ends each chapter has created that will need to be tied up, and the progress in the main plot and subplots. I suppose I can consider some of those notes a plan, since a few are quick sketches of what I can see coming next, but I can’t see very far ahead. Some parts of the original version have found their way almost whole into this revision, and others still might. I wonder if the end will. I liked it the first time around, but it may no longer fit. One of the biggest mysteries in writing a mystery is how my creative mind works.

A character in the work in progress used a phrase I didn’t expect him to say, referring to certain people as his and Mae’s “shadow families.” In the middle of the night, I realized that could be the title. It fits the plot and also the pattern of my titles: two words with a mysterious ring to them, suited to psychic mysteries without murder. The Calling, Shaman’s Blues, Snake Face, Soul Loss, Ghost Sickness, Death Omen … Shadow Family?