Category: Historical Mystery

The Peace That Follows Chaos by Karen Shughart

~ kshughart47 ~ 4 Comments

December is chaotic here on the south shore of Lake Ontario in New York state, but in a good way. It’s busy and a lot of fun, but by New Year’s Day we’re exhausted and ready for some quiet time. The season starts the weekend after Thanksgiving, but then the entire month is filled with parties, shopping flings, festivals, gift exchanges, impromptu gatherings, and food – lots, and lots of food – both the cooking and eating of it.

Decorating is big up here, and although we don’t do much of that, just a little festive touch or two both in-and-outside our house, many friends and neighbors go full bore, hoping to win or place in a contest sponsored by our Neighborhood Association for the best outdoor decorating. And many of them do.  Frankly, it’s quite impressive, and more than a little magical.

Now it’s January. The decorations have been stored away for another year, the snowbirds who flew north for the holiday have migrated south again to spend the rest of the winter in warmer, sunnier climes. The days are a bit longer, and while that’s certainly good news, they’re a bit grayer, too, and there’s more chance of snow. While we loved the hustle and bustle of the previous month, we breathe a sigh of relief.

We greet our like-minded neighbors when we walk each morning, but other than the roar of the waves crashing on the beach or the sound of the wind, it’s quiet. A couple restaurants and almost all the shops have closed until spring, and there’s not much traffic, hardly a vehicle to be seen traversing through our streets.

Now our gatherings are small ones: intimate dinners with friends at the restaurants that remain open; a pot of soup or chili with a small group at our house on a Sunday evening; a ladies’ night out; or for my husband, the regathering of his summer golf group for lunch and playtime at a virtual, indoor facility.  I happily resume my yoga classes. We venture to the city to take advantage of the cultural offerings there: a symphony; a Broadway show presented by a traveling touring company; or special exhibits at museums and galleries.

I’d been making good progress with the fourth book of my cozy series, but during December that project was mostly put on hold. This is the month when I commit to moving forward with my writing, and have been spending at least part of each day expanding the story as I continue with the first draft. Then, later in the afternoon, I read, fire burning in the fireplace, a cup of tea in hand.

Some friends and family who don’t live where we do wonder how we manage during this time of quiet and isolation, with weather that’s fickle and can change in a minute or two. For us it’s a time of centering and peacefulness, and it’s very beautiful with white caps on the water, grey skies intermittently clearing for brilliant blue and bright sun, starry nights, and a landscape dotted with wheat, rust, faded green and brown. Because many of the trees are barren of leaves, I can see the lake and bay and the tops of the two lighthouses that flank each end of our village beach from several rooms in our house.

By March, we’ll be ready for a change and begin to search for signs of spring: daffodils peaking above the thawing ground; buds starting to swell on trees and bushes; a greening of the grass. But for now, we’re enjoying the peace that follows chaos.

A member of Crime Writers’ Association of the UK ( CWA), North America chapter, Karen Shughart is the author of the Edmund DeCleryk cozy mystery series, published by Cozy Cat Press, including the award-winning Murder at Freedom Hill.  All books have historical backstories that provide clues to why the crime was committed, and recipes at the end. They are available in Kindle, Kindle Unlimited, paperback, and Audible.

Setting the Scene by Karen Shughart

~ kshughart47 ~ 6 Comments

All the books in my Edmund DeCleryk cozy mystery series are set in Lighthouse Cove, NY, a fictional village on the south shore of Lake Ontario, with the crimes occurring in the present but are related to something that happened in the past. In book one, Murder in the Museum, a map dated 1785 discovered in the historical society museum – led by sleuth Ed’s wife, Annie – and a journal dated 1845 found at an archaeological dig in Toronto, Canada, provide clues to why the victim was killed.

In book two, Murder in the Cemetery, a relic at the cemetery where casualties of the War of 1812 are buried; long-lost letters written by the wife of a patriot transported to England as a prisoner of war during that time;  a missing artifact at an exhibit at the Victoria and Albert Museum in London, England; and a diary discovered at an abandoned farmhouse help Ed and Annie solve the case.

In book three, Murder at Freedom Hill, the crime is thought to be related to the victim’s ancestry, his forebears lived in a settlement where free people of color lived harmoniously with abolitionists who helped transport escaping slaves to Canada across the lake before the Civil War. Another heinous deed, related to that settlement, is revealed during the investigation of the murder.

But what the books also have in common is that I weave into the plot the seasonal setting.  After book one, instead of just one prologue I decided to write two, the first with the historical backstory and the second describing the season.

I continue descriptions of the weather throughout each book, it helps to construct the mood. For example, Murder at Freedom Hill begins in November, before Thanksgiving. In one of the early chapters, Ed discovers that the village mayor has been murdered. A beloved member of the community, the mayor also served on Annie’s board of directors and the two had become close friends. After conferring with Detective Brad Washington at the crime scene, Ed gets into his SUV and drives to the museum to tell Annie about his death. Lots of sunshine and a clear sky start the day, but then the weather changes:

“The brilliant sky at sunrise had made way for clouds the color of brushed pewter that hovered over the roiling silver lake. The day looked like an antique photograph: sepia; gunmetal grey; milky white and black; faded like withered grass. The direction of the wind had changed, picking up speed from the northwest, with fallen leaves swirling around the museum parking lot as Ed pulled into a spot. The temperature had plummeted- winter silently creeping in like a cat about to pounce upon its prey.”

What I enjoy about writing cozy mysteries is the ability to expand description if it fits into the plot, and the weather can either give readers a sense of doom and gloom or provide an interesting juxtaposition to an odious deed.

Karen Shughart’s cozy mysteries are published by Cozy Cat Press. She’s currently working on book four of the series, Murder at Chimney Bluffs.

Let It Go by Karen Shughart

~ kshughart47 ~ 6 Comments

There’s a certain amount of pressure for all authors, regardless of how they’re published, that’s self-imposed. We set out to write a book and determine the time frame for finishing it, and therefore must adhere to some sort of schedule. And for those of us who are with traditional publishers, there’s the added pressure of submitting our book at an agreed upon deadline,

When I started writing my Edmund DeCleryk cozy mystery series, I wrote every day. I didn’t set a specific number of hours but instead spent time at the computer until I was either so exhausted that I literally couldn’t see straight or was happy with the advancement of the plot. In the past this has worked well for me, but this summer it didn’t.

Let me explain.  We live in a resort village that is a bustling hive of activity during summer months. Our beautiful scenery, gorgeous waterways, pristine beaches, and a multitude of activities centered around what we call Summerfest results in visits from family and friends, picnics, cookouts, concerts, festivals, outdoor movies, yoga classes, boating excursions and, on cool nights, time spent with friends drinking wine around a blazing fire pit watching the stars.

This year in particular, I was also happily bombarded with invitations to do book talks and signings, sometimes more than one a week. In addition, we took three short trips: to visit family; for a couple’s getaway; and when I participated as a panelist at a  mystery lovers’ conference in another state.

I must admit, at first I felt anxious about my inability to carve out time to continue writing my fourth novel, Murder at Chimney Bluffs, after making good headway last winter and spring.  Then I took a deep breath and thought. ‘It will be done, and isn’t a big part of life enjoying experiences that could help make my writing be even better? Let it go.’

And I did. When my publisher emailed me to get a sense of when she could expect my next book, I responded that I thought I could submit it to her a year from this coming November or maybe even December, but not before. She thanked me and said no problem. When I gave talks and attended signings, which I really do enjoy, I wasn’t the least bit anxious about not writing.

At the entrance to a town a little west of us there’s a huge sign that announces “Where Life is Worth Living”.   And that’s certainly true about this place we call home.  I finally conceded to the pressure to write and allowed myself to enjoy every minute of every day and relax about not keeping to a schedule. I’ll get it done, I know. There’s something to be said for letting go.

Karen Shughart is the author of the Edmund DeCleryk cozy mystery series published by Cozy Cat Press. She lives on the south shore of Lake Ontario in a village in New York state that’s the prototype for Lighthouse Cove, the s fictional setting for her books.

Guest Blogger ~ Kathleen Kaska

~ patyjag ~ 4 Comments

Another Hotel, Another Murder, Another Sydney Lockhart Mystery

My idea for my Sydney Lockhart mystery settings came from historic hotels my husband and I have frequented. These old hotels are usually in the town center and are often community gathering places. Having cocktails in the lounges allowed us to meet the locals who would often share the most entertaining, unique, and unusual places to visit, which was excellent fodder for additional scenes in the books.

The series is set in the early 1950s. Sydney is a sassy, determined young woman trying to make it as a private detective in a man’s world. Her journey begins when she checks into the Arlington Hotel in Hot Springs, Arkansas, only to find a dead man in her bathroom. The man had been murdered, and she is the main suspect. I chose the Arlington as the first location because it is like my second home. Adding up all the nights we’ve stayed at the Arlington equals about four months. I’m familiar with all the nooks, crannies, and hidden places the average hotel guest is unaware of. Many local business I mentioned in the book have been in operation since the 1930s and are still open today. And with Hot Springs’ notorious history of gangsters running the city, it was easy to create a feasible plot. In fact, Al Capone once lived in the Arlington Hotel.

Since then, I’ve used the Luther Hotel in Palacios, Texas, the Galvez Hotel in Galveston, Texas, the Driskill Hotel in Austin, and the Menger Hotel in San Antonio. They all possess a unique history, which I weave into the stories.

My latest mystery, Murder at the Pontchartrain, which was release on June 28, occurs in one of my favorite cities, New Orleans. The Pontchartrain, located in the Garden District, was opened in 1927 as a luxury apartment building. In the early 1940s, it was turned into a hotel. This is where Tennessee Williams wrote his classic play, Streetcar Named Desire. This vibrant, exotic city begs to have a mystery set there. Just ask Anne Rice.

I brought Sydney to New Orleans because she and her fiancé/partner in crime, Ralph Dixon, had some unfinished business to attend to. But in less than twenty-four hours, someone is murdered in their hotel room, and Dixon is arrested. Sydney is in a race to solve the murder and free Dixon before she ends up in a cell next to him. When word back home in Austin gets out, Ruth, Sydney’s bubble-headed blonde cousin, and Sydney’s twelve-year-old charge, Lydia LaBeau, arrive to give Sydney a hand. Ruth is assigned to snoop around the hotel. At the same time, Lydia appoints herself as the investigator of the French Quarter, where she ends up helping out at the Voodoo Shop and making friends with Pat O’Brien’s head bartender. Yes, I know the girl is only twelve, but age has never influenced what Lydia does.

While wandering the streets in New Orleans, I envisioned Sydney darting down the back alleys of the French Quarter, tracking a suspect near Audubon Park, and almost meeting her demise in the Lower Ninth Ward.

If readers know of great hotels for my future setting, I love to hear about them. The requirement is that the hotel was in operation in the early 1950s and is still in business today.

I’m Sydney Lockhart. I solve murders, most of which I’m the primary suspect. My fiancée, Ralph Dixon, and I came to New Orleans to get married. Instead, he’s been arrested for a double murder, and I’m hunting for the real killer. Assisting me are a twelve-year-old voodoo queen, a ghost detective, and my crazy cousin Ruth. Wish me luck. I’ll need it.

https://www.amazon.com/Murder-Pontchartrain-Sydney-Lockhart-Mystery/dp/1941237940

Kathleen Kaska is the author of the awarding-winning mystery series: the Sydney Lockhart Mystery Series set in the 1950s and the Kate Caraway Animal-Rights Mystery Series. She also writes mystery trivia. The Sherlock Holmes Quiz Book was published by Rowman & Littlefield. Her Holmes short story, “The Adventure at Old Basingstoke,” appears in Sherlock Holmes of Baking Street, a Belanger Books anthology. She is the founder of The Dogs in the Nighttime, the Sherlock Holmes Society of Anacortes, Washington, a scion of The Baker Street Irregulars.

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The Importance of Research by Karen Shughart

~ kshughart47 ~ 7 Comments

 I recently attended a conference in Pennsylvania called Murder As You Like It that was for writers and readers of mysteries. I was fortunate to have been asked to participate with a group of other authors on a panel where we discussed the importance of research in our books.

My books are cozies that take place in the present in the fictional village of Lighthouse Cove, NY, modeled after the village where I live. Each has a historical backstory that provides clues as to why the murder occurred, all of them based on an actual period of history in our community.  Although for the most part my characters are fictional, King George, III; Abraham Lincoln; Frederick Douglass, and Susan B. Anthony are among real characters I name as part of each back story, and real universities, museums, and tourist attractions as they fit into each plot.

My sleuths follow clues that lead them to Rochester, NY; Niagara-on-the-Lake, Gananoque, and Toronto, Canada; London, England and Charleston, SC. I’ve visited these places and creative license aside; my descriptions are fairly accurate. While I don’t use the names of real newspapers, concerned that my reporters wouldn’t reflect their editorial policies and methods, I have used the name of one of our regional magazines, with permission.

When I started writing the series, I decided that it was also important to make the investigative procedures as accurate as possible, so the books had believability. I was fortunate to have been accepted into a citizen’s police academy sponsored by our local sheriff’s office – once a week for nine weeks, six hours each time- where I learned about the criminal justice system in our county. We ate lunch in the jail, watched K 9 demonstrations, and heard speakers who were experts in their fields.

My favorite research tool is talking with professionals who know how investigative procedures work. I’ve been able to interview our DA, a professor of criminal justice, a retired police officer, a commander for regional police force; medical professionals.  In book two of the series, Murder in the Cemetery, the sleuth has a friend who is with the CIA whom he calls upon for advice. It took a bit of chutzpah, but I decided to contact the real CIA to see if I could interview someone there with questions, and low-and-behold, it worked. They reviewed my credentials, and I got a call from their public affairs officer shortly after. It never hurts to try.

Yachts in present time and rumrunning boats during prohibition figure into the book I’m writing now. A friend of mine, after retiring, got his captain’s license and now appraises boats for insurance companies. He’s been a treasure-trove of information.

 Realistic research adds authenticity to the stories, and I think it’s the interplay between fact and fiction that’s so much fun for me to write and I hope, makes the stories interesting to my readers.