Voice as Unique as a Fingerprint

~ patyjag ~ 2 Comments

My mind spins so many different directions when I’m “stewing and brewing” the next book or chapter. The other day, as browsed the email of free photos from Depositphotos a vector caught my attention. It is in this post. I thought could I use that for anything, and poof! the idea for this post came to mind.

Everyone has a unique to them fingerprint. It is theirs and theirs alone.

The same can be said for a writer’s voice. Not their speaking voice, their style of writing. Some writers use long, elaborate words or sentences. They spin their tales with sinewy prose, weaving the tale in between the actual words on the page. Then there are others who use precise words, short sentences, and graphic descriptions.

No matter what the writer writes there is a telltale “fingerprint” to their writing. Think about some of your favorite authors. Why do you read each one of their books? Is it how the story is worded? The characters? The plotting?

Characters? Plotting? How can that be voice? Again, think about your favorite authors. Do the characters seem similar even if they have different names, backgrounds, and ethnicity? Every author puts a little of themselves into their main and sometimes secondary characters. They can’t help it. Otherwise, how would they be able to describe feelings, emotions, and even the setting around them, if they didn’t allow a bit of themselves to slip into the characters.

And Plotting- You can give five authors the same basic theme for a book and each one would put their own spin on how that theme or plot played out. Again, they would each put their knowledge, feelings, and imagination into that story, making it their own with their unique voice.

I’ve always thought of my writing as simple and engaging- not really having a memorable voice. However, many readers tell me they enjoy the simplicity of my writing. They can see the story as it unfolds and not have to guess what words mean. I take that as a compliment to my style. Especially, when I’ve had several people also say that my books brought them back to reading.

My true voice, I think, is that all my stories are about justice. Not just the bad guy getting what he deserves but also showing the injustices that are in the world. I will throw in a cause here and there in my books to bring it to the attention of my readers. And thankfully, they understand that is what I’m doing. I don’t preach. I reveal the injustice and leave it up to the reader to do more digging if it intrigues them. That is my voice. As unique to me as my fingerprints.

Coming at the end of this month, book 10 in my Gabriel Hawke series, Bear Stalker.

Greed, misdirection, and murder has Hawke rushing to track his sister in the Montana wilderness before she becomes the next victim.

Oregon State Trooper Gabriel Hawke’s sister, Marion, is on a corporate retreat in Montana when she is suspected of murder. Running for her life from the real killer, she contacts Hawke for help. 

Hawke heads to Montana to find his sister and prove she isn’t a murderer. He hasn’t seen Marion in over twenty years but he knows she wouldn’t kill the man she was about to marry.

As they dig into possible embezzlement, two more murders, and find themselves trying to outsmart a wilderness-wise kidnapper, Hawke realizes his sister needs to return home and immerse herself in their heritage. Grief is a journey that must be traveled and knowing her fiancé had wanted Marion to dance again, Hawke believes their culture would help her heal.

You can pre-order it here:

https://books2read.com/u/mdjNzW

Guest Blogger ~ Erica Miner

~ patyjag ~ 3 Comments

BRINGING MURDER AND MUSIC TOGETHER

Opera can kill you.

That’s what young violin prodigy Julia Kogan discovers on the night of her debut in the orchestra at the Metropolitan Opera.

Julia is the protagonist in my Opera Mystery novel series. I know her very well. She is my alter ego, my clone: myself at that age, when I first started out as a newbie in the Met Orchestra.

How did a Met Opera violinist morph into a writer of mysteries? The answer lies in a sad story with a happy outcome.

When I was in my twenties, I had the good fortune to be playing in the pit at the Met, where I was privileged to watch and learn from some of the most glittering celebrities ever to grace the opera stage. Rehearsing and performing with the likes of Luciano Pavarotti and Plácido Domingo was an almost daily occurrence, and dreamlike in its splendor. Night after night I watched the dazzling Austrian crystal chandeliers rise to the ceiling, heralding another first act curtain about to rise at the world’s most prestigious opera house. It was hard work but rewarding.

Alas, after 21 years of opera spectacles from Mozart to Verdi to Wagner, injuries suffered in a car accident forced me to give up my Met career. What new creative outlet could I replace it with? It was writing that saved me.

I had always written, since I was a kid in grade school and was placed in an after-school program for Creative Writing. That was when I discovered my love for the art: inventing characters and plot lines and weaving them together to tell stories. Even when I was at the Met, I took writing classes whenever I could fit them into my schedule. That passion for telling stories has not faltered. I never expected it would one day become the key to my artistic survival. Nor did I anticipate that the Met itself would be a source of inspiration for future novels.

While I was at the Met, I had learned something surprising about the venerable institution. When I observed the backstage intrigues that went on behind that famous “Golden Curtain,” I found that in every department of the company, from the biggest onstage stars to the orchestra musicians to the stagehands and more, egos and rivalries ruled the day. These people were always at odds with each other. The place was a musical Tower of Babel.

Take the orchestra, for instance. 100 neurotic musicians thrown together in a hole in the ground, with no light and no air, 7 days a week. You see more of these people than your own families. Sooner or later, someone’s going to want to kill someone. And there were some nefarious goings-on as well. True events that would curl your ears.

How could I not write about this place? I let my wicked imagination take over, and before I knew it, I had created my Julia Kogan Opera Mystery series. Book One, Aria for Murder, takes place at the Met, where neophyte Julia becomes entangled in a murder investigation. When she realizes her probing has placed her in danger of becoming the killer’s next victim, she must use every shred of her inner strength to save her own life.

I could never be as brave or as plucky as Julia. But I have gotten limitless vicarious thrills from concocting jeopardy for her as she survives the Met and, in upcoming sequels, finds danger lurking in the dark corners and hidden hallways of other opera houses. The violinist in me continues to provide the background for my novels. But I consider myself doubly blessed to be a violinist who writes.

Erica Miner, the Agatha Christie of the opera world, continues the genre with a wickedly wonderful, brand-new thriller, Aria for Murder. Mystery and opera lovers alike will be fascinated to move beyond the famous “Golden Curtain” and glam atmosphere of the world’s most prestigious opera house to the dark hallways and hidden stairways of a theatre rife with danger and intrigue.

Excitement mounts as the moment arrives for brilliant young violinist Julia Kogan’s debut in the orchestra of the world-renowned Metropolitan Opera. But the high-stakes milieu of this musical mecca is rocked to its core when, during an onstage murder scene, Julia’s mentor, a famous conductor, is assassinated on the podium.

Julia is paralyzed with grief, but when her closest colleague in the orchestra is named chief suspect, Julia is thrown into high gear and teams up with opera-loving NYPD detective Larry Somers to solve the murder. As the investigation escalates, Julia and Larry are shocked to discover that the venerable opera house is rife with a web of secrets, intrigue, and lethal rivalries.

But when Julia finds threatening notes attached to her music and barely misses being crushed by falling scenery, she suddenly realizes she may be the real killer’s next victim. Then she is forced to act to save her own life—before it’s too late.

Buy links: https://www.amazon.com/Aria-Murder-Julia-Kogan-Mystery/dp/1685121985/

https://www.barnesandnoble.com/w/aria-for-murder-erica-miner/1142495216?ean=9781685121983

Erica Miner is the award-winning author of the Julia Kogan Opera Mystery series. Aria for Murder, her recent release from Level Best Books, has garnered 5-star reviews on Amazon and Goodreads.

https://www.ericaminer.com

https://www.facebook.com/erica.miner1/

https://twitter.com/EmwrtrErica

https://www.instagram.com/emwriter3/

Clueless by Heather Haven

~ Heather Haven ~ 9 Comments

I suffered an illness in 2022 which took me months to recover from. During that time, if I did any writing, it was here and there. Not a steady diet. I could usually find a blog or an article to do, not a cohesive structure such as a novel, but at the time, fairly fulfilling. But I got out of the habit of writing every day.

However, when I realized I was a year past due on my fourth Persephone Cole Vintage Mysteries, Hotshot Shamus, I knew I had to buckle down. So, I did. Or tried to. It didn’t work. I was easily distracted and the drive to write something as daunting as a novel was so tamped down, I wasn’t sure I could resurrect it again. It was frightening. 

On November 1st, I decided to try NaNoWriMo. On the surface of it, it worked. NaNoWriMo was just the jumpstart I needed. Every day I got up and wrote 1500 words no matter what. In the past, I was writing 5000 words a day, so once I committed to sitting down and writing, it wasn’t hard to do 1500.

On November 2nd, however, is when I realized I wasn’t prepared to write this novel. I didn’t have a storyline, not really, and didn’t know where I was heading, except to the coffee pot for more cups of java. I had just a vague notion, doncha-know. My usual style is to think the story through and write chronologically. I more or less follow a one-day-after-the-other pattern or one consequential scene after the other. Of course, there would be an insert here and there or I’d move a chapter or two around, but it was all fairly controlled.

Not this time. It was like throwing spaghetti on the wall and seeing what would stick where. I’d invent a scenario involving the protagonist and be off and away. If it didn’t reflect or match the ha-ha storyline, I told myself I’d deal with it later. Basically, it was characters, situations, plots, clues, and actions all banged into the keyboard appearing magically on the page. Every day for a month. Needless to say, I graduated NaNoWriMo. 50 thousand plus words were not that hard, especially when most of the words didn’t make any sense.

December had me piecing the story together. Then I added another 15 thousand words or so to make a complete 1st draft.  I cut, swapped out, repurposed, and eliminated scenes and chapters until I got some sort of cohesion. Eureka! A beginning, a middle, and an end. But I am nowhere near done.

Putting aside the rewrites, I am focusing on yet another result of my slapdash approach: the clues. Clues may be mandatory in a mystery but are like cookies. You may think you can never have too many cookies, but overindulge and it will give you a real, live stomach ache.

Unfortunately, the month of November saw me as a wild, reckless writer. Aside from writing anything that came into my head, I would throw in a new clue nearly every day. I’ve wound up with about three times as many clues as needed. I am awash in them. And while I think nothing of throwing away a whole scene that isn’t working, for some reason I am reluctant to let go of even one clue. Let’s face it, I love my clues.

So, January, February, and probably much of March will be devoted to rewrites and getting my clues in order. But I will get there. I shook things up and I’m grateful to NaNoWriMo for the jumpstart. But I have such a stomach ache!

Getting it Right

~ Janet Dawson ~ 7 Comments

The historical mystery looked promising on the library shelves. I checked it out and started reading. A few chapters in, a glaring historical inaccuracy pulled me right out of the narrative.

The book takes place in 1855, in a New England town. In one scene, the protagonist goes to the post office—which has a sign reading United States Postal Service.

No. No. No. Definitely no.

The United States Postal Service didn’t exist until 1971, after former President Richard Nixon signed the Postal Reorganization Act of 1970. Before that, it was known as the Post Office Department, or simply the Post Office.

I had a similar experience when reading another historical mystery set in 1950. The protagonist mentioned having read a world-famous novel in the early 1940s. That would have been nearly 20 years before the novel was published.

I found myself thinking that a good editor—or copyeditor—should have caught that. Of course, editors these days were probably born after the Postal Reorganization Act went into effect.

I realize I’m writing fiction, a delicate balancing act between plot, characters and setting. It’s that framework we call willing suspension of disbelief. I write a good story and readers accept that reality and those characters who move around my plot and setting. I want readers to believe that a private eye named Jeri Howard and a Zephyrette named Jill McLeod can solve crimes and catch killers.

When writing my novels, whether set in the present (with historical references) or set in the past, I strive for accuracy. To be fair, I may get it wrong. But I’m careful.

I knew that was important for the Jill McLeod California Zephyr series, set in the early 1950s. There are train buffs call railfans, a natural audience for the books, since my protagonist is a Zephyrette, a train hostess and a member of the onboard crew. I knew that if I made any mistakes, I would hear about it from the railfans.

I was quite chuffed, as the British say, when I did a book event for the first in the series, Death Rides the Zephyr, at the Western Pacific Railroad Museum in Portola, California. One of the volunteers, an older man, approached me. He said he’d read the book and he wanted me to know that I got it right, both the train stuff and the history.

Music to my ears.

I want readers to get caught up in my stories. I don’t want to make errors, however small, that that pull readers out of the story. They might not return.

Guest Blogger ~ Darcie Wilde

~ patyjag ~ 1 Comment

            IDEAS & INSPIRATIONS

            I am a Jane Austen fangirl.  

            I admit, I was not always.  But then, like a whole lot of people I saw the 1995 Pride & Prejudice with Colin Firth as Mr. Darcy, and I was gone.  Lost.   Yourcallisveryimportanttouspleaseleaveamessage.  Gone.

            Since then, I have read Pride & Prejudice multiple times, along with the other Jane Austen novels.  I’ve also read a lot of Austen’s contemporaries, who were between them busy inventing the modern novel and several literary genres, including Romance and Historical Fiction.  A lot of these books are really bad, but some of them a absolutely fascinating, if you’re a history nerd, which I also am.

            For all I credit Austen and her novels as one of the inspirations for the Useful Woman mysteries, I’d never really leaned into the plots and characters of what has become the most famous of her books.

            But, as we all know,  it is a truth, universally acknowledged that the writer of a series set in England in 1820 must be in want of a plot.  And sooner or later, that writer needs to look to the Great Jane.

            But in 2021, was there another version, or vision, left to write?  Pride & Prejudice has been adapted for every genre, and every character seems to already have their book.

            So, what was I going to do?

            Step One: reread the original.  If you haven’t read Pride & Prejudice, I recommend it.  It’s easy to follow and accessible.  Even better, it’s funny.  It’s sharp.  It’s suspenseful and engaging, even after two hundred years and countless adaptations. 

            Step Two: Get mad at Mr. Bennet.  Mr. Bennet is our Heroine’s father.  This is the guy who failed to save any money for dowries, or do much of anything else, like insist the girls get educated, so they could manage for themselves, or contact his relatives to help them get started in society so they actually had a chance of making decent marriages.  

            Step Three: Develop a sympathy for the three younger Bennet sisters.  These are Mary, Kitty and tragic Lydia.  Realize it must have been hard to be a younger Bennet.  Mom’s a hypochondriac.  Dad’s emotionally unavailable.  You’re constantly being compared to your two oldest sisters, and you know you’re never going to measure up because you’re not that pretty and not that witty and you’ve got no money.  So what are you going to do?

            Step Four:  Hear those oh-so-dangerous words in the back of your head What if…

            What if we had a similar situation, where a ne’re-do-well insinuates himself into a family, and tries to seduce one of the sisters?  What if the sister isn’t just a silly little thing with no idea of what she’s getting into?  What if she’s got a plan?  What if she sees this rogue as rout to getting some money of her own and away from her smothering family and perfect older sister? And what if she had help from a sister…?

            What if this situation landed in my sleuth Rosalind’s lap just before the London social season of 1820?

Darcie Wilde is the bestselling, award-winning, multi-genre author of the Useful Woman mysteries.  Her latest title The Secret of the Lost Pearls is an Editor’s Pick on Amazon and a “Must Read” book for 2022 from USA Today.

This captivating Regency-era mystery inspired by the novels of Jane Austen is perfect for fans of Andrea Penrose, Lauren Willig, and Deanna Raybourn, as readers venture beyond the glittering ballrooms and elegant parties of Regency London to the dark side of the city and its unexpected dangers.

Rosalind Thorne may not have a grand fortune of her own, but she possesses virtues almost as prized by the haut ton: discretion, and a web of connections that enable her to discover just about anything about anyone. Known as a “most useful woman,” Rosalind helps society ladies in need—for a modest fee, of course—and her client roster is steadily increasing.
 
Mrs. Gerald Douglas, née Bethany Hodgeson, presents Rosalind with a particularly delicate predicament. A valuable pearl necklace has gone missing, and Bethany’s husband believes the thief is Nora, Bethany’s disgraced sister. Nora made a scandalous elopement at age sixteen and returned three years later, telling the family that her husband was dead.
 
But as Rosalind begins her investigations, under cover of helping the daughters of the house prepare for their first London season, she realizes that the family harbors even more secrets than scandals. The intrigue swirling around the Douglases includes fraud, forgery, blackmail, and soon, murder. And it will fall to Rosalind, aided by charming Bow Street officer Adam Harkness, to untangle the shocking truth and discover who is a thief—and who is a killer.

Buy Links:

https://www.indiebound.org/search/book?keys=secret+of+the+lost+pearls

https://www.amazon.com/Secret-Pearls-Useful-Woman-Mystery-ebook/dp/B09YLRTWFX

Darcie Wilde is the bestselling, award-winning, multi-genre author of the Useful Woman mysteries.  Her latest title The Secret of the Lost Pearls is an Editor’s Pick on Amazon and a “Must Read” book for 2022 from USA Today.

www.darciewildeauthor.com