Category: Research

Guest Blogger ~ Skye Alexander

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A Good Place To Die

The real estate agent’s axiom about the importance of “location, location, location” holds true for me, too, as a mystery writer––usually the setting is the first thing I establish in a novel. The place where a story occurs provides a backdrop for the action and creates ambiance. It also grounds the tale in a time/space framework with a history, culture, and physical features that dictate what can or cannot happen there. A crime that transpires in a seventeenth-century French chateau, for instance, will be different from one that takes place on the mean streets of Al Capone’s Chicago or in a California mining town during the Gold Rush.

Sometimes the setting assumes a life of its own and becomes a character in the story, such as the marsh in Delia Owens’s Where the Crawdads Sing and the Four Corners in Tony Hillerman’s novels. In some cases, the setting serves as an antagonist, like the Dust Bowl in John Steinbeck’s Grapes of Wrath and the Parisian flood in Sarah Smith’s Knowledge of Water. The environment challenges the protagonist and either helps or hinders her efforts to solve the crime––or to stay alive.

Much as I enjoy reading about Louise Penny’s fictitious town of Three Pines, Quebec, and Susan Oleksiw’s Hotel Delite in Kovalam, South India, I didn’t want to limit my series to only one setting. Consequently, I created a cast of New York Jazz Age musicians whom wealthy people hire to perform at special events. Each stint takes the entertainers to a different location where they’re presented with a unique set of obstacles and opportunities.

The most recent novel in my Lizzie Crane mystery series, What the Walls Know, is set in a spooky castle in October of 1925. When the musicians accept an invitation to perform at a Halloween party there, they have no idea they’ll be trapped on an isolated peninsula with real-life wizards, witches, ghosts, fortune-tellers––and a murderer. The actual neo-Gothic Hammond Castle in Gloucester, Massachusetts inspired me, and I incorporated its magnificent pipe organ and some other notable features into the story. The oceanside estate of the plumbing magnate Richard Crane prompted the first book in my series, Never Try to Catch a Falling Knife. Two future novels in the series, The Goddess of Shipwrecked Sailors and Running in the Shadows, take place in Salem, Massachusetts. This city’s colorful history offered up intriguing plot elements, including the clipper ship trade and the notorious smuggling tunnels that once ran beneath the old town.

For the sake of authenticity, I physically visit each place mentioned in my novels––every house, store, hotel, restaurant, church, library, museum, park, railway station, and cemetery. If it ever existed and still does, I’ve been there. In Never Try to Catch a Falling Knife, my characters eat lunch at a resort that unfortunately burned down in the 1950s, dashing my hopes for a site visit. Luckily, though, I located an elderly gentleman whose family owned the resort when he was young and he kindly spent an evening recounting the “good old days” with me.

What are some of your favorite story locations? How do you feel they contribute to the tale? Does reading about a particular setting make you want to go there?

What The Walls Know

Halloween 1925, Gloucester, Massachusetts: Jazz singer Lizzie Crane thinks ghosts in a creepy castle are her only worry, until a woman dies of a suspicious heroin overdose and Lizzie becomes a murder suspect––or maybe the next victim.

Buy Links:

https://www.barnesandnoble.com/w/what-the-walls-know-skye-alexander/1142463455

Skye Alexander is the author of nearly 50 fiction and nonfiction books. Her stories have appeared in anthologies internationally, and her work has been published in more than a dozen languages. In 2003, she cofounded Level Best Books with fellow authors Kate Flora and Susan Oleksiw. The first novel in her Lizzie Crane mystery series, Never Try to Catch a Falling Knife, set in 1925, was published in 2021; the second, What the Walls Know, was released in November 2022. Skye lives in Texas with her black Manx cat Zoe.

Website: www.skyealexander.com

Facebook: https://www.facebook.com/skye.alexander.92

Guest Blogger ~ Laura Kelly Robb

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Behind the Book – Discovering the Florida Highwaymen

By Laura Kelly Robb

Zora Neale Hurston, the author of Their Eyes Were Watching God, lived her last years in Fort Pierce, a beach town on the Atlantic coast of Florida.  She lived for a while on a houseboat and later in a modest cement block rental house.  A visitor can see the makeshift desk and black Underwood typewriter Hurston used for her last pieces.

Through a National Endowment for the Humanities grant, I traveled to Fort Pierce to learn more about Hurston’s life through a week-long seminar led by Professor Heather Russell.  She told us the story of how Hurston had fallen out of favor with many critics until Alice Walker resuscitated her legacy of novels, stories, and African American folklore.

While in Fort Pierce, cultural ambassadors from the African American community  helped us understand other aspects of the town’s history.  The Florida Highwaymen, they said, had gone a long way toward putting the town on the map.  I had never heard of those artists, but our guides forgave my ignorance and led us to a gallery run by James Gibson, one of the Highwaymen.  Sitting on a stool, as casually as if he were telling us about dinner the night before, he spun tales of his companions in art, the twenty-five men and one woman, who made up the official list of Florida Highwaymen.

They knew each other, some from long contact, some only by sight, and some were blood relatives.  They were eager to get out of the sweltering fields and as far away from the punishing orange harvests as possible.  Hope came in the form of post-war prosperity, air-conditioning, and a wave of middle-class tourists. Black and white, the vacationers were driving the length of Florida.  The Highwaymen’s images of sunsets, palm trees, and scudding clouds were the perfect souvenir.

From the mid-1950’s until the early ‘80’s, the loose group of self-taught artists produced, by conservative estimate, over 100,000 paintings.  Sold out of the back of a car, sometimes on the side of the highway, for a bargain price of twenty-five dollars, the paintings traveled with their new owners all over the fifty states. Al Black, a prolific painter and also the lead salesman, could sell water to a whale they said. Money was made; oranges were not picked. James Gibson smiled and called them the best of years.

After the seminar, the story of the Florida Highwaymen stayed tucked away but not forgotten. I read reports of the uptick in interest and I saw episodes of Antiques Roadshow where the art experts valued Highwaymen paintings from $5,000 up to $10,000.  I wondered how art professionals dealt with a body of work as large as the one generated in Fort Pierce.

That question serves as a starting point for my mystery, The Laguna Shores Research Club (TouchPoint Press, September 14, 2022), featuring an art cataloguer, an art collector, and an ambitious museum curator in St. Augustine. The protagonist, Laila, believes her chance to get ahead in the art world lies in protecting the Florida Highwaymen.  When her friend and fellow researcher turns up dead, Laila is the one who needs protection. 

The Laguna Shores Research Club

Laila Harrow knows the best way to track down anything—or anybody—is to ask Billie Farmer. As the brains of the Laguna Shores Research Club, Billie teaches fellow members how to reach into the ether and pluck out facts.

Counting on Billie’s guidance, Laila promises the St. Augustine Museum a catalogue of Florida Highwaymen paintings that will catapult her standing in the art world. But when Billie dies suddenly, Laila is forced to pull herself out of the darkness to think like Billie and follow the facts.

Fact: Billie’s good health makes the diagnosis of a heart attack unlikely.
Fact: Her actions the night of her death hint at a looming threat.
Fact: Her condo has been turned upside down, her computer and phone missing.

With support from her friends and family, Laila vows to get to the bottom of Billie’s death. Then one last piece of information comes to light.

Fact: Laila is at the center of a dangerous game.

Amazon Paperback and Kindle

Barnes&Noble and Nook

Laura grew up in New York, the fifth of six daughters.  She earned a BA from the University of Toronto and went to work in Vigo, Spain. She lived in a small village and studied part-time at the University of Santiago.  Returning to the US, she taught Spanish and History for Seattle Schools.  She began to submit short stories and write novels while getting coaching at an Iowa Writers Workshop summer session.  She now writes full-time, with a sequel to The Research Club expected in 2023.  With her husband Paul, she lives in St. Simons, Georgia and takes breaks from the heat in Friday Harbor, Washington near her three adult children.

www.LauraKellyRobb.com

Twitter: @LauraKellyRobb

Instagram: @BookHardy and LauraKellyRobb_Author

Guest Blogger ~ Lois Winston

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Truth, Lies, and Fiction

My plots have always been influenced by real-life crimes and human-interest stories. However, with Guilty as Framed, my latest Anastasia Pollack Crafting Mystery, the story is more than influenced by an actual crime; it incorporates that crime, one that has fascinated me for decades, into the story. This, of course, posed various challenges, especially since it involved a cold case that was rife with lies, misdirection, and botched investigations.

The crime in question was the 1990 burglary of the Isabella Stewart Gardner Museum in Boston, considered the largest art heist in history. The theft consisted of priceless masterpieces by Rembrandt, Vermeer, Manet, Degas, and others. It involved such disparate characters as a pot-smoking security guard, the Irish mob, and even the Pope. It included the unsolved murders of some of the suspects and as the years passed, the deaths of most of the persons of interest.

There were sworn statements by mob relatives and associates claiming to have seen some of the missing paintings over the years, as well as speculation that the artworks are in Saudi Arabia. And in what must be one of the oddest law enforcement press conferences on record, thirteen years after the robbery, the head of the Boston FBI announced the crime had been solved, although he presented none of the missing artworks nor announced any arrests. He then ended with a plea to the public for help in solving the case.

True crime and cozy mystery are two distinct genres. One is fiction; the other is not. But in weaving a true crime into my fiction, I wanted to hone as closely as possible to the actual events of the case. To do so, I had to take some creative liberties. I decided to focus my story around one specific incident that involved a mob associate and his wife, weaving that aspect of the actual investigation into my plot.

Even though these people have since died, I changed their names and the names of other suspects and persons of interest who I incorporated into my story. (When dealing with members of organized crime, even ones long dead, it’s best to play it safe!) I also created additional characters, thus enabling me to weave a thirty-two-year-old Boston cold case into a series that takes place in present-day New Jersey.

Guilty as Framed is the eleventh book in my Anastasia Pollack Crafting Mystery Series. In each book I’ve challenged myself to create stories unlike my previous ones. No reader wants to read a book where only the names and places (and possibly the murder weapon) differ from other books in the series. This current book was my greatest creative leap to date. I’m hoping readers find the book as enjoyable to read as I did to write.

Guilty as Framed

An Anastasia Pollack Crafting Mystery, Book 11

When an elderly man shows up at the home of reluctant amateur sleuth Anastasia Pollack, she’s drawn into the unsolved mystery of the greatest art heist in history.

Boston mob boss Cormac Murphy has recently been released from prison. He doesn’t believe Anastasia’s assertion that the man he’s looking for doesn’t live at her address and attempts to muscle his way into her home. His efforts are thwarted by Anastasia’s fiancé Zack Barnes.

A week later, a stolen SUV containing a dead body appears in Anastasia’s driveway. Anastasia believes Murphy is sending her a message. It’s only the first in a series of alarming incidents, including a mugging, a break-in, another murder, and the discovery of a cache of jewelry and an etching from the largest museum burglary in history.

But will Anastasia solve the mystery behind these shocking events before she falls victim to a couple of desperate thugs who will stop at nothing to get what they want?

Buy Links

Paperback: https://amzn.to/3QLEYU5

Hardcover: https://amzn.to/3Ans5s6

Kindle: https://amzn.to/3tLnT3d

Kobo: https://www.kobo.com/us/en/ebook/guilty-as-framed

Apple Books: https://books.apple.com/us/book/guilty-as-framed/id6442846272

Nook: https://www.barnesandnoble.com/w/guilty-as-framed-lois-winston/1141500980?ean=2940185728703

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Words are Power by Paty Jager

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When I looked up the word “limbo” to make sure I was using it correctly, I found more than one meaning! That is what I love about words and using them to make stories. If you use a word one way it means one thing and the same word can mean something else when used in a different sentence.

The mystery of words has always fascinated me. When my, by one year, older than me brother started reading, I peered over his shoulder, capturing the words and discovering the sounds letters made if they were placed with this letter or a different letter.

Who came up with that? I mean over the centuries the various cultures and people came up with their own set of marks that made sense to them. But how did they distinguish the sounds each mark or letter made? How did they decide which letters together made which sounds?

For my Spotted Pony Casino mystery books, I’ve been incorporating Umatilla language words into the story. It helps to show the culture and bring a little more Indigenous feel to my characters who are Umatilla. I’ve listened to Youtube videos where they speak the language. It sounds so different from the words that are spelled out with unique characters.

The Indigenous languages were spoken long before the Anglo people arrived with their alphabet. How did they, the Indigenous people decide which of the Anglo alphabet worked for their words? I’ll have to ask a Umatilla linguist I know and see if he can help me with this, one of many question that stir around in my head at 2 AM the nights my brain won’t shut down.

Words are so useful and yet can also destroy a relationship, a person, even a country. Knowing the right words to string together is powerful. Or it can be destructive. Words are power!

Book three in the Spotted Pony Casino mysteries will be released in ebook and the following week in print.

Double Down

A donkey, a three-legged dog, and a war-scarred veteran outwit the killer.

Dela Alvaro is the main suspect in the stabbing death of a man she stopped from beating his wife to death.  The detective she abhors is ready to toss her in jail and not look for any other suspects. When FBI Special Agent Quinn Pierce is called in and Tribal Officer Heath Seaver is forbidden to work the case, Dela decides to find the killer.

Was it the wife, the drug dealer, or the man wanting to take over the victim’s business? Dela and Heath ask questions and work to prove her innocence. If she is found guilty not only will she lose her life but she’ll never be able to solve the secret of her father.  

Universal Buy Link:

https://books2read.com/u/4D6Wa7

Guest Blogger ~ Nancy Lynn Jarvis

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Writing PIP Inc. Mysteries is my way of keeping a friend who has moved to another state close and letting pets who have crossed the rainbow bridge live on as more than memories.

When I began writing mysteries in 2008, my protagonist was a realtor like I was. I used my experiences to enhance the story lines and told readers that as far-fetched as the real estate references were, they were all true and based on things that happened to me or my associates during my twenty-five-year career. It was easy to write authentically because I knew the business so well. But after seven books in the Regan McHenry Real Estate Mysteries series, it was time for a change.

I have a dear friend, also named Pat like my PIP Inc. protagonist, who is the most fascinating person I know. She gave me many ideas for murders and was especially helpful with bank robbery insider information she knew for my stand-alone novel, Mags and the AARP Gang, because she was on the board of the credit union where I set the robbery.

As I started formulating the PIP Inc. Mysteries series, I asked if I could use her and her background―like my Pat, she was the county law librarian and is a private investigator―as my protagonist and if she would be a consultant for the books because I knew nothing about being a private investigator and would need her help. She agreed under one condition: private investigator Pat had to have green eyes because she always wished her eyes were green.

 I made my Pat half her age, unmarried, and with an enviable figure, something the real Pat loved. When she saw the cover for the first book in the series she exclaimed that Pat had the hips she always wished she had.

I also gave Pat two pets, a Dalmatian named Dot and a ginger tabby named Lord Peter Wimsey. Dot is based on my beloved Freckles―whose real-life antics often find their way into the books―and my husband’s cat, Wimsey. 

Having Pat as a consultant has worked out better than I hoped. She advises me on how to conduct investigations so details ring true, and she comes to Santa Cruz at least twice a year for an in-person consult. You should have seen us spying on a neighbor when she was here recently. Pat suggested we climb his security fence to see if we were right about him and what was happening on his property. When I told her that could be dangerous, she said, “Don’t worry, I always carry my Magnum 357, just like private investigator Pat does.”

You can read about the adventures of Pat, Dot, and Wimsey in the PIP Inc. Mysteries series. Book 3, The Corpse’s Secret Life was released earlier this year. The series is intended to be read in order so you might want to start with The Glass House and then The Funeral Murder before you take on the sin-eaters and undercover agents of The Corpse’s Secret Life. (And if you want to find out what that neighbor was up to, there’s always the barely fictionalized A Neighborly Killing from the Regan McHenry Real Estate Mysteries series.)

Pat’s fledgling private investigation company, PIP Inc., has a promising new case.

Pat is still wearing a wrist cast after breaking her arm in a confrontation with a killer, so when she’s hired by the City of Watsonville to unearth the identity of an older woman who died in her bed, she’s delighted that her next job promises to be a simple computer-based research project.

Why is it that things are never as simple as she thinks they will be? Pat soon discovers nothing is as it seems, beginning with a corpse who had secret identities, murder, and a post-death ritual thought to have last been performed decades ago.

 “I love this series, and this particular mystery is very entertaining.”

        Janice J. Richardson author of The Spencer Funeral Home series

“Captivating from the start! The Corpse’s Secret Life transports you into a realm of page-turning mystery… a must read”

          Maryanne Porter, author of Haunted Santa Cruz, California.

You can find her all her books here: https://www.amazon.com/Nancy-Lynn-Jarvis/e/B002CWX7IQ

Nancy Lynn Jarvis left the real estate profession after she started having so much fun writing the Regan McHenry Real Estate Mysteries series that she let her license lapse. But after seven books, she was ready for a new adventure and is currently working on the fourth book in her PIP Inc. series which features protagonist not-quite-licensed private investigator, downsized law librarian Pat Pirard. She has also edited crowd pleasers Cozy Food: 128 Cozy Mystery Writers Share Their Favorite Recipes and Santa Cruz Weird. Read first chapters of her books at www.nancylynnjarvis.com

Facebook: https://www.facebook.com/nancylynnjarvis/

Goodreads: https://www.goodreads.com/author/show/2918242.Nancy_Lynn_Jarvis