Words are Power by Paty Jager

When I looked up the word “limbo” to make sure I was using it correctly, I found more than one meaning! That is what I love about words and using them to make stories. If you use a word one way it means one thing and the same word can mean something else when used in a different sentence.

The mystery of words has always fascinated me. When my, by one year, older than me brother started reading, I peered over his shoulder, capturing the words and discovering the sounds letters made if they were placed with this letter or a different letter.

Who came up with that? I mean over the centuries the various cultures and people came up with their own set of marks that made sense to them. But how did they distinguish the sounds each mark or letter made? How did they decide which letters together made which sounds?

For my Spotted Pony Casino mystery books, I’ve been incorporating Umatilla language words into the story. It helps to show the culture and bring a little more Indigenous feel to my characters who are Umatilla. I’ve listened to Youtube videos where they speak the language. It sounds so different from the words that are spelled out with unique characters.

The Indigenous languages were spoken long before the Anglo people arrived with their alphabet. How did they, the Indigenous people decide which of the Anglo alphabet worked for their words? I’ll have to ask a Umatilla linguist I know and see if he can help me with this, one of many question that stir around in my head at 2 AM the nights my brain won’t shut down.

Words are so useful and yet can also destroy a relationship, a person, even a country. Knowing the right words to string together is powerful. Or it can be destructive. Words are power!

Book three in the Spotted Pony Casino mysteries will be released in ebook and the following week in print.

Double Down

A donkey, a three-legged dog, and a war-scarred veteran outwit the killer.

Dela Alvaro is the main suspect in the stabbing death of a man she stopped from beating his wife to death.  The detective she abhors is ready to toss her in jail and not look for any other suspects. When FBI Special Agent Quinn Pierce is called in and Tribal Officer Heath Seaver is forbidden to work the case, Dela decides to find the killer.

Was it the wife, the drug dealer, or the man wanting to take over the victim’s business? Dela and Heath ask questions and work to prove her innocence. If she is found guilty not only will she lose her life but she’ll never be able to solve the secret of her father.  

Universal Buy Link:

https://books2read.com/u/4D6Wa7

Titles- where do they come from?

Ask any writer and they will each give you a different answer to where they get the title for a story, book, or article. Most will even say they come up with the title differently for each story, book, or article.

So how does that tell you where titles come from…it doesn’t. From talking to other writers and reading the struggles they go through to find titles, I can tell you there is no set way a writer comes up with the words that are on the front of their book or draws a reader to their story or article.

If the writer is published with a traditional publisher, they have no say over the title. The publishing company decides what title will go on the book based on past book sales. Not sales by that author but by all the authors in their house and what titles readers were drawn to.

A self-published author can give their book a title and it will stay with the book. We don’t have the algorithms that the traditional publishing houses have. But we can google the title, see if there are any others like it. Then we can see if the words in the titles are used in top selling books. And so on. If you are a writer who tries to piggyback off the top selling books.

For me, the title either comes as I am “stewing and brewing” the story –this is where I’ve come up with a premise, or the means of murder, or a unique idea I plan to incorporate into the story. If that doesn’t bring about a catchy title that matches other titles in the series, then I start writing. Adn at a point while I’m putting the story down in words, a few will string together and a lightbulb comes on and I realize that is the title of the book. This has happened to me, mostly with the first book of a series. Then after that the rest of the series has to have similar titles.

As for my Shandra Higheagle mystery series, the titles all come from either the way someone was killed or how they came to be killed.

With the Gabriel Hawke series, since he is a Fish and Wildlife officer (game warden) I wanted to have animals in the titles of the books and on the covers.

The Spotted Pony Casino mystery series, I chose to use gambling terms for the titles of the books. I found a dozen terms that I liked and have been slowly incorporating which ever title I pick into the murder mystery that I write. This has actually been the easiest way to come up with a title. I have the list and just have to decide which term works with the premise I come up with for the book.

Currently, I have started book 10 in the Gabriel Hawke series. When I first came up with the idea for the story and formulated the premise of the murder, I had called the book Fleeing Swan. But after researching the area and getting a great photo of a bear while traversing the wilderness where one of the characters will be hiding, I decided I wanted that photo on the cover and have changed the title to Bear Stalker. While the character who I was referring to as swan in the original title swims away from a threat, I decided to give her the Cayuse name of Small Bear (kskɨ́s yáka). Since she is being stalked by the killer- I came up with the title Bear Stalker. And now that I have my title and my story, my fingers are flying across the keyboard telling Small Bear’s story.

I haven’t decided what the next title will be in the Spotted Pony Casino series. I have an inkling of what the story will be about, at least the secondary plot since I left it hanging in the last book, but I want the title to reflect the main plot of murder in the book and not the secondary plot that will be left hanging in the next few books. I don’t want that little time bomb to go off just yet. 😉 But until I get a clear picture of what the next book will be about, I’m not sure what the title will be other than one from my list of gambling terms. 😉

Does a title of a book draw you to discover more about the book or is it the cover image that draws you to the book? Especially if it is an author you have never read before.

To Prologue or Not to Prologue

I’m currently working on the next (#10) Gabriel Hawke Novel. It will be set up in the style of book #2. I have a person who saw a murder in the wilderness and my character Hawke will find them. Just like book #2, I’ll be starting it with a prologue where the character witnesses the killing and then runs in fear for their life.

To me it makes sense to start the book, with a prologue, showing the person watching the act happen and then fleeing, so that will need to be in their point of view. Then as the story progresses, there will be things Hawke (my main character) won’t know or see, but the reader needs to know through the fleeing person’s point of view so I will have the two points of view in the book.

Most of my Gabriel Hawke books are in my main character’s point of view unless there are scenes that the reader needs to see what my character can’t see. That’s when I use a second point of view.

This book, I’m still working on the title, has been brewing and stewing in my head for nearly 6 months. It came to me as I was writing book #9 that released the end of June. That’s how my brain works. While I am working on a current book in a series, my mind is already moving to the next book. It may be the villain creeping around in my brain, or a setting, or a premise. But as I typed the words to the work in progress, the other story is working in the background.

Back to prologues. There has been a book or two I’ve read where the prologue was flat or didn’t feel like it had anything to do with the story that followed. But there have also been books where the prologue drew me into the story, and I couldn’t wait to read more.

As with all writing, it is the execution of the timing, the words, the characters that makes a reader continue or stop. That and a good, as in a mystery book, whodunit. Something to keep the reader turning the pages and reading well past the time they should turn out the lights and sleep.

Unless you can pull them in at the beginning, with a good prologue, first sentence, first paragraph, first page, first chapter, you could possibly lose the reader. And that’s why I ponder the question: To prologue or not to prologue.

What do those of you reading this post think?

Here is info about my newest release: Owl’s Silent Strike

Book 9 in the Gabriel Hawke Novels

Unexpected snowstorm…

Unfortunate accident…

And a body…

What started out as a favor and a leisurely trip into the mountains, soon turns State Trooper Gabriel Hawke’s life upside down. The snowstorm they were trying to beat comes early, a horse accident breaks Dani Singer’s leg, and Hawke finds a body in the barn at Charlie’s Lodge.

Hawke sets Dani’s leg, then follows the bloody trail of a suspect trying to flee the snow-drifted mountains. Hawke is torn between getting the woman he loves medical care and knowing he can’t leave a possible killer on the mountain.

Before the killer is brought to justice, Dani and Hawke will put their relationship to the test and his job on the line.

https://books2read.com/u/bw19DG

On The Road

As you are reading this, I’m off on a research trip for the next Gabriel Hawke novel. This one is set in Montana. I have an place in the middle of the two areas I need to research.

This story started about 5 years ago, before I had even started writing the Gabriel Hawke series. My husband and I were driving from the south to the north of Montana headed to visit my cousin in near Flathead Lake. As we followed this lake, I looked out and spotted a resort on an island in the lake. My first thought was “what a great place to have a writers retreat!”

A photo from when I was in Montana before. This is south of the lake.

That island and building kept coming back to me and when I decided on the premise of book 10 in the series, I knew that resort would be in the story.

I didn’t know the name of it and hubby and I were of a different opinion of which road we’d been on. One of my oldest daughter’s friends lives and works in Helena, MT. I contacted her and asked if she’d seen the place on her weekend drives. She knew the place and sent me a link to their website. I had been right! It was off the road I had said we’d driven up to my cousin, not the road, hubby had thought. Score one for me! That doesn’t happen often when it comes to driving and roads since hubby was a truck driver for 30 years.

With the website I looked up the island and the resort. I had hoped to stay there one night and get a feel for the place. Not at $2000 a night! So then I emailed and asked if I could just come hang out for a couple of hours (you have to get there by boats that are run by the resort). I explained I was a writer and wanted to use the resort for a couple of scenes in my book.

The person who wrote back to me asked if I was the author who had requested the same a while back. I said no. When I told her when I’d be in the area, she said there would be guest at the resort and no one else was allowed. But she would be happy to answer my questions and send me any photos I might need. You can bet after I go scope it out from the side of the lake, I’ll have more questions for her. Luckily it is only being used as the place where Hawke’s sister is attending a corporate retreat and it is more of a starting point for the story than a main setting.

The other place I’ll be visiting is the Flathead Indian Reservation. I’m debating on where the sister will run to, the reservation or the wilderness. That will depend on what I find out on my trip.

Right now, I’m pleased to say that book 9, Owl’s Silent Strike, is now available in ebook and print. My narrator is working on the audiobook.

Unexpected snowstorm…

Unfortunate accident…

And a body…

What started out as a favor and a leisurely trip into the mountains, soon turns State Trooper Gabriel Hawke’s life upside down. The snowstorm they were trying to beat comes early, a horse accident breaks Dani Singer’s leg, and Hawke finds a body in the barn at Charlie’s Lodge.

Hawke sets Dani’s leg, then follows the bloody trail of a suspect trying to flee the snow drifted mountains. Hawke is torn between getting the woman he loves medical care and knowing he can’t leave a possible killer on the mountain.

Before the killer is brought to justice, Dani and Hawke will put their relationship to the test and his job on the line.

universal buy link: https://books2read.com/u/bw19DG

The Art of Getting it Right

Last month I participated in a month-long online workshop/class about law enforcement. It was taught by a veteran policeman who had worked in several places and organizations and enjoys helping writers get it right.

He started the class with an actual case report of a murdered woman. We read it and then asked questions, which he answered very thoroughly. He told us what the police had to do by law at the scene and what they could and coudn’t do while talking to people trying to gather information to help them catch the perpetrator.

We went through processing a crime scene and saw actual photos of the scene. I had a barebones idea of what took place but had left out a few steps when my characters have come across a body. However, I was happy to hear that when a homicide happens the detectives or whoever is working on the case can and do work non-stop the first 48-72 hours. They take short naps and go home to change clothes, but they stay on the evidence because there is that small door of opportunity to gather all the information that could help them apprehend someone. I have had Gabriel Hawke work nonstop on murder cases. I had made it his need to find the truth, but it appears is what a good detective does.

The evidence in the case of the homicide we were “working” pointed to one of the victim’s sons. But several of us, me included, felt it was too easy. Yes, our red herring minds were trying to find ways to make it stick to someone else. Even when all the evidence clearly pointed to the person that was eventually arrested. He even confessed in his own way.

The instructor said that few murder investigations and homicides are as convoluted as writers of TV shows, movies, and books make them out to be. The need to make motives and means hard to figure out are the writer’s way of entertaining the reader. In real life, if the evidence is pointing to one person, it is usually that person. It’s just a matter of the detectives gathering enough to make a solid case and the icing on the case is getting that person to confess.

Something I have had happen to me several times while on jury duty. Once the evidence is all lined out against the accused, they will plea out, sometimes at the last minute, (as when we were waiting for a trial to start and were dismissed because the person plea bargained). The instructor said, that happens the most when the accused has confessed during an interview. The interviews are taped and once a jury sees the person confessing, they are going to be found guilty.

I enjoyed that the instructor was so willing to answer questions for our books and help us with law enforcement questions. I have asked this person questions before on the crime scene email loop I’m on. If you would like to join to ask questions of retired and practicing LEOs, lawyers, forensic pathologists, FBI, DEA there is a person on the loop from just about any entity you might want to ask questions to get your scene or scenario accurate. Crimescenewriter2@groups.io

Besides knowing what I need to about the legal side of things for my mysteries, I also like to go to the area where the story I’m working on is set. I recently watched security guards at an Indian run casino and did a walk around the tribal police station in my Spotted Pony Casino Mystery series. In June I’ll be traveling to Montana to walk through a resort that will be the jumping off spot for the next Gabriel Hawke book and I will be taking a couple trips into a wilderness area near the resort to discover what it is like to better write that story.

What can I say, I like to make sure I not only entertain but I enlighten as well.