Guest Blogger ~ Laura Kelly Robb

Behind the Book – Discovering the Florida Highwaymen

By Laura Kelly Robb

Zora Neale Hurston, the author of Their Eyes Were Watching God, lived her last years in Fort Pierce, a beach town on the Atlantic coast of Florida.  She lived for a while on a houseboat and later in a modest cement block rental house.  A visitor can see the makeshift desk and black Underwood typewriter Hurston used for her last pieces.

Through a National Endowment for the Humanities grant, I traveled to Fort Pierce to learn more about Hurston’s life through a week-long seminar led by Professor Heather Russell.  She told us the story of how Hurston had fallen out of favor with many critics until Alice Walker resuscitated her legacy of novels, stories, and African American folklore.

While in Fort Pierce, cultural ambassadors from the African American community  helped us understand other aspects of the town’s history.  The Florida Highwaymen, they said, had gone a long way toward putting the town on the map.  I had never heard of those artists, but our guides forgave my ignorance and led us to a gallery run by James Gibson, one of the Highwaymen.  Sitting on a stool, as casually as if he were telling us about dinner the night before, he spun tales of his companions in art, the twenty-five men and one woman, who made up the official list of Florida Highwaymen.

They knew each other, some from long contact, some only by sight, and some were blood relatives.  They were eager to get out of the sweltering fields and as far away from the punishing orange harvests as possible.  Hope came in the form of post-war prosperity, air-conditioning, and a wave of middle-class tourists. Black and white, the vacationers were driving the length of Florida.  The Highwaymen’s images of sunsets, palm trees, and scudding clouds were the perfect souvenir.

From the mid-1950’s until the early ‘80’s, the loose group of self-taught artists produced, by conservative estimate, over 100,000 paintings.  Sold out of the back of a car, sometimes on the side of the highway, for a bargain price of twenty-five dollars, the paintings traveled with their new owners all over the fifty states. Al Black, a prolific painter and also the lead salesman, could sell water to a whale they said. Money was made; oranges were not picked. James Gibson smiled and called them the best of years.

After the seminar, the story of the Florida Highwaymen stayed tucked away but not forgotten. I read reports of the uptick in interest and I saw episodes of Antiques Roadshow where the art experts valued Highwaymen paintings from $5,000 up to $10,000.  I wondered how art professionals dealt with a body of work as large as the one generated in Fort Pierce.

That question serves as a starting point for my mystery, The Laguna Shores Research Club (TouchPoint Press, September 14, 2022), featuring an art cataloguer, an art collector, and an ambitious museum curator in St. Augustine. The protagonist, Laila, believes her chance to get ahead in the art world lies in protecting the Florida Highwaymen.  When her friend and fellow researcher turns up dead, Laila is the one who needs protection. 

The Laguna Shores Research Club

Laila Harrow knows the best way to track down anything—or anybody—is to ask Billie Farmer. As the brains of the Laguna Shores Research Club, Billie teaches fellow members how to reach into the ether and pluck out facts.

Counting on Billie’s guidance, Laila promises the St. Augustine Museum a catalogue of Florida Highwaymen paintings that will catapult her standing in the art world. But when Billie dies suddenly, Laila is forced to pull herself out of the darkness to think like Billie and follow the facts.

Fact: Billie’s good health makes the diagnosis of a heart attack unlikely.
Fact: Her actions the night of her death hint at a looming threat.
Fact: Her condo has been turned upside down, her computer and phone missing.

With support from her friends and family, Laila vows to get to the bottom of Billie’s death. Then one last piece of information comes to light.

Fact: Laila is at the center of a dangerous game.

Amazon Paperback and Kindle

Barnes&Noble and Nook

Laura grew up in New York, the fifth of six daughters.  She earned a BA from the University of Toronto and went to work in Vigo, Spain. She lived in a small village and studied part-time at the University of Santiago.  Returning to the US, she taught Spanish and History for Seattle Schools.  She began to submit short stories and write novels while getting coaching at an Iowa Writers Workshop summer session.  She now writes full-time, with a sequel to The Research Club expected in 2023.  With her husband Paul, she lives in St. Simons, Georgia and takes breaks from the heat in Friday Harbor, Washington near her three adult children.

www.LauraKellyRobb.com

Twitter: @LauraKellyRobb

Instagram: @BookHardy and LauraKellyRobb_Author

Guest Blogger ~ Joyce Woollcott

I’ve always been a reader, always. Even as a child when I look back, I remember particularly enjoying adventure and mystery. I grew up just outside Belfast and in those days, I couldn’t lose myself in social media so I lost myself in books. The Famous Five, The Secret Seven, anything I could get my hands on really. I think you can see the beginning of a trend.

I read the classics too of course, for school and pleasure, but I always enjoyed a good murder, just like my mum.

After graduating I came to Canada, got a job, married, raised a daughter and read. Michael Connelly, Lou Berney, Denise Mina, Ann Cleeves, P.D. James, and the like. I wrote while I still worked, as I suppose a lot of aspiring writers do, but only in a half-hearted way, feeling out of depth. When I took early retirement and could finally take the time, I enrolled in some night classes and learned how to format, what typeface and size to use. It was from those classes that I started to read my favourite books again and actually learn from them.

I started to paint too, somehow the idea of just writing seemed so foreign to me. Could a person write? I used to paint when I was younger and I thought I could fill my days doing both, and if the writing didn’t work out, well I could always fill my days painting …

Mist on River.
Early Fall
Loch Erne, N. Ireland.

I signed on for a summer workshop at The Humber School for Writers in Toronto and the next year was accepted into a year-long, on-line, post-grad class there with Canadian novelist Robert Rotenburg. This was the beginning of a journey to complete my first ever manuscript. Abducted.

I passed the year with a Letter of Distinction. Encouraged, I entered Abducted in the Arthur Ellis Awards Unpublished contest. I was long-listed in December 2018.

Spurred on by this, in February 2019 I entered the Daphne du Maurier Awards with my second novel, A Nice Place to Die. In May, 2019 I got a call from New York, telling me I was a finalist. On 24th July I watched the Awards via video link. I won the Daphne! This is for their largest group, Unpublished Mainstream Mystery/Suspense.

January 2020, I received notice that A Nice Place to Die made the long-list of the Arthur Ellis Awards, Unpublished, and finally in 2021, I made the short-list as a finalist in the Crime Writers of Canada Awards of Excellence.

As you can tell from this, my road to publication has been long. I was full of doubt and sought a backup plan, but in the end, writing took over and I was offered and signed off on a two-book contract in 2021. That contract is for A Nice Place to Die and the second book in the series Blood Relations. It’s been a lot of work but it’s been worth it and I do believe this is a process most writers have to go through. Yes of course there are debut novelists who hit the ground running, straight out of school or university or college, but I think this is the exception not the rule. We need to read, we need to write and we need to learn. This takes time and determination. Take courses, ask for help, seek out critique partners and readers. And listen to the criticism, because it will come. And when all that is done, submit your work. And good luck!

A Nice Place To Die

The body of a young woman is found by a river outside Belfast and Detective Sergeant Ryan McBride makes a heart-wrenching discovery at the scene, a discovery he chooses to hide even though it could cost him the investigation – and his career.

The victim was a loner but well-liked. Why would someone want to harm her? And is her murder connected to a rapist who’s stalking the local pubs? As Ryan untangles a web of deception and lies, his suspects die one by one, leading him to a dangerous family secret and a murderer who will stop at nothing to keep it.

And still he harbors his secret …

Buy Links:

US: https://amzn.to/3CGIzi0

Can: https://amzn.to/3TroD8K

UK: https://amzn.to/3CU4diN

B&N: https://www.barnesandnoble.com/w/a-nice-place-to-die-j-woollcott/1142154246?ean=9781685121662

J. Woollcott is a Canadian writer born in Northern Ireland. She is a graduate of the Humber School for Writers and BCAD, University of Ulster. Her first mystery, Abducted, was long-listed in the Canadian Arthur Ellis Awards in 2019. Her second book, A Nice Place to Die, won the RWA Unpublished Mystery/Suspense Daphne du Maurier Award in 2019 in New York. A Nice Place to Die was also long-listed in the Arthur Ellis Awards for 2020 and short-listed in the Crime Writers of Canada Awards of Excellence in 2021. She is working on part two of the Ryan McBride Belfast Murder Series, Blood Relations, due out in August 2023.

She is a member of Crime Writers of Canada, Sisters in Crime, International Thriller Writers,  and the Suncoast Writers Guild.

Website: https://www.jwoollcott.com

Twitter: @JoyceWoollcott

Guest Blogger ~ Sharon Marchisello

Setting a Mystery in the Galapagos

When my husband and I took our bucket-list vacation to the Galapagos in 2014, I had no idea I’d set a book there; otherwise, I’d have written off the trip on my taxes. (If you’re looking for the Galapagos on the map, it’s a group of  islands straddling the equator, approximately 600 miles off the Pacific Coast of Ecuador.) But I didn’t get the idea until six months later, when something triggered an experience from our cruise that I thought would make a great opening scene for a mystery.

Normally, the guides were conscientious about counting heads and watching over all the passengers in their charge whenever we were away from the ship. In an archipelago comprising 97% national park containing flora and fauna found nowhere else on earth, tourists must be carefully supervised. But one day, my husband and I left another activity to join a snorkeling excursion already in progress, so neither of the guides assumed responsibility for us.

We were swimming along, marveling at the vast array of colorful underwater life, when I surfaced to see both Zodiac boats motoring back to the ship—without us! I can still feel the panic of being left alone in the middle of the ocean, treading water off the shore of an island populated only by sea lions and blue-footed boobies.

I waved and screamed, popping up and down like a cork, and fortunately, someone spotted me. One of the boats turned around and came back to pick me up. I didn’t see my husband right away but told the guide he was still out there. In a moment, he’d swum up and climbed aboard. All was well.

But what if…. What if my protagonist’s companion didn’t get picked up? And what if the person was left behind on purpose?

When Secrets of the Galapagos begins, my heroine, Giovanna Rogers, is snorkeling with her new friend, tortoise researcher Laurel Pardo. The two get separated from the group, and Laurel disappears. And then no one on the ship will acknowledge that Laurel didn’t make it back.

Trying to determine a motive, I recalled a conversation I’d had with one of our guides during a visit to the Charles Darwin Research Station in Puerto Ayora, the largest town on Santa Cruz (one of only four inhabited islands in the chain). “I know a secret about Lonesome George,” he said. “But if I tell you, I’ll have to kill you.” Lonesome George was a Galapagos giant tortoise made famous for being the sole survivor of the Pinta Island species. Unfortunately, efforts to breed George were unsuccessful, and the ancient tortoise passed away in 2012 without an heir.

But what if someone discovered another giant tortoise from a different subspecies also thought to be extinct? And then a tortoise researcher unearthed some information about the animal that certain individuals in the tourist industry didn’t want released?

You’ll have to read Secrets of the Galapagos to find out what happens next.

Shattered by a broken engagement and a business venture derailed by Jerome Haddad, her unscrupulous partner, Giovanna Rogers goes on a luxury Galapagos cruise with her grandmother to decompress. At least that’s what her grandmother thinks. Giovanna is determined to make Jerome pay for what he’s done, and she has a tip he’s headed for the Galapagos.

While snorkeling in Gardner Bay off the coast of Española Island, Giovanna and another cruise passenger, tortoise researcher Laurel Pardo, become separated from the group, and Laurel is left behind. No one on the ship will acknowledge Laurel is missing, and Giovanna suspects a cover-up.

When the police come on board to investigate a death, Giovanna assumes the victim is Laurel. She’s anxious to give her testimony to the attractive local detective assigned to the case. Instead, she learns someone else is dead, and she’s a person of interest.

Resolved to keep searching for Laurel and make sense of her disappearance, Giovanna learns several people on board the ship have reasons to want Laurel gone. One is a scam involving Tio Armando, the famous Galapagos giant tortoise and a major tourist attraction in the archipelago. And Jerome Haddad has a hand in it. Thinking she’s the cat in this game, Giovanna gets too involved and becomes the mouse, putting her life in jeopardy. But if she doesn’t stop him, Jerome will go on to ruin others.

Buy links:

https://www.amazon.com/Sharon-Marchisello/e/B00NH6N4WK

https://www.sunburypress.com/collections/sharon-marchisello

Sharon Marchisello is the author of two mysteries published by Sunbury Press—Going Home (2014) and Secrets of the Galapagos (2019). She has written short stories, nonfiction, training manuals, screenplays, a blog, and book reviews. She earned a Master’s in Professional Writing from the University of Southern California and has been an active member of Sisters in Crime since 1995, currently serving as treasurer of the Atlanta chapter. Retired from a 27-year career with Delta Air Lines, she now lives in Peachtree City, Georgia, and volunteers for the Fayette Humane Society.

Website: sharonmarchisello.com (https://smarchisello.wordpress.com/)

Social Media Links:

https://www.facebook.com/SLMarchisello

https://twitter.com/slmarchisello

https://www.goodreads.com/author/show/4297807.Sharon_Marchisello

https://www.linkedin.com/in/sharonmarchisello

https://www.instagram.com/slmarchisello/

https://www.bookbub.com/profile/sharon-marchisello

Photos source: Sharon Marchisello

Guest Blogger ~ Lois Winston

Truth, Lies, and Fiction

My plots have always been influenced by real-life crimes and human-interest stories. However, with Guilty as Framed, my latest Anastasia Pollack Crafting Mystery, the story is more than influenced by an actual crime; it incorporates that crime, one that has fascinated me for decades, into the story. This, of course, posed various challenges, especially since it involved a cold case that was rife with lies, misdirection, and botched investigations.

The crime in question was the 1990 burglary of the Isabella Stewart Gardner Museum in Boston, considered the largest art heist in history. The theft consisted of priceless masterpieces by Rembrandt, Vermeer, Manet, Degas, and others. It involved such disparate characters as a pot-smoking security guard, the Irish mob, and even the Pope. It included the unsolved murders of some of the suspects and as the years passed, the deaths of most of the persons of interest.

There were sworn statements by mob relatives and associates claiming to have seen some of the missing paintings over the years, as well as speculation that the artworks are in Saudi Arabia. And in what must be one of the oddest law enforcement press conferences on record, thirteen years after the robbery, the head of the Boston FBI announced the crime had been solved, although he presented none of the missing artworks nor announced any arrests. He then ended with a plea to the public for help in solving the case.

True crime and cozy mystery are two distinct genres. One is fiction; the other is not. But in weaving a true crime into my fiction, I wanted to hone as closely as possible to the actual events of the case. To do so, I had to take some creative liberties. I decided to focus my story around one specific incident that involved a mob associate and his wife, weaving that aspect of the actual investigation into my plot.

Even though these people have since died, I changed their names and the names of other suspects and persons of interest who I incorporated into my story. (When dealing with members of organized crime, even ones long dead, it’s best to play it safe!) I also created additional characters, thus enabling me to weave a thirty-two-year-old Boston cold case into a series that takes place in present-day New Jersey.

Guilty as Framed is the eleventh book in my Anastasia Pollack Crafting Mystery Series. In each book I’ve challenged myself to create stories unlike my previous ones. No reader wants to read a book where only the names and places (and possibly the murder weapon) differ from other books in the series. This current book was my greatest creative leap to date. I’m hoping readers find the book as enjoyable to read as I did to write.

Guilty as Framed

An Anastasia Pollack Crafting Mystery, Book 11

When an elderly man shows up at the home of reluctant amateur sleuth Anastasia Pollack, she’s drawn into the unsolved mystery of the greatest art heist in history.

Boston mob boss Cormac Murphy has recently been released from prison. He doesn’t believe Anastasia’s assertion that the man he’s looking for doesn’t live at her address and attempts to muscle his way into her home. His efforts are thwarted by Anastasia’s fiancé Zack Barnes.

A week later, a stolen SUV containing a dead body appears in Anastasia’s driveway. Anastasia believes Murphy is sending her a message. It’s only the first in a series of alarming incidents, including a mugging, a break-in, another murder, and the discovery of a cache of jewelry and an etching from the largest museum burglary in history.

But will Anastasia solve the mystery behind these shocking events before she falls victim to a couple of desperate thugs who will stop at nothing to get what they want?

Buy Links

Paperback: https://amzn.to/3QLEYU5

Hardcover: https://amzn.to/3Ans5s6

Kindle: https://amzn.to/3tLnT3d

Kobo: https://www.kobo.com/us/en/ebook/guilty-as-framed

Apple Books: https://books.apple.com/us/book/guilty-as-framed/id6442846272

Nook: https://www.barnesandnoble.com/w/guilty-as-framed-lois-winston/1141500980?ean=2940185728703

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Guest Blogger ~ Eileen Curley Hammond

I was in the middle of writing the seventh book in my Merry March cozy mystery series, and to be honest, I was struggling. Then, editor Cass Kim sent a Twitter request for the annual charity short story anthology, Autumn Nights: Nine Stories to Nibble at your Nape.

Even though I love writing daily micro-stories on Twitter, my total experience with slightly longer shorts was holiday ones for our local Sisters in Crime chapter (Buckeye Crime Writers). Luckily, Cass had been following my writing, so I was accepted into the Anthology.

The required elements were to include a bat(s), autumn themes, and be spooky. I’m a pantser and cozy mystery writer, so it should come as no shock that what emerged on the page was a cozy mystery that happens to have a bat as one of the main characters.

You would think that short stories would be easier to write. After all, the word count for the project was less than 8,000, and cozy mystery novels are usually 60,000 plus. But remember, you still need a beginning, a middle, and an end that make sense. Plus, it’s confusing to the reader to have too many characters in a short space, so your potential for red herrings is limited.

I love a challenge, and this was a fun one. It was also good to know that profits from this book will benefit The Trevor Project, which is dedicated to providing crisis support and safe spaces for young LBTQ+ individuals.

The Autumn Nights Anthology is available as both an e-book and paperback. Here is a teaser about my story in the Anthology:

An Unexpected Talent: Miranda had a bad day that she thought couldn’t get a lot worse. And that was before she stumbled over the dead body. Now she’s in the middle of a Halloween murderer hunt, and failing to uncover the perpetrator will mean the end of the world.

I’m pleased with where the story ended up and was very happy with the beta readers and editor, who made it even sharper. Writing the short story also allowed me to experiment more with humor, which I’m actively trying to incorporate into my novels as a break in the suspense. And the even better news is that a hiatus reenergized me, and I am now close to finishing my seventh book, which should be released in November. You can find all of my Merry March cozy mysteries here.

Eileen Curley Hammond retired from a successful marketing career in the insurance industry and now writes the Merry March cozy mystery series. When not pondering all that bats contribute to this world, she is hard at work on book seven of the series. To learn more about her and to sign up for her newsletter, check out her website:

www.eileencurleyhammond.com