Guest Blogger ~ Jill Piscitello

Genre Hopping

By Jill Piscitello

After two sweet, holiday romances, I decided to dip a toe into the world of cozy mysteries. As a long-time fan of the genre, I’ve enjoyed the thread of sweet romance that is often woven throughout the stories. For me, the genre is the best of both worlds. Readers’ heartstrings are tugged as they are swept along a twisting tale riddled with suspects, clues, and red herrings. They can expect suspense without graphic violence and a nice, tidy ending. Predictable? Maybe. But many genres follow a structure that appeals to a specific audience.

Similar to sweet romance, most cozy mysteries are set in small, close-knit towns. However, I find that I have more freedom to invoke a bit more humor and fun into the story. No character should ever be perfect. Flaws are much easier to relate to. But it often seems that most of the leading ladies in romance novels are gorgeous. My heroine/sleuth, Maeve Cleary, is never described as a great beauty. Much to her mother’s dismay, she’s in desperate need of a trip to the salon to touch up her highlights and lives in worn-to-death shorts and T-shirts. But she came home to mend a broken heart, not to enter The Miss Hampton Beach beauty pageant.

Maeve introduced herself right away. She’s a woman who speaks her mind and acts on instinct. Moving in with her polished and successful mother had all the makings of a critique-laden stay. I enjoy dissecting the dynamic of mother-daughter relationships and hope readers find their back-and-forth barbs entertaining.  

A Sour Note also sent me hopping from fictional towns into the real setting of Hampton Beach, NH in July. One might think building a setting from the ground up with only your imagination to depend on would prove far easier than writing about a place you know well. However, when an author creates a story world, no one can dispute what is missing or inaccurate. Writing about a popular vacation destination is filled with pressure I didn’t anticipate. In the end, I chose to invoke a creative license when writing about restaurants and other locations within the town. Readers who know the area might enjoy guessing at which places inspired a few hot spots.

My family makes several trips to Hampton every summer. When the idea for A Sour Note took shape, I couldn’t imagine choosing another setting. The sights, food, entertainment, and people watching along one of the most popular boardwalks in the nation provide everything needed for an endless stream of writing ideas. The next book in the series will require a fair amount of research because it will occur during the off-season. I look forward to a few trips north for more insight into what the town looks like when tourist numbers dwindle and am confident an empty beach has quite a bit to offer to the cozy mystery genre.

A Sour Note (A Music Box Mystery)

When murder provides a welcome distraction…

On the heels of a public, broken engagement, Maeve Cleary returns to her childhood home in Hampton Beach, NH. When a dead body turns up behind her mother’s music school, three old friends land on the suspect list. Licking her wounds soon takes a back seat to outrunning the paparazzi who spin into a frenzy, casting her in a cloud of suspicion. Maeve juggles her high school sweetheart, a cousin with a touch of clairvoyance, a no-nonsense detective, and an apologetic, two-timing ex-fiancé. Will the negative publicity impact business at the Music Box— the very place she’d hoped to make a fresh start?

Purchase Links:

Amazon

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Excerpt:

With his mouth set in a grim line, he waited.

If anyone else had enough nerve to presume she owed them an explanation, she would respond with a solid mind your own business. Instead, the seventeen-year-old still inside her refused to tell him to get lost. “He was hiding money in his office.” This was one of those times when learning how to wait a few beats before blurting out inflammatory information would come in handy. Each second of passing silence decreased her ability to breathe in the confined space. She turned the ignition and switched on the air conditioner.

“How do you know?” His volume just above a whisper, each dragged-out word hung in the air.

“I found it.”

“When were you in his office?” He swiped at a bead of sweat trickling down the side of his face, then positioned a vent toward him.

“Last night.” When would she learn to bite her tongue? Finn’s switch from rapid-fire scolding to slow, deliberate questioning left her unable to swallow over the sandpaper lump in her throat.

“Where was Vic?”

She stared at the back of the building, wishing she’d kept her mouth shut. “He’d left for the night.” If she averted her gaze, she could pretend his eyeballs weren’t bugging out of his head, and his jaw didn’t need a crane to haul it off his chest.

“You were at the town hall after hours? Did anyone see you?”

“A custodian opened his door for me.” She snuck a glance. Sure enough, features contorted in shock and horror replaced his boy-next-door good looks.

Jill Piscitello is a teacher, author, and an avid fan of multiple literary genres. Although she divides her reading hours among several books at a time, a lighthearted story offering an escape from the real world can always be found on her nightstand.

A native of New England, Jill lives with her family and three well-loved cats. When not planning lessons or reading and writing, she can be found spending time with her family, trying out new restaurants, traveling, and going on light hikes.

Social media links:

Website ~ Twitter  ~ FacebookInstagram  ~ Amazon ~ GoodReads~ BookBub

Guest Blogger ~ Valerie Nieman

Accidentally on purpose

            I sort of backed into writing mysteries.

            It’s not that I didn’t love them, at least the darker, creepier kind. Thanks to a home library of classics, I read Poe as a child and so gained acquaintance with the morbid, the gothic, and the methods of detection at a tender age. Later, I encountered Sherlock Holmes, through Basil Rathbone films and the original stories.

            But while I reveled in the clues and conundrums, I never thought I could write a mystery. How to get those clues in? How to twist a satisfactory plot?

            I first approached the genre with a novel called Blood Clay, which had the death of a child in the opening chapters but no mystery about the cause. It was a crime novel, and a study of the stranger in community, but not a whodunit.

            When I wrote To the Bones, the mystery was there from the start. A man wakes up in a pit of bones. Why is he there? Who did it? What happens when he manages to get out? Still, I didn’t think I was writing a classic mystery—more of an Appalachian folk horror novel with an environmental twist. The biggest mystery was not the man in the mine crack, but the murder of a river.

            I was lured into writing In the Lonely Backwater by the powerful voice of the main character. As soon as Maggie voiced the opening lines, I knew that I was in for a ride. And gradually the mystery, or mysteries, emerged and became clearer. I had to do a good bit of rewriting to weave in various elements, but when is that not the case?

            And Maggie herself? Well, there is a lot of her in me, or me in her, more than the usual self-identification of creator with characters. I grew up in the country and was a similarly solitary girl wandering the woods, toting around my Golden Guides to identify the rocks, insects, plants that I gathered on my treks.

            I can trace her devotion to Linnaeus and the delights of classification to my own memory of a fine high school biology teacher, and then reading the Fred Chappell story “Linnaeus Forgets,” that reawakened my interest in the Father of Taxonomy. My research, other than continued woods-wandering, included time spent at the University of North Carolina libraries with a 19th-century translation of A Tour in Lapland, Linnaeus’s fascinating diary of his early explorations and a book that comes into Maggie’s hands at a critical point.

            While the death of her beautiful cousin Charisse and the search for her killer form the backbone of the plot, the story is really a character study of a teenager struggling to shape her own life. As Chappell said in his review, “The heart of the mystery is at last (Maggie’s) own heart.”

            And the next? Maybe Maggie has more trouble….

All seventeen-year-old Maggie Warshauer wants is to leave her stifled life in Filliyaw Creek behind and head to college. An outsider at school and uncertain of her own sexual identity, Maggie longs to start again somewhere new. Inspired by a long-dead biologist’s journals, scientific-minded Maggie spends her days sailing, exploring, and categorizing life around her. But when her beautiful cousin Charisse disappears on prom night and is found dead at the marina where Maggie lives, Maggie’s plans begin to unravel. A mysterious stranger begins stalking her and a local detective on the case leaves her struggling to hold on to her secrets—her father’s alcoholism, her mother’s abandonment, a boyfriend who may or may not exist, and her own actions on prom night. As the detective gets closer to finding the truth, and Maggie’s stalker is closing in, she is forced to comes to terms with the one person who might hold the answers—herself.

Buy Links:

https://www.regalhousepublishing.com

Bookshop – https://bookshop.org/shop/ValerieNieman

B&N – https://www.barnesandnoble.com/w/in-the-lonely-backwater-valerie-nieman/1139962914

Amazon – https://www.amazon.com/s?k=Valerie+nieman&i=stripbooks&ref=nb_sb_noss

Valerie Nieman has been a reporter, farmer, sailor, teacher, and always a walker. She is the author of In the Lonely Backwater and four earlier novels, and books of short fiction and poetry. A graduate of West Virginia University and Queens University of Charlotte, she has held state and NEA fellowships.

Facebook – https://www.facebook.com/valerienieman1/

Twitter – https://twitter.com/valnieman

Instagram – https://www.instagram.com/valnieman/

Website – http://www.valnieman.com

Linked in – https://www.linkedin.com/in/valnieman/

Goodreads – https://www.goodreads.com/author/show/529629.Valerie_Nieman

Guest Blogger~ Sally Carpenter

Scots, kilts and crime

By Sally Carpenter

Thanks to Paty for this opportunity to guest on Ladies of Mystery.

When I created the main character for my Sandy Fairfax cozy series, I gave him a Scottish heritage so I could put him in a kilt. I love men in kilts. Sandy’s real name is Farmington, which has its own family tartan.

At long last the opportunity arrived. My new book, No. 6 in the series, is The Highland Havoc Caper. The story begins at the Seaside Highland Games in Ventura, California, based on the real Seaside Games in the city. I didn’t have the chance to attend the games when I was writing the book, but I pulled a lot of useful information off the event website. The games are held at the Ventura County Fairgrounds, which I’ve visited on other occasions, so I added some realistic features, such as the grounds are on the coast, providing a terrific ocean setting.

I found videos of other Highland Games on YouTube, so I was able to piece together an authentic depiction of the festivities. The event is a celebration of Scottish culture, music, dancing and “heavy athletics,” what the Scots call their sports of caber tossing, sheaf throwing, shot put using large stones and more. The sports are not for the weak of body nor faint of heart.

Sandy’s in a kilt for most of the book. I researched kilts via internet. The garment itself is a long piece of fabric that is wrapped around the body with the pleats hanging on one side. An ornamental pin keeps the kilt from flying open. A belt holds the kilt in place. Each family has its own tartan design.

The man also wears hose (knee-high stocking) held up with flashes (garters) that have small fabric tags visible under the top of the hose. Sometimes the shoes worn have long laces that are wrapped around the calf and tied below the knee.

Since kilts don’t have pockets, the man also wears a sporran, the large object hanging down the front of the kilt. The sporran is basically a purse, although I think nowadays it’s more decorative than practical. For formal occasions, a dress sporran is worn. This might have large tassels or artwork.

Women don’t wear kilts; they have tartan skits without the sporran.

In the book, Sandy tops his kilt in three different ways, depending on the occasion. When he sings during the games’ Saturday opening ceremonies, he wears a white shirt, a tartan tie and a solid-color jacket. He returns to the games the next day with a more casual look in a leather ghillie shirt that has a pointed collar, long sleeves cuffed at the wrist and leather laces at the neck instead of buttons.

For a formal dinner, Sandy dons a white Victorian shirt with a black bow tie and a tartan waistcoat. His jacket is left open to expose the waistcoat.

During the week Sandy is shooting a guest spot in a TV show in which he plays a Scottish ghost. Once more he’s in a kilt, although this one is a black tartan with the addition of a fly tartan, a sash that’s worn across the chest from the hip to the shoulder.

When Sandy’s at home or going places around town, he’s in regular clothes:  jeans, corduroys and sweatshirts.

On YouTube I also found some Scottish music that I used in the story. The phrase “You take the high road, and I’ll take the low road” is the chorus from the song “On the Banks of Loch Lomond.”

YouTube also shows Highland Fling and other Scottish dances. Sandy’s daughter takes dance lessons, so she’s in a Highland Fling contest during the games.

And we can’t talk about the Scots without haggis, that quintessential Scottish dish. Sandy’s served this at a dinner party. I asked my writers’ group if anyone had eaten haggis. Some liked it, others didn’t, and one said it’s a Scottish mainstay and I shouldn’t make fun of it. I didn’t, but I described what’s in it.

Other Scottish dishes making an appearance are mince and tatties (ground beef and mashed potatoes), neeps (turnips) and Red Kola (a Scottish soft drink).

I put in a few Scottish slang terms (nothing naughty), but didn’t write in dialect so that the reader could understand the dialogue.

I had fun with the research; crossing my fingers that I got it correct. I’m hoping my readers will enjoy this interesting look into Scottish culture and the twists in the mystery.

Former pop star Sandy Fairfax engages in a dangerous hobby—amateur sleuthing. At the Seaside Highland Games in California, he and his teenage son, Chip, discover more than their heritage. In a castle transported from Scotland, they find a body bludgeoned with a curling stone. But when they go for help, the corpse vanishes. Without a body or even a name, how will Sandy find the killer? As he and Cinnamon plan their wedding, more bodies pile up. A piper plummets from the castle tower and into the ocean. Another body is found behind a Scottish pub in L.A. And when Sandy takes a guest role on the Spook Spotters TV show, the worried dad must keep Chip safe from an amorous young actress. Whether you take the high road or the low road, can you solve the case before Sandy does?

Kindle link: https://www.amazon.com/Highland-Havoc-Caper-Fairfax-Mysteries-ebook/dp/B0BX8P1GXV

Print link: https://www.amazon.com/Highland-Havoc-Caper-Fairfax-Mystery/dp/1952579562

Sally Carpenter is a native Hoosier now living in Southern California. She writes retro-cozies: the Sandy Fairfax Teen idol series (six books) and the Psychedelic Spy series (two books). She was a finalist for the 2012 Eureka! Award for Best First Mystery Novel. She has a master’s degree in theater, a Master of Divinity and a black belt in tae kwon do. You can download free stories from her website http://sandyfairfaxauthor.com.

Guest Blogger ~ Susie Black

Like the protagonist in my Holly Swimsuit Mystery Series, I am a ladies’ swimwear sales exec in the greater Los Angeles area. From the beginning of my career, I have kept a daily journal chronicling the interesting, quirky, and sometimes quite challenging people I have encountered as well as the crazy situations I’ve gotten myself into and out of. My daily journal entries are the foundation of everything I write.

As a female who has succeeded in a historically male-dominated industry, it was important to me to write about the apparel business from a woman’s point of view. Sarcastic, irreverent Holly Schlivnik, the continuing main character of The Holly Swimsuit Mystery Series, is based on me with some poetic license taken, of course. Holly is the me I always wanted to be. All of my characters are based on real people, and the central characters are all strong, successful women who have beaten the odds and broken the glass ceiling. My stories all take place in the fast-paced, at times cutthroat Los Angeles ladies’ apparel industry and give readers an insider’s view of how the latest designs really end up on the rack in their favorite stores.

The premise of Death by Pins and Needles is Lissa Charney, a thoroughly despicable showroom manager on the swimwear aisle in the California Apparel Mart, has stepped on countless people as she climbed the precarious steps of corporate ladder and cheated her way to the top. The Charney character is based on a real person with a dreadful, but well-earned reputation. There is no shortage of competitors who would have loved nothing more than to help Lissa fall off the ladder and plunge to her death. The potential murder suspects are also based on real people who would have given their right arm to eliminate the real life Ms. Charney.

Susie is offering a free download of a swimsuit fitting guide for everyone reading this post. You can get it here:

Swimsuit Guide

Since Lissa Charney didn’t think any of the rules applied to her, she had no problem breaking them all. From job stealing to dumping a boyfriend when he needed her the most, selfish and self-centered Lissa’s list of enemies rivaled those of Al Capone. So, when Lissa is murdered, no one on the swimwear aisle in the California Apparel Mart was particularly surprised…the only surprise was what had taken so long. Who wanted Lissa Charney dead? The list was as long as your arm….but which one actually killed her? The last thing Mermaid Swimwear sales exec Holly Schlivnik expected to find when she opened the closet door was nasty competitor Lissa Charney’s battered corpse nailed to the wall. When Holly’s colleague is wrongly arrested for Lissa’s murder, the wise-cracking, irreverent amateur sleuth sticks her nose everywhere it doesn’t belong to sniff out the real killer. Nothing turns out the way she thinks it will as Holly matches wits with a heartless killer hellbent for revenge

Buy link: https://books2read.com/Death-by-Pins-and-Needles

Named Best US Author of the Year by N. N. Lights Book Heaven, award-winning cozy mystery author Susie Black was born in the Big Apple but now calls sunny Southern California home. Like the protagonist in her Holly Swimsuit Mystery Series, Susie is a successful apparel sales executive. Susie began telling stories as soon as she learned to talk. Now she’s telling all the stories from her garment industry experiences in humorous mysteries.

She reads, writes, and speaks Spanish, albeit with an accent that sounds like Mildred from Michigan went on a Mexican vacation and is trying to fit in with the locals. Since life without pizza and ice cream as her core food groups wouldn’t be worth living, she’s a dedicated walker to keep her girlish figure. A voracious reader, she’s also an avid stamp collector. Susie lives with a highly intelligent man and has one incredibly brainy but smart-aleck adult son who inexplicably blames his sarcasm on an inherited genetic defect.

Looking for more? Contact Susie at:

Website: www.authorsusieblack.com

E-mail: mysteries_@authorsusieblack.com

Guest Blogger ~ John DeDakis

FICTIONALIZING PERSONAL EXPERIENCE

On the night of December 20, 1959, I was sitting in the left front seat of the Vista-Dome car of the Burlington Zephyr passenger train as it hurtled through northern Illinois on its way from Chicago toward my hometown of La Crosse, Wisconsin. 

The engineer would later tell a coroner’s jury that he was going 90 miles an hour (legal at the time) as we rounded a gentle curve at the tiny town of Chadwick.

From my vantage point in the darkened dome car near the front of the train, I could see the locomotive’s searchlight slice through the darkness, sweeping the tracks that stretched ahead of us.  Suddenly, off to my left, I saw a car speeding toward a crossing we were approaching.  The car looked like a 1949 Chevy, distinctive because of its sloped rear end.  A split second later, I lost sight of the car as it went in front of the train.

I heard a bang, the train shuddered, and debris rained onto the Plexiglas dome, cracking the window I’d been peering through. I ducked, then scrambled down the narrow stairway to the dome car’s lower level where I told my dad and the conductor what I’d just witnessed. 

I was nine years old.

The crash killed three people including a boy about my age.

Fast forward to 1994. I was doing a writing exercise recounting a personal experience—the one you’ve just read.  As I wrote, I remembered a radio news report about a car-train collision in which an infant survived.  I began wondering, “What if an infant survived the crash I witnessed and grew up wondering about her past?” 

That idea turned into my first mystery-suspense novel Fast Track.

The novel isn’t about the accident.  If anything, it’s an example of how a personal experience can be the seed of an idea that can blossom into something else—something redeeming. 

Fast Track begins with my 25-year-old heroine vexed because she doesn’t know what to do with her life. She discovers the body of the aunt who raised her from infancy—a victim of carbon monoxide poisoning. (This is an echo of my sister’s suicide in 1980, but that’s another story for another time.) That trauma begins a quest to unlock secrets kept hidden for a quarter century when my protagonist’s parents died in a mysterious car-train collision.

The Fast Track manuscript went through 14 major revisions over 10 years before I found my current agent, Barbara Casey, (the 39th agent I queried).  During that process, I drew on other personal experiences to add texture to a story that includes politics, journalism, and mentoring relationships.

Fast Track is the first novel in a series that’s now five books and counting. But it all started more than 63 years ago in Chadwick, Illinois.  So, I suppose it’s fitting that I named my heroine Lark Chadwick.

Orphaned as an infant, sexually assaulted as a naïve college student, strong-willed, impulsive Lark Chadwick is vexed and trying to figure out what to do with her mixed-up life. When she discovers the body of the aunt who raised her, Lark goes on a search for answers.

She is stunned to learn from a 25-year-old newspaper clipping that she’s the “miracle baby” who survived a suspicious car accident that killed her parents at a rural railroad crossing in southern Wisconsin. Lark convinces Lionel Stone, the crusty Pulitzer-Prize winning editor, to let her do a follow-up investigation of the crash. Two of her sources are the sheriff and the town’s mayor, they’re running against each other for Congress, the election is a week away, and both men have a secret that will unravel the mystery.

Award-winning novelist, writing coach, and manuscript editor John DeDakis is a former editor on CNN’s “The Situation Room with Wolf Blitzer.” DeDakis is the author of five mystery-suspense-thriller novels. In his most recent novel, FAKE, protagonist Lark Chadwick is a White House correspondent dealing with “fake news” in the era of #MeToo. DeDakis, a former White House correspondent, regularly leads writing workshops at literary centers and writers’ conferences. He is also the host of the video podcast “One-to-One with John DeDakis” on YouTube, Facebook, and LinkedIn. Originally from La Crosse, Wisconsin, DeDakis now lives with his wife Cindy in Baltimore, Maryland.

Website: www.johndedakis.com