On A Collision Course With Words

On the radio: Live-Streaming a NYC station playing Willie Nelson’s version of Hoagy Carmichael’s,”The Nearness of You.”

Hi, y’all! Been a long time I’ve blogged, and I’m thrilled and grateful to be part of a stellar group of talented authors on this platform of LADIES OF MYSTERY. I’ll do my genuine best to be a good egg . . . but I can’t promise I’ll always play nice with the other kids. If some of you know me from the SinC boards, I kinda have a big mouth. Not intentionally mind you, but, well . . . I think I’m just naturally antagonistic. And naturally a big mouth. Shy writers, don’t go–I’m really nice, honest. I’ll just save that why-I’m-a-big-mouth post for another time (Teaser–it’s why and how I began writing to start with).

I’ve always thought words were incredible, powerful tools. Onomatopoeias (words that spell out sounds–remember the series Batman? “POW”! “CRASH!” “ZAP!”? That.), And, according to family members, I was reading by three, and I remember spelling my first big word when I was four: “Freedom.” When I discovered the dictionary at 12–my fault for telling my Granny I was bored, what could I do?–I found out homophones, synonyms, antonyms, and pseudonyms were ugly cousins to one another. How cool to know ew, ewe, you, yew, yoo, whew, and hue are close enough to pass, but only just. Now I see why the English language is so hard to master. Once done, it’s wonderful to unearth the mysteries behind why it’s still the most widely accepted language spoken on the planet.

Before I wrote or read, I talked. And sang. A LOT. I never shut up–and gee, big surprise, that got me in trouble more often than not. When I wasn’t in trouble and other kids weren’t around, I’d either sing or talked to imaginary friends in whatever words or worlds my fictitious playmates and I dreamed up. Sometimes the play was fun, sometimes I sang to the radio to my pretend audiences, or sometimes I was bored and moved onto my dolls, Play-Doh, or Hanna-Barbera cartoons on TV. Or my radio set to WABC in the middle of the night (yeah, I never shut up then sometimes, too). There, I’d pull the cartoon characters from the storyboards and craft fan-fiction stories and games before that became a thing. Oh, if I could go back in time . . . Rocky & Bullwinkle Tag Team Casper and Wendy! Underdog vs. Might Mouse. Tom & Jerry Meet Heckle & Jeckle. The killing I’d’ve made, too . . . but I digress.

But I discovered words were so strong, so impressionable, so damned fun, so I used them often. And sarcasm, too, when I learned what that meant. Putting those words to paper in book report form when I was a kid, not so much, and I refused to do it. It was easier to give oral reports on the books than written ones–this way, I could act out my favorite characters in the stories I devoured. Whether it was a great story a spelling test–I don’t have to tell you I almost always aced those–a vocabulary quiz, or something involving ways to express myself, I was, as report cards home oft said, never at a loss for words to do this. Couple in being born and raised in 1960s-1980s NYC, and, well . . . Big Mouth, par excellence 🙂.

So how does this relate to writing? And writing mysteries?

Two ways.

The first–my mother, her desire to be a nurse, was an avid fan of crime shows with a medical twist, Ellery Queen, Michael Crichton, and Robin Cook. She turned me onto my first mystery, an I Can Read story titled The Case of the Cat’s Meow, and later, The Hardy Boys Mysteries. The Cat’s Meow book I have to this day, ready for when my first grandchild is old enough to discover new universes and boundless imaginations books hold.

The second way came when my father’s death, in a collision with a NYC Transit uptown-bound A train in 1991, marred the birth of his first grandchild by his oldest child–me–that same year. His unexpected end is still listed in the NYPD rosters as a cold case/unsolved homicide to this day.

So I suppose in all rights, mystery writing found me.

Although I wrote plenty in journalism since my teens, I didn’t ever think I’d write a book, much less I’d want to. Now I’ve three series plans in blueprints, and several books within said blueprints in varied states of progress. But past events, not excluding my move to a speck of town called Page AZ from gigantic Gotham on a lie discovered after the parties involved died, prompted wonderings how could a mystery work. Peppering in tales from my past, people who knew my parents still living to share their stories, and strangers who remembered little me when I was four and spelling “Freedom” for them, all began to weave a tale in my thoughts.

In writing, I hope to never stop asking why or have my curiosity’s thirst ever quenched. I hope my cast of zany characters never stops asking why I’m as zany as they are. Most of all, I deeply hope to inspire a lonely, bored, or imaginative kid–or said kids at heart–to be transported into the stories as I’d been at their age, and still am today, fostering a love for words I vow to never let die.

Until next month . . . dew the best yew ewe were born two due.

Stay Awesome!
~ Missye

Cozy Mysteries: Happy Little Murder Stories

Someone sitting outside and reading a novel

Hello! I’m so happy to be the newest member in the Ladies of Mystery crew. I’ve been consuming mystery stories for as long as I can remember, but I’m pretty new to writing them.

I decided to start writing novels in 2005 when I accidentally read a romance novel. I thought I was getting a vampire fiction book and I wasn’t prepared for the laughs and the love, but it was such a great accident. I immediately realized that’s what I wanted to write. Swoons, strong women, laughs, and happily ever afters. I wanted to write something that would make me smile.

But there’s always been this other side of me obsessed with crime and mysteries. Don’t worry, not committing crime. I’ve been reading about serial killers since I was young enough for it to be a bit concerning. When no one was looking in the bookstore, I’d read serial killer encyclopedias while being careful not to crack the spines. I’ve taken forensic anthropology classes, watched a gazillion hours of crime dramas, and toured prisons and creepy places on vacations.

On paper, I look like a textbook mystery writer, but it took me nearly 15 years of writing novels to get to a point where I wanted to write a mystery.

I learned what cozy mysteries were and it changed everything.

I’d been consuming them as TV shows without realizing it was a subgenre of mystery. I’d never noticed certain elements among shows I liked. I’d picked up books here and there without realizing they were cozies.

In case you, like me a few months ago, aren’t well-versed on the cozy front, let me help! Widely accepted commonalities among (most) cozies are an amateur sleuth as the main character; they often set in a small town or small part of a big city with wacky characters; many involve food, crafts or animals in their theme; and they don’t include graphic descriptions (of the violent or sexy kinds) or profanity. The hook/theme of the book often has almost as much real estate on the pages as the mystery itself. Plus, the crime gets wrapped up by the end. Lots of them even include an ongoing romance. There are always exceptions to a genre definition, but this covers what I usually see in the genre expectations.

Basically, they’re happy little murder stories.

They combine what I love about romance with my lifetime interest in crime and mystery.

I love that you can get to know some zany characters that come back each book, while also being able to mix up a sub-setting in each book. For example, the cozy series might be set in a small town in western Oregon. The town is there in each book, but one book might be set at a rodeo and another involving a theater production. There are endless possibilities of where to take the characters!

I’ve now got a cozy mystery manuscript draft completed. It was so much fun to write quirky characters, a slow burn romance, lots of laughs, and get to think about murder motivations, while getting to have a light-hearted ending.

I’d love to hear from you. Do you read cozies? Have you come across a corner of the book world that has everything you want in a story?

TODAY IS MEMORIAL DAY by Marilyn Meredith

Because it’s long holiday weekend, too many forget this is the day to remember all those who gave up their lives in wars for our freedom. My husband served 20 years in the Sea Bees, including 3 tours in Vietnam. We were fortunate as he came home to us, unlike so many other families who suffered great losses.

Though my husband loved his time serving his country, it wasn’t so pleasant for me. We had a big family—ultimately five children. Often, I was the only parent at home.

There was never enough money. I got my monthly allotment check and I had to buy food for the whole month and budget wisely. There were times I went to work to supplement our income. Usually I ended up splitting whatever I made with the babysitter.

The only reason I decided to share the above information, is that there are many military families still going through separation and not enough money. At this time, we have two family members who are married to service men and have children. I believe the pay is better than what it was during my time as a military wife—but I sincerely doubt that it’s enough. And for those who’ve lost their husbands (or in some cases, wives), I’m willing to bet besides the emotional struggle there are monetary ones too.

Yes, I know that is neither writing nor mystery related, just something I felt compelled to share.

At this time, I’ve been busily planning three book signings—one in my little mountain community at a local coffee/sandwich shop, one in the closest city in a wonderful chocolate store, and one at a museum in Tehachapi—the setting for Spirit Wind. This is the latest in the Deputy Tempe Crabtree series.

Fortunately, Spirit Windhas received some great reviews.

Marilyn

Available in trade paperback and on Kindle.

Voice and Word Choice by Paty Jager

“Voice is the author’s style, the quality that makes his or her writing unique, and which conveys the author’s attitude, personality, and character; or. Voice is the characteristic speech and thought patterns of the narrator of a work of fiction.”

This definition I pulled off the internet helps define Voice, but I’m going to dig a little deeper.

Each genre, historical or contemporary, western or mystery, I have to think about the “voice” I need to use for each one. I know the example of voice says it conveys the author’s attitude, personality, and character- true, but that has to also fit the time period and the place- historical or contemporary western. Jeans in a historical are called denims or overalls – in a contemporary they could be call Jeans, Wranglers or Levis.

This also goes along with word choice. The writer needs to know if a word was used in 1880 or if it didn’t become popular until the 1900s. When I type a word when writing an historical, and it feels modern, I use online etymology, a website where you can type in a word and it tells you when it was first used and the meaning of the word at that time and later.

Same goes with my mystery books. I use terms that are contemporary but try to include a bit of a western feel or voice to the books. I do this because they are set in rural areas and because my main characters are Native American, which also leads me to think about phraseology when writing from their points of view.

Paiute Fancy Dancer

Especially, my Gabriel Hawke character. He grew up surrounded by his culture, and therefore, has a deeper connection to the outdoors and the earth in general. While writing in his POV, I try to make sure his inner dialog as well as what he says to other characters captures that essence. 

Shandra Higheagle, while having the love of the outdoors and making pottery from clay she digs on the mountain where she lives, she grew up in a white world and is only now learning how deep her roots go in the earth. And because of this, she is easier for me to write because I can include my wonder of the Nez Perce and their culture to be reflected in her as she is coming to know more about her family.

When I sit down to write a book, depending on the genre, I have to mentally put myself in that time and place to make sure I give the best accounting of the events that are happening and told through my characters’ eyes and emotions. If you read a book from each of the genres I write, you will see there is a bit of difference in voice because I am trying to show the story through their eyes and not mine. But some of my emotions- such as my need to show injustice – will come through in every main character.

Word choice as I commented on earlier, has to do with making sure the word is true to the time and the occupation of a character or knowing what I am talking about. I don’t know how many western romance books- contemporary and historical – I stopped reading because a character grabbed a fetlock to swing up onto a horse’s back, or they grabbed the cantle as the horse started galloping. Or what really had me tossing a book…They put the halter on the horse and slid the bridle into its mouth. The writer needs to know what they are writing about. If they don’t know, they need to look it up. I spend a third of my writing time looking things up. Even if I think I know it, I still look it up to be sure. And while I’m looking it up, I might find a better word that makes the scene sound even more convincing.  

Words are what make up a book and they need to be thought about carefully. Just as carefully as the characters that are fabricated to show the story.

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Keep moving forward

For me, the hardest part of writing a book is getting starting. Thinking about cranking out over 50,000 golden words of terrific prose is daunting. There’s the fear of “How can I top my last book?” and “Can I come up with an original idea?”

The trick is to break down the novel to pieces. Start with one word, then two, then three . . . Work on one chapter at a time before worrying about the next.

I start with an outline. I tried writing one book as “pantster” and by page 50, I was in trouble. The story didn’t interest me and, I’m sure, would bore the reader as well. I threw out of what I’d written and started over—with an outline.

The outline is flexible. I add to it and shift elements around as I progress. But, like a road trip, I have a destination in mind and can plan the most direct route with a minute of delays. As a “pantster,” I’d be taking too many scenic detours and ending up miles away from my goal.

An advantage of outline is that once that’s in place, the actual writing is easy. With an outline, I don’t have to think hard about what should be in the scene. Once I start writing, it begins to flow and gets easier. When I start building the characters and watching how the scene plays out and adding comic bits, I’m motivated to keep going. Like swimming, the initial plunge into the pool takes the most effort.

I’ve heard the phrase that a writer needs to “show up at the page.” That is, the author must sit, pick up the pen or turn on the computer, and actually write. Simply thinking or talking about writing, or saying “it’s all in my head,” or going to endless meetings or conferences or classes without writing will never produce a book.

The first months of this year, for me, had many distractions, including house repairs and cat health and working on a big teaching project. Now that’s all out of the way—for now—and I have no more excuses. I finally picked up the clipboard (my first drafts are in longhand) and began the second book in the Psychedelic Spy retro-cozy series. After all, one can’t have a series with only one book.

The first night I only wrote four pages. But that’s four more pages than I had the night before. If an author only composes one page a day, by the end of the year she’ll have a 365-page novel.

Now that I’ve started one project, I’m ending another. This is my last regular post on Ladies of Mystery. I’ve enjoyed being part of the blog, but my writing time is limited. Along with my day job and housework, I also write a newspaper column and contribute to my parish. I need more time to focus on my books. After the new book is finished I want to write another Sandy Fairfax book along with a non-mystery novel that’s been kicking around in my head for years. So many ideas, so little time.

I hope to return periodically to LOM with guest posts whenever I have a new book to share. In the meantime, you can keep in touch with me on Facebook or contact me at sallyc@earthlink.net. Stay tuned . . .