Guest Blogger ~ Carmen Amato

Writing the Only Woman in the Room

“Beat it,” Silvio said.

He shoved both Castro and Gomez aside and came into the office. He slammed the door and pressed his back against it.

“I never wanted a woman detective in here.” Silvio was a big man and if he wanted to make Emilia feel trapped, he was succeeding. “I’ll do everything I can to f**k you over until you quit.”

Emilia couldn’t help but laugh. “Tell me something I don’t know.”

Silvio gave a start, obviously not expecting her to say that.

When I wrote this dramatic moment in Cliff Diver, the first Detective Emilia Cruz thriller set in Acapulco, Silvio’s dialogue was already scripted.

I’d already been there and done that.

An identical conversation occurred when I worked for the Central Intelligence Agency. About five years into my career, I moved to a new office, recruited by a manager trying to breathe new life into a stodgy team of PhD analysts. All male, as was our manager.

“Pete” was assigned as my mentor. This gave him ample opportunities to sabotage my work. When I finally confronted him, he confessed that he’d never worked with a woman before, didn’t want to work with one now and would do everything he could to get me to leave.

He delivered his threat as if he expected to shock me. I couldn’t help but laugh and deliver  the same line that Detective Emilia Cruz would say years later in fiction.

Long since retired, I recently recalled the encounter when recording an episode of the Amato2Berrick Crime Conversations on YouTube with UK crime writer Jane Harvey-Berrick (Dead Water, Dead Reckoning) for our buddy read of The Trespasser by Tana French.

In The Trespasser, Antoinette Conway is the only female police detective on the Dublin Murder Squad. She’s convinced that all her male colleagues are out to get her.

Her point of view is a soul-eating combination of rage, paranoia and scorn. In every situation, Antoinette is looking for a fight, whether physical, verbal or emotional.

In contrast, Detective Emilia Cruz follows the pragmatic approach I took during my CIA career when I was the only woman in the room. A tiny minority of male co-workers acted like jerks and had to be dealt with, the faster the better. Like me, Emilia stands up for herself.

Although she grew up on Acapulco’s streets and knows how to use her fists, Emilia isn’t propelled by rage like Antoinette.

  In Barracuda Bay, the ninth and latest release in the series, the chief of police is the jerk who doesn’t want Emilia in the room.

In the series’ prequel, Made in Acapulco, he was loath to shake her hand at a badge ceremony. Fast forward a few fictional years and Emilia wants to get married. It’s the chief’s chance to boot her off the force.

Even worse, the chief recruits her former partner and current boss to help.

And who is the former partner and current boss? You guessed it. The very same Lieutenant Silvio who gave her such a rough time in the first book in the series, Cliff Diver.

In Barracuda Bay, the plot against Emilia unfolds after she finds a woman’s body in a derelict building. The murder case is explosive—the victim is the mayor’s sister, and election season is heating up.

Meanwhile, the crime scene holds secrets. The building once housed a covert government operation targeting a brutal drug lord that went sideways.

Before Emilia can zero in on her prime murder suspect, she’s dispatched to Washington, DC where she becomes a target of killers disguised as cops. Alone and desperate, Emilia is caught in a lethal web of corruption, betrayal, and political intrigue.

Barracuda Bay adds a heady dose of tension to Emilia’s situation as the only woman in the room. As one reviewer wrote: “The hits keep on coming as Detective Cruz is spun through a whirlwind that links cartels, crooks, and various government agencies.”

Before I sign off, you might be wondering what happened to “Pete.”

Six months after our confrontation, he left the CIA because his wife got a job in another state. He’d be a house husband until he found a job there.

Ironic, right? I couldn’t have written a better ending.

Barracuda Bay

Political corruption turns Acapulco’s first female police detective into a fugitive on the run in Washington DC.

“A thrilling series” — National Public Radio

In a derelict building for sale, Acapulco police detective Emilia Cruz stumbles on the body of a woman brutally shot to death. Incredibly, the victim was the sister of Acapulco’s ambitious mayor, who is running for re-election against an opponent with deep pockets.

The victim’s ex-boyfriend has a suspiciously weak alibi but is the crime scene the key to finding the murderer? The building was once used for a secret Mexican government operation targeting a ruthless drug lord.

Meanwhile, there’s a conspiracy within the police department to force Emilia out.

Before Emilia can save her job or arrest her prime suspect, she’s sent on an errand of mercy to Washington, DC. There she becomes a fugitive hunted by killers masquerading as cops. Alone, desperate and on the run, Emilia turns for help to a human trafficker she once vowed to murder. Her brother.

From Acapulco’s beaches to the streets of Washington, DC, the stakes couldn’t be higher in this electrifying, page-turning thriller.

2019 and 2020 Poison Cup award, Outstanding Series – CrimeMasters of America

BUY:

Amazon: https://geni.us/barracuda2025

Barnes & Noble: https://www.barnesandnoble.com/w/barracuda-bay-carmen-amato/1146877496

Books-a-Million: https://www.booksamillion.com/p/Barracuda-Bay/Carmen-Amato/9798989140374

Carmen Amato is the award-winning author of 18 mysteries and thrillers, including the Detective Emilia Cruz mystery series pitting the first female police detective in Acapulco against Mexico’s cartels, corruption, and social inequality. Starting with Cliff Diver, the series is a back-to-back winner of the Poison Cup Award for Outstanding Series from CrimeMasters of America. Optioned for television, National Public Radio hailed it as “A thrilling series.”

Her Galliano Club historical fiction thrillers include Murder at the Galliano Club, which won the 2023 Silver Falchion Award for Best Historical.

Her standalone thrillers include The Hidden Light of Mexico City, which was longlisted for the 2020 Millennium Book Award.

A 30-year veteran of the CIA where she focused on technical collection and counterdrug issues, Carmen is a recipient of both the National Intelligence Award and the Career Intelligence Medal. A judge for the BookLife Prize and Killer Nashville’s Claymore Award, her essays have appeared in Criminal Element, Publishers Weekly, and other national publications. She writes the popular Mystery Ahead newsletter on Substack.

Originally from upstate New York, after years of globe-trotting she and her husband enjoy life in Tennessee.

Website: https://carmenamato.net/links

Substack: https://mysteryahead.substack.com

Facebook: https://facebook.com/authorcarmenamato

Instagram: https://instagram.com/authorcarmenamato

Amazon: https://www.amazon.com/stores/Carmen-Amato/author/B007UA1J8U

Goodreads: https://www.goodreads.com/author/show/6154479.Carmen_Amato

Email: carmen@carmenamato.net

Guest Blogger ~ Laury A. Egan

Our guest Laury A. Egan answered interview questions.

1. Why you write the genre you do?

Good question! Though my dominant genre is psychological suspense/crime fiction, I also have written and published literary titles, comedy, romance, and a few children’s stories. In other words, I write the book that comes to me rather than focus on specific genres. Psychological suspense is indeed a favorite, however, and was originally inspired by Patricia Highsmith’s books in which she usually features a sociopath and does so with gleeful enthusiasm. (It is my suspicion that she herself fell into this sociopathic category). I also find that “bad guys” make for fascinating studies and Fair Haven has its share and some “bad girls” as well.

2. How did you came up with the mystery/murder/premise in the book you are promoting?

Actually, this was my first novel, one I began when I bought my first computer in the mid-80s. I made some headway then, but life got in the way as it often does (actually a new romantic relationship and a house move), and I delayed work for a few years. When the relationship flamed out in spectacular fashion, I moved nearer my parents on the coast of New Jersey, and though still working full time as a book designer and photographer, I picked up Fair Haven and finished a first draft. But once again life intruded so the manuscript was shelved into the closet. Finally, I began another novel, Jenny Kidd, inspired by Highsmith and set in Venice, and thus began a series of new books until my new and delightful publisher, Andrew May of Spectrum Books in London, began accepting my manuscripts at a furious pace, publishing four books in thirteen months. Once he cleared my desk and closets, I looked around and saw Fair Haven, but oh, my, it was a mess! Plot errors, amateur formatting, and tons of mistakes. It took me forever to whip this complicated, yet intriguing, novel into shape…which hopefully I did!  

3. How you came up with the main character in your book or series?

The cast of Fair Haven is generously large, but probably the most significant character is the forensic photographer, Chris Clarke, a handsome woman who is involved with Kate, a primary suspect in the murder. Because of my own background as a professional photographer, it was an easy task to handle the details of Chris’ work. She also lives by the river in the neighboring town of Fair Haven, and owns a sailboat, which I also did in my younger days. Chris has an obstreperous beagle who rules the house—Cagney is modeled on my own dog. He often steals the show in the novel, so hound and dog lovers should enjoy his escapades.

4. Any interesting research you did for the book?

Originally, I thought the local police force would oversee the murder investigation, which was one of the huge errors I committed during the first stages of writing. In fact, though they do some coordination, interviews, etc., the Monmouth County’s Major Crimes Bureau and the prosecutor’s office are in charge of everything, including gathering forensic evidence. I interviewed a former Fair Haven policeman as well as a retired director of the county’s Economic Crime Unit, both of whom set me straight on a number of misconceptions. In addition, after a few glasses of wine, a friend, a financial analyst, grinned and answered my question about how a broker would commit fraud, cheerfully providing details about the Cayman Islands, offshore accounts, and the like.

5. A post on your process of writing a mystery book.

As mentioned above, this book took a long and arduous journey from its inception to its submission to my publisher. Quite honestly, I never thought the manuscript was good enough to publish, but there was something charming about the plot and its characters that kept drawing me in. I also loved the irony of a murder in the quiet, serene village of Fair Haven. After hundreds of hours of revision, I hope this murder mystery will be an enjoyable read, one that harkens to some British series such as Midsomer Murders in that the residents of small towns are the focus even more than the crime. Despite this, have fun figuring out “who done it!”

Fair Haven: A picturesque riverside town. A safe, friendly place. And then, one summer afternoon in 1994, Sally Ann Shaffer is electrocuted in her hot tub. Who did it? One of her many lovers? Her husband? A thief? A jealous colleague at her tennis club? The town is suddenly embroiled in suspicion, interpersonal conflict, blackmail, fraud, and murder. 

“When is a murder mystery more than a who-done-it? Answer: When it is written by Laury Egan. This wonderful mystery kept me en-tranced, as her characters drug me around the town of Fair Haven and through their inter-woven lives. In an ever more complex web of intrigue, jealousy, hatred and lust the plot was revealed. Though its difficult to write a review of a murder mystery without giving away too much, I couldn’t figure it out, even with some well-placed clues, until the end and then I was amazed by the reveal. You will be too.”

—CA Farlow, author of The Paris Contagion

Amazon: https://geni.us/fairhaven Published by Enigma Books, an imprint of Spectrum Books, London

Laury A. Egan is the author of fifteen novels, a story collection (with a new collection, Contrary: Stories and a Play, due May 2025), and four volumes of poetry. Her psychological suspense/crime fiction novels are: Jack & I, The Psychologist’s Shadow, Doublecrossed, The Ungodly Hour, A Bittersweet Tale, and Jenny Kidd (a revised edition will be released October 18, 2025). Ninety of her stories and poems have appeared in literary journals and anthologies. She is a reviewer for The New York Journal of Books, a graduate of Carnegie Mellon University, and a 2024 recipient of a New Jersey State Council on the Arts Individual Artist Award in prose. Website: www.lauryaegan.com

LauryA.Egan@EganLaury

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Guest Blogger ~ Tilia Klebenov Jacobs

Researching the Mystery

By Tilia Klebenov Jacobs

Often you can tell when a writer’s research begins and ends with a keyboard search:  telltale signs include incomplete knowledge and/or cliché-based assumptions, creating eye-roll moments in our readership—something it’s safe to say none of us wants to do. So when Professor Google falls down on the job, it’s time to fold up that laptop and do a different kind of investigating, one that involves people instead of pixels.

            First, an example of what to avoid.  Some years ago I was reading a novel with a scene set in MCI-Cedar Junction, a maximum-security prison in Massachusetts.  Our protagonist steps inside and notes that the foyer smells like vomit, a sensory detail illustrating the degradation of the incarcerated.

            Slight problem, however.  I used to teach at that prison, and on precisely zero of the many occasions I’ve been there did the foyer smell like vomit.  The only time it smelled of anything other than air was one day when an inmate was mopping the floor, at which point it smelled like Pine-Sol.  That, combined with a variety of hilarious gaps in said author’s knowledge of prison security protocols, absolutely trumpeted the fact that he never bothered to visit the facility or even call.  I have not picked up one of his books since.

            I should add that he absolutely nailed his description of the exterior of the prison.  In other words, he googled it, saw what the place looked like, and ended his investigation there. 

            Circumventing such blunders consists of several steps.  First, find an expert.  Second, contact them and politely ask for a few minutes of their time.  If you are on the shy side, Step Three is, in the immortal words of Douglas Adams, “Don’t Panic.”  The words “I’m a writer” convey more gravitas than you might expect, and the phrase “I’m writing a book with a character like you, and I want to be sure I get it right” is usually greeted with enthusiasm.  Most people are delighted to share their expertise, especially if they belong to a profession or culture that is frequently misrepresented in popular media.  On behalf of my books, I have interviewed prison guards, FBI agents, a Marine who served in Afghanistan, a parole officer, a rabbi, and more; and in almost every case, the interview went over time because we were enjoying ourselves so much.

            My most recent book, Stealing Time (co-authored with Norman Birnbach), is set largely in 1980.  While we wrote it, we had the very great pleasure of plumbing the expertise of John Barelli, former head of security at the Metropolitan Museum of Art in New York; and Jonathan Campbell, a Boston-based architect.  In both cases, our question was this:  how can our bad guys rob a museum—in 1980?  We needed specific information about rooftops, scaffolding, and museum security in that era, and the internet was tired of our questions.

            I discovered Mr. Barelli via his memoir, Stealing the Show:  A History of Art and Crime in Six Thefts.  It describes his tenure at the Met from 1978 to 2016, years that neatly overlapped the era of our book.  I emailed him to ask for an interview.  He replied in the affirmative, and he and Norman and I spent a delightful evening chatting about security arcana of the late twentieth century.  Since my partner and I needed to insert one of our baddies into the museum, we asked how long it would have taken for someone to be hired as a security guard at that time.  Were there extensive background checks?  What about fingerprinting?  Mr. Barelli laughed.  “Back then, we had a saying,” he told us.  “‘If it breathes, put a uniform on it.’” 

            Thus reassured, we wrote a scene in which our criminal is quickly hired to guard a hall full of precious gemstones.  Our editor later urged us to change it, since he was confident the guards’ union would have prohibited such slipshod operations.  But we had done our homework with an unimpeachable source, and were able to allay our editor’s concerns. The scene stayed put in all its scintillating historical accuracy.

            The second expert, Jonathan Campbell, was easier to find because I went to high school with him.  Once again, I needed very specific information for our baddies, whose plan involved climbing scaffolding in order to break into the museum; and once again, the internet failed to answer some basic questions, such as,

  1. Is this possible?
  2. How?
  3. What will our degenerates find on the way up?

During a delightful February afternoon, Jonathan led me cantering about the rooftops of Boston in search of verisimilitude.  I learned that,

  1. Yes, it’s possible.
  2. But dangerous.  Anyone seeking to climb scaffolding needs to adhere to the “three points of contact rule,” meaning that at all times one must have at least two hands and one foot, or two feet and one hand, in contact with the structure; unless, of course, one wants a very brief flying lesson.
  3. Roofs are messy.  Based on my experience, our band of reprobates might reasonably be expected to find pigeon poop; ductwork for HVAC; plastic buckets full of rainwater and chains; and stray tools left behind by construction workers.  All of this makes such areas difficult to navigate, which was bad for our baddies but good for us.

            Factuality is not meant to set a reader’s pulse a-twitter; for that we have finely etched characters, snappy dialogue, and wicked plot twists.  Instead, it is a load-bearing wall:  we may not be aware of its function, but it holds our disbelief aloft.  Unconventional kinds of research can be fantastically rewarding, and they give our work both solidity and sparkle that come from no place else.

STEALING TIME

Good news for everyone who loved Back to the FutureThe Time Traveler’s Wife, and Time and Again: the newest page-turner is Stealing Time, a smart, funny caper that will steal your heart.

When there’s no time left, you have to steal it!

New York, 2020. Tori’s world is falling apart. Between the pandemic and her parents’ divorce, what else could go wrong?

Plenty! Like discovering that a jewelry heist forty years ago sent her grandfather to jail and destroyed her family.

New York, 1980. Bobby’s life is pretty great—until a strange girl shows up in his apartment claiming to be a visitor from the future. Specifically, his future, which apparently stinks. Oh, and did she mention she’s his daughter?

Soon Bobby and Tori have joined forces to save the mystical gemstone at the heart of all their troubles. But a gang of thugs wants it too, and they’re not about to let a couple of teenagers get in their way.

This time-travel jewelry heist will keep you guessing till the end!

Buy links: https://www.amazon.com/Stealing-Time-Tilia-Jacobs-ebook/dp/B0DFRC8CJH

Bookshop dot org (paperback):

Bookshop dot org (ebook):  

Barnes and Noble:

https://www.barnesandnoble.com/w/stealing-time-tilia-klebenov-jacobs/1147240874?ean=2940181321410

Tilia Klebenov Jacobs is a bestselling novelist and short story writer. She is vice president of Mystery Writers of America-New England, and is proud to say that HarperCollins calls her one of “crime fiction’s top authors.” Tilia has taught middle school, high school, and college, as well as classes for inmates in Massachusetts state prisons.  She lives near Boston with her husband, two children, and pleasantly neurotic standard poodle.

The book has its own website:  https://stealingtime.net

Tilia on FB:  https://www.facebook.com

Tilia’s website:  http://www.tiliaklebenovjacobs.com

 Norman Birnbach is an award-winning writer who has published over a hundred short stories and articles. His work has appeared in The New York Times, The New York Times Magazine, The Wall St. Journal, Chicago Tribune, Miami Herald, San Francisco ChronicleMcSweeney’s Internet TendencyNew York MagazineThe Magazine of Fantasy & Science Fiction,  and Militant Grammarian. He has also studied gemology at the Gemological Institute of America. Stealing Time is his debut novel. A native New Yorker, he lives outside Boston with his wife, three children, and dog, Taxi.

Norman’s website:  https://normanbirnbach.weebly.com

FB: https://www.facebook.com/nbirnbach

Insta: https://www.instagram.com/normanbirnbach/

Insta: https://www.instagram.com/stealing_time_book/

Tilia and Norman met when they were students at Oberlin College. 

Guest Blogger ~ Melissa Westemeier

The story behind Old Habits Die Hard begins in 2004 when I attended the University of Iowa’s Summer Writing Festival where I met four women who would become my writing partners. One of those women shares the author credit on Old Habits Die Hard, Mariana Damon came up with the idea of a murder taking place at a retirement community set in a renovated church. When I met Mariana in 2004, the spunky woman from Nebraska with a low voice, wild red curls and long flowing skirts was writing a murder mystery set in a fictional reservation in the southwest, featuring a Native American police officer solving a crime involving a murder and ancient artifacts. Mariana’s writing journey took her next to France, then to Cambridge, England, and finally to Kuwait before her dementia made further work as a writer impossible to pursue.

Mariana and I shared many trips together over the years we worked together and often bunked up together, too. We’d share our secrets, dreams, wishes, and histories deep into the night. Wickedly funny and brave, Mariana’s generous spirit meant I could trust her with anything, she’d be honest and loyal in every circumstance. It’s funny how our lives mirrored each other’s—we both taught English in public schools, both lived in the Midwest, both mothered only sons, and both set aside our own ambitions for our spouses’. She was truly a sister from another mister.

In 2021 another partner, Marni Graff, and I visited Mariana in her new home at a memory care facility. During our time together Mariana shared her desire to write one more murder mystery, so Marni and I gamely took notes and helped her flesh out ideas for a setting, murderer, victim, motive, and cast of characters. “Death at the Abbey” was set in the assisted living facility where she lived before her condition worsened, and she had a terrific concept for an opening scene.

Marni, Mel, Mariana 2021

Marni and I felt tremendous sadness at our friend’s struggle with her disease and helplessness as dementia stripped away her capacity to focus, let alone write. “We should write it for her,” I suggested to Marni over breakfast before we boarded our flights home. It seemed like a fitting tribute to our friend if we could flesh out her final idea and put her name on it. We’d left the character worksheets and plot outline with Mariana, so I jotted down what we could remember in a tiny notebook.

A year later I was between projects and dug that little notebook out of my purse. I’ll just flip through it and see what I might be able to do—maybe turn these ideas into a short story. I’d never successfully written a murder mystery before, but Marni has written eight of them, so I figured I could get things started and Marni could clean up my mess and we’d take it from there. The joke was on me because when I came up for air, I’d written 30,000 words, almost half a book! I sent the pages to Marni and our other writing partner, Lauren Small, to get their feedback. Their response was overwhelmingly positive and encouraging so I kept writing. Four months later I had a complete, polished draft of this book, retitled Old Habits Die Hard.  

I preserved Mariana’s original ideas. Sister Bernadette, a retired nun, solves the murder of Toni Travi at The Abbey with the help of her former student, Detective AJ Lewis. All six of Mariana’s original characters are in the story, and the opening scene is all Mariana’s. She’d determined who committed the murder and why, so it was up to me to fill in the rest. AJ’s less heartbroken and much younger than she’d planned him to be, but I hope she’ll recognize him and be happy with how he turned out.

Mariana Damon sparked this series and it’s exciting to take her ideas further than she imagined they’d go. Neither of us expected that visit in 2021 to result in a book and we certainly didn’t predict a series would happen. It’s pretty cool how our friendship that twenty years ago wound up with both of us on the cover page. Old Habits Die Hard and I’m honored to be Mariana’s ride or die until the end.

PHOTO: Lauren, Mariana, Melissa & Marni Summer 2014

OLD HABITS DIE HARD:

When retired nun and teacher Sister Bernadette returns with her fellow residents to The Abbey: Senior Living, she is the first to discover the body sprawled in the hallway of the converted school where she once taught English and now lives.  Instead of freezing with horror, Sister Bernie has questions. Lots of them. Why does Toni Travi, the bedazzled and bejeweled resident from apartment 218, have so much chest hair? Did anyone at The Abbey know Toni was a man? Was Toni’s death related to allegations that she cheated at cards? Where’s the murder weapon? Who had motive? And did someone kill Toni, or the man hiding beneath the Revlon foundation and blonde wig? 

Detective AJ Lewis is charge of the investigation though Sister Bernie acts as if he is still her student. With unholy stubbornness, she dogs his every step, eavesdrops, sneaks beyond the police tape and offers conjecture and clues. He wants to keep her safe, but she’s determined to lend a helping hand—it’s her habit, after all!

BUY LINKS

Google Play https://play.google.com/store/books/details/Melissa_Westemeier_Old_Habits_Die_Hard?id=4oorEQAAQBAJ&hl=en_US&gl=US&pli=1

Amazon https://a.co/d/exKs6zn

Kobo https://www.kobo.com/us/en/ebook/old-habits-die-hard-6

Barnes & Noble https://www.barnesandnoble.com/w/old-habits-die-hard-melissa-westemeier/1146452143?

Melissa Westemeier is a Sister in Crime and teacher from Wisconsin. She uses humor to explore serious subjects, and her published books include murder mysteries, rom-coms, and a trilogy loosely based on her years tending bar on the Wolf River. She likes her coffee and protagonists strong and prefers to work barefoot with natural lighting.

MEL’S Website: https://www.melwestemeier.com/

Facebook https://www.facebook.com/profile.php?id=100027992959383

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Guest Blogger ~Joanne McLaughlin

Repeat That Name, Please  

            Identity is a big deal in my novels. Maybe it has something to do with all the Superman comic books I read in the barbershop while my dad was having his hair cut. Lots of identity stuff in those stories, secret and otherwise. Midwestern farm boy or big-city newspaper reporter? Mild-mannered, bespectacled guy or visitor from another planet able to leap tall buildings in a single bound?  

            Names—specifically, who we are versus the person we allow the world to see—are a common thread in my first four published novels, three darkly romantic vampire tales and a thriller. Vampires reinvent themselves from century to century; the rest of us sometimes do, though over shorter lifetimes. And, of course, in literature and in life, often all we know of a person at first is the name presented to us.

            In my fifth novel, A Poetic Puzzle, one name sets my protagonist, M. Irene “Mimi” Jones—an under-recognized, under-employed poet/English literature professor—on a mission. It’s the name she shares with internationally acclaimed poet Mary Irene Jones, who has vanished, but not before sending Mimi a cache of her heretofore unpublished manuscripts. Is the timing of these two events a coincidence? Are the manuscripts clues of some sort? And if so, why entrust them to Mimi, of all people? The same-name thing must be significant, right?

            I should mention here that the house Mimi lives in is one she inherited from yet another Mary Irene Jones, the paternal grandmother for whom she was named.

            About that: The name Mary Irene Jones is what prompted me to write A Poetic Puzzle.

            You see, my own father’s mother was a Mary Irene Jones, too, before she married my grandfather. She didn’t disappear, per se, but I never got to know her. My dad scarcely did—he was only nine years old when she died in 1931 of what was apparently characterized as “women’s trouble.” My mother suspected that meant some sort of reproductive or breast cancer. I’m not sure anyone now living would know. My father was the family’s youngest child; he, his older brother, and his two older sisters are gone now.

            I look like my father, as does my son. Both of them more closely resemble George McLaughlin, Mary Irene’s husband, my paternal grandfather. But in the lone photograph I have of her, I can see myself.

            That photo, actually a picture of a photograph, may be the only one that still exists. I don’t know whether she had siblings whose children or grandchildren might have family photo albums. I have never had close ties to my McLaughlin relatives, let alone any Jones descendants who might be her family. Judging from her husband’s birth year, I think this Mary Irene was born in the United States in the late 19th century, but I don’t know when or where. I know she married a man from northeastern Pennsylvania and ended up living in Philadelphia, but I don’t know the circumstances. Except for the year, I don’t know the date of her death or where she was buried.

            That sepia-tone image of my grandmother sits next to my laptop as I write this. I’ve studied it endlessly, searching for clues beyond the obvious. In it, she has dark hair, brown, I suppose, since my father and I and at least one of his sisters had dark brown hair. She has a long face not unlike mine—my late Aunt Vera, whom I resemble a bit, had the same long face.

            Pince-nez eyeglasses sit on my grandmother’s nose—maybe she was near-sighted the way I am. Her light-colored, lacy long-sleeved dress is cinched at the waist with a bow. And she is standing outdoors, with trees in the background. Holding her left hand is a small boy, maybe sandy-haired, maybe five years old. He is dressed for warm weather. My mother told me that she had been told that the boy was not my dad, but who offered that information, I don’t know.

            Were my grandmother and this boy, presumably her other son, standing in their backyard? Were they having a picnic in a park? Were her daughters—one older than the boy, one younger—playing away from the camera’s lens? Was my father an infant napping nearby?

            How my mother came to give me this photo, I don’t recall. Did my uncle’s wife, a distant cousin of Dad’s who married his brother, give it to my parents? My mother always suggested that particular aunt-by-marriage was the source of whatever McLaughlin family history we were aware of. Ancestry.com shows any number of second and third and more distant cousins with whom I share a bit of DNA, but because I have no details about my grandmother’s forebears, I can’t readily know which of these many cousins, if any, sprang from the same branch of the family tree she and I came from. Answers might lie at the bottom of a deep and daunting rabbit hole, to add another garden metaphor, or it might be a fruitless search.

            Truly, Mary Irene Jones McLaughlin is a mystery to me.

            Which got me thinking back in spring 2022: What if I immortalized her (sort of) in a mystery? What if, given that I knew little more than her name, that’s where my story began?

            I dropped her married name from the plot line, lest someone think this book was nonfiction. Also because, as names go, Mary and Jones are definitely common ones.

            As A Poetic Puzzle opens, the reader learns that the two Mary Irene Joneses not only have the same name, but also the same occupation, and are affiliated with the same small college in suburban Philadelphia. It soon becomes apparent, however, that what’s in a name is a confounding, confusing bit of business.

            Mimi Jones discovers much as she scrutinizes the pieces of A Poetic Puzzle, not the least of which is this:

            How well do we really know anyone?  

A Poetic Puzzle

Internationally acclaimed poet Mary Irene Jones has vanished—calls and texts unacknowledged, bank accounts emptied, car abandoned. But before she disappeared, she mailed never-published manuscripts to a lesser-known namesake poet, M. Irene “Mimi” Jones. Are the manuscripts clues only Mimi can decipher? And what about the handsome Philadelphia cop assigned to the case? He seems as intrigued by Mimi as by the missing celebrity poet. Talk about a person of interest…

Amazon.com: A Poetic Puzzle: A Mystery in 32 Pieces: 9781951967130: McLaughlin, Joanne: Books
A Poetic Puzzle – Kindle edition by McLaughlin, Joanne. Romance Kindle eBooks @ Amazon.com.

Joanne McLaughlin began telling stories in second grade, creating superhero fan fiction in the Philadelphia rowhouse where she grew up. She has worked for public media and newspapers in Philadelphia, upstate New York, and northeastern Ohio, involved in award-winning coverage of topics from politics and public health to fashion and financial markets, as well as Pulitzer Prize-finalist architecture criticism and a Peabody Award-nominated podcast. For several years, she also served as vice president of a firm that managed and booked blues musicians. Her novels include the romantic mystery A Poetic Puzzle; Chasing Ashes, a crime thriller; and Never Before Noon, Never Until Now, and Never More Human, a vampire trilogy. Her latest short fiction appears in Ruth and Ann’s Guide to Time Travel, Volume 1; the short stories Peppina’s Sweetheart and Grass and Granite are available on Amazon. Joanne is inspired by strong women like the ones who raised her, determined to meet challenges head on. Joannemclaughlin.net

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@joannemclaughlin.bsky.social

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