Category: Janis Patterson

Christmas is Coming

~ janispattersonmysteries ~ 6 Comments

by Janis Patterson

For once I’m way ahead of a deadline. It’s a situation that doesn’t happen very often, and I’m going to enjoy every bit of it!

A couple of months ago a couple of mystery writer friends and I were having lunch and somehow the subject of holiday anthologies came up. They seem to be a popular genre and – as all of us are always interested in upping our sales – the idea of us doing a Christmas anthology of murder mystery stories appeared (sorry, gang – I don’t remember whose idea it originally was) and everyone loved it.

My mind – like most writer’s – is a strange and fearsome place. Immediately a story began forming in the swirling and dangerous depths of my imagination and in spite of a looming book deadline, a much-looked-forward-to and lengthy trip to Atlanta to the NRA convention coming up and a vicious case of food poisoning (the worst I’ve ever had) I started writing immediately, much to the detriment of my current work in progress. Some stories just need to be told immediately.

Christmas is supposed to be such a happy time of family and presents and religious devotion, but it seems like I remember reading somewhere that more people commit suicide at Christmas than any other time of the year, which is horrifically sad. Even though I can’t call up the statistics, it seems I also remember there is always a jump in murders and assaults during the holidays as well – which is sad too, but it makes the season a natural for tales of murder and dark deeds.

I have always believed that stories should be just as long as they need be to tell the story. Our group had decided on novellas rather than full novels, and as novellas go, mine is short – truly a novelette (does anyone use that term any more?) at just over 15,000 words. But the story is a very small slice of time and a very concentrated tale with a sparse cast of characters, so that’s all it needed. I could of course pad the word count, but that would dilute the story.
The story? It’s a delicious mix of a family Christmas in a snowbound mansion and a horrible relative who is found dead on Christmas morning. He has been stabbed… and garroted… and poisoned. I have always believed in overkill. The title is, appropriately enough, KILLING HARVEY.

Anyway, the story was finished before we left for the NRA convention – for which I’m glad, as the convention gave me so much information and so many story ideas that my head is about to explode.

If all goes as planned, our anthology should be for sale online sometime mid to late November. If the project falls apart, I’ll release the story by myself. So – be warned : either way KILLING HARVEY will be available, so please plan to buy lots of copies. It will be the perfect virtual stocking-stuffer.

Now as my original deadline approaches with the speed and grace of a runaway train, I must get back to my work in process.

Writing Would Be Perfect If…

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by Janis Patterson

I mean it. Writing would be so perfect if it weren’t for the readers.

I know, that is a very incendiary statement, but it’s true. We’re asked to live up to readers’ expectations without being given much of a hint as to what those expectations are. Or what they’re going to be in six months or a year, after some big unexpected blockbuster shows up and turns everything we thought we knew into a fruit salad.

Have you ever noticed how so many of those big unexpected blockbusters are usually done by people who have never published a book before? Without the need to cater to a pre-conceived notion of what readers (and publishers!) want, they write what they want. But I’ll bet there are many many more who write what they want and never get by the second reader at an agent’s or publisher’s office. It’s the one that gets through that messes everything up for us working professional mid-list writers. We’ve finally (we think!) worked out the reading habits of our demographic and adjusted our plotting/writing accordingly and some of us make a fairly decent living doing that.

Then – boom! Some off the wall writer hands in a new style of book and suddenly that’s what everyone is wanting. I’ll bet all those writers who hit the jackpot aren’t trying to make a living off their writing, that they have jobs to pay their rent and bills, but they don’t mind messing things up for the rest of us. Humph!

It has become a bad joke in the writing industry that publishers are eagerly seeking something like [insert name of current bestseller here] – something just the same, but different. I have known writers who start to growl menacingly when told this and publishers don’t seem to understand that such a statement is not really good corporate communication.

Sadly, though, it isn’t just publishers and agents. I have talked to readers about this phenomenon and am astonished at how easily the little darlings are led – of course, they are the same people who rush to buy a detergent that screams “NEW” and “DIFFERENT” when the only things new and different about the product are that the boxes are smaller and the price higher.

I have talked to readers (in both romance and mystery, as I write both) who are upset with the new fashion of genre bending. I recall one most decisive woman who hated the idea, saying “When I read a story I want this to happen, and then this, and then this.” She was not happy when I asked if she were so rigid in her reading desires why didn’t she just read the same book over and over again and save herself some money.

Her reply was fit for neither print nor pixels.

I guess you really can’t please everyone. Sigh.

What Happens Next

~ janispattersonmysteries ~ 5 Comments

by Janis Patterson

After listening to those of my friends who have become mothers – some several times – the more I am convinced that finishing a book is sort of like having a baby. The initial idea is delightful and often quite pleasurable. The gestation period is variable, ranging from horrendous to enjoyable, and sometimes both on any given day. The final wind-up is a lot of hard work and sweat, and though a book does not cause the same amount of physical pain as a baby, with a book you cannot be anesthetized to insensibility and then wake up to a brand new book.

Once the deed is done and over with, though, and The End typed boldly at the bottom of the manuscript a debilitating lassitude creeps in. You feel hollow and in an odd way bereft. That which you have cossetted, worried over, been obsessed with, hated, and loved pretty much to the exclusion of all else for X number of months is gone. It is no longer extant only within you. It lies there on table or hard drive, unable to take flight on its own, but neither a part of you any longer. It is no longer totally dependent on you.

Oh, it’s still very much in need of you, and in a way perhaps the hardest work of all lies ahead. Edits. Congruency runs. (You don’t want a character named Eddie to be called Charlie in chapters 4 and 21 when there is no plotline reason for it.) More edits. Revisions. Perhaps even more edits and revisions in a seemingly endless obscene dance. Then, when it is finally spruced up and ready to be seen out in the world, there are the submissions to agents and editors, or if self-publishing, the conferences with cover artists, even more kinds of editors and formatters. No matter how you are publishing there is publicity to be thought of and budgeted for, even perhaps ARCs to be sent out and reviews to be solicited.

But that is in the future. At the moment you have just typed The End, and that hollow feeling is enveloping you. I cannot do this again, you think. This is absolutely the last time. Even when an idea – a new idea, a simply splendid idea that will never give you the trouble and pain this one did – pops into your brain you are so totally wrung out it doesn’t even sound appealing. You’re never going to do this again.

I know. I just finished a book day before yesterday that has given me no end of pain and problems and trouble. And I know the unholy circus of editing and all the rest lies in front of me. The whole idea seems so daunting I want nothing more than to lay my wrung-out, bereft, hollow self down with a margarita within easy reach and do nothing.

If only that dratted new, shiny, oh-so-delectible idea would just go away and leave me alone…

Body, Body, Who’s Got A Body?

~ janispattersonmysteries ~ 10 Comments

by Janis Patterson

On one of my email loops there has been a discussion about whether or not a cozy mystery has to include a murder. Both yes and no answers are plentiful and while the discussion has not been acrimonious, it has been lively.

I’m not sure where I stand on the issue. I am most definitely not a fan of excessive blood and gore, but it would have to be a most outstanding puzzle to hold my interest without at least one body. That said, I don’t like seeing someone dispatched ‘onscreen’ with fulsome details of the exploding blood spattering the walls and every dying scream lovingly recorded, etc. That is the pornography of death and the reason I don’t read some of the highly regarded mystery/thriller writers. The writers can be wonderful craftsmen and most are deservedly very popular… I don’t blame anyone who likes them; they’re just not my cup of tea.

Let’s face it, it is exceedingly difficult to have a believable and attention grabbing/holding mystery without a body. In our discussion only a few people could think of even one – and I was surprised that there were as many as were mentioned. Almost everyone said without hesitation that to be a mystery, there had to be a body.

Apparently that’s one thing on which everyone will have to agree to disagree. I unashamedly align myself with the “there has to be a body” contingent. Even in a light-hearted humorous tale, the act of murder is a heinous one. It creates a high stakes situation that almost no other situation can. (I’m not talking about those find-the-whatever-or-the-world-will-end-scenario; those are an entirely different kettle of fish!)

I have a friend who was once contacted to ghostwrite a contract series of ‘wholesome’ mysteries; the company would give her detailed outlines and she would write the books according to their specifications. The books were short and the money fairly decent, but she turned the contract down. At the time I was incredibly cash-strapped (even more than usual) and incredulous that she would turn down what seemed like easy money.

“There is no way,” she said, “I could write those stories like that and make them interesting to people. There wasn’t any murder. There wasn’t even any crime.”

A mystery? With no body OR crime? What, I had asked, was the mystery? Her answer floored me. It seemed that the mystery was who was ringing all the doorbells in this quaint little village and then running away. A mystery? Really? (Remember, these were books for adults, not very young readers.)  Then she really blew me away when she gave me the ‘solution’… the mysterious bell ringer was a cat.

A cat? Really? Didn’t these people ever hear of motivation? Or goal? Or conflict? Now I have a cat who opens doors like crazy – turns the knobs with incredible dexterity – when she wants to get into the other room, usually to chew on something or find food she isn’t supposed to have. What motivation could a cat have for ringing a doorbell? To be invited in for tea? In a different era, to sell Fuller Brushes or Avon? Cats are smarter than most people admit, but that goes beyond any cat I ever heard of!

Now that was years ago, and I don’t know if that book was ever written; nor do I wish to be scornful of it. If someone can get joy out of reading such a story, more power to them. Tastes differ. I would just have a difficult time finding any interest in such a tale. For me, a mystery has to have something at stake – something worthwhile that can justify expenditure of such time and energy.

Mysteries – good mysteries – don’t really need to have a murder, but they do need a good mystery.

Splits, Murders and Happy Endings

~ janispattersonmysteries ~ 11 Comments

by Janis Patterson

I have a split personality. No, really it’s true. I do.

Part of the time – as Janis Patterson – I delight in writing the foulest murder, stories of people who exterminate their fellows without a thought or qualm – and what is really scary is that I like it! I delight in finding new and obscure ways of killing someone, and am absolutely over the moon when I discover how such a heinous act can be gotten away with scot-free. (The only unfunny part of this was when in real life a truly creepy person asked me if I do consulting. Brrrrr…..)

However – the rest of the time – as Janis Susan May – love-across-time-cover I’m an unabashed romantic who writes tender stories of two imperfect people surmounting obstacles and finally find the perfection of true love. I adore giving them trials and misunderstandings and difficulties and differences of opinion, making it seem that they will never get together… then just when things look darkest bringing them together in a satisfying happily-ever-after ending.

And never, hopefully, shall the twain meet.

So what causes this rather radical dichotomy? I have no idea. I just know that some stories demand romance and hearts and flowers, while others have to have revenge and murder. Those of you who know me know a little about my working process – I don’t plot and I don’t do character sheets or anything like that. The stories just come… and so do the characters, independent people who simply walk in, tell me their name (and Heaven help me if I try to change it) and what they’re going to do. Far too many times I don’t feel like I am writing but instead merely transcribing.

It makes for an interesting work process. On the other hand, I am never bored. And neither are my readers.

For example, my Ancient Egyptian time travel romance PASSION’S CHOICE is now not only a standalone novel, it is also included in the Love Across Time box set – ten full novels by bestselling authors, right now on sale for 99 cents at Amazon! An unbelievable bargain you should go get immediately! PASSION’S CHOICE is the story of Elissa, an average young American woman on a tour in Egypt when she falls over the railing at Deir el Bahri, temple of the female pharaoh Hatshepsut. The only thing is, when she hits the ground the temple is under construction, and the general in charge of the project believes her to be a pleasure woman. (You can guess what that is, can’t you?) Before she knows what’s going on, Elissa finds herself in a dangerous masquerade at the pharaoh’s court, one that not only puts the life of the man she loves at risk, but the fate of Egypt – and perhaps the future – as well.pc-web-small

By contrast, my newest murder mystery release is about arrogant, wealthy, aged sleuth Flora Melkiot, who has been called the dark side of Miss Marple. In MURDER IN DEATH’S WAITING ROOM, Flora has been confined to a rehab facility by her painfully conventional daughter, an act that infuriates Flora, who says it was only a little traffic accident and she could manage perfectly well with a broken wrist in her own home. Then first one of the patients and then another are brutally murdered, and Flora once again finds herself in the position of solving the crimes. As always, Flora is convinced that she can do anything… and usually she not only can, she does. When drugs get added into the mix, what should be a place of healing comes perilously close to becoming a death trap. midwr-web-promo-small

See? Two completely different kinds of writing, genres, even characters, but just one of me. One of my longtime beta readers – who has read almost every word I’ve ever written – looked at me one day and asked how I did it. How did I manage two such different genres, two such different conventions, two such different worldviews and do both of them equally well. I thought for a minute, then gave her the only answer that was possible.

I don’t have a clue.