Guest Blogger – Daniella Bernett

How Do I Kill Thee?

Murder is a shocking and terrifying taboo. The very word sends an icy frisson slithering down one’s spine. And yet, it is an occupational hazard for a crime writer. On a cerebral level, the taking of a human life is fascinating. It is a serious business, requiring cunning and sangfroid mingled with passion, anger or fear. A certain degree of luck is necessary to pull off a murder without getting caught. The faint of heart would be riddled with remorse and horror at this deadly transgression.  

Setting aside the moral considerations, I find it deliciously thrilling to plot a murder. The omnipotent power to kill is a dizzying prospect. Murder is an art form, if one thinks about it. The killer must be creative. But how does an author choose from the plethora of methods available? Your character is the key to unlocking this mystery. Therefore, an author must first delve into the murderer’s psyche to thoroughly understand why he or she came to make the fatal decision. Is he or she an assassin, a spurned lover, a business partner who has been swindled, or an average individual pushed to the brink in an extraordinary situation? Once the author has sketched this character profile, the pieces will fall into place and the story will begin to flow. The author must have absolute trust in the murderer. He or she will guide you down the evil path and determine if the victim expires quickly or suffers a slow, lingering death.

In most cases, murder stems from a rupture in an intimate relationship. This personal animus is likely fueled by emotion and an overwhelming thirst for revenge. Consequently, this means inflicting pain. The thrust of a knife into the heart, stomach or between the ribs would do the job nicely. With stabbing, the murderer and victim must be at close range. Generally, stabbing ensures that the killer’s face is the last thing the victim sees in this world, satisfying a desire to mete out punishment. For this reason, the murderer in one of the books in my series featuring journalist Emmeline Kirby and jewel thief/insurance investigator Gregory Longdon slashed the throat of an unscrupulous man, who had derived malicious glee from ruining other people’s lives.

Meanwhile, shooting also would induce pain. With this method, the author has the option of killing someone instantly, forcing the culprit to hastily cover his or her tracks. This provides an opportunity to sprinkle red herrings through the story. Conversely, the dark deed can rattle the murderer to the point that he or she is no longer thinking clearly and makes mistakes. Another possibility is that the gunshot does not kill the victim outright. It may cause a grave wound, presenting the murderer with a chance to finish off the victim another way. Let’s say by poison, for example.

Ah, poison. To me, it’s so sinister and tantalizing. I believe I share this view with my hero Agatha Christie, who masterfully eliminated dozens with a soupçon of poison. Some poisons are tasteless and odorless. Then there is cyanide, which smells like bitter almonds, while arsenic, when heated, gives off an odor resembling garlic. Depending on what your story dictates, poison can work instantaneously or the victim can waste away little by little. Russian spies, and Putin in particular as a former head of the KGB, have a penchant for using poison to dispatch enemies, defectors and anyone who dares to oppose them. As a result, poison was my weapon of choice in another novel. The story dealt with a defector who recklessly pitted Putin against Russian mafia boss Igor Bronowski. At the same time, both had unsavory entanglements with a ruthless British entrepreneur. All were obsessed with a flawless blue diamond. I will confess that two victims succumbed to poison in the book. However, poison is not the exclusive domain of the assassin. An author can wield it perfectly well among those who have a personal score to settle. On this point of the professional versus the amateur (for want of a better word) killer, an assassin can employ stabbing or shooting in a pinch for expediency’s sake.

A lethal arsenal would not be complete without strangulation, drowning and smothering. But all three may prove troublesome because they require a degree of strength and the victim will most certainly put up a struggle. A murderer wants death to come swiftly with a minimum of fuss to have time to disappear before the body is discovered. On the same token, bludgeoning someone to death with a heavy object could prove messy, since several blows would likely be needed thus causing a good deal of blood to be shed. Of course, an author may want to employ bludgeoning for precisely this reason to set the stage for the murderer’s ultimate undoing. For in the haste to flee, he or she may miss a trace of blood.

Allow these diabolical musings to steep in your mind. After a while, you’ll come to realize that it’s criminally good fun to acquire a literary taste for murder.

OLD SINS NEVER DIE

Never look back…Treason is deadly

While in the Lake District, journalist Emmeline Kirby and jewel thief/insurance investigator Gregory Longdon overhear a man attempting to hire international assassin Hugh Carstairs, a MI5 agent who went rogue. They race back to London to warn Philip Acheson of the Foreign Office and Superintendent Oliver Burnell. But it’s a devil of problem to prevent a vicious killing, if the target is a mystery.

More trouble brews as Emmeline pursues a story about shipping magnate Noel Rallis, who is on trial for murder. Rallis is desperate to keep the negative publicity from exposing his illicit schemes, especially something sinister called Poseidon. Lord Desmond Starrett, whose dark past made him easy prey for blackmail, is getting cold feet about their dubious partnership. Hovering in the shadows of this ugly secret world is a Russian mole buried inside MI5. Scorned prima ballerina Anastasia Tarasova makes the fatal mistake of threatening to reveal all she knows. The hunt for the answers takes Emmeline and Gregory up to Scotland, where they learn that the truth has lethal consequences.

Buy Links:

Amazon: https://www.amazon.com/Old-Sins-Never-Die-Emmeline/dp/1644372762

Barnes & Noble: https://www.barnesandnoble.com/s/old+sins+never+die+daniella+bernett/

Daniella Bernett is a member of the Mystery Writers of America NY Chapter and the International Thriller Writers. She graduated summa cum laude with a B.S. in Journalism from St. John’s University. Lead Me Into Danger, Deadly Legacy, From Beyond The Grave, A Checkered Past and When Blood Runs Cold are the books in the Emmeline Kirby-Gregory Longdon mystery series. She also is the author of two poetry collections, Timeless Allure and Silken Reflections. In her professional life, she is the research manager for a nationally prominent engineering, architectural and construction management firm. Daniella is currently working on Emmeline and Gregory’s next adventure. Visit www.daniellabernett.com or follow her on Facebook at https://www.facebook.com/profile.php?id=100008802318282 or on Goodreads https://www.goodreads.com/user/show/40690254-daniella-bernett. Old Sins Never Die, the sixth book in her series, was released today.

Social Media:

Facebook: https://www.facebook.com/profile.php?id=100008802318282

Goodreads: https://www.goodreads.com/user/show/40690254-daniella-bernett

BookBub: https://www.bookbub.com/profile/daniella-bernett

Guest Blogger – Kimila Kay

The story idea for Peril in Paradise came after a news story featuring a Portland mother whose daughter had gone missing on her way to school. The mother’s anguish, and hope, as she pleaded for her daughter to be found, moved me. Unfortunately, as the story unfolded, the young girl’s body was found a few houses from her home, tucked into some bushes. I found myself wondering how this mother was coping with the death, and rape, of her daughter? What kind of monster had the young girl encountered, in less than a mile from her home, in a neighborhood where she felt safe?

The mother didn’t make another news appearance, heartbroken beyond words I imagined. The man responsible for the girl’s death was apprehended and eventually sent to prison. Closure for the girl’s mother, and the rest of her family. Possibly.

I couldn’t let go of the idea that sending the murderous rapist to prison actually brought closure. Questions such as: What would I have done if it was my child? Would I have been comforted by the man’s conviction? Or would I have wanted a more permanent type justice.

Justice versus revenge? What would bring me comfort? I knew I couldn’t kill someone, which triggered the thought: Maybe I could hire someone? Of course, I watch enough crime shows to know hiring someone to do the deed doesn’t ensure you won’t get caught. The young girl’s rape and murder, coupled with her mother’s helplessness, continued to torment my thoughts.

And then I had a dream . . . I love when my writer’s brain takes a thought and creates a fictional scenario that can be woven into an intriguing story. Hence, Peril in Paradise was born!

In my dream, I could clearly see my villain. I had been trying to come up with a story idea for my Mexico Mayhem series but hadn’t been able to find a plausible storyline that began in the United States and ended in Mexico. Viola ~ Damian Garza provided the crossover opportunity I needed.

I could also visualize my hero. A man tortured by Damian’s previous villainous acts. A man who I could imagine carrying out a murder for hire scenario. Jackson Brady had his own need for justice . . . or revenge.

What I couldn’t see in my dream was my heroine. I knew she existed because I felt her pain and anger over losing her daughter. But I couldn’t see her. But not being able to picture Clara Marsh wasn’t a problem for me. As a mother, I could truly imagine her suffering. Her grief. Her guilt. Her need for justice. Her desire for revenge. I knew Clara Marsh would be a little like me.

Peril in Paradise

Mexico Mayhem Book 1

Imagine—A brutal rape. A vicious murder. Now—what would you seek if it involved your daughter? If the monster is her stepfather. Justice or revenge? In Peril in Paradise, Clara Garza is faced with this dilemma while trying to stay one step ahead of her deranged ex-husband, Damian Garza. As she embarks on her voyage for justice, Clara meets Jackson Brady, a man also seeking his own revenge—a man trying to capture her heart. The two find themselves resolving one issue only to face another sinister challenge. Readers will want to join Clara and Jackson as they navigate a journey of justice, revenge . . . and survival.

Buy Links- https://www.amazon.com/Peril-Paradise-unspeakable-unimaginable-unrelenting-ebook/dp/B07MQSB16Y

https://www.barnesandnoble.com/w/peril-in-paradise-kimila-kay/1130316947?ean=9781794052451

Kimila Kay lives in Donald, Oregon with her husband, Randy, adorable Boston Terrier, Maggie, and feisty black cat, Halle.

Her professional accomplishments include three anthologized essays in the CUP OF COMFORT series. In three separate contests, PERIL IN PARADISE, has won two first place awards, and a third-place award in the romantic suspense category. Kimila is currently a member of a writing critique group, Northwest Independent Writers Association (NIWA), Windtree Press, and Willamette Writers.

PERIL IN PARADISE is the first novel in a planned cross-cultural series, Mexico Mayhem, which will include Malice in Mazatlan (January 2021), Chaos in Cabo, Vanished in Vallarta, and Lost in Loreto.

REDNECK RANCH will be the first novel in a planned mystery series, The Stoneybrook Series, set in a fictional Oregon town. REDNECK RANCH is slated for publication in 2022.

https://www.facebook.com/MexicoMayhemPIP 

https://www.facebook.com/MexicoMayhemMIM

 https://www.facebook.com/OregonNovels

Guest Blogger – Sally Carpenter

New Books For Strange Times

I’d like to thank Paty Jager and the ladies of mystery for allowing me a guest post. It’s been a while since I was a regular contributor on this blog, and much has happened in the meantime.

 The pandemic has not affect me as much as others. Fortunately I work an essential job (newspaper), so I’m still commuting to my day job. Many of my fellow employees are working from home, so those of us who are still in the office have plenty of space to move around safely.

As a writer, I’m at home much of the time anyway, and I’ve put the time to good use. I reorganized files and did some rearranging to make my home more comfortable. Little changes, but effective.

And I’ve gone gun ho on the writing.

I hadn’t written a Sandy Fairfax mystery in several years, so I reread the older books to get up to speed on the character. I found grammatical and continuity errors as well as more cuss words than necessary. Ouch! How embarrassing. With permission of my publisher, I took the opportunity to edit the older books. I’m fixing the mistakes, cleaning up the language, and reworking awkward passages for a better read. With Print On Demand technology, all new print and ebooks purchased going forward will have the changes. So far “The Sinister Sitcom Caper” is finalized. “The Cunning Cruise Ship Caper” and “The Quirky Quiz Show Caper” should both be ready in a month or two.

Once all the old books are corrected, I can focus on the next Sandy book. The working title is “The Cryptic Christmas Caper.” Sandy is the emcee of the Miss North Pole Pageant, where the contestants are dropping like snowflakes.

I launched a new book in June, the second in my Psychedelic Spy retro-cozy series set in 1967. “Hippie Haven Homicide” follows the further adventures of actress Noelle McNabb as she works with a super secret spy organization, SIAMESE (Special Intelligence Apparatus for Midwest Enemy Surveillance and Espionage). This time her cat, Ceebee, is part of the action.

In the 1960s, the CIA had a project called Acoustic Kitty. The plan was to implant a cat with a microphone, using its tail to hold a wire for transmission. The cat would wander around parks and embassies where spies met to talk. Nobody would notice a stray cat. The real-life project went nowhere, but the idea was too good to pass up.

So I made Ceebee the acoustic cat. The microphone is inside a metal collar around the cat’s neck. Noelle and agent Destiny King are inside a nearby van, listening in. As you might imagine, felines are a bit unpredictable, even spy cats.

While SIAMESE is chasing an enemy agent, a busload of counterculture hippies invade Noelle’s staid town of Yuletide, Indiana. This plot point was inspired by the International Society of Krishna Consciousness, better known as the Hare Krishnas, the orange-robed devotees who were hung out around airports and large cities to chant and pass out brochures on their beliefs. The 1960s saw an explosion of new spiritual ideas: Vatican II, the Jesus People, contemporary Christian music, Transcendental Meditation, communes and ISCKON.

My sect is SPARK: Spiritually Pure And Radiant Kin. Their guru is the Wise One, an elderly leader who rarely appears in public. First Sage handles the day-to-day operations of the sect. He also rigorously guards the members from “contamination of the material world.” The cult members clash with the police chief and residents of Yuletide. The situation worsens when one of the SPARK members is found dead. The police chief calls it a drug overdose. Noelle has her suspicions and investigates on her own with the help of a newspaper reporter, Trevor Spellman.

Noelle uses her acting skills to go undercover to both find a spy and solve a murder. Meanwhile, she babysits her siblings, works with an anxious bride-to-be who’s buying clothes for the bridal party, and digs out secrets in the McNabb family tree. All in a day’s work for a cozy sleuth.

So happy reads to all. If you want to stay abreast of my writing projects, follow me at facebook.com.Sally.Carpenter.54, or my website at sandyfairfax.com, or email scwriter@earthlink.net.

Sally Carpenter is native Hoosier living in southern California. She has a master’s degree in theater and a creative writing award from Indiana State University.

She also has a Master of Divinity and a black belt in tae kwon do.

She’s written six books for Cozy Cat Press: four in the Sandy Fairfax Teen Idol series (including 2012 Eureka! Award nominee The Baffled Beatlemaniac Caper) and two books in the Psychedelic Spy retro-series.

She’s contributed short stories to three anthologies and penned chapter three of the CCP group mystery Chasing the Codex.

To atone for killing characters on paper, she writes the Roots of Faith column for the Acorn Newspapers (theacornonline.com).

Guest Author- Leslie Wheeler

An Unexpected Encounter with Wildlife Becomes a Magical Moment in Fiction

By Leslie Wheeler

One of the pleasures of having a house in rural Western Massachusetts is the opportunity to see wildlife at close range. I’ve observed deer, bear, bobcats, foxes, beavers and otters on my property, and every time this happens, I feel like I’ve been given a gift. But there is one species of wildlife I didn’t think I’d ever see–a moose.

Then one Friday in September, a few years ago, I went to my house in the Berkshires, and discovered that a cow moose, about a year old, had taken up residence, drawn by the pond on the property, the old apple trees laden with fruit, and also perhaps by the hope of finding a mate. She followed a track that took her out of the woods, onto the back field, across it, around the pond, and down the front field to the driveway, which she crossed to return to the woods and begin another circuit.

Around dusk on Saturday, I’d gone into my fenced-in vegetable garden when I looked up and saw her standing a few yards away, watching me. She was so quiet I hadn’t heard her approach. I froze, fearful that a sudden movement or sound would frighten her away. After a few moments, I slipped carefully from the garden, and stood stock still, returning her curious and unafraid gaze. Although not a bull moose with antlers or a cow with a calf to protect, she was still a very large animal. Finally, breaking eye contact, she continued on her leisurely circuit around the property.

Sunday morning, I watched from indoors as she made yet another circuit. She even ventured onto the patio, the closest she’d come to the house. And there I was without my camera, knowing full well that this might be my last chance to get a shot of her before I returned to town. Then, as I began to pack up, she made a second circuit, and armed with my camera I followed her along the patio to the front of house, where she stopped and regarded me with the same unafraid eyes. I took two pictures before she finally hoofed it away.

I returned to Boston, never to see that moose again, but the experience inspired me to write a scene in my new mystery, Shuntoll Road.  In it, the main character, Kathryn Stinson, wakes up at dawn the day after a fire has raged in the woods around the house she’s renting. She goes outside to see if it’s still burning and spots a big animal on the far side of the pond. It’s not a moose, but a white stag, a legendary creature, which does exist in real life. To her surprise, the stag approaches her, stopping a few yards short of the patio, where she’s standing. Then it turns around and bounds back to the pond, where it stops and looks back at her. The white stag does, this enough times for her to think it wants her to follow it—into the burnt woods where she makes an important discovery. Later when Kathryn expresses her wonder at why the white stag appeared to her of all people, her boyfriend says, “It’s a mystery. And a gift.”

Readers: Have you have had encounters with wildlife that you’ve used in your fiction?

Shuntoll Road

Boston library curator Kathryn Stinson returns to the Berkshires, hoping to rebuild her romance with Earl Barker, but ends up battling a New York developer, determined to turn the property she’s been renting into an upscale development. The fight pits her against Earl, who has been offered the job of clearing the land. When a fire breaks out in the woods, the burned body of another opponent is discovered. Did he die attempting to escape a fire he set, or was the fire set to cover up his murder? Kathryn’s search for answers leads her to other questions about the developer’s connection to a friend of hers who fled New York years ago for mysterious reasons. The information she uncovers puts her in grave danger.

Paperback

Amazon – Note they do not show this as a pre-sale, but if people order from Amazon it will still get to them at a reasonable time not what they show on their site.

https://www.amazon.com/Shuntoll-Road-Leslie-Wheeler/dp/1645990346

Barnes and Noble

https://www.barnesandnoble.com/w/shuntoll-road-leslie-wheeler/1136500170?ean=9781645990345

E-books

Amazon

https://www.amazon.com/dp/B08DCZYR3M

Apple

https://books.apple.com/us/book/id1524348304

Kobo

https://www.kobo.com/us/en/ebook/shuntoll-road

Barnes & Noble

https://www.barnesandnoble.com/w/shuntoll-road-leslie-wheeler/1136500170

An award-winning author of nonfiction, Leslie Wheeler writes the Miranda Lewis Living History Mysteries which began with Murder at Plimoth Plantation, recently re-released for the first time as a trade paperback, and the Berkshire Hilltown Mysteries which began with Rattlesnake Hill and continue with Shuntoll Road.

Check out my books at my website: http://www.lesliewheeler.com

Find me on Facebook

Follow me on Bookbub

Guest Blogger – Diana Rubino

I’ve been a mystery book buff since age 12 when I started reading the Trixie Belden series (similar to Nancy Drew). As my reading preferences matured, I graduated to murder mysteries. I always wanted to write one, but didn’t believe I had the ability to weave an entire plot around a murder, plant clever clues, red herrings, and surprise the reader with ‘whodunit.’ So I began writing murder mystery subplots in my historical novels, starting with FROM HERE TO FOURTEENTH STREET.

When I wrote my biographical novel about Eliza Jumel Burr, Aaron Burr’s last wife, my agent told me it needed a bit of ‘punching up.’ I pondered how to do this, then thought, ‘what would be more punched up than a few murder mysteries?’ So I wrote two subplots involving true-life murders that occurred during the time of the story. In one of them, Aaron Burr and Alexander Hamilton defended the accused, Levi Weeks, after his fiancée Elma Sands was found drowned in a well once owned by Aaron. In real life, Levi was acquitted, but public opinion maintained this was due to Levi’s high-priced ‘dream team.’ In my story, I involved Eliza in the lives of Levi and Elma, and Levi eventually confesses to her. As for all murder mystery authors, knowing the killer makes writing a mystery less daunting. I began writing mystery subplots in my books that followed: DARK BREW, FOR THE LOVE OF HAWTHORNE, and the biographical novel I just finished, about Edith (Mrs. Theodore) Roosevelt, who helps the New York City Police, of which her husband is Commissioner, find a serial killer.

I stay as close as possible to the historical record, but in writing novels, I must ‘take license’ and weave fiction in with the true life events. I’m careful to give readers lush descriptions of the settings, to send them on a journey back to that time, without rambling on, to avoid giving a history lesson. That, as well as writing murder mysteries, became easier with practice.

 ELIZA JUMEL BURR, VICE QUEEN OF THE UNITED STATES

Abandoned and left to survive on the streets of Providence, Betsy Bowen dreams of being reunited with her father – none other than George Washington. During her ninety-one years, she begs, sells her body, marries a rich man, marries a poor man, solves a murder, meets her father in secret and becomes Eliza Jumel, the wealthiest woman in New York City. She actually could have been George Washington’s daughter, according to the historical record–he visited Providence nine months before she was born.

A story of desperation, ambition, heartache and betrayal, borne with humor and refusal to compromise with what the heart asks first.

Purchase ELIZA JUMEL BURR: http://getBook.at/ElizaJumel 

Diana writes about folks through history who shook things up. Her passion for history and travel has taken her to every locale of her books, set in Medieval and Renaissance England, Egypt, the Mediterranean, colonial Virginia, New England, and New York. Her urban fantasy romance, FAKIN’ IT, won a Top Pick award from Romantic Times. She is a member of Romance Writers of America, the Richard III Society, and the Aaron Burr Association. When not writing, she owns CostPro, Inc., an engineering business, with her husband Chris. In her spare time, Diana bicycles, golfs, does yoga, plays her piano, devours books, and lives the dream on her beloved Cape Cod.
Visit Diana at

www.dianarubino.com

www.DianaRubinoAuthor.blogspot.com https://www.facebook.com/DianaRubinoAuthor

and on Twitter @DianaLRubino.

Guest Bloggers- Dr. Judy Melinek & T.J. Mitchell

The Working Stiffs: How We Get Our Ideas

by Dr. Judy Melinek and T.J. Mitchell

Judy: I do autopsies in a big city medical examiner morgue. The murder mystery ideas come strolling through the door most every day!

T.J.: Take the plot of First Cut, our debut novel. The seed for the story came from an actual homicide, where Judy got called out to the death scene. The decedent was a petty thief. He jacked a laptop off a man sitting in a café—and the robbery victim pulled out a gun. He shot the thief a bunch of times, in front of witnesses and under security cameras, took the computer out of his dead hands, and walked away.

Judy: I was there to answer questions from the homicide detectives about the gunshot wound trajectories, but all I kept thinking was, “what was so important on that laptop that someone would kill over it?” The book’s story took off from that mystery.

T.J.: You see a lot of overdoses, too. Those came in handy for First Cut.

Judy: Fatal drug overdoses are fascinating to me, because they can be any of several manners of death. When a poison is self-ingested, it could be a suicide or an accident. If it is administered by another person, it could be a homicide. It’s the same cause of death—a poisoning—but the actions people take behind that poisoning might be accidental, intentional, or nefarious. It’s my job to make that call. The police only get involved when we are certain the case is a homicide.

T.J: And even then you can’t always convince them. The tension between the determination of the medical examiner and the findings the police can make for some juicy conflict.

Judy: Just like the tension between the district attorney trying a case and the medical examiner who gets called as a witness. Trial lawyers have to build their cases based on what the witnesses are claiming, but if those witnesses are lying—or just mistaken—their testimony might not comport with the ME’s physical findings from the autopsy.

T.J.: So that’s how we work. Judy brings these stories home and we toss them around until we’ve come up with the case-based outlines for a murder plot. She gives me the story and I work to fashion it into the narrative structure of the American noir detective novel—our corner of the genre-fiction world. When I get stuck, we talk out additional scenarios from her long experience in forensic investigation, and the plot gains a new twist. She never lets me cut corners with the science, though!

Judy: It can be really satisfying—because, unlike in real life, we get to determine the outcome of the cases and the fates of the characters. We take poetic license in the narrative, but we always write our mysteries with scientific rigor, too. It’s a lot of fun!

First Cut

A young rookie medical examiner. A suspicious case. An underworld plot only she saw coming.

From the New York Times bestselling authors of Working Stiff

For San Francisco’s newest medical examiner, Dr. Jessie Teska, it was supposed to be a fresh start. A new job in a new city. A way to escape her own dark past.

Instead she faces a chilling discovery when an opioid-overdose case contains hints of something more sinister. Jessie’s superiors urge her to close the case, but as more bodies land on her autopsy table, she uncovers a constellation of deaths that point to an elaborate plot involving drug dealers and Bitcoin brokers.

Drawing on her real-life experiences as a forensics expert, Judy Melinek teams up with husband T.J. Mitchell to deliver the most exhilarating mystery of the year. Autopsy means “see for yourself,” and Jessie Teska won’t stop until she has seen it all—even if it means that the next corpse on the table could be her own.

https://www.amazon.com/First-Cut-M-D-Judy-Melinek-ebook/dp/B07P1B4CJL

Bio: The Working Stiffs are the married writing team of forensic pathologist Dr. Judy Melinek and writer T.J. Mitchell. They are coauthors of the New York Times bestselling memoir Working Stiff: Two Years, 262 Bodies, and the Making of a Medical Examiner (Scribner, 2014), and the new novel First Cut, the debut in a forensic detective series from Hanover Square Press. Its sequel, Aftershock, is coming in February, 2021. You can follow the Working Stiffs on Twitter @drjudymelinek and @TJMitchellWS, and Facebook/DrWorkingStiff.

Guest Blogger – Dwayne Clayden

Why I write Thrillers

For most of my 42 years as a paramedic and police officer, each day had the potential to ramp up my fight-or-flight response. I leaned toward the fight response. But not every day raised my adrenaline to toxic levels. There was a night shift in February, the temperature was minus thirty Celsius, and the only other vehicles on the streets were other police cruisers, tow trucks, and cabs. None of us had anything to do. We frequently checked in with dispatch, to make sure our radio was still working, but mostly to hear another voice.

There were many times where I felt my arteries pulsing in my temples. A foot pursuit, a car chase, walking into a bar fight, or checking an abandoned building at two A.M. There were the frequent times I got myself in nasty situations and needed backup from my team. There was the emotional response to traffic fatalities, suicides, abuse, and murder. Some will stick with me forever.

Now that I am writing crime thrillers full time, my goal is to write realistic police and paramedic scenes that evoke a response in the reader. I want to put the reader in the cruiser with the banter between partners, then the sudden shift to a crisis. They are in the foot pursuit with the officer. Their hearts beat faster, and their breath comes in gasps. That, maybe, there is a tear as they read about a serious injury or death.

In my third novel, Wolfman is Back, I was struggling with the last scenes. They wouldn’t come to me. We were on a flight back from Las Vegas when it hit me. I knew the ending. I grabbed a pen and my notebook and started writing. I wrote from takeoff to landing three hours later. But there was a point I was so emotionally involved in the story, that the tears flowed. I sniffled and watched the tears drop on my notebook.  I continued writing. At home, I typed those scenes into the manuscript. I cried again. Readers contacted me to tell me they had cried during those scenes. They had felt the emotion I felt, and I conveyed that onto the pages of the novel.

I love creating characters readers cheer for, and ones, well, that they don’t cheer for! Some of my characters are composites of partners—quirks and all.

I have received emails from readers complaining that they stayed up half the night because they couldn’t put the novel down. I love those comments—and I can totally relate!

I love reading thrillers. When a thriller has me up at midnight, and I say one more chapter, then damnit, I need to read the next chapter—those are the stories I want to write.

My goal is to write the novels I love to read.

I guess I’m continuing my career, and the emotional rollercoaster I rode for so many years, by putting my experiences and emotions on the page. And I love every minute!

Crisis Point book one in the Brad Coulter Novels

When his partner is killed during an armed robbery, Brad Coulter is left grappling with the loss along with a sudden burst of criminal activity in his quiet city. His new partner is a bitter veteran who challenges Coulter as he lands a spot on the newly developed Tactical Support Unit.

Between a violent shootout with a lone gunman high on glue, and a confrontation with a deadbeat father and abusive husband, Coulter and the TSU become experienced in managing extreme cases. But nothing can prepare them for the real crisis point that will forever change the face of a city and the cops that patrol its streets.

Crisis Point is a bestselling action-packed thriller set in Calgary, Alberta, that will have you racing to the showdown.


Kindle https://www.amazon.com/Crisis-Point-Brad-Coulter-Novel-ebook/dp/B07BGBMQGX

Dwayne Clayden combines his knowledge and experience as a police officer and paramedic to write realistic crime thrillers.

Crisis Point, Dwayne’s first novel, was a finalist for the 2015 Crime Writers of Canada, Arthur Ellis Awards.

OutlawMC and Wolfman is Back are the second and third novels in the Brad Coulter Thriller Series.

The Brad Coulter Series will continue in 2020 with 13 Days of Terror.

In August 2020 Dwayne will release the first novel in a new crimer thriller series, Speargrass-Opioid.

In his 42 year career, Dwayne served as a police officer, paramedic, tactical paramedic, firefighter, emergency medical services (EMS) chief, educator, and academic chair.

Dwayne is a popular speaker at conferences and to writing groups presenting on realistic police, medical, and paramedic procedures.

The co-author of four paramedic textbooks, he has spoken internationally at EMS conferences for the past three decades.

Email:                            DwayneClayden@gmail.com

Website:                        http://www.dwayneclayden.com

Connect with me:         LinkedIn | Twitter | Facebook

Guest Blogger – Jeannette de Beauvoir

Diamonds Are a Girl’s Best Friend

We’re all attracted to things that sparkle. From the moment we’re born, our eyes follow shiny objects. And because everyone likes them, precious stones and gems have acquired a substantial monetary value.

And therein, naturally, lies crime.

In the nursery rhyme, the “little star” twinkles “like a diamond in the sky,” but diamonds are no little stars: they’re big and bright and can be very, very dangerous. Blood diamonds cost countless people their lives and limbs. Diamonds are stolen and imitated, fought over and killed for, and still every February we buy them, give them, and receive them as delicate, beautiful expressions of love.

One of my novels, Deadly Jewels, deals with a diamond theft during World War II that has repercussions in the present day, its unfinished business echoing up through the years. And you might think that it was easier to steal diamonds back then, but you’d be wrong: unlike other crimes, which seem to be more and more blocked by technological advances in loss prevention and law enforcement, it seems that jewel thieves are alive and well and very much at it.

One of the things that we say about murder is that we only know about the failures—a successful murderer being, of course, one who is never caught because murder is never suspected. The same cannot be said for heists: we know only too well when and where they occur, and sometimes even by whom.

And I have to say that the history of heists isn’t without some humor.

Take the so-called Pink Panther gang, some very serious thieves from Eastern Europe who earned their nickname following the theft of a £500,000 diamond in central London—they hid the stone in a jar of face cream, a move learned from watching The Return of the Pink Panther. That’s right: Inspector Clouseau taught them. They’ve been enormously successful and are responsible for what are considered some of the most glamorous heists ever.

A science museum isn’t the first place you’d think of as a backdrop to a diamond heist, but that happened in the Netherlands during an exhibition called The Diamond: From Rough Stone to Gem. Thieves got away with $12 million in diamonds and jewelry after smashing a window to get in (they weren’t picked up on video and none of the guards saw or heard anything) and accessing six of 28 alarmed cabinets in the main jewelry room before escaping. That one still has a lot of people scratching their heads.

In 2013, thieves netted $136 million in diamonds belonging to an Israeli guest at the Carlton Intercontinental Hotel in Cannes—the same hotel that was the setting for Alfred Hitchcock’s 1955 jewelry heist film To Catch a Thief.

I could go on and on—really, I could—but you get the point. There’s something about diamonds that brings out the James Bond or Marilyn Monroe in all of us. And the mystery not only of their attraction but of the lengths to which people will go to steal them is one of endless fascination—for this mystery writer, anyway!

DEADLY JEWELS

When Martine LeDuc, publicity director for the city of Montréal, is summoned into the mayor’s office, she’s pleasantly surprised to find the city is due for a PR coup: a doctoral researcher at McGill University claims to have found proof that the British crown jewels were stored in Montréal during WWII.

Martine is thrilled to be part of the excavation project, until it turns out that the dig’s discoveries include the skeleton of a man with diamonds in his ribcage and a hole in his skull. Is this decades-old murder leading her too far into the dangerous world of Canada’s neo-Nazi networks, or is there something going on that makes the jewels themselves deadly? Is history ever really completely buried?

With pressing personal issues crowding into her professional life, Martine needs to solve not only the puzzle of the jewels, but some more recent crimes—including another murder, a kidnapping, and the operation of an ancient cult in Montréal—and do it before the past reaches out to silence her for good.

https://www.amazon.com/Deadly-Jewels-Novel-Jeannette-Beauvoir-ebook/dp/B0140MQVX8

Jeannette de Beauvoir is the author, most recently, of The Matinée Murders. A member of the Mystery Writers of America, Sisters in Crime, the Author’s Guild, and the National Writers Union, you can find out more (and read her blog or sign up for her newsletter) at her website. You can also find her on Amazon, Facebook, Instagram, Patreon, and Goodreads.

She doesn’t own any diamonds.

Guest Author – Camille Minichino

Puzzled by Crime

Since we’ve been sheltered in place, sales of jigsaw puzzles have soared. As trusted a source as NPR recently reported an increase of more than 300% over last year’s sales.

It’s not hard to figure out why people have turned to puzzling in a time of great confusion and uncertainty. If you’re focused on finding that piece of blue sky over Tuolumne Meadows in the Sierras, or the jacket of the woman ice skating in Rockefeller Center, you can hardly give in to fear or anxiety at the same time.

Other puzzles, too, are having their moment. Newspapers offer extra crosswords, acrostics, and entire supplemental sections with Sudoku, logic puzzles, and picture puzzles for kids.

Some say humans are designed to solve problems, and puzzles fill that need, especially ones that come with a clear set of rules and an unambiguous solution.

Am I ever going to talk about cozies?

Yes, here it comes.

Cozies are primarily puzzles. That’s not to say that the other elements of fiction are unimportant. Cozy readers expect all the basics of a good story: engaging characters, sparkling dialogue, appealing descriptions, riveting suspense, and a satisfying conclusion.

What cozy readers don’t expect are graphic details that take away from the essential puzzle. Does that mean that cozies make light of murder, for example? A case can be made that the touch of humor often found in cozy mysteries takes away from the seriousness of the matter. But the theory behind cozies, to my mind, is that readers already know that murder is horrible, that it’s brutal, violent, no matter the weapon, and that it takes an enormous toll on everyone around it. We don’t need to dwell on those aspects. We choose to dwell on the puzzle that connects the motive, the victim, the killer, and the clues.

The amateur sleuth featured in cozies is making a red velvet cake with her hands, while her mind is figuring out the clues. Instead of forensic details and images of internal organs being weighed in the pan of a laboratory scale, we’re treated to her aha moment—the oven timer goes off and she realizes that Mr. Victim in the Library could not have been killed before two o’clock in the afternoon. Puzzle solved!

The cozy sleuth usually has a threat to her life when the killer realizes how smart she is, how she’s been able to put all the pieces of the puzzle together. But the cozy reader knows the danger is there only to provide another opportunity for a clever move, as if the whole story were being played out on a chess board. Quite satisfying.

Murder is brutal in real life, and there are subgenres in crime fiction that deal with that—noir and horror, for example, and what are called thrillers.

At the moment, we seem to be living in a medical thriller. Maybe we’d rather leave that behind as we read. If so, cozies are there for us.

MOUSSE AND MURDER

A young chef bites off more than she can chew when she returns to her Alaskan hometown to take over her parents’ diner.

When Chef Charlotte “Charlie” Cooke was offered the chance to leave San Francisco and return home to Elkview, Alaska, and take over her mother’s diner, she didn’t even consider saying no. For the past year, she’s built a comfortable existence, spending her days making sure the restaurant runs smoothly and that her cat, Eggs Benedict, is appropriately pampered. But soon life at the diner starts feeling a little one-note.

Determined to bring fresh life and flavors to the Bear Claw Diner, Charlie starts planning changes to the menu, which has grown stale over the years. But her plans are fried when her head chef Oliver turns up dead after a bitter and public fight over Charlie’s ideas—leaving Charlie as the prime suspect.

With her career, freedom, and life all on thin ice, Charlie must find out who the real killer is, before it’s too late.

Buy links are at https://www.penguinrandomhouse.com/books/622413/mousse-and-murder-by-elizabeth-logan/

Camille Minichino is a retired physicist. She’s the author of 28 mystery novels, plus many short stories and articles. Her 5 series feature a physicist, a miniaturist, a college math professor, a postmistress, and a chef in a fictional town in Alaska. She teaches science at Golden Gate University in San Francisco and writing workshops around the SF Bay Area. Her latest series, the Alaskan Diner Mysteries, written as Elizabeth Logan, debuts with “Mousse and Murder.” All her names and numbers can be found at www.minichino.com, and at https://www.facebook.com/camille.minichino

Guest Author Terri Reid

The origin of my main character – Mary O’Reilly

Gold leaves floated down from tall branches and then rushed with the wind across the concrete pavement of the playground only to be caught against the brick walls of the school. Children laughed and ran, along with the leaves, playing on equipment that would be considered criminally neglectful today.

In a corner of the schoolyard, with leaves swirling around their Mary-Jane shod feet, the young girls stood together, discussing the upcoming weekend. Dressed in the plaid uniforms of their Catholic School, one might think the conversation would have inklings of piety or, given their age, perhaps it centered on the cutest boys in class. But no, their conversation was much darker and more daring.

“You have to stand under the oak tree, leaning against it’s trunk.”

“And you have to have a rosary around your neck, not just a necklace.”

“Then you have to repeat three times, the words ‘I believe in Mary Worth.”

“The…then…what happens?

“She climbs down the trunk of the tree, grabs hold of the rosary, and tries to choke you to death.”

“To death?”

“Or she scratches your eyes out with her long, dead fingernails.”

“Dead fingernails?”

“You need to try it, on Friday night. It always works best on Friday night.”

This is where Mary O’Reilly was born, although I didn’t realize it at the time. My Irish-Catholic upbringing filled with stories of ghosts and ghouls fed the storyteller that was in my DNA. The stories weren’t only shared on the playground, they were told by parents, grandparents, siblings, and friends. Hearing ghost stories, especially true stories that people had actually experienced themselves, created a delicious terror that could not be duplicated by any other event. Then having a ghostly experience of my own gave me a clearer insight of not only the paranormal, but how people react when you admit you have seen a ghost.

My main character, Mary O’Reilly, was a fourth-generation Chicago police officer. One night, during a drug bust, a dealer darted out of a derelict apartment building. His eyes and his gun were trained on Sean, Mary’s oldest brother. She didn’t even think about her reaction. She stepped between her brother and the bullet. Then everything went dark.

The next thing she remembered was floating above the hospital room where the nurses and surgeons were working on her broken body. Then above the Waiting Room where she saw her parents and her brothers pacing, their faces drawn and pale. Finally, she drifted up to a place that felt peaceful and safe.

“Mary, you have to make a choice now,” the deep, gentle voice echoed in her head.

“You can continue on to the light,” he continued. “Or you can return to be with your family for a time. But if you choose to return, your life will be different. Things will have changed.”

She thought about her family, remembered the look on their faces, and made up her mind immediately.

“I chose to go back,” she replied.

When Mary recovered, she discovered the change was a little more than she bargained for. Mary now could see and talk to ghosts.

Mary’s character is smart, brave, athletic, and compassionate. She is loyal and she has a tender heart. She has learned that a ghost is only a person who happens to be dead. And, as she works with the dead to solve their mysteries, she has learned one compelling truth: often the true monsters are the living.

Loose Ends

Dying is what changed Mary O’Reilly’s life. 

As a fourth generation Chicago cop, she knew the risks of the job and stepping between another cop and a drug dealer’s bullet was just something you did.  She would have done it even if the cop hadn’t been her older brother.  Rushed into surgery; Mary flat-lined.  She actually saw it, because she was watching from the ceiling of the room.  She floated pass her family in the waiting room, looking worried and much, much older.  And then she started her walk towards the light.  She was nearly there when she heard a voice call her by name and give her a choice.  Continue on or go back.  But if she went back things would be different. Boy, was that an understatement.

Now, a private investigator in a small town, Mary’s trying to learn how to incorporate her experience as a cop and new-found talent of seeing and communicating with ghosts into a real job. Her challenge is to solve the mysteries, get real evidence (a ghost’s word just doesn’t hold up in court), and be sure the folks in town, especially the handsome police chief, doesn’t think she’s nuts.

Twenty-four years ago, a young woman drowned in the swimming pool of a newly elected State Senator.  It was ruled an accident.  But now, as the Senator prepares to move on to higher positions, the ghost of the woman is appearing to the Senator’s wife. 

Mary is hired to discover the truth behind the death. She unearths a connection between the murder and the disappearance of five little girls whose cases, twenty-four years later, are still all unsolved.  As she digs further, she becomes the next target for the serial killer’s quest to tie up all his loose ends.

Buy Link: https://www.amazon.com/dp/B003Y5H8IK

Terri Reid is the author of the Mary O’Reilly Paranormal Mysteries. An independent author, Reid uploaded her first book “Loose Ends – A Mary O’Reilly Paranormal Mystery” in August 2010. By the end of 2013, “Loose Ends” had sold over 200,000 copies and, has consistently ranked as one of the top selling books in its genre. This year she celebrates the 10th Anniversary of Loose Ends.

She has nineteen other books in the Mary O’Reilly Series and several other series including The Willoughby Witches, The Blackwood Files, The Order of Brigid’s Cross, and The Legend of the Horsemen.

Reid has enjoyed Top Rated and Hot New Release status in the Women Sleuths and Paranormal Romance category through Amazon US. Her books have been translated into Spanish, Portuguese and German and are also available in print and audio versions.

Reid has been quoted in a number of books about the self-publishing industry including “Let’s Get Digital” by David Gaughran and “Interviews with Indie Authors: Top Tips from Successful Self-Published Authors” by Claire and Tim Ridgway.

She was the keynote speaker for Book ‘Em North Carolina Writers Conference and Book Fair in Lumberton, N.C., a guest presenter at Love Is Murder in Chicago, a guest lecturer at a number of universities in Illinois, and has been the opening speaker for the Illinois Paranormal Conference.

Reid lives in northwest Illinois near Freeport, Illinois, the setting of the Mary O’Reilly series.  She writes a weekly blog called Freaky Friday through her website at www.terrireid.com and can be reached at author@terrireid.com.