Please, no, not another book idea!

I get asked all the time, “Where do you get your ideas or how do you come up with so many ideas for stories?”

Nia

I like to call it my superpower, but then something like this happens: My friend and I who sell books twice a year at an outdoor flea market enjoy watching all the dogs go by and try to figure out their breeds or crossbreeds. It’s just a fun game. Then, this past summer, I had my little dog Nia with me at one of the events. A woman came in to look at our books and, of course, asked to pet Nia. My little Chiweenie is a people dog. She loves kids, she loves anyone that isn’t wearing a hat and built large. The woman pet her and talked to her for several minutes then looked up at me and said, “You should use her as a therapy dog. She has the right temperament and look at that loving caring face.” The woman went on to tell me all the places I could take Nia to comfort people.

After she left, my friend and I were talking about it and instead of doing the humanitarian thing with this information, I flipped it and said that would make a great way to have an amateur sleuth get involved in all kinds of murders. (Yes, an idea for another series popped into my head and hasn’t left.)

Then someone was playing old time records on a record player as a means to bring in customers and sell the record player. The song Merry, Merry, Merry Christmas came on and as the song progressed, my mind went to what a great title for a book. Merry, Merry, Merry Murder. And make it set at Christmas. Now this stuck and has been brewing in my mind as the holidays are fast approaching. Too late for this year, but I will have a book with that title coming out next year.

But wait, how can I get this title to work with the two series I have right now? All the Gabriel Hawke series titles have animals in the titles. It would be out of sync with the rest of the series. Same goes with the Spotted Pony Casino Mystery series. Those titles all have to do with gambling terms. How can I use this title to write a Christmas murder mystery if I can’t make it fit the two series I already have going?

Pop back to the new shiny idea of the woman with therapy animals who travels to schools, hospitals, nursing homes, outreach centers, and so on. She could start her series with Merry, Merry, Merry Murder. Or I can make it a standalone Christmas Mystery.

But wait. This has all been spinning in my head for several months now and two days ago when I was finishing up sewing Christmas presents, I had Christmas music playing. Christmas Classics to be exact. The Jackson 5 were singing, I Saw Mommy Kissing Santa Claus. There is a spot in the song where Michael stops singing and says he’s going to tell Daddy. He says it like he’s mad at his mom. And BAM! The whole idea for the murder and who is blamed and who really did it came flashing into my head. I had to leave the sewing machine to find a piece of paper and a pen to write down all the things that had come together to make the story work.

And now, I just have to decide if it will be a standalone book or the beginning of a new series… I really don’t want to juggle three series, but I also like the idea of the shorter cozy style mystery. Maybe one of those a year…. So I can keep putting out two books a year in the other two series. We’ll see!

If you’re looking for some great gifts for the readers on your Christmas list, check out the Ladies of Mystery Cavalcade of Books. An online place to find some of our books on sale and just some of our books. https://bodiebluebooks.com/ladiesofmystery/

Life has made changes in my writing style.

When I started writing to get published over 30 years ago, I would sit down and knock out words for an hour or two a day. That was when the kids were in school and I’d finished all my outside and household chores. Back then I hadn’t attended more than a college class on fiction writing and a community Ed class on writing for hire.

I had one children’s story published in a parenting magazine and I was working as a freelance reporter for first the Redmond Spokesman and the the Bend Bulletin. These didn’t pay much but they showed me I could write.

The first novel I wrote was a murder mystery. I’d read the first three Kinsey Millhone Mysteries by Sue Grafton and felt I could write a mystery novel. I loved the main character and enjoyed writing about a divorced mother of two who made her living with freelance photography helping her ex-husband prove he didn’t kill someone. I used a book I’d heard about on a television talk show that would help you be your own detective. Great premise! I did my homework looking through the tombs of agents in the books you couldn’t take out of the library and thought I’d found the right one.

Back then I didn’t know you didn’t pay them to read your books. I was already working on the second book in the series when I received the rejection letter that said mystery books in first person didn’t sell. I stood open-mouthed as I read it. But the very books that had set my muse on fire were in first person and they were selling well. I changed the book into third person and resent it, without any money, and never heard back from the agent.

In the meantime, I’d heard on a television talk show ( this was back in the day when I watched television as I cleaned, folded clothes, and did all the household chores) that homemakers were writing romance books and making money. I started writing a historical romance. I attended what I realized, after the fact, was a literary writer’s event. The two workshops I wanted to take were reasonable and I could stay with my parents. I went to the first class and enjoyed learning more about writing. The second workshop was with an editor from New York. We were to read a section of our work to her. The first person started reading and I thought, wow, where is the plot in this? Then the second one read and I was completely lost. Then the third had the moon as the protagonist. I was clearly feeling like I didn’t belong in this group. Then it was my turn and I started reading from my historical romance. Everyone leaned back and stared at me. The agent stopped me and asked if I’d heard of RWA. I hadn’t and then she told me to come see her after the workshop.

From the RWA organization I learned the craft of writing. I learned to make my characters flawed and likeable. I learned how to use villains and tragedy to draw the reader in. I learned about suspense and crafting a good hook. During that time, I wrote every week day. I became published in historical Western romance. After I became published I wrote seven days a week, for three to four hours. I decided to make this a career.

Ten years ago I decided to get back to writing mystery books. That’s when I started writing the Shandra Higheagle Mystery series.

I have written at least 2-4 hours every day since I became a published author.

Until this year.

This year I decided to indulge in life more. Which had me not writing for days, weeks, even a month when I went on my Europe trip.

I take that back, I did write every day because I kept a journal of my trip. But I didn’t work or even think about the next book, which is unusual for me. I usually have two books in my head, the one I’m working on and the next one. I had neither for a whole month.

When I returned, I set a goal for myself. To finish Gabriel Hawke, book number 13, titled Wolverine Instincts, this month. The plan on my whiteboard is for it to publish in January. Right now I’m thinking late January and possibly early February. However, I am writing my 3k a day on this book since November 1st and my goal is to have it ready to go to critique partners and beta readers by the first of December.

This is the second book this year that I’ve given myself a month to get written. I was able to get that book written in the month, but there weren’t two book-selling events and a holiday during that month.

My character Dela Alvaro in the Spotted Pony Casino mysteries is a disabled veteran. The audiobook for Down and Dirty will soon be available. But today, on Veterans Day, you can download a free copy of Poker Face, book 1 in the series using this link from Bookfunnel. https://dl.bookfunnel.com/xlsrf57q4l

Thank you to all Veterans!

And don’t forget that starting November 15th through December the Ladies of Mystery have our Cavalcade of Books available for you to get deals or gift books to people on your Christmas list. Each of us is offering three books, some at special prices just for you! Ckick HERE to see what’s what, once again starting November 15th!

My Writing List

Every writer has their mantra, motto, or theme for their writing. I have a list of items I try to hit with each book I write.

The list is:

  • Character endures longer than plot.
  • Action intrigues the reader more than passive language.
  • Scenes excite the reader more than narration.
  • Dialogue interests the reader more than exposition.
  • Nouns & Verbs trump adjectives and adverbs.

I’m not sure where I found this years ago, but the saying has hung either from my monitor or as now, on my whiteboard plotting calendar by my desk. These five things are what I strive for in each book or short story I write.

I want the readers to love my characters whether they are the main characters or the secondary characters. Because if I don’t care or like them why would a reader want to read about them? From the reactions of my readers when I ended the Shandra Higheagle Mystery series, I believe they fell in love with my characters. Which makes me happy and I try to do the same with all my other series characters.

As for action, I like stories that aren’t bogged down with descriptions. I want to know what the characters are doing and have their actions and reactions move the story forward. I like books that carry me along on the ride without distracting me with mundane things.  

Sometimes I wonder if I put too many breaks in some chapters, but they are usually ones where the characters are jumping from scene to scene as they move forward to question someone or look for a clue. All the scenes whether they are long or short keep the story moving.

I prefer to write dialogue that informs the reader either about the past, present, or to show the character’s character. I try not to use too much narrative to inform the reader. It can end up feeling like an info dump. As much as I can, I try to keep information in the dialog and not do any dumps.

There have been times after I’ve written and published a book, I think, “Man, I should have described this or that better.” Then I get a review with how well I showed or revealed an area or place and I think, “I guess I did okay.” I am not a wordy person in real life. I don’t care for small talk and I like to get to the point of things. I’ve found I’m the same way with my writing. I use words sparingly and make sure the words I do use inform without having to add three words for the one. I do use some adjectives but only if they are necessary to show what I want to show, not to flower up the pages. When I read a book with lots of description, I’ll jump over those paragraphs to get to the action.

The books I like to read are ones with strong likeable characters and action that moves the story forward. That shouldn’t come as a surprise after reading this post. If a character grabs me in the first chapter, I will finish the book unless the story is slogging. I came across a book recently that the premise intrigued me but I couldn’t finish the book because I didn’t like the main character and some of the things the character did seemed dumb. I put a book like this down and start another one. I have lots of books on my TBR pile and limited time to read.

So when I read for pleasure, I want the book to make me think about it even when I’m not reading. That is a good book.

What is a good book you’ve read lately?

I’d be remiss if I didn’t tell you about my newest release.

Down and Dirty

Book 6 in the Spotted Pony Casino Mysteries

The Spotted Pony Casino’s head of security, Dela Alvaro, receives a late-night call that takes her to a deserted walkway along the river. After confronting a woman babbling about love and bodies being buried, Dela stumbles over a corpse and discovers her knife covered in the victim’s blood.

Dela and Tribal Detective Heath Seaver find themselves working with FBI Special Agent Quinn Pierce when the murder seems to be connected to a drug cartel. Dela nearly becomes the victim of a hit-and-run while someone is trying to frame her for the murder.

Proving her innocence has Dela interviewing past acquaintances and members of a drug cartel, all while trying to decide if the woman she met the night of the murder is truly crazy … or the killer.

Universal buy link: https://books2read.com/u/bagQ66

I See Characters

Every writer puts a bit of the people around them into their characters. We can’t help it. A friend has a quirk that we like and we give it to a character. A relative has a situation that would make for a great subplot, we use it. Even though we are writing fiction, bringing in the bits of real life that we see brings those fictional characters to life.

Last month while working at a NIWA (Northwest Independent Writers Association) booth selling my book and those of other authors in the organization, some unusual characters came by and talked to us. One of my strengths is being a good listener. Only there does come a point with some people when even I started getting antsy and wish the person would move on. Either physically or with their topic.

One person who has stopped by our booth the last two years that I’ve been there is a man who likes to discuss how the government is listening into everything that is going on and how he believes the aliens will soon return to save the planet. He gets very adamant about why he lives off-grid and how we are all being tracked. I’m thinking someone with his perspective on life will show up in one of my books.

Another young man, well, young to me, I believe he might have been late twenties or early thirties. He had a British accent, wore his hair in a shoulder-length bob, and had on a typical t-shirt a male his age would wear and then he had on a skirt that was tight enough across his hips that you could tell he was male if his voice hadn’t given him away. He had a dog on a leash. As he talked to us, he constantly pushed the hair away from his face, adjusted his glasses, and kept his dog from wrapping the leash around his legs. He was quiet, talked a little about the books and how he’d thought about writing, but he didn’t have a clear vision of what he wanted to write.

The third person who captured my attention and sent a chill up my back was a woman. She walked up to the booth dressed in a long flowy skirt, matching sweater, and a silk scarf around her neck. She looked like the wife of a businessman or a professional herself. Her smile was wide, her eyes lit up with the smile and she said, “Hello. I’m here to spread love. Elon Musk and I are building a world filled with love. Come join us and together we can make the world a better place.” I smiled and said, “That’s nice. The world could use more love.” She asked about a couple of the books, then reiterated that she and Elon needed help to spread the love. I nodded and smiled and then- the creepy part. Her eyelids started fluttering, her eyes kind of rolled up, and her smile disappeared. When she stared at me anger simmered in her eyes and she said, “I know where the bodies are buried. I do. I know where the bodies are buried.” I had no words for that response from her. Then as quickly as she’d changed, the smile was back and she said, “I have more love to spread, ” and walked away.

I was speechless for a few minutes. The other member of NIWA who was in the booth with me had been on the phone while I was talking to the woman. I sat down, grabbed a pen and a piece of paper, and wrote down everything she said and how she looked.

And that woman is a secondary character in my September release, Down and Dirty, book 6 in the Spotted Pony Casino mystery series.

It is encounters like this that give writers the fodder for their stories.

The Slogging Beginning

I am doing something I haven’t done in some time. I am trying to write a 70k+ book in a month. I want this book off to my critique partners and beta readers by the first of August so I can have it polished and uploaded for release before I leave on a month long vacation the middle of September. Have I put a lot of pressure on myself? Yes! But it will be worth it to be between books while I’m enjoying my vacation.

Most writers know about the saggy middle. It’s where in the middle of the book, sometimes it feels like the pacing has slowed or the story doesn’t feel as fresh and vigorous as it started out. Many have had this happen in a book more than once. But with editing and rewriting it can be given a nice crisp revision.

I’m finding the beginning of this book, not the story, the story is moving along fine. It’s the having to stop and research something that takes time and then takes me off on, ‘What if I did this?’ that turns the story in a different direction. I have had that happen on this particular book four times since beginning the book. I’m a third of the way into the book and I’m finally getting into the rhythm of the story and not having to stop so much and look things up.

So my slogging beginning is the fact, 1) I was at an event and met a person that was so ingrained on my brain after our interaction that I had to put her into this book. Which then changed the direction I had started out on. 2) I decided to make a business I know nothing about as a primary setting to the story. 3) Due to the character I added, I needed to look up mental illnesses. 4) Trying to add information from a short story I put in an anthology required me to reread the short story and figure out how to make it all play into the main plot.

Slogging in this instance is not the writing or the story line, it is the fact I have to keep stopping to research information I hadn’t known would come up with I started the story. Slogging is the hours I’ve spent reading and researching when I wanted to be writing.

However, no matter what you write there is always a need for some research. When I wrote historical western romance I had to research history and how they dressed and lived. In mysteries it’s all about type of wounds, types of crimes, occupations, and yes mental illnesses. Not to mention locations and oh so many things that you would think I wouldn’t need to look up since these are contemporary mysteries. But because of the internet and everyone having access to information, you have to make sure you do even more research so no one can say you don’t know what you’re talking about.

I rarely have a saggy middle and this is the first time I’ve had a slogging beginning. But I can tell you, from here on out this book won’t be sloggy or saggy! I love when I hit the middle of the book and it is like wild downhill ride as I pull all the clues and red herrings together and carry the main character to the revelation of the killer.

Endings are always like a runaway truck!

If you are looking for a good deal on an audiobook bundle, the first three books of my Shandra Higheagle mystery series is available for $0.99 at many audiobook vendors until the 10th as part of the Indie Audiobook Deals. https://indieaudiobookdeals.com/