A Day of Beginnings by Susan Oleksiw

This month seems to be a time of new beginnings for me and for Ladies of Mystery, with four new writers joining the blog. I already know several of my colleagues from their books and blogs, and I’m delighted to find myself now writing among them.

Unlike many mystery writers, I came to crime fiction relatively late, in graduate school. Someone gave me a copy of They Came to Baghdad by Agatha Christie, and in the first few pages I knew this was the writer for me. I had the book in hand when I went to see my professor, and he saw it and smiled. “I read those when I was trying to improve my English,” he said. He grew up speaking Dutch and French, studied German, and then learned English. So, instead of talking about my research, that day we talked about Agatha Christie.

Christie’s influence, along with that of a number of other British writers, is obvious in my first series, the Mellingham series featuring Chief of Police Joe Silva. After reading lots of British and American mysteries, I knew not only what I wanted to write but what I didn’t want to write. I did not want my detective, in this case a police chief in a small town, to be depressed, an alcoholic, divorced, alienated from his birth family or children, a broken-down guy trying to get it together. (I said this once in a conference, and hilarity and applause ensued.) Joe is single but working on it in the first three books, calls his parents every week, and gets along with his siblings. He speaks Portuguese and is easy going except where crime is concerned. He knows what it takes to manage life in a small town.

In the Anita Ray series I got to indulge my love of India–palm trees, sunshine, the ocean, spicy food, lots of color everywhere. Anita is a young Indian-American photographer living at her aunt’s tourist hotel, resistant to marriage and a magnet for murder, to the despair of her Auntie Meena. When a reader picks up one of these books, I want her to smell the spices, feel the heat and the cooling breeze, and spot the moon through the palm leaves at night.

My third series features Felicity O’Brien, farmer and healer, who finds a body on her land while an out of town buyer is offering outrageous sums for what she considers substandard farm land. This story was fun to write for very different reasons. I got to explore a life I lived briefly but relived for years while listening to my parents and older brothers reminisce about our long-gone farm.

You can probably tell that setting is all important to me, and it’s the first element I think of when sitting down to write. Instead of a book in one of the series, right now I’m working on a stand-alone that covers some of the issues I explore in my earlier novels–the clash between old and new, the shock of unexpected change and how people cope with it. I plan to share some of these thoughts and others on writing issues here on Ladies of Mystery.

But today, while new readers are getting to know me, I’ll be driving most of the day to pick up our new dog, a rescue lab waiting for us in Brattleboro, Vermont. No doubt this pooch will play a role in a story to come. So, yes, today is a day of new beginnings, and I have lots to be excited about. Next month I’ll have photos of our new dog and more.

 

 

Anne Louise Bannon Would Like to Introduce Herself, But…

Photo of Anne Louise Bannon's desktop to illustrate why she's writing such a quick introduction.Is it the Third Thursday already? Shavings! (Note to self, check to see why reminders didn’t pop up). (Note to self, stop ignoring your reminders).

Hi, I’m Anne Louise Bannon. I’m supposed to be introducing myself, and my intent was to offer you a breezy little look at who I am, introduce you to the household critters, that sort of thing.

Only I’d really rather be working on my novel right now. It’s at that place where things are falling together, even though I’m really annoyed about having to off an otherwise inoffensive, nice guy of a character because it’s better for the plot.

And it’s not like I don’t have other distractions. We all do. I have a house that I need to help keep liveable, and while the dust generally waits around here, my feet sticking to the floor must be dealt with. And my husband needs clean shirts – only fair since he does the dishes. Plus the dog wants out again. The cats, as usual, can’t make up their minds, and the more I want them to, the longer they take to do it. Plus there’s the money gig which needs attention – I’ve gotten rather fond of eating, you know.

So, this is going to be quick. I’m Anne. I write the Freddie and Kathy series, set in the 1920s, the Old Los Angeles series, set in 1870 (the novel I want to get back to is the third in this one). I have a lovely husband, one adult daughter, and the critters, who I name because they don’t have the same privacy issues the kid and the spouse do. TobyWan is our basset/beagle mix. There’s the older cat Sadie, who should be Medusa, and the two young cats, Xanax and Benzedrine. There is a story behind the names, but that will have to wait until next month or some other time.

I need to get back to Death of the Chinese Field Hands. Maddie is in full interrogation mode and I need to write that.

It’s Audio Book Month by Paty Jager

Do you like to listen to audio books? I have become a fan of them both as a writer and a listener.

I just finished the second book in Yrsa Sigurdardottir’s , Thora Gudmundsdottir series. They are classified as suspense, but I really enjoyed the humor that makes the suspense/ supernatural undertones not so real. LOL I know, I’m a wimp when it comes to scary. But I have to say the first two books in the series were really good.

I think what made them so good was the narrator. I loved her pauses and attitude when narrating. She had the right amount of “drama” for lack of a better word to make the books really come to life.

That’s what I’m hoping to find on my quest for a narrator for my Gabriel Hawke books. 

I have been making audio books with the talented Ann M. Thompson. You can find the first 9 books in the Shandra Higheagle Mysteries in audio book.

I’ve requested auditions from two male narrators to begin putting the Gabriel Hawke novels into audio. This will probably be harder to find a narrator than the Shandra books were.

Ann had the warm tone I envisioned as Shandra’s, but of all the men who were suggested from my description of what I wanted for Hawke’s voice, there were only two who seemed close to what I was looking for. I’m interested in hearing their auditions of the first chapter of Murder of Ravens to see if they capture how I see him and the tone of the books.

Making an audio book isn’t hard, but it is stressful and time consuming. Stressful in hoping you pick the best representative of your book to narrate it and at a price you can afford.

Time consuming is going through the book to make sure it will read well, then picking out words that the narrator may need guidance with pronunciation. Then it’s listening to the chapters as the narrator sends them to you and making sure your book is well represented without you driving the narrator nuts with changes. But you are paying them and they should be willing to work with you to make your book its best.

Do you enjoy listening to books on tape? What makes a good audio book for you? Narrator or how well the characters are portrayed?

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On A Collision Course With Words

On the radio: Live-Streaming a NYC station playing Willie Nelson’s version of Hoagy Carmichael’s,”The Nearness of You.”

Hi, y’all! Been a long time I’ve blogged, and I’m thrilled and grateful to be part of a stellar group of talented authors on this platform of LADIES OF MYSTERY. I’ll do my genuine best to be a good egg . . . but I can’t promise I’ll always play nice with the other kids. If some of you know me from the SinC boards, I kinda have a big mouth. Not intentionally mind you, but, well . . . I think I’m just naturally antagonistic. And naturally a big mouth. Shy writers, don’t go–I’m really nice, honest. I’ll just save that why-I’m-a-big-mouth post for another time (Teaser–it’s why and how I began writing to start with).

I’ve always thought words were incredible, powerful tools. Onomatopoeias (words that spell out sounds–remember the series Batman? “POW”! “CRASH!” “ZAP!”? That.), And, according to family members, I was reading by three, and I remember spelling my first big word when I was four: “Freedom.” When I discovered the dictionary at 12–my fault for telling my Granny I was bored, what could I do?–I found out homophones, synonyms, antonyms, and pseudonyms were ugly cousins to one another. How cool to know ew, ewe, you, yew, yoo, whew, and hue are close enough to pass, but only just. Now I see why the English language is so hard to master. Once done, it’s wonderful to unearth the mysteries behind why it’s still the most widely accepted language spoken on the planet.

Before I wrote or read, I talked. And sang. A LOT. I never shut up–and gee, big surprise, that got me in trouble more often than not. When I wasn’t in trouble and other kids weren’t around, I’d either sing or talked to imaginary friends in whatever words or worlds my fictitious playmates and I dreamed up. Sometimes the play was fun, sometimes I sang to the radio to my pretend audiences, or sometimes I was bored and moved onto my dolls, Play-Doh, or Hanna-Barbera cartoons on TV. Or my radio set to WABC in the middle of the night (yeah, I never shut up then sometimes, too). There, I’d pull the cartoon characters from the storyboards and craft fan-fiction stories and games before that became a thing. Oh, if I could go back in time . . . Rocky & Bullwinkle Tag Team Casper and Wendy! Underdog vs. Might Mouse. Tom & Jerry Meet Heckle & Jeckle. The killing I’d’ve made, too . . . but I digress.

But I discovered words were so strong, so impressionable, so damned fun, so I used them often. And sarcasm, too, when I learned what that meant. Putting those words to paper in book report form when I was a kid, not so much, and I refused to do it. It was easier to give oral reports on the books than written ones–this way, I could act out my favorite characters in the stories I devoured. Whether it was a great story a spelling test–I don’t have to tell you I almost always aced those–a vocabulary quiz, or something involving ways to express myself, I was, as report cards home oft said, never at a loss for words to do this. Couple in being born and raised in 1960s-1980s NYC, and, well . . . Big Mouth, par excellence 🙂.

So how does this relate to writing? And writing mysteries?

Two ways.

The first–my mother, her desire to be a nurse, was an avid fan of crime shows with a medical twist, Ellery Queen, Michael Crichton, and Robin Cook. She turned me onto my first mystery, an I Can Read story titled The Case of the Cat’s Meow, and later, The Hardy Boys Mysteries. The Cat’s Meow book I have to this day, ready for when my first grandchild is old enough to discover new universes and boundless imaginations books hold.

The second way came when my father’s death, in a collision with a NYC Transit uptown-bound A train in 1991, marred the birth of his first grandchild by his oldest child–me–that same year. His unexpected end is still listed in the NYPD rosters as a cold case/unsolved homicide to this day.

So I suppose in all rights, mystery writing found me.

Although I wrote plenty in journalism since my teens, I didn’t ever think I’d write a book, much less I’d want to. Now I’ve three series plans in blueprints, and several books within said blueprints in varied states of progress. But past events, not excluding my move to a speck of town called Page AZ from gigantic Gotham on a lie discovered after the parties involved died, prompted wonderings how could a mystery work. Peppering in tales from my past, people who knew my parents still living to share their stories, and strangers who remembered little me when I was four and spelling “Freedom” for them, all began to weave a tale in my thoughts.

In writing, I hope to never stop asking why or have my curiosity’s thirst ever quenched. I hope my cast of zany characters never stops asking why I’m as zany as they are. Most of all, I deeply hope to inspire a lonely, bored, or imaginative kid–or said kids at heart–to be transported into the stories as I’d been at their age, and still am today, fostering a love for words I vow to never let die.

Until next month . . . dew the best yew ewe were born two due.

Stay Awesome!
~ Missye

Cozy Mysteries: Happy Little Murder Stories

Someone sitting outside and reading a novel

Hello! I’m so happy to be the newest member in the Ladies of Mystery crew. I’ve been consuming mystery stories for as long as I can remember, but I’m pretty new to writing them.

I decided to start writing novels in 2005 when I accidentally read a romance novel. I thought I was getting a vampire fiction book and I wasn’t prepared for the laughs and the love, but it was such a great accident. I immediately realized that’s what I wanted to write. Swoons, strong women, laughs, and happily ever afters. I wanted to write something that would make me smile.

But there’s always been this other side of me obsessed with crime and mysteries. Don’t worry, not committing crime. I’ve been reading about serial killers since I was young enough for it to be a bit concerning. When no one was looking in the bookstore, I’d read serial killer encyclopedias while being careful not to crack the spines. I’ve taken forensic anthropology classes, watched a gazillion hours of crime dramas, and toured prisons and creepy places on vacations.

On paper, I look like a textbook mystery writer, but it took me nearly 15 years of writing novels to get to a point where I wanted to write a mystery.

I learned what cozy mysteries were and it changed everything.

I’d been consuming them as TV shows without realizing it was a subgenre of mystery. I’d never noticed certain elements among shows I liked. I’d picked up books here and there without realizing they were cozies.

In case you, like me a few months ago, aren’t well-versed on the cozy front, let me help! Widely accepted commonalities among (most) cozies are an amateur sleuth as the main character; they often set in a small town or small part of a big city with wacky characters; many involve food, crafts or animals in their theme; and they don’t include graphic descriptions (of the violent or sexy kinds) or profanity. The hook/theme of the book often has almost as much real estate on the pages as the mystery itself. Plus, the crime gets wrapped up by the end. Lots of them even include an ongoing romance. There are always exceptions to a genre definition, but this covers what I usually see in the genre expectations.

Basically, they’re happy little murder stories.

They combine what I love about romance with my lifetime interest in crime and mystery.

I love that you can get to know some zany characters that come back each book, while also being able to mix up a sub-setting in each book. For example, the cozy series might be set in a small town in western Oregon. The town is there in each book, but one book might be set at a rodeo and another involving a theater production. There are endless possibilities of where to take the characters!

I’ve now got a cozy mystery manuscript draft completed. It was so much fun to write quirky characters, a slow burn romance, lots of laughs, and get to think about murder motivations, while getting to have a light-hearted ending.

I’d love to hear from you. Do you read cozies? Have you come across a corner of the book world that has everything you want in a story?