Guest Blogger – Keenan Powell

Writing mysteries is hard. Like other writers, we try to create engaging and sympathetic characters caught up in a story that moves along, yet has depth (and loads of tension) set in an evocative location. Unlike the task of those other writers, we need to frame the story within a puzzle.

I love the puzzle. I love reading a good story that keeps me guessing. I love it when I find out who did it at the end of the book and I had actually considered that person but eliminated him from my list of suspects. If the culprit is someone I didn’t suspect, I’ll go back through the book to look for clues just to make sure the writer was playing fair. It’s rare when I correctly guess the murder early and when I do, I’m disappointed. But when I reach the end of good mystery and I’m surprised by whodunit, I get a little splash of pleasure – like when I was a kid and found an Easter egg.

So when I write a story for my fellow mystery fans, I try to build a puzzle the solution of which gives them that same little splash of pleasure.

The puzzle I build looks like a maze inside my head with lots of wrong turns, dead-ends, and circuitous routes. What I try to do is create that same maze inside the reader’s head. But the reader doesn’t have the omniscient view I have, she can only see as far as the next turn.

In guiding the reader through the maze, I try to use her human tendencies toward suspicion, sympathy, confirmation bias (looking for evidence to support an opinion), and anchoring (the tendency to rely on the first piece of information one acquires) as well as the sophisticated mystery reader’s familiarity with certain devices like the red herring and the double-blind solution. These tendencies can be exploited to guide, or misdirect, the readers as she wanders through the maze.

It’s not a contest of who is smarter: writer versus reader. Writing mystery is like hostessing an Easter egg hunt on a fine spring day. We’re all wearing lovely white Victorian gowns and frolicking through the rose hedges on a lush green lawn as we sleuth out the solution. I, as your hostess, have devised the entertainment. I hope you enjoy.

***

Keenan Powell.2 (169x300)Keenan Powell is a practicing attorney in Anchorage, Alaska, and the author of the Maeve Malloy legal mysteries set in contemporary urban Alaska. Visit her at:

https://www.facebook.com/keenanwrites/?ref=hl

https://twitter.com/KeenanPowell6

 

 

Guest Blogger – Kathleen Kaska

The Grand Dame of Mystery Writing

Agatha Christie_mockup02 copyAgatha Christie is regarded as the most popular mystery writer of all times. Since the publication of her first book in 1920, more than one billion copies of her books have been sold worldwide. She wrote her first detective story while working in a dispensary during the First World War. Her sister, Madge, bet Christie that she could not write a mystery in which she gave her readers all the clues to the crime and stump them at the same time. Christie proved Madge wrong, and The Mysterious Affair at Styles was published. Her second book sold twice as many copies as her first, and she found that writing flowed easily for her. In 1926, The Murder of Roger Ackroyd, gained her world acclaim. It is one of the most talked about detective stories ever written. Using a technique that had not been used before, many of her colleagues and readers accused her of breaking the mystery-writing rules. In her defense, she stated that rules are made to be broken and if done well, prove effective. Almost ninety years later, the controversy still remains. She’s gone on record to say that this Hercule Poirot mystery was her masterpiece.

But my two favorite Christie mysteries are two of her lesser-known novels. In these two action-packed stories, The Man in the Brown Suit and They Came to Baghdad, Christie ventured away from Miss Marple and Hercule Poirot and drove into light-hearted adventure. She sent her young heroines, Anne Beddingfeld and Victoria Jones, to mysterious locales, exposes them to harrowing danger, and allowed them to live life on the edge.

“I had a firm conviction that, if I went about looking for adventure, adventure would meet me halfway,” Anne Beddingfeld proclaimed. He archaeologist father has decently died. On her own for the first time in her life, Anne is ready for adventure. But her eighty-seven pound legacy would not last long. After a discouraging job interview, Anne was waiting to catch the train home, which put her in the right place at the right time. A man, startled by something, stumbled and fell off the train platform onto the third rail. Another man claiming to be a doctor, examined the body, declared the man dead, and hurried away, dropping a piece of paper with the words, “17.122 Kilmorden Castle,” written on it. Anne retrieved the paper and tried to catch up with the doctor, but he disappeared into the crowd.

Anne was determined to find the man in the brown suit. He obviously was not a doctor, since he examined the victim’s heart by palpating the right side of his body. After a clever bit of detecting, Anne was aboard a ship to South Africa. In Anne’s life there are no coincidences.

A few days later, she was in her cabin, recovering from seasickness when there came a knock on her door. Or to be more exact, an explosion. Her door flew open and a man tumbled inside.

“Save me,” he says. “They’re after me.” Anne shoved him under her bunk and got rid of the nosy stewardess, who was tracking the apparently drunk passenger. However, alcohol was not the reason for his clumsiness. A knife wound and the loss of blood gave cause for the young man’s unsteadiness. As Anne dressed his wound, they exchanged insults and cold stares, along with a bit of shoving. As he felt, she realized that it was him—the man in the brown suit! But he was gone again, and she was left standing with clenched fists and a racing heart. There was no doubt about it. Anne was in love, and she would find him no matter what.

“To Victoria an agreeable world would be one where tigers lurked in the Strand and dangerous bandits infested Tooting.” Victoria Jones, unemployed secretary, flighty female, habitual liar, is the star of They Came to Baghdad. Fired from her job for poking fun at her employer’s wife, Victoria found herself on her favorite park bench, eating a tomato and lettuce sandwich, and contemplating her future with no income. Before her pondering became too serious, however, she noticed a handsome blue-eyed man sitting next to her, and her plans for finding a new job were forgotten. A quick exchange of life stories, a few laughs, and Edward declared he must leave. “I don’t suppose you’ll ever think of me again,” said Edward. “Oh, Hell—I must fly.” Duty called and Edward was off to Baghdad. Victoria decided to follow the young man. Undaunted by the 3,000-mile distance and the mere three pounds to the name, she conned her way to the Middle East and quickly found herself penniless and alone in a strange hotel.

All of a sudden, there is a knock at Victoria’s door. Could it be Edward? Had word reached him that she was in Baghdad? Without hesitation, she opened the door and found a handsome stranger seeking refuge.

“For God’s sake hid me somewhere—quickly,” he pleaded. Victoria, never one to shrug off adventure, shoved him under the bed cover, propped up the pillows and leisurely leaned back while the hotel manager searched the room. Satisfied that the fugitive was not present, the manager left. Victoria pulled back the covers just in time to hear the dying man’s cryptic message. Now she must found Edward, but where should she begin? After all, she didn’t even know his last name.

Following the adventures of these two young women is almost as exciting as following Indiana Jones into the Temple of Doom. The Man in the Brown Suit and They Came to Baghdad are truly two of Agatha Christie’s most delightful mysteries.

 

Kathleen Kaska writes the award-winning Sydney Lockhart mysteries set in the 1950s. She also writes the Classic Triviography Mystery Series, which includes ThIMG11_2661e Agatha Christie Triviography and Quiz Book, The Alfred Hitchcock Triviography and Quiz Book, and The Sherlock Holmes Triviography and Quiz Book. The Alfred Hitchcock and the Sherlock Holmes trivia books are finalists for the 2013 EPIC award in nonfiction. Her nonfiction book, The Man Who Saved the Whooping Crane: The Robert Porter Allen Story, (University Press of Florida) was released in 2012. Kathleen has a new mystery series, which will debut later in 2016.

http://www.kathleenkaska.com

http://www.facebook.com/kathleenkaska

https://twitter.com/KKaskaAuthor

 

Where Do Writers Get Their Ideas? By Ann McAllister Clark

It’s magical really. Well, at first it may seem that way. Creative thoughts, words and phrases running through a writer’s mind as she is writing. Sometimes it feels the words are like ribbons spilling out of our fingers, pens, pencils or keypads as if someone or something else is actually gathering them up and pushing them out on the page. When that happens I always send up a sincere ‘Thank You’ to the goddess of verbiage and thoughts. Yes, it is magic and when it happens I take a big breath and stay with it as long as I can.

And then I remember all the studying I have done – many college classes and dozens of writing books over the years. I read classics – Russian, English, and mostly American.

Writers get this question all the time – “Where do your ideas come from?” Ideas come right from a compilation of life and the writer’s experiences – encounters and events or things she has witnessed or researched. Writers have a way of filling up their internal and invisible sponge with all that moves before their eyes and ears and all the minutia of life. A writer is voraciously curious and thirsty for interest. A bit of this person, a little of that person, saved notes of conversation and pieces of experience all go into the vault of ideas. So ideas come from just about anywhere and go into the big soup pot of a rich mix. And then at the end of this wash of creativity comes the real work. Revision, revision and then more revision. The work never seems completely right and some writers may revise a dozen times or more.

bone in teethI watched much of the George Zimmerman trial in Sanford, Florida. I suspect many writers watch court cases on TV or better yet in their own county courtrooms with thoughts of incorporating what they see into their stories. We have files of interesting newspaper clips and magazine articles to be used at a later date for inspiration or research. I took notes on the attributes of the detectives, lawyers and court proceedings during the trial in Sanford. I used those notes to describe the detectives in A Bone In Her Teeth: A St. Augustine Mystery.

Traveling through the streets of Gettysburg, Washington, DC, and Antitam and walking many battlefields helped me immensely with description in my historical novel, The Chrysalis: An American Family Endures The Civil War.

I just finished reading Justice Sonia Sotomayor’s memoir, My Beloved World. http://www.amazon.com/My-Beloved-World-Sonia-Sotomayor-ebook/dp/B00957T7CQ/ref=sr_1_1?s=books&ie=UTF8&qid=1447440566&sr=1-1&keywords=my+beloved+world

MorganWhen she was a young girl of about eight years old, she faithfully watched the weekly television program, Perry Mason and decided she wanted to be a lawyer! And then she diligently pursued that direction in every single aspect of her educational life all the way to her seat on the United States Supreme Court. I used her early years for inspiration in Morgan’s Redemption

https://en.wikipedia.org/wiki/Sonia_Sotomayor

Where do we get our ideas for writing? Everywhere and anywhere.

Ann’s Books

A Bone In Her Teeth, paperback and kindle

Morgan’s Redemption, kindle edition and paperback

About  Ann McAllister Clark

A graduate with a BA in Education from charming Aquinas College in Grand Rapids, Michigan, Ann McAllister Clark, author of the award-winning novel, A Bone in Her Teeth: A St. Augustine Mystery, and Morgan’s Redemption: 1st in the Morgan’s Bridge series and soon to be released, The Chrysalis: An American Family Endures The Civil War,  is a teacher, journalist, and former used bookstore owner. She now lives and writes in a small cottage in the Nation’s Oldest City, St. Augustine, Florida.

Ann McAllister Clark’s website
Ann McAllister Clark’s blog “Ann’s Cottage Blog
Ann McAllister Clark’s facebook page

 

Guest Blogger S.L. Smith – Murder on a Stick

Before explainingMurder on a Stick(3) why I wrote Murder on a Stick, I’ll tell you a bit about myself and my writing.
One of the first decisions I made, as an author, was where to stage my novels. It boiled down to creating a fictional setting or writing about the familiar. I chose the latter. The Pete Culnane mysteries are set in St. Paul, Minnesota––my home for the past three decades. One benefit is a built-in audience of locals who enjoy books set in locations they know. A drawback is my compulsion to get it right, portraying the sights, sounds, and smells in a way that rings true for locals and becomes real for those who have never been here.

Despite my knowledge of St. Paul, each novel requires lots of on-site and Internet research, and a variety of interviews. While looking for a location for book three, I thought about the Great Minnesota Get Together, otherwise known as the State Fair. Most Midwesterners have at least a passing knowledge of this fair. That gave me a shot at attracting them as readers. However, the overriding reason for selecting this venue was my love for this event. I’m not alone there. The 2015 attendance (12 days) was 1,779,738.

While writing Murder on a Stick, I spent four days at the fair, researching. My efforts included speaking with police and deputies from across the state. These are people who use vacation hours to ply their trade at the fair. A paramedic and an EMT from the St. Paul Fire Department explained the role they play and the tools at their disposal. A volunteer from one of the information booths provided pages of facts and trivia about the fair. I love learning when I read, and I used some of this information to provide that opportunity to my readership. The thing that surprised me the most was a fair-related tidbit about Teddy Roosevelt.

You can get almost anything on a stick at the Minnesota State Fair. Murder on a Stick takes that a step further. Due to my commitment to realism, I felt compelled to obtain a sample of the sticks on which 100+ foods are served. These delicacies include hot dish, s’mores, key lime pie, and walleye pike. Obtaining these sticks took a couple of days. Thankfully, the vendors gave me their sticks without the food. Hence, I saved a fortune and avoided gaining 50 pounds. I drew upon the expertise of a retired lead investigator from the Ramsey County Medical Examiner’s Office to determine if any of these sticks was a feasible weapon. The title of this novel provides the answer.  🙂  By the way, any idea what using one of those sticks as a weapon says about the crime?

The State Fair is located in Falcon Heights, a suburb of St. Paul. My protagonists do not have jurisdiction there. You have to read the book to discover why that didn’t handcuff me.

By now, I hope it’s clear that I enjoy the research part of writing, and that there are few places where it’s more fun than at the Minnesota State Fair.

Book Blurb:

You can get almost anything on a stick at the Minnesota State
Fair. This year, murder is added to the list. Family and friends
construct radically different portraits of the victim, and the
list of suspects keeps growing. No suspect has a corroborated alibi. Three admit being at the
fair that day.

The investigation crisscrosses the Twin Cities,
and travels from the fairgrounds to Rochester. St. Paul
investigators Pete Culnane and Martin Tierney must separate
fact from fiction, truth from lies.

Bio:

Sharon Newer Pipe PhotoS.L. Smith’s long career working alongside law enforcement and fire officials while with the Minnesota Department of Public Safety inspire and inform her mystery novels. Yearly trips to the iconic Minnesota State Fair addicted her to the unique atmosphere and the foods often found only at the fair.

Buy links:

http://www.amazon.com/S.L.-Smith/e/B005GVK1DO/ref=sr_ntt_srch_lnk_1?qid=1445136445&sr=1-1

social media links:

Facebook:

https://www.facebook.com/SLSmithauthor2012?ref=ts&fref=ts

LinkedIn:

https://www.linkedin.com/profile/view?id=AAkAAAMQ48sB4Tnfh8fQc3wE0z7MfGkdaF3ajf0&authType=NAME_SEARCH&authToken=Oyje&locale=en_US&trk=tyah&trkInfo=clickedVertical%3Amynetwork%2CclickedEntityId%3A51438539%2CauthType%3ANAME_SEARCH%2Cidx%3A1-1-1%2CtarId%3A1445136900972%2Ctas%3ASharon%20l.%20%20Smith&_mSplash=1

Guest Author – Robin Weaver

Make Your Corpse Behave

I once critiqued a novel where the villain forced the heroine to participate in a tea party with a week-old corpse. Can you say “ewww?”

Or if you know your corpses, you’re saying “uh-uh, no way.” And you’d be correct. Unless the body had been on ice and the tea party occurred in an Antarctica, gases from the decomposing body (and the resulting OMG-what-is-that-smell) would have made that little social gathering impossible.

After I created a stink—nothing nearly as putrid as the tea party corpse—my friend corrected her error, but too many mystery authors treat the dead body without adequately considering the decaying process. We don’t accurately depict the condition of our corpse based on time since demise and environmental conditions.

I didn’t start out to be an expert in rigor mortises (and I use the term expert very loosely). I wrote a novel about a woman with hyperosmia—a hypersensitive sense of smell. My heroine kept scrubbing the floor trying to get rid of an offensive odor. The smell, naturally, was a dead body in the basement (after all, I am a mystery writer). Only I needed to understand exactly how and when the odor would emanate. How long must a poor unfortunate soul be deceased before antiperspirants ceases to work? So I did some research and consulted some “real” experts.

Decomposition begins at the moment of death. When the heart stops, blood no longer flows through the body. Most of the corpse will turn a deadly white (pun intended), but gravity causes the blood to pool in the body parts closest to the ground. The resulting bluish-purple discoloration is called livor mortis. As authors, this makes for some vivid descriptions. Also, the pooling of blood will enable your heroine to know when a body has been moved. If your corpse is lying face-down and your arm-chair detective notices visible pooled blood on the victim’s back—the body “ain’t” where it fell.

So back to our corpse… In three to six hours, the muscles become rigid (a.k.a. rigor mortis). Rigor affects the jaw first, then face and neck, the trunk and arms, and finally the legs and feet. If your detective isn’t squeamish, touching the corpse (“ewww” again) to determine what parts are rigid can help determine the time of death—even before the coroner arrives. Rigor peaks at twelve hours, and dissipates after 48 hours. Hint: your stiff is no longer stiff after two days.

Within 24-72 hours things get gory. The internal organs begin to decompose as the body’s remaining oxygen is gobbled up by aerobic microbes, already present in the gizzards before death. Enzymes in the pancreas cause the body’s organs to digest themselves. The cells in the body literally burst open. If you’re like me, you’re thinking, YUCK. But it gets worse. Microbes tag-team these enzymes, turning the body green from the belly onwards.

Only it gets worse. Within three to five days, gases (methane, hydrogen sulfide, mercaptans) produced by the decaying process accumulate and cause the abdomen to distend. The cadaver will have an overall bloated appearance and smell bloody awful. The skin blisters, the tongue protrudes, and pressure forces gases and frothy liquids out the nose, mouth and, eh…other orifices. This same buildup of pressure may also cause the body to rupture. And I won’t even mention the flies and maggots the corpse attracts. Let’s just say the folks producing those zombie shows got a lot of things right.

Within a month, nails and teeth fall out. NOTE: Contrary to popular belief, skin and hair do NOT continue to grow after death. The skin shrinks, making nails and hair “appear” longer. The body starts to dry out. If the cadaver is unprotected, those insects I’m not mentioning will have chowed down on any remaining flesh; moths and bacteria consume the hair. If the body is not protected from the elements, within a year only bones remain. However, those same bones can last a hundred years if the soil is not highly acidic or too warm.
Keep in mind, many conditions affect the rate of deterioration. Corpses last longer in cold, dry environments and zombify really fast in tropical climates. Believe it or not, a body lasts longer in the water than in open air and even longer in the ground. The embalming process can slow the decay, but even the best undertaker is no match for Mother Nature’s recycling machine. Deterioration continues, even in the coffin. Within a year, bones and teeth are usually all that remain

Some corpses, however take an interesting turn. If the body comes into contact with cold earth or water, adipocere can develop. This waxy material is formed when bacteria breaks down tissue and naturally preserves the inner organs. For the writer, adipocere can create an interesting plot twist since the victim will have died much earlier than it seems.

Because so many factors affect rigor mortis, forensic pathologists rely on other methods to determine time of death (TOD), one being body temperature. When the heart stops beating, the body temperature falls about 1.5 degrees Fahrenheit each hour until it reaches room temperature. Of course this method is only viable if the corpse is discovered within seventeen hours of death.

Another way to determine TOD is via the corpse’s belly contents. The degree of digestion since the last meal enables examiners to gauge how long the person lived after eating at Taco Bell (which may also be the cause of death). Yet another method to assess TOD is via insect activity, but I’ve already said I won’t talk about that.

I have treated a very serious subject with a large degree of irreverence, but that’s my defense mechanism in high gear. While the idea of the real corpse is disgusting, it’s as important as the real killer. Treat your corpse accurately. As writers, we have an obligation to “get it right.”

In my newest release, Framing Noverta, I took the simple way out. I had my corpse discovered a mere two hours after death—no gory parts, no repulsive odor. I did get the exit wound right though.

Framing NovertaHow can you uphold the law when following the rules will destroy everything worth protecting?

Weary of D.C. murder and mayhem, Cal Henderson trades in his city badge for a sheriff’s star. Regrettably, his Tennessee hometown proves anything but peaceful—a woman is shot dead in her bed and the only viable suspects are his best friend, Noverta, and the love of Cal’s life—the current Mrs. Grace Gardner.

Noverta escapes from jail, making Cal question his efforts to prove the man’s innocence. As more evidence points toward Grace’s involvement in the murder, Cal’s core principles crumble. Can he do the right if his action destroys everything worth protecting?